Category Archives: insight

The Sardonic Solliloquy

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The homeless man wandered onto center stage just as the spotlight went on.  He shaded his old eyes against the brightness and looked outward into the dark  theater.  It was probably some kind of mistake.

“Oh, so now it’s my turn to talk, eh?”

There was no response.

“Well, if you’re expecting something funny to come out of my mouth, good luck with that.  More than half of what I say that makes people laugh is the result of depression, ill health, and just plain ignorant stupidity.  And the other half of it is not meant to be funny, but is because I don’t always understand what I am saying.”

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There was an embarrassed chuckle somewhere in the darkness.

“I mean, you can’t expect too much from me. I’m a bum.  I have no money.  I have no job.  Not having any work to be bothered with is kinda good.  But the other thing kinda sucks.

And all the great comedians that used to stand on this stage and try to save the world through humor are dead now.  It’s true.  Robin Williams died recently.  George Carlin, Bill Hicks, Richard Pryor, and Bill Cosby are all long gone.”

There was some nervous laughter in the theater.

“Oh, I know, Cosby only thinks he’s dead.  But he kinda killed the character delivering the wisdom in the form of observational comedy, didn’t he.”

 

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“But most of them old boys tried to come up here and tell you the truth.  And the truth was so absolutely unexpectedly wacky and way out of bounds that you just had to laugh.  And the more wicked the humor, the more you just laughed.  You didn’t do anything about the problems they talked about.  But you sure did laugh.”

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“It seems like the more they told you the truth and the more you just laughed about it, the more old and bitter they got.  Sardonic?  You know that word?  Not sardines, fools, but sardonic.   Bitterly humorous and sadly funny.  Seems like a lot of them old boys got more and more bitter, more and more depressed up to the end.  More and more sardonic.”

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“I mean,  Carlin was calling you stupid right to your face at the end.  And you just laughed it off.”

The theater had grown eerily silent.

“But it ain’t all bad, is it?  I mean, at least you all can still laugh.  Only smart people get the jokes.  The ones Carlin moaned about were laughing because everybody else was laughing.  Those weren’t the ones we were talking to.  There’s still life out there somewhere.  Maybe intelligent life.  Maybe aliens ain’t located any intelligent life on Earth yet, but they’re still trying, ain’t they?”

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“You shoulda listened more carefully to what they were saying.  Life and love and laughter were bound up in their words.”

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“So I guess what I’m really saying is… just because I happened to get a rare chance to say it to you all… learn to listen better.  The voices are quiet now.  But the words are still there. And laughing at them is still a good thing.  But remember, you need to hear them too.”

The theater suddenly filled with the roar of a standing ovation.  The old man bowed.  And this was ironic because… the theater had always been empty.  No one at all was there now.

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Filed under comedians, humor, insight, poetry, quotes, strange and wonderful ideas about life, surrealism, Uncategorized, wisdom, word games

The Art of Contemplation

I believe one of the primary reasons that art exists at all is because we are thinking creatures with a need to spend serious time in deep minding of the consequences of existence. We need to question everything. And art helps us do that by depicting the thoughts that existed first in the mind of the artist, and then must be translated through experiencing into the mind of the viewer.

Landscapes are very useful for contemplation. They present an interpretation of the real world you can mentally walk around in.
If you are walking around mentally in a work of art, you are seeing more than just a place. You are walking mentally through the mind and the perceptions of the artist. You see what he or she has seen, even if you see it differently. Even if it is a photo the artist took.
The people, places, and things your viewer-eyes encounter when mentally walking around in a work of art have to have some overall meaning. Some purpose. Some reason for being.
What do you suppose the picture above means? I can’t tell you, even though I drew it. You, the viewer, must give it meaning.

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Filed under art criticism, artwork, imagination, insight, Paffooney

Do Not Crush the Butterfly…

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Art on the bedroom wall, with Christmas lights being used as a night light.

Talking to a school administrator the other day about the challenges my children and I have been facing in the last year, I had one of those experiences where you get a look at your own life through someone else’s eyes.  “Wow, you have really been on a difficult journey,” he said.  I just nodded in response.  Financial difficulties, health problems, dealing with depression… life has been tough.  But you get through things like that by being centered.  Meditation tricks.  Things you can do to smooth out the wrinkles and keep moving forward.

I always return in the theater of my mind to a moment in childhood where I learned a critical lesson.  My life has been one of learning how to build rather than destroy.  It has been about creating, not criticizing.

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Electric lights have come to Toonerville, helping to light the darkness.

