Category Archives: Paffooney

Now You See Me… Now You Don’t

How does an artist know himself?  Now there’s a difficult question.  I spend all my time looking at the world with the eyes of imagination.  I don’t even seem to be able to take photographs in the normal way other people do.  Maybe I should consider this self-think through the medium of pictures I have made with captions added to them?

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Mickey is not actually me.  He is my “other” me, my pen name, my goofier self.

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                                                      I was born in a blizzard in Mason City, Iowa in the 1950’s.

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I have learned about dog poop five times a day since 2011 when we found Jade, our dog.

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                                                                                                                      I was a middle school teacher for 24 of my 31 years of teaching.  I love/hate 7th Graders.

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When things go wrong, I tend to make a joke about it.

I like to draw students as I saw them, not as they really were.

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I always see myself as the one with the BIG pencil.

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If there is goofiness around here, it is all my fault.

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                                                                                           In spite of the title, I don’t know how to disappear.

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I love everything Disney.

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I tend not to be very much like other people.  I don’t think like they do.

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                                                                                                                         In grade school, I was deeply in love with Alicia Stewart, though I never told her that, and that is not her real name.

My high school art teacher told me that when an artist draws someone, he always ends up making it look a little bit like himself.  That is because, I suppose, an artist can only draw what he knows and he really only knows himself.  That being said, this post should really look just like me.

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Filed under artwork, autobiography, family dog, goofiness, happiness, humor, Paffooney, self portrait, strange and wonderful ideas about life

Doodlefox

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While watching Netflix yesterday afternoon, a retirement activity that becomes the majority of my social life when the diabetes demons are eating me, I started doodling a fox.  It was a pencil doodle at first.  And I was not drawing from life.  I was drawing the fox in my head.  I suspect it was the fox from Antoine de Saint Exupery’s masterwork, The Little Prince.

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Yes, that fox.  The wise one that knows about taming little princes, and loving them, and being reminded of them in the color of wheat fields.  I began to need that fox as my doodle pen uncovered him on the blank page.  There he was.  Surprised to see me.  Either he was leaping towards me in the picture, or falling down on me from the sky above.  I don’t know which.  But I realized I had to tame him by drawing him and making him as real as ever an imaginary fox could ever be.  You will notice he does not look like a real fox.  I did not draw him from a photograph, but from the cartoon eye in my mind where all Paffoonies come from.  And this was to be a profound Paffooney… a buffoony cartoony looney Paffooney.  It simply had to be, because that is precisely what I always doodle-do.

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And so he was a fox.  He was my doodlefox.  I had tamed him.  And then I had to give him color.  And, of course, the color had to be orange-red.

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And so, there is my fox.  Like the Little Prince’s fox he could tell me, “What is essential is invisible to the eye.  It is only with the heart that we can see rightly.”  And I put him in a post with lyrical and somewhat goofy words to give you a sense of what he means to me, in the same way one might explain what the thrill of the heart feels like when a butterfly’s wing brushes against the back of your hand.  Yes, to share the unknowable knowledge and the unfeelable feeling of a doodlefox.  A demonstration of precisely what a Paffooney is.

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Stardusters… Canto 35

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Canto Thirty-Five – In the Control Center on the Moon Gundahl

Farbick and Starbright still had the two lizard-men in their force field trap, but they were definitely also surrounded and in big trouble.  Thirty-four half-sized lizard men, or, rather, lizard-boys and lizard-girls were standing around them in a huge circle, looking at them with snaky eyes and holding things that looked distinctly like guns.

“You’re surrounded now,” warned Bahbahr from his prison, “and the kids have krahzhen-lachhers with them.”

“Krahzhen-lachhers?” asked Farbick.

“What they call tommy-guns in the language of the Untouchables starring Robert Stack and Walter Winchell… you know, automatically repeating slug-throwers.”

“Wait a second!” said Stabharh, “kids?  Where is your handler?”

“We had a fight over who was going to die next to provide food for the others,” said one of the lizard-girls, “so we killed and ate him.”

“That showed good initiative,” said Stabharh.    “Now kill these two Tellerons and we can eat them too.”

“Wait!” said Bahbahr.  “We still need them to show us how the alien tech works!”

“Why?  They will just try to trick us again.  They might succeed in killing us the next time.”

“You can’t have them killed yet,” argued the fat lizard-man.  “We’re still stuck in the invisible box.  We have to get out of here before you have them killed.”

