Category Archives: humor

I Sweetpotato What I Sweetpotato

If you are as goofy and cartoon-obsessed as me, you may remember that Popeye the sailor was known for the catchphrase, “I yam what I yam”. And if you do remember that, it will not surprise you that, when told a yam is another name for sweet potato, Popeye was furious. “It cannot be!” he argued. “I would not say I sweet potato what I sweet potato! That’s ridicumess!”

Well he has a point.

But I would like to talk today about the things that I sweet potato, and why I sweet potato those things.

First of all, I yam a humorist.

I yam this thing not because I am funny. You may think I yam funny because I say really goofy things for no apparent reason, and then keep on talking long enough to convince you that I did have a point to make, but my brain leans so far to the left that I am hardly right about anything.

And I make bad puns a lot.

You see, I have to use humor constantly to deal with all the hard things in life, because being too serious in the face of the world’s basic uncaring cruelty only leads to depression and taking a beating from life. In fact, I can think of any number of situations in my past where I avoided a beating only because I made a joke that made the bully laugh.

So, being a humorist is a survival tactic. Humor keeps you alive.

You see someone like me has to face all the pain and heartache and cruelty the world has to offer by using humor. The real reason is that, when faced with a bad situation, if the humor gland can’t empty itself of all the jokes it produces, it will begin to swell. The humor gland is located either in the brain or maybe in the behind (I am not medically qualified to tell you which it really is), and it can only swell to a certain point, and then it will explode. This is very bad thing for you, if you survive it, and certainly unpleasant for anybody nearby.

But the joke, properly launched at the target, will make somebody laugh, even if it is only the humorist himself. And laughter is the best medicine. Unless it kills you. You have to be careful not to die laughing. The angels will be offended, and the demons will all laugh too.

But I yam not only a humorist. I yam also a teacher.

I began to realize that I might be a teacher when, in graduate school to get a remedial master’s degree to help with the fact that plain English majors all starve to death, I discovered I had a talent for explaining things in simple terms. And then, immediately afterwards, I discovered I had an even greater talent for being ignored while the people I was explaining to made the mistakes they wouldn’t have made if only they had listened to me, before they failed spectacularly, and then realized how the solution I had explained would’ve made them succeed instead. There is apparently no better way to learn an important lesson.

Teaching is, of course, a pretty cool job. You tend to have the summers off. And you get paid for summer because they split the amount of money you earn for the year (which considering what a babysitter makes on average per child and per hour is far too little for the hours you put in) into twelve monthly pittances.

Of course you are expected to have a university degree (although no teacher college in the world can teach you what you really need to know in order to face that many little monsters… err, darlings… every day) and preferably some grad school, and a certification to teach in your chosen subject, and an additional certification if you are going to teach more than one subject (and ESL and Speech and Journalism, all of which I was expected to teach, are separate certifications) and you have to take hours of additional training every single year, and you have to get re-certified every five years, and… Well, you have to be basically smarter and much better-educated than Bill Gates… But the school janitor will probably be making more money per month than you do.

Anyway, it’s a job you just gotta love. I yam a teacher.

And really, there are a whole lotta yams in my basket yet that I could tell you about. I yam a Red Skelton fan. I yam sometimes a nudist (when I don’t have to put on clothes to keep myself from scratching all my psoriasis-plagued skin off). I yam also an artist (of the type known as a cartoonist). I yam pig-headed sometimes, and I yam Grumpy sometimes (so I go from being Porky to one of the Seven Dwarfs.) I yam a lotta things. And my sweet-potato basket is large.

But I can’t talk about all of my yams today. Too many yams are bad for my diabetes.

But here’s one last yam. I yam a storyteller. And I have a free Kindle e-book promotion this weekend. The book is the first in my series of AeroQuest books. It is a science fiction story with a humorous bent. And I mean, it is seriously bent in some places.

So, click on the link and get yourself a copy. It’s funny. And I will save the other sweet potatoes for another day.

