Category Archives: commentary

Infinite Monkeys

The theorem goes, “If you sit an infinite number of monkeys behind an infinite number of typewriters and let them tap away at random for an infinite amount of time, they will eventually come up with all the works of Shakespeare, and in addition to that, all the works of literature that have ever been written and ever will be written.”

Now, that is a daunting theorem. All the great works of literature by Mickey will be recreated by monkeys? And even worse, they will probably produce much better versions of all of it. Plus versions of it written in German, Mandarin Chinese, Urdu, and Californian (a really difficult language to translate.) All languages ever created on all the planets of the universe, as a matter of fact. The proof is there. It hinges on the mathematically precise definition of “Infinite.”

But you have to remember, infinite is the biggest number there is.

So many variations will be there in the truthfully infinite amount of stuff that infinite monkeys will produce that one version of Shakespeare’s Hamlet will have a final act where, instead of everyone dying or accidentally killing themselves, Hamlet will talk them all into putting on yellow chicken costumes and dancing with hula hoops as a means of acquiring absolution for their sins.

And a version of it will also exist where all the letter “B’s” will be replaced by “P’s” and all the vowels will be doubled so that Hamlet’s famous soliloquy will begin, “Too pee oor noot too pee, thaat iis thee quueestiioon…”

Accurately imagining the conditions required to have infinite monkeys tapping out infinite works of literary art means that any ridiculous thing that Mickey thinks of will have to actually be typed out by one or more (or infinite) monkeys in all of that infinite monkey writing. Somewhere Eugene Ionesco’s play Rhinoceros will have nothing but characters who are rhinoceroses at the beginning of the play who turn into human beings by the end of the play. (That is the exact opposite of the real French absurdist’s play, for those of you who did not have to read such stuff in college literature courses.)

In fact, in order to think up all the ridiculous variations of every work of literature would take Mickey an infinite amount of time. Mickey probably doesn’t really want to live that long.

And then there is also the question of the physics of infinity. Is the universe itself, I mean, the one we all live in presently, actually infinite? Astrophysicists don’t think so according to current observable data on the astronomical model of this universe. And then you have the problem of infinite monkeys made of infinite matter. The universe would be filled to overflowing with infinite monkey-matter. And that leaves no matter or space to be used for infinite typewriters. The whole universe would be monkey-matter. And that would also mean no room for bananas, or, in fact, any monkey food of any kind. What is going to motivate the infinite monkeys to work for an infinite amount of time on their monkey literature which they won’t have typewriters to write on anyway?

And then there is another horrible thought that occurs to me. In this picture to the left, do you see the evil monkey? Believe me, if you have an infinite amount of monkeys, one or two (or possibly an infinite number of them) will definitely be evil geniuses.

And evil monkeys do evil monkey-business.

At least one or two (or possibly… you know…) evil monkey geniuses will disassemble infinite typewriters to make infinite doomsday devices. Typewriters will be re-engineered into computers and will become filled with monkey-viruses that will rewrite the operating software of the universe. And then, everything becomes an infinite monkey-villain paradise where the evil geniuses among the monkeys will live the perfect life for monkey criminals full of monkey crimes and monkey debauchery and the kind of infinite chaos that infinite monkey-villains enjoy.

This thinking about infinite monkeys leads to one very definite infinite-monkey conclusion; WE DO NOT WANT TO MESS WITH GIVING INFINITE TYPEWRITERS TO INFINITE MONKEYS!!!

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Comic Book Heroes Who are Older Than Me

I don’t know if you know this, but I am in reality older than Spiderman. I am also older than the Fantastic Four. All of the Avengers except for Captain America are younger than me. Well, you could argue that Thor and Hercules were around longer than me. And the Sub Mariner, And the original Human Torch, the one that Ultron would eventually turn into the Vision. But I am turning 65 this year, and only the Golden Age comic-book characters are actually older than me.

Superman, from the date of his actual creation, not first publication, is turning 88 this year. Schuster and Seigal drew the first Superman strips in 1933.