“Um, I hadn’t thought of that,” said Stabharh.

“Are you really, really hungry, kids?” asked Farbick of the lizard-kids.

“Oh, yes!” answered four or five of the lizard-kids at once.

“You see all this technology we have here,” said Farbick slyly.  “We have a machine here that can make food out of thin air.”

The little lizard people all drew closer to the pile of Telleron tech with wide, questioning eyes.

“Don’t listen to them!” barked Stabharh.  “They will trick you!”

“Aren’t you going to eventually kill us and eat us too?” asked a lizard-girl.  “You did that with all the adults in the station after the Senator’s attack started the food shortage.”

“We kept you alive so we would have a next generation of our people,” said Bahbahr in a pleading voice that made Farbick shudder.

“But you would eat us before you let yourself starve to death, right?”

“She has you there,” sneered Stabharh at Bahbahr.

“We can leave them where they are,” said Starbright.  “The material synthesizer can make food out of random atoms.  It can feed you for long periods of time.”

“Food out of nothing?” asked a lizard-boy skeptically.

“Not out of nothing,” admitted Farbick.  “We will have to find carbon and proteins and other molecular materials to put into the synthesizer when the current fuel runs out.”

“But we can make food out of garbage… or recycled dead bodies,” said Starbright.

Farbick hated the fact that for too many generations in space the Tellerons had used extra tadpoles and personnel for fuel for the synthesizers aboard the mother ship.  Eating children was not a good thing, and their cultures both needed to stop doing such things.

“Well, can you make us some food?” asked a lizard-girl.  “We are in no hurry to free Lord Bahbahr.  He is a terrible ruler and we all hate him.”

“We might like him better with what the Earthers call ketchup all over him,” added a lizard boy.

“You cannot rebel against me!” shouted Bahbahr.  “I own all of you!  You must obey me!”

“He’s in a cage, right?” a lizard-girl asked Starbright.

“Yes.  But let Farbick and I make you some nice meat sandwiches to eat.  You can give us those heavy, nasty old krahzhen-lachhers and we can decide what to do about Stabharh and Bahbahr later.”

“Okay,” said several of the lizard-kids.  The gun-things were handed over and Farbick made a food he had seen on Earth with the material synthesizers.

As one lizard-boy received a synthesized hot dog with a big, toothy smile, he turned and grinned at Bahbahr.  “You do have an awful lot of meat on your bones,” the lizard-child said.

*****

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Filed under aliens, humor, novel, NOVEL WRITING, Paffooney, science fiction

The Dancing Poultry Conspiracy Theory

You’ve heard of the sinister 9-11 tale of the dancing Israelis?  Some conspiracy theories are very concerning.  You have to be concerned about whether the conspiracy theory is true and aliens from Zeta Reticuli really have been cloning Elvis, or whether the conspiracy theorist is a nut-bag like Alex Jones who simply needs to be locked up to protect him from himself.

 

But no conspiracy theory worries me more at the moment than one about the existence of German ninjas who advance the neo-Nazi agenda by the use of the secret martial art of der Ententanz.  That’s right, they do violence to opponents (and possibly themselves) by aggressively doing the Chicken Dance. 

You really have to watch the video above to truly appreciate the perfidy of Ententanz Fu.  Notice how it starts with the pinching-fingers castanet attack, useful for grabbing the opponent’s nose or other sensitive protruding appendage.  It is followed by the flapping elbows move that can stun the enemy by its sheer ridiculous flappiness.  And then the bouncing butt attack, which can potentially paralyze the adversary by bouncing them around the room.  All of this is followed by the dancing in a circle maneuver which renders the viewer unconscious with insane levels of laughter.  Yes, the aggressive use of the chicken dance can literally make you laugh yourself to death.

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Now, if you truly believe I am not totally serious about the dangers of ninjas doing the chicken dance in order to assassinate ordinary tax-paying citizens, I should warn you…

I mean, most people think of Ententanz Fu as merely another way German-themed tourist traps like the ones in Fredricksburg, Texas make relentless fun and ridicule targets out of clueless white people during Oktoberfest, but in reality…  Yes, it is that, but it can be so much more.  Take it from somebody who narrowly escaped from a chicken-dance-induced coma fairly recently, it is possible not only to die laughing from this dancing-poultry scourge, or be embarrassed to death, but you can also accidentally tie yourself up into a German pretzel… at which point, chickens will dip you in mustard and eat you.