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Filed under humor, metaphor, novel writing, Paffooney, self portrait, writing teacher

The Case for the Clown

The criminal was led into the courtroom in chains and forced to sit in a box made of metal bars so his influence would not reach out and harm anyone by drawing their sympathy in.

“Mr. Prosecutor,” said the learned judge, “what terrible crime has the perpetrator been charged with?”

“The alleged perpetrator!” objected the defense attorney, a mousy old man who looked like a cross between Santa Clause and Robert E.Lee because of his white beard, stern face, and a twinkle in his eye.

“Shut up please, Mr. Badweather. You will have your turn to speak.” The judge banged his gavel smartly to emphasize the shut-up-ness of his overruling.

“Your honor,” said the prosecutor, “Mister Pennysnatcher Goodlaughs stands accused of being a clown.”

“The people of the State of Texas, home of the free, land of the brave, and place where cowboys can hang their hat on the antlers of a moose they shot in Canada, will prove that Mr. Goodlaughs did willfully, and with malice of forethought, commit acts of supposed humor in order to make people laugh. And we will further prove that in a time of very serious things, he intentionally made light of very serious matters and the very serious men who try to turn those serious things to their exclusive… err, sorry, I mean… everyone’s benefit.”

“Your honor,” said the defense attorney, looking like a cross between Mark Twain and Colonel Sanders, “I would like to request a new venue for this trial. My client will not get a fair trial here.”

“Sir, your stupid request is rejected on the grounds that Mr. Goodlaughs cannot get a fair trial anywhere. We are all conservatives, and are therefore incapable of having a sense of humor. Continue, Mr. Prosecutor.”

“We will show numerous instances of Mr. Goodlaughs putting paint on his face to hide his true features or assume the identity of a character not his own. He has repeatedly used false noses, large shoes, and floppy hats to exaggerate his flaws and scare young children. He repeatedly wears polka-dotted clothing to simulate terrible taste and ridiculous lack of fashion-sense. He employs pratfalls and slapstick humor in his performances, things that, if any school-age child would imitate the behavior, might lead to serious injury or even death. And he has even dared to make fun of our glorious leaders, implying that they make mistakes and may even have hurt people. That they act without thinking about anything but their own pocketbooks. In other words, this clown has knowingly made jokes in order to get people to not take things seriously.”

“Your honor, I object to this jury. I object to the fact that it is made up of fifty percent rednecks and fifty percent kangaroos! My client demands a new, more impartial jury!” cried the defense attorney, looking like a cross between Captain Kangaroo and Ronald Reagan.

“Has anybody noticed?” asked the judge, “that this attorney looks like he could influence this jury unfairly? He looks like two people who could lead the two halves of this jury to the wrong conclusion. Bailiff! Take the defense attorney out back and execute him by firing squad.”

After the entire courtroom heard the gunshots go off, the judge then turned to the prisoner.

“It seems, Mr. Goodlaughs, that the defense’s opening statement is now entirely up to you. Do you have anything to say in your own defense?

“I do, your honor. Ladies and gentlemen, kangaroos and Reagan Republicans of the jury, I submit to you that I have never actually been a circus clown, or wore face paint. Not that I wouldn’t if the opportunity presented itself. I merely claim the right to laugh at anything I think is funny… or can be made funny. Whether I am being what you call a clown, a humorist, a cartoonist, a comedian, a fool, a village idiot, or a witty fellow, I believe I have the right to make light of anything. Life is always better when you can laugh. Especially if you can laugh at yourself.”

“I’ve heard enough,” said the judge. “What say you, jury?”

“Guilty!”

“Yes. And I preemptively waive the prisoner’s right to appeal. Sir, you are guilty, and you shall be executed immediately.”

Everyone in the courtroom breathed a long-awaited sigh of relief.