When I was a boy, I was a serious butterfly hunter.  It started when Uncle Don gave me a dead cecropia moth that he had found in the Rowan grain elevator.  It was big and beautiful and perfectly preserved.  Shortly thereafter, I located another cecropia in the garage behind the house, a building that had once been a wagon shed complete with horse stalls and a hay loft.  I tried to catch it with my bare hands. And by the time I had hold of it, the powder on its wings was mostly gone.  The wings were broken in a couple of places, and the poor bug was ruined in terms of starting a butterfly collection.

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A cecropia moth

Undeterred by tragedy, I got books about butterfly collecting at the Rowan Public Library and began teaching myself how to bug hunt.  I learned where to find them, and how to net them, and how to kill and mount them.

I discovered that my grandfather’s horse pasture had thistle patches which were natural feeding grounds for red admiral butterflies (pictured top left)  and painted lady butterflies (top right).  But if you wanted to catch the rarer mourning cloak butterfly (bottom picture), you had to stake out apple trees, particularly at apple blossom time, though I caught one on the ripening apples too.

swallowtailBut my greatest challenge as a butterfly hunter was the tiger swallowtail butterfly.  They are rare.  They are tricky.  And one summer I dueled with one, trying with all my might to catch him.  He was in my own back yard the first time I saw him.  I ran to get the butterfly net, and by the time I got back, he was flitting high in the trees out of reach.  I must’ve watched him for half an hour before I finally lost sight of him.  About five other times I had encounters with him in the yard or in the neighborhood.  I learned the hard way that some butterflies are acrobatic flyers and can actually maneuver to avoid being caught.  He frustrated me.

The tiger swallowtail was the butterfly that completed my collection, and it was finished when one of my cousins caught one and gave it to me because she knew I collected them.

But then, one day, while I was sitting on a blanket under a maple tree in the back yard with my notebooks open, writing something that I no longer even recall what I wrote, the backyard tiger swallowtail visited me again.  In fact, he landed on the back of my hand.  I dropped the pencil I was writing with, and slowly, carefully, I turned my hand over underneath him so that he was sitting on my palm.

I could’ve easily closed my hand upon him and captured him.  But I learned the lesson long before from the cecropia that catching a butterfly by hand would destroy its delicate beauty.  I would knock all the yellow and black powder off his exquisite wings.  I could not catch him.  But I could close my hand and crush him.  I would be victorious after a summer-long losing battle.

But that moment brought an end to my butterfly hunting.  I let him flutter away with the August breeze.  I did not crush the butterfly.  It was then that I realized what beauty there was in the world, and how fragile that beauty could be.  I could not keep it alive forever.  But it lasted a little big longer because I chose to let it.

So, here is the lesson that keeps me whole.  Even though I had the power, I did not crush the butterfly.

 

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Filed under commentary, compassion, feeling sorry for myself, healing, humor, insight, inspiration, wisdom

The Cowboy Code

When I was a boy playing cowboys and Indians with cap pistols and rubber tomahawks, we all knew that cowboys had a code.  The guy in the white hat always shoots straight.  He knows right from wrong.  He only shoots the bad guy.  He even shoots the gun out of the bad guy’s hand if he can.  Westerns are about right and wrong, good and bad, and the unyieldingly good knights of plains.

And boys believe what they see on TV and in the movie theaters.  People who make television shows never lie, do they?  In fact, Wyatt Earp was based on a real guy who really lived and really shot the bad guys at the gosh-darn real OK Corral.

Daniel Boone was a real guy too.  He faced the opening up of new lands full of deadly dangers.  And when Fess Parker played him in 1964, wearing Davy Crockett’s coonskin hat, he walked the earth like a guardian angel, making everyone safe by the end of the episode.  He even knew which Indians were good and which were bad.  Mingo was always on Daniel’s side.  And when they spoke to each other about the dangers they faced, it was never about killing the people they feared.  It was about doing what is was right, about helping the community at Boonesboro to survive.  Being encouraging… looking forward to a more settled future created by following the cowboy frontier code.

So, I am left wondering what ever happened to the cowboy code?  I listen to Republican presidential candidates talking about dipping bullets in pig’s blood to kill Muslims, and building walls against Mexican immigrants, and why our right to carry assault rifles is sacred, and I wonder what happened.  Didn’t they experience the same education from the television versions of the Great American Mythology?  Didn’t they learn the code too?

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I am old enough now to know that cap guns are not real guns and you cannot solve problems by shooting somebody.  But that was never the point of the cowboy code.  We need straight-shooters again in our lives, not to shoot people, but to tell the unvarnished truth.  We need wise people who can tell who are the good Indians and who are the bad   We need them to shoot the weapons out of the bad guys’ hands.  And I know that’s asking for leaders to be larger than life and be more perfect than a man can actually be.  But Daniel Boone was a real man.  Myths and legends start with a fundamental truth.