So be warned.  This is a danger not even Alex Jones on InfoWars has warned you about.  (Though, if you give him enough time alone with hammers to hit himself in the head with, he may come to the same conclusions soon enough.)

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Filed under birds, conspiracy theory, goofiness, goofy thoughts, humor, Paffooney, sharing from YouTube

Follow the Yellow Brick Road

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For the past two weeks I have been battling the Wicked Witch of the Diabetes.  Her armies of flying blood-sugar monkeys have been snatching away my healthy hours and leaving me with pain, headaches, and depressing blues of worry.  I have been combating the disease up to now with diet and exercise only.  But even the miracle of a handful of peanuts filled with good diabetes-bashing niacin is apparently not magic enough to make me feel better.  I probably have to go back to the doctor and get put on insulin injections.  And that is probably more expense than I can afford.  Health insurance loves to collect ever-higher premiums from me, but they really hate to pay for anything.

In answer to my problem I have started a new art project.  Dorothy with a bit of attitude has flown in on the latest twister to start bashing heads and murdering witches.  It is probably the worst kind of magical thinking to believe drawing pictures can make health problems go away.  However, you don’t just let flying monkeys run wild.  The pen and ink will get a colored-pencil treatment and I will show it to you here on this blog as we proceed down that yellow brick road of life.  And I will get better somehow and someway, even if I have to pull that little con man out from behind the curtain and call him names until he cries.  He’s going to find something in that bag of tricks to help me.

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Filed under angry rant, battling depression, feeling sorry for myself, illness, imagination, Paffooney, pen and ink, pen and ink paffoonies

Stardusters… Canto 34

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Canto Thirty-Four – The Main Flower Garden

The five tadpoles and two Earther primate adults with the bodies of children were all together again, with a very concerned lizard-girl genius in the center of the circle lost in thought.

“I can’t answer for what the plant did,” Sizzahl said, shaking her head.  “It should not have done what it did.”

Brekka was being held tightly between Tanith and Menolly, the slime was almost gone from her bare green skin, wiped off by a concerned George and an even more concerned Davalon.

“You mean it shouldn’t have eaten anybody?” asked Tanith.

“No.  It shouldn’t have spit Brekka out.”

The tadpoles all glared, either at the plant, which was happily munching on the scabby it was eating, or at Sizzahl.

“What do you mean?” asked Gracie Morrell.

“It is an alien life form brought here by the wise ones and left behind when they returned to their home systems.  It has never let anyone live before.  It ate my father and the Great General Gohmurt as they fought over the fate of this very Bio-Dome.  It has eaten every naked scabby that found its way in here, including the intruder tonight.  I have never known it to spit anybody out.”

“How is that a problem?” asked Alden Morrell.  “We have Brekka back safe and alive.”

“Well, yes… that is a very good thing.  But it means we don’t know everything about what it will do next.  Can it move about and eat us at will?  Who will it eat, and who will it not eat?  And can we learn why?”

“I can tell you that,” said Brekka.

“Really?”  Sizzahl looked skeptical.

“Yes.  It can speak inside my head now that its saliva has penetrated my skin.”

“What?  Perhaps you are having a delusion caused by the trauma of nearly being eaten!”

“No, it’s true.  He says that in the language of the people who put out the I Love Lucy television broadcasts he is named Lester.  His other two blossoms are Thing One and Thing Two.”

Gracie bent over Brekka and put a concerned hand on her cheek.  She looked into Brekka’s eyes.  “Are you sure you weren’t dreaming?”

“It’s true.  I can prove it.  Lester, make Thing Two waggle its leaves.”

The blossom that was not munching the scabby wiggled all eight of its leaves in a way that reminded Davalon of how Earth people wave at one another.  Everyone but Brekka gasped a tiny bit.

“Tell me more,” insisted Sizzahl.  “Why didn’t Lester eat you?”

“Well, it’s kinda because I don’t taste very good.”

Menolly and George giggled at that, then both looked embarrassed.

“I mean,” said Brekka, “Tellerons are more amphibian in nature and not as warm blooded as Galtorrians and Earth people.  He could happily eat Sizzahl and the Morrells, but Tellerons have a body-chemistry that could make him very sick.  And besides… he’s been wanting to be able to communicate with Sizzahl for a very long time, and I gave him a way to do that… or, maybe, gave her a way to do that… I guess Lester is both a boy and a girl plant at the same time.”