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Filed under clowns, comedians, commentary, foolishness, humor, insight, Paffooney, pessimism

Being Ignored

I have never been an attention-seeker. In the Elysian Fields of modern society, I have never really been the honeybee. I have always been the flower. I had a reputation in high school for being the quiet nerd who ends up surprising you immensely in speech class, at the science fair, or at the art show. I was the one they all turned to when everybody in the conversation had already had their chance to strut and pontificate and say dumb things, and they were finally ready to get the solution to the problem being discussed, or the best suggestion on where to begin to find it.

When I became the teacher of the class instead of the student, I had to make major changes. I had to go from being patient, quiet, and shy to being the fearless presenter, forceful, sharp as an imparter of knowledge, and able to be easily understood, even by the kids whom you couldn’t legally call stupid, but were less than smart, and not in a pleasant Forrest Gump sort of way.

Shyness is only ever overcome by determination and practice. The standard advice given is to picture your audience naked so that you are not intimidated by them. But if your audience is seventh graders, you have to be extra careful about that. They are metaphorically naked all the time, ready at a moment’s notice to explode out of any metaphorical clothing they have learned to wear to cover the things that they wish to keep to themselves about themselves. And while you want them to open up and talk to you, you don’t want the emotional nakedness of having them sobbing in front of the entire class, or throwing things at you in the throes of a mega-tantrum over their love-life and the resulting soap operas of betrayal and revenge. And you definitely don’t want any literal nakedness in your classroom. (Please put your sweat pants back on, Keesha. Those shorts are not within the limits of the dress code.) Calling attention to yourself and what you have to say, because you are being paid to do so, is a critical, yet tricky thing to do. You want them looking at you, and actually thinking about what you are saying (preferably without imagining you naked, which they will do at any sort of unintentional slip or accidental prompting.) The ones who ignore you are a problem that has to be remedied individually and can eat up the majority of your teaching time.

I trained myself to be fairly good at commanding the attention of the room.

But now that I am retired, things have changed. I can still command attention in the room, which I proved to myself by being a successful substitute teacher last year. But I no longer have a captive audience that I can speak to five days a week in a classroom. Now my audience is whoever happens to see this blog and is intrigued enough by the title and pictures to read my words.

Now that I am retired and only speaking to the world at large through writing, I am ignored more than ever before. Being ignored is, perhaps, the only thing I do anymore. It is the new definition of Mickey. Mickey means, “He who must be ignored. Not partially, but wholly… and with malice.”

I put my blog posts on Facebook and Twitter where I know for a fact that there are people who know me and would read them and like them if they knew that they were there. But the malevolent algorithms on those social media sites guarantee that none of my dozens of cousins, old school friends, and former students will see them. Only the single ladies from Kazakhstan and members of the Butchers Union of Cleveland see my posts. Why is this? I do not know. Facebook and Twitter ignore me when I ask.

My books, though liked by everybody who has actually read and responded to them, are lost in a vast ocean of self-published books, most of which are not very good and give a black eye to self-published authors in general. I recently got another call from I-Universe/Penguin Books publishers about Catch a Falling Star, the one book I still have with them. They are concerned that my book, which is on their Editor’s Choice list, is not performing as well as their marketing people think it should. But to promote it, I would have to pay four hundred dollars towards the marketing campaign, even though they are already subsidizing it by fifty percent. They tell me they believe in my book. But apparently not enough to pay for 100% of the promotion.

I have decided to invest in a review service that will cost me about twenty dollars a month. But my confidence is not high. The last time I paid somebody to review a book, they reviewed a book with the same title as mine from a different author. That service still owes me money.

But the only reason it is a problem that I am being thoroughly ignored these days is that an author needs to be read to fulfill his purpose in life. Maybe pictures of pretty girls in this post will help. But, even if they don’t, well, I had their attention once upon a time. And since my purpose as a teacher is already fulfilled, perhaps that will be enough for one lifetime.