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Softer Sunday Symbolism

Yesterday I was walking the dog when I was approached by a man and two women in the park. They were Jesus pushers. As a nominal Jehovah’s Witness, I am not supposed to have anything at all to do with such folks. They admired the little four-legged poop factory that I was walking. They listened patiently to the story of how we rescued her as a puppy in the middle of the street as cars zoomed past. They wanted to know what breed she was, and how we came to own her and love her. And then, they wanted to pray for me.

Jesus pushers! Just like the door-to-door work the Witnesses do, they want you to learn to pray their way and believe their truths.

I shared with them that I was a Christian Existentialist, and that could easily be interpreted as saying that I was an atheist who believes in God. And I admitted to them that I have a personal relationship with God and talk to him constantly. I admitted that in hard times I don’t merely rely on science for comfort. I do know what grace really means. “Thy rod and thy staff, they comfort me,” says the Psalmist David. (The shepherd uses the rod to guide the flock and the shepherd’s crook to rescue the stranded and endangered one.)

It is not in me to turn away true believers, even if I cannot accept the tenets of their faith. I let the Witnesses down. But I am no more a Witness anymore than I am one of whatever flavor of fundamentalist Christian they are.

So, they prayed for me… my poor health, my financial difficulties, and my little dog too. Their prayers touched me. Though I believe they needed the prayers more than I did. They were proving their faith to their God after all.

My own faith, my own spirituality is fundamentally simpler than theirs.

I am a part of the universe, and the universe is all that is relevant, all that there is. The universe is God. And I know my place in the universe. It is as simple as that. When I die, I will still be a part of the universe. I don’t need to live forever. Death is not the end. But it is not the end because when you finish reading and close a book, the book does not cease to exist. Past, present, and future are all one. The book can be opened again.

I appreciate that they wanted to offer me “the good news” and give me comfort. But I don’t need the forgiveness of sins they offer. I have forgiven myself, just as I have forgiven all who have ever sinned against me. I am at peace. Life is good while I have it. I thanked them and wished them well.

And that’s what Sunday means to me.

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Reading Bag of Bones

This is not a book review. I did finish reading this book in a 3-hour-end-of-the-book reading orgy, spending an hour last night, and two more early in the morning before the rest of my family was awake.

This is certainly not a book review. But I did read a Stephen King book, 1998’s Bag of Bones, which I picked up from the dollar sale shelves at Half Price Books. And I did love the story.

………………………………………………………………………This is not a book review. Instead, I want to talk about what a novelist can learn and reflect on by meta-cogitating over what this book reveals about King’s work habits and style and author’s voice.

Mike Noonan, the protagonist, is a novelist who writes books that routinely land in the numbers 10 through 15 slots in the New York Times Bestseller List. Obviously, this first-person narrative is coming directly out of King’s own writing experience. But, remember, this is not a book review. I am discussing what I have learned about how King puts a story together.

King sets a back-story for this novel that digs deep into the geographica and historica of the city in Maine where the story is set. The literal bag of bones revealed in the book’s climax is almost a hundred years old. And he takes a compellingly realistic tour back in time to the turn of the Twentieth Century more than once to reveal who the undead characters are and why they do what they do. One thing that makes a writer, a novelist, truly solid is his ability to set the scene, to grow the story out of the background in the most organic and realistic way possible. But this is not a book review. I am saying that King always does this with his books. And if you wish to write at that level, you must do that too. I know I am sincerely trying.

At the end of the story, he clearly tells the reader that he learned from Thomas Hardy that “the most brilliantly drawn character in a novel is but a bag of bones”. So, he is definitely aware that a character is a construct that has to be crafted from raw materials. It takes a master craftsman to build one with the right words to make it live and breathe on the page. He does it masterfully in this book with several characters. The protagonist, the beautiful young love interest, the love interest’s charming three-year-old daughter who is nearly slain in a horrific manner at the end of the book… The living villain is a well-crafted bag of bones, as is the ghost, the actual bag of bones in the story. But this is not a book review. Most of his books, at least the ones I have read, have the same sort of masterful characters.

There is so much more to be learned about novel writing from this book. He literally shows you how ideas are captured, how they are developed into stories, how you overcome “writer’s block”, and Noonan’s book he is writing within this book is even used as an example of how to poetically advance the plot. But this is not a book review. You should read this book. It is a very good and scary piece of work. But you should read it because it shows us how to write and do it like a master.

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Filed under horror writing, insight, inspiration, NOVEL WRITING, writing teacher

A Poem Written on a Picture

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-a poem written by Mickey and pasted on a picture.