“Me?” said Sizzahl.  “Why did he want to talk to me?”

Brekka looked up at the blossom that had engulfed her.  “He says he’s sorry that he ate your father.  When he ate your father, he absorbed all of your father’s thoughts and feelings… as well as the General’s thoughts and feelings.  He says he knows that your father was one of the good guys… not evil like Gohmurt.”

Sizzahl began to cry.  Davalon had not been certain before that moment, but now he knew that Galtorrians could feel love and have emotions just like Tellerons… and Earthers.  She was not the self-sufficient little super-genius she always seemed to be.  She was an orphan who missed her parents.

“Will he eat me or the Morrells now?” Sizzahl asked.

“He’s determined not to,” said Brekka, “but don’t get too close and cause temptation.  His blossoms get very hungry waiting for the next scabby to wander in.”

“Is he willing to help us in trying to save this planet?” asked Sizzahl, the tears drying up.

“Of course he will,” said Brekka.  “He likes the plans your father had to re-make this world into a better place for all sorts of people.  And he hates plant-destroyers like Gohmurt.  He promises to eat all the scabbies he can in order to help you make your father’s dream come true.”

*****

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The Curse of Being Creative

“Oh, I just hate you, you can draw so well!  I always wished I could draw like that.”

Yes, the perfect thing to hear when you are a twelve year old boy in the sixth grade, and you are hearing it from the girl in your class whom you most want to have a chance to see naked when you grow up.  Being smart, creative, and according to Alicia when we were twelve, “You’re so funny,” is not really as fun and wonderful as you might imagine.  There’s a downside to being highly creative.

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First of all, there’s that.  Yes, the naked part of the illustration above.  An artist, especially one who also writes and knows how to write from the heart, makes himself or herself naked all the time.  The secret parts on the inside come out constantly.  You can’t have a private, embarrassing, or secret thought without it being obviously discernible somewhere in the artworks you create.  Even the perverted ones like the one about wanting to see Alicia naked when I was twelve.  If nakedness is one of things that is on your creative little mind even though it is the one thing that you wish really wasn’t there at all, guess which of the many things on your creative little mind is going to come out first.   Artists walk around naked in front of the world all the time, no matter how many clothes they put on.

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Secondly, you don’t seem to be able to think like normal people do.  Normal people are not divergent thinkers.  They are not constantly trying to stand on their head before looking at the world, connecting bizarre things together and seeing the world in constantly shifting and highly exotic colors.  I imagine normal people probably walk around all the time with Elton John tunes playing in their head, thinking only about what they ate for lunch and then posted pictures of on Facebook.  The lights are not always on in their attic, and they certainly don’t have ghost dogs and booger-men named Douglas playing noisy games of full contact tackle Parcheesi in there during the middle of the night.  They don’t have wake-up-sweating nightmares about being attacked by ducks with gigantic white dentures.

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There are no Clowntown Kops throwing pies at them in their daydreams about rescuing naked Alicias from sinister bald villains with trained seals for evil minions.  Their minds go round and round on a single railroad track on an ordinary oval path.  Unlike my mind that is a multi-tracked switch yard where you have to approach going at least ninety miles and hour, losing a single car at every switch, nearly careening sideways off the track at least three times, and having to come together as a train on the other side, collecting all the cars again at high speed and chugging down the tracks to destinations unknown.

And it is all too easy to see the future when you are both creative and at least mildly perceptive.  I knew the Cubs were going to win the World Series.  I knew Trump would become our leader.  I still pray that I am wrong about the whole world-ending thing.

Being creative is not easy.  Sometimes it hurts more than it makes you laugh.  It leaves you naked and vulnerable.  It makes you think in abnormal ways that are studied by abnormal psychiatrists.  And it makes you see and understand things that you really wish you were still ignorant of.  But would I trade it for anything else?  Hmm… let me think about that one for a few more years.20161112_205317

 

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Filed under artwork, autobiography, clowns, dreams, feeling sorry for myself, goofy thoughts, humor, Paffooney, strange and wonderful ideas about life

Still Collecting Sunrises

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I am not by nature an early riser.  I have been far more of a night owl than a morning lark in my sixty years on this planet.  And yet, as a school teacher and father and dog owner (which also means dog-walker and dog-poop-picker-upper), I have been forced to become an early riser.  But I like to look at sunrises.  We are never guaranteed waking up alive in the morning.  One day soon I anticipate waking up quite dead.  But in the meantime, I am still looking at sunrises and collecting them.  Proof that I still ain’t dead.