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Filed under artwork, autobiography, education, humor, Paffooney, publishing, teaching

Generations Gone Before

Of the people in the school picture from Rowan Rural School #4 (a one-room schoolhouse from Midwestern history and lore) all the ones who survive are octogenarians. Three of the survivors were at our family reunion for Great Grandma Hinckley’s descendants. My mother and uncle were there. Their cousin was also there. The school house stood on the Aldrich corner, near the house where my Grandpa and Grandma Aldrich lived, the farm house of a farm that’s been in the family for over a hundred years. My mother and Uncle Don and Uncle Larry could easily walk there. The rest came from country miles around by horse-drawn wagon.

This is not a school-bus wagon, but rather, an oat-seed spreader. So, almost the same.

Uncle Larry is now gone, but they have survived from the time of President Franklin Delano Roosevelt to the time of Criminal President Doofenschmertz Jehosephat Trumpennoodle. Things have changed. The house I now sit in was, back then, a place with a windmill and hand-pump for water, an outhouse for bathroom chores, and a radio for entertainment.

If they hadn’t endured through World War Two, and Joe McCarthy’s Red Scare, and the assassination of JFK, we wouldn’t even be here. We are the children of hardship, endurance, and conviction of the rightness of life on Earth.

We saw progress through the creation of Disneyland, landing the first man on the surface of the moon, Bugs Bunny cartoons, Scooby Doo, and the Pink Panther… Nixon and his Watergate break-in, Hee Haw and Lawrence Welk, Laugh-in… President Ford falling down stairs, Saturday Night Live, the Peanut-farmer President, Reaganomics… the Iranian hostage crisis… Saved by the Bell, Ghostbusters, Indiana Jones… The invasion of Panama… Operation Desert Storm… the second war in Iraq… the downfall of Saddam Hussein… Thundercats, Jerry Seinfeld, Friends, the Wonder Years…

I am especially impressed that they lived through all those Jerry Lewis Labor Day Telethons. And Leisure Suits… Aagh!

Mother’s entryway table with pictures of Grandpa and Grandma Aldrich in the back

And their time is not completely up. Mother and Dad and Uncle Don still move on and go to reunions and bury loved ones… and tend to the needs of grandkids and great-grandkids… And pass on the good things to the next generation… and the next. So it goes, towards times not yet dreamed of.

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Filed under autobiography, family, humor, Iowa, kids, photos

How to Talk to Real People

While visiting in Iowa, I ran into an old high school friend at a local eatery. I remember how in high school and junior high, I played basketball on the same team with him, I listened to his exaggerations about a probably non-existent sex life, and helped him on one or two occasions to get answers on Math homework (even then the teacher in me wouldn’t let me just give him the answers, I always made him work out the answers step by step).

Now he is a judgmental and basically crabby old coot. He is a Trump supporter, hater of immigrants who take American jobs, and an unpleasant arguer of politics. And the sorest point about his intractable coot-i-ness is the fact that, as a classmate, he is the same age as me and I am, therefore, just as intractably coot-y as he is.

So, how exactly do you talk to a mean old coot?

Well, you have to begin by realizing that it is not like the dialogue in a novel or TV show. This is a real person I was talking to. So, I had to proceed by accepting that he thinks I am an idiot and anything I say and think is wrong. Not merely wrong, but “That’s un-American and will lead to a communist takeover of our beloved country!” sort of wrong. I can then laugh off numerous Neo-Nazi assertions by him, make snarky comments about his praises for the criminal president, and generally get along with him like old friends almost always do. I play my part just as furiously as he plays his, and we both enjoy the heck out of it.

We are both of us crazy old coots, likely to say just about anything to get the other one’s goat. Getting goats is apparently vital to the conversations of real people. But we have more in common than we have as differences. We don’t keep score in our world-shaking debates, nor do we count how many goats we get. And that is how you talk to real people.

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Filed under characters, humor, insight, oldies, Paffooney

Being Prosaic

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I admit it.  I am prosaic.  I think in sentences.  I speak in paragraphs.  I write in 5-paragraph essays.  I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post.  I write prose.  Simple.  Direct.  Declarative.  But those last three are sentence fragments.  Does that fit the model of prose?  How about asking a question in the middle of a paragraph full of statements?  Is that all simple enough to be truly prosaic?

