
When I was in Cow College at Iowa State University I spent most of my study time listening to KLYF Radio in Des Moines. They would eventually transform into an easy-listening music station, but the time I truly lived a K-LYFe was when they played classical music. And it was there that I first fell deeply in love with the Saturday Matinee stylings of Erich Wolfgang Korngold, the first incarnation of John Williams of Star Wars fame. Yes, movie music. Classical movie music. And it seemed, mostly movie music for Errol Flynn movies.
My sister was always a lover of Errol Flynn movies, and when KGLO TV Channel 3 would play one on the Saturday Movie Matinee in the early afternoon, we would have to watch it, the whole thing, no matter how many times we were repeating the same four movies. Nancy would memorize the lines from the Olivia deHavilland love scenes. I would memorize the sword fight scenes with Errol and Evil Basil Rathbone (Good Basil was Sherlock Holmes, and we had to watch those too.) Early evenings on those Saturdays were all about playing pirate and Captain Blood adventures. Or better yet, Robin Hood.
But the music of adventure was by the composer Erich Wolfgang Korngold. He did the sound tracks for Captain Blood, Robin Hood, and the Sea Hawk.
I sincerely love the corny old movie matinee music because it was not only genius-level mood music and story-telling in a classical music instrumental masterpiece, but because even now it takes me back to the boy I was at twelve years old, playing pirate on Grandpa Aldrich’s farm. Making Robin Hood bows out of thin tree branches and arrows out of dried ragweed stalks. Sword fighting to the death with sticks with my cousin Bob, who was always Basil Rathbone in my mind. while I’m sure I was Basil Rathbone in his mind.
To be honest, there is much more to Korngold than I have relentlessly gushed about here like a hopeless nerdling fan-boy in the throws of a geeky movie passion. He was a musical child prodigy like Mozart. He wrote a ballet called Der Schneemann (the Snow Man) when he was only eleven, and became the talk of the town in Vienna, Austria in 1908. He became the conductor of the Hamburg Opera by 1921. He wrote some very fine classical music in the 20’s that still rings through orchestra halls to this day before coming to America in the early 30’s with film director Max Reinhardt. He scored his first film in 1935, adding music to Reinhardt’s Midsummer Night’s Dream. He was fortunate to escape Europe just as the Nazis were coming to power in Germany, and also at the right time to team up with new movie star sensation, Errol Flynn. He won his first Oscar for the musical score of the movie Anthony Adverse in 1936 and he won his second for The Adventures of Robin Hood in 1938. He died in 1957, a year after I was born. But I promise, I didn’t kill him. I was in college in the 1970’s when his music underwent a revival, complete with renewed popularity.

His music was pure gold to listen to in the fields of corn in Iowa in the 1970’s. It was just as good as that last pun was terrible. So, in other words, really, really, spectacularly good. It was the music that scored my childhood fantasy adventures.

































Uber New Year
Who knew that being an Uber driver required the skills of a swashbuckling hero?
But that is exactly what it is. I am approaching the end of my first $100 dollar week. And I have already been on a harrowing ride through the world of ride-sharing for money.
The key to successfully picking up and ferrying passengers to the site of their choosing is a matter of being personable and at ease with driving and talking. Of course, I have talking skills. My whole 31 year career was a matter of learning to effectively talk to kids all day long. And you may not believe this, but adults, people who actually have money and the freedom to choose their own path, are easier to talk to than kids. I have learned about people’s families, people’s jobs, opinions of their bosses, opinions of the government and taxes, and even some tell me about their love lives, both directly, and second hand. If there are two in the car, then they forget that the driver has ears and can hear (within the limitations of really old ears).
One recent passenger was absolutely convinced that no Uber driver actually knows how to drive. That passenger sat in the back seat and sent a barrage of traffic warnings and worries forward for me to deal with at the same time I was watching the road ahead. It was almost exactly as harrowing as driving with my wife as a passenger. I felt like a child again, driving for the meanest teacher I ever had growing up. (Sorry, Ms. Rubelmacher, I learned a lot from you. Don’t give me detention for writing that.)
But why did I say “Swashbuckling hero” if I am only going to talk about talking to passengers? And why all the Batman gifs?
Well, I am talking about driving in the Dallas Fort Worth Metroplex, ain’t I? Do you know what Texas drivers are like? On Saturday I picked up a coach headed for a retirement party at a Luby’s on the border of DeSoto (a southwest Dallas suburb. That was a twenty-two dollar trip from east-central Dallas catty-cornered all the way across the city in a diagonal direction on the tollway and then I-35 South. I had three cars cut me off for driving too slow (by which I mean the speed limit. Hey, Uber monitors that through their app.) The Uber Navigator told me to keep right at a time when keeping right nearly threw me off 35 onto an intersecting highway, so I had to make a quick two-wheeled Starsky and Hutch turn through the corner of the median to stay on course. (Fortunately, Uber can’t monitor that.) Dallas drivers are a combination of speedy predators in WASP rockets, Texas killer grandmas in Cadillacs, and Elmer Fudds going too slow in classic cars from the 50’s. They provide you with a booby-trapped obstacle course to drive through, and go so fast that the speed limit becomes dangerously too slow.
So I definitely appreciate Batman for providing me with all the animated illustrations to use for portraying the high-risk life of an Uber driver. It makes driving this way easier to pretend that I am one half of the dynamic duo driving the Batmobile in Dallas downtown traffic. Yes, it’s true, I am saying I pretend to be Batman.
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Filed under angry rant, commentary, feeling sorry for myself, heroes, humor, irony, self pity, strange and wonderful ideas about life
Tagged as Batman, Uber driving