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Filed under artwork, healing, humor, insight, poem, poetry

Exploring the Mind of Mickey

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One really weird thing that teachers do is think about thinking.  I mean, how can a person actually teach someone else how to think and how to learn if they don’t themselves understand the underlying processes?  Now that I have retired from teaching and spend all my time feeling sorry for myself, I thought I would try thinking about thinking one more time at least.  Hey, just because I am retired, it doesn’t mean I can’t still do some of the weird things I used to do as a teacher, right?

This time I made a map to aid me in my quest to follow the twists and turns of how Mickey thinks and how Mickey learns.  Don’t worry, though.  I didn’t actually cut Mickey’s head in half to be able to make this map.  I used the magical tool of imagination.  Some folks might call it story-telling… or bald-face lying.

Now, a brain surgeon would be concerned that my brain maps out in boxes.  He would identify it as a seriously deformed brain.  It is not supposed to be all rectangular spaces and stairs.  It probably indicates a severe medical need for corrective surgery… or possibly complete amputation.  But we are not going to concern ourselves with trying to save Mickey from himself right now.  That is far too complex a topic to tackle in a 500-word daily post.  We are just discussing the basics of operation.

You see the three little guys in the control room?  They are an indication that not only did I steal an idea from the Disney/Pixar Movie Inside Out, but I apparently have too few guys doing the job up there compared to the movie version.  (It probably makes sense though that a young girl like the one in the movie has a much more sensible configuration in her brain than someone who was a middle school teacher for 24 years.  Seriously, that job can do a bit of damage.)  The three little guys are not actually Moe, Curly, and Larry, though that wouldn’t be far from descriptive accuracy.  They are Impulsive Ignatz, currently in the driver’s seat (or else I wouldn’t be writing this), Proper Percy the Planner, and Pompositous Felixian Checkerbob, the fact-checker and perfectionist (also labeled the inner nerd… I am told not everyone has one of these).  They are the three little guys that run around in frantic circles in my head trying to deal with a constant flow of input and output, trying to make sense of everything, and routinely failing miserably.

I shouldn’t forget the other two little guys in my head, Sleepytime Tim in the Dream Center, and little Batty up in the attic.  I have no earthly idea how either of them function, or what in the heck they are supposed to do.  But there they are.  The other three run up and down stairs all day, locating magic mushrooms and random knowledge in the many file cabinets, record collections, book stacks, and odd greasy containers that are stored all around in the many nooks and crannies of Mickey’s mind.  They collect stuff through the eyes and ears, and it is also their responsibility to chuck things out through the stupidity broadcaster at various inopportune times.  It is also a good idea for them to avoid the lizard brain of the limbic system in the basement.  It is easily angered and might eat them.

So now you should be able to fully understand how Mickey thinks.  (Or not… a qualifier I was forced to put in by Checkerbob.)

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Filed under humor, insight, mental health, Paffooney, Uncategorized

The Bottle Imp Implementation

I gave you a list of places where my ideas for fiction come from, and in the end, I failed to explain the thing about the bottle imp. Yes, I do get ideas from the bottle imp. He’s an angry blue boggart with limited spell powers. But he’s also more than 700 years old and has only been trapped in the bottle since 1805. So, he has about 500 years of magical life experience to draw from and answer my idea questions. Admittedly it would be more helpful if he were a smarter imp. His name is Bruce, and his IQ in human terms would only be about 75. But, then, I don’t have to worry about misfired magic. If I asked him to, “Make me a hamburger,” he wouldn’t immediately change me into a fried, ground-beef patty because he is not smart enough to do that high of a level of magic spell.

But he is just barely intelligent enough to tell me a truthful answer if I asked him a question like, “What would happen if I put an alligator’s egg in a robin’s nest as a joke, and the robin family decided it was their own weird-looking egg and then tried to hatch it?” The answer would be truthful according to his vast knowledge of swamp pranks. And it would also be funny because he’s too dumb to know better. In fact, he told me about a mother robin who worked so diligently at hatching an alligator egg that a baby alligator was hatched. She convinced it that it was actually a bird. And when it came time for the baby birds to learn to fly, the baby alligator couldn’t do it… until she talked it into flapping madly with all four legs. Then, a mother’s love and faith in her child got an alligator airborne.

Yeah, that hasn’t proved to be a very useful story idea. I put it into a story I was writing during my seven years in high school, and then lost the manuscript. (I was a teacher, not a hard-to-graduate student.) But it was proof that you can get your writing ideas from a bottle imp.