At the beginnning of June, 2021 the Spirit will be 81 years old. Created by Will Eisner in 1940 the Spirit got an entire full-color page in more than 20 newspapers with a total circulation of more than 5 million copies nationwide. Denny Colt got his super crime-fighting powers by basically being a ghost, back from the dead to punish his killers and other criminals every Sunday until 1952.

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Sheena, Queen of the Jungle is turning 83 this year, being created in 1938 by Jerry Iger working with Will Eisner, among others. She looks pretty good for her age. But, consider this, she is based on the character Rima the Jungle Girl from William Henry Hudson’s 1904 novel Green Mansions. Rima, if she had become a comic book character too would be 117 this year.

The Shadow, too, is pretty damn old. He celebrates his 91st birthday this year if you consider his pulp fiction origin in 1930. He was also the narrator of a radio show before actually becoming a comic book hero. The old man of this essay was a billionaire who could become invisible thanks to his mind-control powers. And he also had peerless martial arts prowess. He is an obvious inspiration to Bob Kane’s Batman.

Batman and Robin, as understudies to the Shadow are virtually the same age. Batman was created in 1939 in Detective Comics, and Robin would appear for the first time before the year was out. That makes them both 82 years old this year.

The first time they appeared in their own title was in 1940, so that makes the Joker, Alfred Pennyworth, and Catwoman 81 years old.

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Alex Raymond’s imitation Buck Rodgers comic, Flash Gordon, first appeared in newspapers in 1934. That makes Flash, Dale Arden, and Dr. Zarkov all celebrate their 87th birthday this year.

The Green Hornet is 85 years old.

Wonder Woman is 80 years old.

So, even though I am old and creaky, reading comics with the older superheroes in them makes me feel like a kid again. An old, creaky kid.

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What 2020 Has Done To Me

The year began with me recovering from a bout of flu caught while substituting at Bush Middle School. I had thought it would be the end of me. But, no. I managed to survive. It left me feeling that no mere virus could get the better of me.

Oh, foolish and overly simple me! I had no idea what was coming. I had decided to write a novel set in a residential nudist park in South Texas that I knew nudists from but had never actually visited.

I discovered that my financial situation was headed for disaster if I didn’t earn enough money from substitute teaching. I was trying to pay off my Chapter 13 bankruptcy, and I was committed to paying $2000 dollars worth of our ever-increasing property tax. I wouldn’t be able to earn the money in time to avoid late fees, which meant I needed to earn even more extra money.

I dug down deep and found myself able to substitute teach to the full extent my doctor and the Texas Teacher Retirement System would allow. I was really hitting my stride and enjoying teaching again. I met a couple of kids in classes I subbed for that connected so well, I used them as inspiration for a few things in the novel I was writing, A Field Guide to Fauns. The novel practically wrote itself.

I published it. But it was about naked people. So a majority of people who might be fooled into reading one of my books will never read this one.

I was looking forward, after teaching so much that I could pay off the tax only one month late, to making more money I might actually be able to put in savings for a few minutes. But March ended all hope of that.

The long Covid imprisonment began with one novel published and one more, my AeroQuest rewrite, being more than halfway along.

I found myself with way more time to write and do other stuff than I had anticipated. But, of course, little money to do anything but survive with.

I definitely understood Kurt Vonnegut better in very short order.

I had a chance to reread a LOT of my own writing.

I gave some of my own books a careful reread and proofreading, even updating the content on Amazon. I began collecting my best posts from my daily blog. I put it in book form, becoming not one, but two collections of autobiographical essays.

My quest to put all my teacher recollections, goofy humor and cartoons, and philosophical wacky-waxings into some kind of order, allowed me to get a real sense of the overview of my life as both a teacher and a writer.

But, not only did my number two son get a job with the Dallas County Sheriff’s Department as a jailor, but he got Covid in July as well from his job.