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Prose is focused on the everyday tasks of writing.  It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.

I don’t mean to be pulling your reader’s mind in two directions at once, however.  I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas.  I should be more clear, more direct, and more to the point.

So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.

20160705_214055Ah, irony again!  It ends up being anything but simple.  You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas.  One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning.  You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect.  Prose is a powerful and infinitely variable tool for creating meaning in words.  Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.

Simply stated; I am a writer of prose.  I am too dumb about what makes something poetry to really write anything but prose.  But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago.  I find it useful to examine in writing how I go about writing and what I can do with it.  I try to push the boundaries in directions they haven’t been pushed before.  And hopefully, I learn something from every new essay I write.  What I learned here is that I am prosaic.  And that is not always a bad thing.

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Filed under commentary, goofy thoughts, humor, irony, Paffooney, strange and wonderful ideas about life, writing, writing humor

The Magic Strings of Frankie Presto (a book review)

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The Magic Strings of Frankie Presto: A Novel
by Mitch Albom (Goodreads Author)

Michael Beyer‘s review

Jul 23, 2017

It was amazing!

This book is a miracle. It makes words into music and fills your imagination with some of the most beautiful guitar music ever played. It introduces you not only to a very convincing portrait of a fictional musician and Rock and Roll icon, but a vast array of very real musicians and show people who agreed to be used as a part of the story, approved the sections about them, and even helped Mitch Albom to compose it. These include notable music makers like Lyle Lovett, Darlene Love, Tony Bennett, Paul Stanley, and Burt Bacharach. The story itself transcends its fictional form, giving us a look at a musical history whose scope goes from the Spanish Civil War of the 1930’s to Woodstock, and on to the present day. It even gives us glimpses into the distant musical past, framing the story with the song Lágrima by the classical guitarist Francisco Tárrega. And all this music the book fills your mind with is actually performed only in your imagination and memory. Albom proves again with this book how his mastery of language makes him an absolute master story-teller.

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And now, here is me trying to make sense out of a reading experience that made my figurative heart grow wings and soar into the clouds in ways brought forth only by the strains of a sweet, classical Spanish guitar.

Stories like this one make a unique music in the mind, and though it is all fiction, occurring silently in the theater of your mind, you hear the music in your heart.  This story elicited the music of Rodrigo’s Adagio throughout, a piece I know intimately.  I myself have never written a musical book the way this fiction book was written.  But I know now that I have to try.  Poetry becomes song lyrics, right?  There is a connection between a good archetypal story about life and love and laughter, and the bittersweet strains of music on a Spanish guitar.

I truly and utterly fell in love with this beautiful book.  Mitch Albom is a genius… for a Detroit Tigers baseball fan.  And I would not risk telling you anything that might spoil such a beautiful story.  All I can say is, don’t read it… listen to it as you would a piece of beautiful music.  Listen to it and love it.

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Filed under book review, Celebration, classical music, humor, music, novel, strange and wonderful ideas about life

Updates in Downtown Toonerville

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Toonerville is really all about creating art with my HO model railroad toys.  So, here’s a picture of the newest arrangement of the downtown as it now sits in my bedroom/studio.

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The buildings are a combination of models I put together and plaster buildings that I bought unpainted and then painted them.

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The Ghost Busters van in front of Mike’s Farmer’s Market was recently bought for less than a dollar and added to collection.  Just in time too.  There is apparently a ghost in Mike’s clock tower.

The two Thomas the Tank Engine toys were recently added after they were recovered from a junk pile in the garage.

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Here’s a shot of the Toonerville Trolley that was the first trolley added to my HO train layout back in the early 70’s.

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So, this is a small bit of insight into the workings of a toy collector and artist with excessive amounts of hoarding disorder.  And I am sharing with you the most recent pictures I have made of the things in my collection.