So, if you decide to use bottle imps as an idea source for fiction, the next step is to find and acquire the right sort of bottle imp. I got mine from Smellbone, the rat-faced necromancer. I bought it for an American quarter and three Canadian loonies more than a dozen years ago. I found it at his Arcana and Horse-Radish Burger Emporium in Montreal. But I am not sure how that information helps you. Smellbone died in a firey magical-transformation accident involving an angry Wall-Street financier and a dill pickle. The whole Emporium went to cinders in an hour.

If you are going to try to capture the bottle imp yourself, which I strongly do not recommend, you are going to need a magical spell-resistant butterfly net, a solid glass jar, bottle, or brass urn. A garlic-soaked cork to fit the bottle. A spell scroll ready to cast containing at least one fairy-shrink spell. And an extremely limited amount of time to actually think about what you are doing.

Now I have told you how I get writing ideas from a bottle imp. Aren’t you glad I did not include this idea in the post about where ideas come from? After all, I am a fiction writer. I get my jollies from telling lies in story form. And bottle imps, especially angry blue bottle imps named Bruce, or Charlie, or Bill, are more trouble than they are worth. They can curse you with magical spells of infinite silliness and undercut your serious nature for a lifetime.

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Filed under conspiracy theory, fairies, goofiness, goofy thoughts, humor, insight, Paffooney, strange and wonderful ideas about life, writing

Mr. Happy

I know that I am probably the last person you would think of to ask for advice on how to be happy. I am a crotchety old coot, a former middle-school English teacher, a grumpy old-enough-to-be-a-grandpa non-grandpa, an atheist, a nudist, and a conspiracy theorist. You would expect someone like me to be out in his yard in his underwear yelling at pigeons for pooping on his car more than they do his wife’s car. Be that as it may, I am also basically happy.

You know what happy looks like, surely. After Christmas day is over you see two kinds of kids. One kind is miserable and grumbling in his or her room about their Christmas gift that they didn’t get, in spite of the five expensive toys they did get. Yeah, that one’s never going to be happy. Then there’s the other kind, the one happily breaking or playing with the few cheap toys their parents could afford, using more of their own imagination than the imagination the toy companies pay someone to put into their TV or YouTube toy commercials. That one is going to be somebody you can rely on for years to come. That’s the kind of kid I like to think I was. Of course, I’m probably wrong about that too. Being a middle-school teacher gives you plenty of opportunity to learn the lesson that you are actually wrong about everything in life, and like Socrates, you know absolutely nothing for sure about anything.

Years upon years of being a public school teacher, the butt of comedians’ best school-memory jokes, the target of Republican spending cuts for saving enough money to give massive tax cuts to billionaires, and having to be every kind of professional for every kind of kid, no matter how ugly and unlovable they are, teaches you where true happiness comes from.

A. You have to learn to love the job you are trying to do. And…

B. You need to do the job you love with every resource you can squeeze out of your poor, battery-powered soul.

I did that. I did the job all the way from deluded and idealistic days of youth to cynical and caustic old age hanging onto your job by the fingernails until you have to choose between dying in front of the whole classroom of horrified kiddos you have learned to love, or going kicking and screaming into retirement to maybe live a bit longer than you would have if you had stayed at your work station in the idiot-to-income-earner factory for young minds.

Being satisfied with the career you chose and the success or failure you made of it is not the only factor in being happy. Teachers don’t earn much compared to corporate informational presenters who do the same job for a lot more money in front of a lot less hostile audiences far fewer times a day. So, it helps if you can manage to need less stuff in life. After all, stuff costs lots of money. Especially stuff you don’t really need.

That is why being a nudist and not having to worry about how much you spend on clothes helps a lot with your basic level of happiness and peace of mind. Also, lots of vitamin D soaked up through your nude all-togetherness produces happy-hormones in the brain.

Being an avowed pessimist is good for being happier in life as well. After all, the pessimist is always prepared for the worst to happen. And since the worst rarely is what actually happens, the pessimist is never shocked and dismayed and is frequently pleasantly surprised.

And so, here is Mr. Happy’s secret to a long and happy life;

  1. Tell yourself that the job you have to do is the job you love to do often enough that you actually begin to believe it.
  2. Do that job you love as hard and as well as it is possible for you to do.
  3. Love the people you work for and the people you work with, even if you have to pretend really hard until it becomes real to you too.
  4. Be satisfied with the stuff you need, and try to need as little as possible. The man whose paycheck is bigger than his bills is happier than the man whose paycheck only pays for a portion of the interest on his wife’s credit cards.
  5. Wear fewer clothes. You don’t need them in a quickly warming world. And you should love the skin you’re in.
  6. Expect the worst possible outcome from everything in life, and then there is nowhere to go but upwards.

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