Not only did my number one son find a serious relationship with an excellent young lady, but he was forced to stay away from us and limit contact to the point he almost became a stranger.

And not only did my father’s Parkinson’s Disease get worse, it killed him in midsummer during a surge in the pandemic that meant only my mother and two sisters could actually be at the funeral.

But, in spite of setbacks, I managed to stay Covid-free and read and write way more than is probably good for any human man.

I published or re-published six books during 2020. It is an accomplishment that reflects a fear of imminent death and loss of any further chance to make my writing real, not just foolish fantasies and dreams trapped in my stupid head.

So, what has 2020 done to me?

It has made me fearful of the future. It took away enough of my health that I will never be able to stand in front of a classroom ever again. And it took my father away.

But it has also galvanized me with the heat of the struggle to survive. It has made me more careful, and more appreciative of what life is, and especially more determined to have more of it.

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Mr. Grumpy Holds Forth

(This is an idea that comes from Bruce the Bottle Imp, so, don’t blame me if this humor blog-post isn’t really very funny.)

The thing I am grumpy about today, besides the dog chewing up last night’s pizza box and spreading the shreds all over the kitchen before I had a chance to take it to the trash barrel, is the fact that it seems like the world is ending.

I know, the “How can you say that?” crowd are going to argue with me if I say it’s because we let Adam Sandler get away with making too damn many movies. But in spite of the existence of Jack and Jill, I actually kinda like the cartoons where he plays Dracula and Selena Gomez plays his daughter. So, Sandler doesn’t give me the feelings of existential dread his movies used to provide.

No, I think the reason is because when I went out to walk the dog this morning on a sunshiny and blue-skyed dawn, and took a deep breath of fresh air, I nearly coughed up a lung thanks to that yellow-gray patina delicately painting the horizon.

We are running out of time.

President Grandpa Joe, the mildly confused one, is proposing a huge infrastructure bill that is even larger than the one he rammed through congress without a single Republican vote in order to keep the poor and the middle class from starving and becoming homeless… and potential fuel for the zombie apocalypse. The infrastructure bill will provide a starting point for building green-energy projects, providing thousands of green-energy jobs to an ailing economy, bullet trains and healthcare improvements, and life-changing transformations to rival FDR’s New Deal, which Republicans will also vote against. And he might actually do it if Senator Turtle McConnell doesn’t convince Senator Grumbly-Grampa Joe Manchin to vote against his own party in dismantling the foofy filibuster and then voting down the infrastructure bill both to fully insure the extinction of the human race.

For some reason, probably involving dark money, Republicans want so badly to see all middle class and poor people die a horrible death that they are willing to sacrifice the lives of their own grandchildren and great grandchildren. After all, they will mostly all be undead and undying critters by that time, and they won’t want pesky younger generations to support using money from their treasure hordes that they are planning to swim in like Scrooge McDuck for eternity.

I am also deeply grumpified by the whole Congressman Eddy Munster… er, I mean… Matt Gaetz thing (seen pictured in the Vampyr Paffooney above.) That happy-go-lucky blood-sucker is facing child sex-trafficking charges involving a 17-year-old girl, and the investigation was started under Attorney General Bill Barr, Trump’s Fred-Flintstone-impersonating, Yabba-dabba-doo collusion-denier. Senator Al Franken(berry) of Minnesota, a leading Democrat, had to resign from the Senate over a picture where he wasn’t actually touching the sleeping Republican-lady’s boobs, just making a crude joke-photo the way former Saturday Night Live comedians will often do… er, well… doo doo. But Eddy Matt Gaetz doesn’t have to resign, or even give up his assignment to the Judiciary Committee. And that’s because we’re okay with unindicted criminals running our country, just not Democrats.

I hate to say it, but, now that we have gotten rid of the Orange Prexydent at long last, if we still can’t prevent human extinction, we deserve what’s coming to us. We have work to do…. and things to grumble about… and Republicans have acts of vampire-evil to commit.

