
My dog Jade
While walking the dog yesterday, we struck up a conversation about writing and being a writer that proved once and for all that DOGS REALLY DON’T KNOW HOW TO WRITE!
She turned around on the end of her leash and looked at me with that woeful you-don’t-feed-me-enough look on her little well-fed face. “You know, I was reading your blog today, and I think I know how to make you a well-known writer and best-selling author.”
“Oh, really?” I said. “Since when do you know anything about being a writer or marketing fiction?”
“Well, you do remember that I wrote a couple of blog posts for you already.”
“True. But I can’t afford to do that again. You type with your tongue and it leaves the keyboard all sticky. I haven’t gotten it truly clean and working properly again since that last time. If you are asking to write another post, you can forget it.”
“Well, sorry about that. But I do think I know how to make your writing more popular with a bigger audience.”.
“Oh? How could you possibly know that?”
“Hey, talking dog here! That has to count for something, doesn’t it? Don’t you think people would be amazed to learn about things from a dog’s perspective?”

“Nobody’s going to believe I have a talking dog. That isn’t something within the realm of what is normal. They are all going to think I am just a crazy old man.”
“Well, you are a crazy old man. I can’t help that. But what if you told stories from a dog’s perspective? You know, things that only a dog could’ve come up with?”
“Oh, like what, for instance?”

Why does the neighbor’s dog always smell like burritos?
“Well, you know that more than half of what a dog perceives about the world she gets through her sense of smell?”
“Okay…”
“Like that spot on the grass over there. Boy dog. Handsome border collie… ate three hotdogs about four days ago. Ooh! He smells perfect!”
“You’re talking about poop smells again, aren’t you?”
“Well, yes. But I can also tell you about the pigeons that were in that live oak tree there yesterday.”
“Oh? What color were they?”
“I don’t know… gray maybe?”
“Bird doo. You are smelling old bird poop! You want me to write about poop more?”
“Well, no… not exactly. But if you could tell your stories through the sense of smell more… that would be unique and different. People would like that a lot because it’s never really been done before.”
“You do understand that I can’t use my laptop to write smells? There are no words I could use that will automatically put smells into the reader’s nose.”
“Well, but if you could invent one…”
“According to you, it would be mostly poop smells anyway. Who wants to sniff that?”
“It would make your blog more popular with dogs.”
“But dogs don’t read!”
“How do you know for sure? You believed me when I said I read your blog today.”
“Well, you certainly got me there. Now, don’t we have some important business to take care of?”
“Yes, but… You see that squirrel over there?”
“Yes, so?”
“So one day soon, I’m gonna eat him!”





























Being Prosaic
I admit it. I am prosaic. I think in sentences. I speak in paragraphs. I write in 5-paragraph essays. I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post. I write prose. Simple. Direct. Declarative. But those last three are sentence fragments. Does that fit the model of prose? How about asking a question in the middle of a paragraph full of statements? Is that all simple enough to be truly prosaic?
Prose is focused on the everyday tasks of writing. It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.
I don’t mean to be pulling your reader’s mind in two directions at once, however. I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas. I should be more clear, more direct, and more to the point.
So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.
Simply stated; I am a writer of prose. I am too dumb about what makes something poetry to really write anything but prose. But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago. I find it useful to examine in writing how I go about writing and what I can do with it. I try to push the boundaries in directions they haven’t been pushed before. And hopefully, I learn something from every new essay I write. What I learned here is that I am prosaic. And that is not always a bad thing.
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