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And I am trying hard this winter to think and write about other things than Donald Trump.  As bad as he is to have to deal with, life goes on… at least, until it doesn’t.  And each day I am older and wiser than I was the day before… at least by a day’s worth, if not more.  Good things still happen even if they don’t happen as often as they used to… or as much as the bad things still happen.

I am watching more than one kind of sunrise.  This statue was molded and fired in a kiln at school by my daughter, a rising sunshine of art talent.  In fact, all my kids can draw… I wonder where that comes from?

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My daughter sometimes draws weird cartoon characters like this boy with a band-aid on his nose riding on a dinosaur/dragon/thing with a laser eye and a mechanical right leg.  That is about as goofy as it gets.  And I wonder, too, where the heck does that come from?

And you can stop shouting at the computer screen.  I only pretend to be as thick as rock for comedic effect.  In truth, only my head and my really old unwashed socks are that hard and dense and thought-resistant.

But I keep going while I can.  There is still lots to do… novels to write… pictures to draw… dogs to walk and poop to pick up… being retired, even being forcibly retired for health reasons, is like a bag of Saturdays, with no real work responsibilities hanging over my head except for the ones I put there for myself.

And I keep on collecting sunrises, one after another… simply because I still can.

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The View From My Little Town

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An aerial view of Toonerville in Winter 

As immigration officers round up school children and their families blocks from a school in North Carolina, Trump minion Flynn is being accused of violating the Logan Act over discussions with the Russians before Trump took office, and DeVos is being chased away from a Washington middle school by angry protesters who don’t want her sucking the intelligence out the students, I am reminded there are quieter places to go and get away from all the insane noise that is trying to kill us.  Thus I head back to Toonerville, my HO scale model train town that has been packed away since we moved to Dallas in 2004.  I have laid the downtown and part of the residential area out on a snowfield on the spare bed in my bedroom.

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I am reminded, as I revisit Toonerville (with the Toonerville Trolley waiting down front from the train station), that I am a humor writer that writes about small town experiences and the teaching of children.  I am imaginative and creative, and I have working strategies for dealing with the stress and insanity caused by all the political baboons doing the politically-charged things that political baboons do baboonishly every baboon day.  There are places to go to get away from the Trump Circus’s endless monkey-house of horror.

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In Toonerville, none of the clocks keep the correct time and none of them agree what time it is.  Certain things are timeless.  The village works together to solve its problems.  What the wits and twits who chew Red Man tobacco down at Al’s General Store think about politics never leaves the checkerboards in front of the fire place.  Mayor Moosewinkle at City Hall has no plans to run for State or Federal office.  (Thank God for that, he’s a nut.)  And officer Billy Bob Wortle, formerly from Texas, has never shot anybody of any color.  The County Sheriff doesn’t even trust him to own bullets for that big old gun of his.  As far as executive orders from Washington go, we mostly don’t give a damn.

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Down at the Post Office, Mr. Murdoch the postman has never “gone postal” and wouldn’t hurt a fly.  He loves to gossip, though.  And Mr. Santucci, the hot-headed Italian owner-operator of the Farmer’s Market (who looks just like Santa Claus in the Coke ads, but is one very foul-mouthed Santa at Christmas time) secretly believes that it is the many differences between the various residents of town that keep life interesting.  And old Ben Johnson, the town’s only black man, is his very best friend.

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It’s a truly good feeling to live in a small town where all the people bicker and throw fits, but no one would every want to throw anyone out of town.  People belong together, working for the common good.  And it is a rather sad thing if the only place such a town can exist is inside my goofy old head.  But if we bicker a little less and throw fits less often on the inside, won’t we be better people on the outside too?

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Filed under artwork, commentary, compassion, goofy thoughts, humor, imagination, insight, inspiration, Paffooney, photo paffoonies, playing with toys, satire, strange and wonderful ideas about life, the road ahead

Whoo I Are?

One way to define myself is through the pictures I draw.  So today… less words… more draw.

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I am certainly not the greatest artist who ever lived.  But when you draw a lot… and do it for 60 years… man, you have a lot of drawings stuffed away in drawers and closets!

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Filed under artwork, cartoons, colored pencil, goofiness, humor, Paffooney, self portrait, strange and wonderful ideas about life