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A Mr. Holland Moment

Life is making music.  We hum, we sing to ourselves, movie music plays in our head as the soundtrack to our daily life. At least, it does if we stop for a moment and dare to listen.   We make music in many different ways.  Some play guitar.  Some are piano players.  And some of us are only player pianos.  Some of us make music by writing a themed paragraph like this one.  Others make an engine sing in the automotive shop.  Still others plant gardens and make flowers or tomatoes grow.  I chose teaching kids to read and write.  The music still swells in my ears four years after retiring.

The 1995 movie, Mr. Holland’s Opus, is about a musician who thinks he is going to write a magnificent classical orchestra opus while teaching music at a public high school to bring in money and allow him time to compose and be with his young wife as they start a new family.

But teaching is not, of course, what he thought it was.  He has to learn the hard way that it is not an easy thing to open up the closed little clam shells that are the minds of students and put music in.  You have to learn who they are as people first.  You have to learn to care about what goes on in their lives, and how the world around them makes them feel… and react to what you have to teach.  Mr. Holland has to learn to pull them into music appreciation using rock and roll and music they like to listen to, teaching them to understand the sparkles and beats and elements that make it up and can be found in all music throughout their lives.  They can even begin to find those things in classical music, and appreciate why it has taken hold of our attention for centuries.

And teaching is not easy.  You have to make sacrifices.  Big dreams, such as a magnum opus called “An American Symphony”, have to be put on the shelf until later.  You have children, and you find that parenting isn’t easy either.  Mr. Holland’s son is deaf and can never actually hear the music that his father writes from the center of his soul.  And the issue of the importance of what you have to teach becomes something you have to fight for.  Budget cuts and lack of funding cripples teachers in every field, especially if you teach the arts.  Principals don’t often appreciate the value of the life lessons you have to give.  Being in high school band doesn’t get you a high paying job later.

But in the end, at the climax of the movie, the students all come back to honor Mr. Holland.  They provide a public performance of his magnum opus, his life’s work.  And the movie ends with a feeling that it was all worth it, because what he built was eternal, and will be there long after the last note of his music is completely forgotten.  It is in the lives and loves and memories of his students, and they will pass it on.

But this post isn’t a movie review.  This post is about my movie, my music.  I was a teacher in the same way Mr. Holland was.  I learned the same lessons about being a teacher as he did.  I had the same struggles to learn to reach kids.  And my Mr. Holland moment wasn’t anywhere near as big and as loud as Mr. Holland’s.  His was performed on a stage in front of the whole school and alumni.  His won Richard Dreyfus an Academy Award for Best Actor.  But his was only fictional.

Mine was real.  It happened in a portable building on the Naaman Forest High School campus.  The students and the teacher in the classroom next door threw a surprise party for me.  They made a lot of food to share, almost all of which I couldn’t eat because of diabetes.  And they told me how much they would miss me, and that they would never forget me.  And I had promised myself I would never cry about having to retire.  But I broke my promise.  In fact, I am crying now four years later.  But they are not tears of sadness.  My masterwork has now reached its last, bitter-sweet notes.  The crescendos have all faded.  But the music of our lives will still keep playing.  And not even death can silence it completely.

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Finding My Voice

As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies.  The novel is written in third person viewpoint with a single focus character for each scene.  But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.

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Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.

In Canto Two, Valerie Clarke, the central main character of the story, is the focus character.  Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head.  Canto Three is focused through the mind of Trailways bus driver Ed Grosland.  Canto Four focuses on Sheriff’s Deputy Cliff Baily.  And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane.  Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.

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The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.

That kind of fractured character focus threatens to turn me schizophrenic.  I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them.  How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people?  Especially when some of your characters are stupid people with limited vocabularies and limited understanding?

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The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.

I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself.  That is considerably less schizophrenic than the other book.  But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.

The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view.  That is even more of an exercise of losing yourself inside the head of a character who is not you.  One of the first person narrators is a girl, and one is a werewolf.  So, I have really had to stretch my writing ability to make myself into someone else multiple times.

