“Mickey, why can’t you be more serious the way smart people are?”
“Well, now, my dear, I think I take humor very seriously.”
“How can you say that? You never seem to be serious for more than a few seconds in a row.”
“I can say it in a high, squeaky, falsetto voice so I sound like Mickey Mouse.”
“You know that’s not what I mean.”
“I can also burp it… well, maybe not so much since I was in junior high.”
“I distinctly remember getting in trouble in Mrs. Mennenga’s third grade class in school for pantomiming pulling my beating heart out of my chest and accidentally dropping it on the floor. She lectured me about being more studious. But I made Alicia sitting in the row beside me laugh. It was all worth it. And the teacher was right. I don’t remember anything from the lesson on adding fractions we were supposed to be doing. But I remember that laugh. It is one precious piece of the golden treasure I put in the treasure chest of memories I keep stored in my heart.”
“I always listened to the words Groucho Marx was saying, even though he said them awfully fast and sneaky-like. I listened to the words. Other characters didn’t seem to listen to him. He didn’t seem to listen to them. Yet, how could he respond like he did if he really wasn’t listening? In his answers were always golden bits of wisdom. Other people laughed at his jokes when the laugh track told them to. I laughed when I understood the wisdom.”
“Laughing is a way of showing understanding. Laughing is a way of making yourself feel good. Laughing is good for your brain and your heart and your soul. So, I want to laugh more. I need to laugh more. I love to laugh.”
My wife constantly tells me I am wrong… about everything. And I probably am. So that is not right. And if you think that’s my wife in the picture, you would be wrong. She’s much larger than that in real life.
Catch a Falling Star 
Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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Tagged as My Little Pony, Snow Babies