 

 

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Filed under collecting, humor, photo paffoonies, Toonerville, Trains

Imaginary Friends

Toccata and Fugue

When you know someone has an imaginary friend, something like Elwood’s six-foot invisible rabbit called Harvey, don’t you immediately think that person is crazy?  I do.  But I have imaginary people as friends. I think most writers do.  So am I crazy?  Probably. But hopefully it is a good kind of crazy.

It began with imaginary friends from books.  The Cat in the Hat was my friend.  Jim Hawkins was my friend, as was Mowgli and all the members of the Swiss Family Robinson.  They entered my dreams and my daydreams.  I told them my troubles the same way I listened to theirs through their stories.

I began to have imaginary friends that came from my own imagination too.

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I used to tell my mere human friends about my friend Davalon from outer space.  I told them that he was real and secretly visited me at night to talk about being able to learn about humans on earth by walking around invisibly and watching them.  I got so involved with these stories that my sixth grade class began saying, “Michael is from Mars.”

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When I was a teenager, I began having conversations with a faun.  His name was Radasha.  He was a creature from Greek Myth, a sensual Dionysian creature who, in his child body, was both younger than me and way older than me.  I didn’t realize until much later in life that he was the result of my repressed memories of a childhood sexual assault that I was the victim of.  I could talk to him about my fear of nakedness.  I could tell him about my blossoming interests in naked girls and their bodies.  I could talk to him about all the things I was somehow too terrified to talk to my male friends about, even though none of them had the same reluctance to discuss sex.  Ra was imaginary.  But he helped me heal.

Then the story-telling seriously began.  I used Davalon as one of the main characters in my novel Catch a Falling Star.  I created Torrie Brownfield, the baby werewolf to express the feelings I had as a boy about being a monster and secretly terrible and deformed.  Torrie is a normal boy with a condition called hypertrichosis.  I am working on The Baby Werewolf now.  And then there’s lovely Valerie Clarke.  She is the main character of Snow Babies which is a finished novel, edited and proofread and ready to publish.  It is I book I will have to find another way to publish since the recent death of PDMI Publishing.  She is not a me-character, based on my own thoughts and feelings.  She is based on former classmates and students who told me things that express the sadness and isolation of growing up female.  So she is even more imaginary than my other characters.

They become real people to me.  They have their own point of view. They talk to me and I learn things from them.  But they are imaginary.  So am I crazy?   Yes… as a loon.  And happy as Elwood P. Dowd to be that way.

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Filed under artwork, autobiography, being alone, characters, commentary, humor, imagination, insight, Paffooney, strange and wonderful ideas about life

Polyticks

political insanity

People are people, no matter how wrong…

And it isn’t a good thing to argue too long.

My friend is a “Can” from the Republic of Cans,

Who says all the poor people are just bad hu-mans.

And he really believes it, even though he’s not dumb,

‘Cuz he thinks climbing ladders using one of his thumbs,

Is how all people manage to be worthy and good,

And lazy bad people choose to fail like soft wood.

And though he’s not seen that old ladder of mine,

Or the ladders of people with one rung in nine,

He’s thoroughly convinced that all ladders are fair,

And it’s all their own fault if they fall through the air.

Yes, people are people, no matter how wrong…

And it isn’t a good thing to argue so long.

I have a good friend who’ll do Demos of Crats,

And screech about equity like an army of cats.

He thinks we should pay for all college and school,

And use our tax money as a leveling tool.

He thinks we can make the rich pay for our dreams

And make life all breakfast of sugars and creams.

And maybe he can and maybe he can’t…

Make sense of the subject of his long, drawn-out rant,

But they’ll never pay it and he will get Berned,

Because they never part with what they think they have earned.

But, people are people, no matter how wrong…

And it isn’t a good thing to argue so long.

In conclusion I think the thinks that I think

Are carefully measured and really don’t stink,

But don’t take good thinking to toss in dump,

Or sooner or later… it’s President Trump!

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Filed under clowns, collage, goofy thoughts, humor, Paffooney, pessimism, poetry, politics