I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world.  But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.

 

 

 

My best novel is free to own in ebook form for today and tomorrow. Buy it now with the link above. The offer is good until the end of the day on 12/14/2021.

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“Mickey, What’s Wrong With You?”

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Yes, I am trying to answer that old question that old girlfriends used to ask me back when they were young and I was young and too stupid to answer honestly. You know, the question always asked right before they tell you, “Why don’t we just be friends and leave it at that.”

After having spent my Christmas money from Mom on an 18-inch giant gorilla action figure of Kong on Skull Island to terrorize all the dolls on the Barbie Shelf after midnight when all the dolls secretly come to life, I feel more prepared than ever before to answer that particular question.

I am not in my second childhood. I am still in my first one. Yes, I reached the ripe old age of 12 and then Peter Pan Syndrome set in bigtime. On the inside, I will always be 12 years old. I still, at 61, play games and play with toys. I never really grew up.

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I am not a Brony, but I am still buying My Little Pony dolls, and can name all six of the main characters. From left to right, Fluttershy, Rarity, Pinkie Pie, Apple Jack, Rainbow Dash, and Twilight Sparkle. And yes, I have watched the cartoon show and like it, but am still not a Brony, okay? There are a lot of things wrong with me, but I am not that bad! My kids, however, are embarrassed to be seen with me when I am shopping for toys at Walmart, Toys-R-Us, or Goodwill.

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I still play with the HO scale model trains that I have owned and collected since the first year I was actually twelve. I would love to get them running again. The Snowflake Special and the Toonerville Trolley seen in the picture both still ran the last time I tested them four years ago. I still love to paint buildings and HO scale people to live in my little train town. I am still working on a set of townspeople that I bought back in 1994. German villagers circa 1880.

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I have always been fascinated by imaginary places and the people who live in them. Especially imaginary places in the fiction of the past. Places like the castle of Minas Tirith in the realm of Gondor in Middle Earth, and like Pellucidar that David Innes and Abner Perry discovered at the Earth’s Core in their boring machine called “the Prospector”as part of the Pellucidar series created by Edgar Rice Burroughs, author of the Tarzan novels. So, another thing wrong with me is that I live mostly in the past and entirely in the worlds of my imagination. I have very little to do with the so-called “real world”.

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So, to sum up, the things wrong with Mickey are; A. He’s a goofy old child. B. He still plays with toys. C. He likes girly stuff. D. He confuses fantasy with reality. No wonder the girls used to run away screaming. And I haven’t even added the part about Mickey thinking he is a nudist now and walking around the house naked when no one else is home and forced to see the full horror of it.

But maybe you should think on it for a moment more. What if the things that are wrong with Mickey are actually good things? What if he’s found the secret to long life and happiness in spite of a world full of troubles and illnesses and blechy stuff? It could be true…

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Living in the Spider Kingdom

Life seems to be getting harder and harder. And I realize that a big part of that perception is the fact that my health is deteriorating quickly. This is a humor blog, but it has been getting more and more serious and more and more grim as the grim reaper becomes more and more a central character in my own personal story.

My perception of reality, however, is best explained by a passage in a novel that spoke to me in college. It comes from the novel, the Bildungsroman by Thomas Mann called Der Zauberberg, in English, The Magic Mountain. In the scene, Hans Castorp is possibly freezing to death, and he hallucinates a pastoral mountainside scene where children are happily playing in the sunshine. Possibly Heaven? But maybe not. As he goes into a stone building and finds a passage down into the ground, he sees wrinkled, ugly, horrible hags gathered around a child’s corpse, eating it. And this vision explains the duality at the center of the meaning of life.

For every good thing, there is an equal and opposite bad thing that balances it our. There is no understanding of what perfection and goodness mean without knowing profanity and evil. Just as you can’t understand hot without cold nor light without darkness. And you don’t get to overturn the way it is. You try your hardest to stay on the heads side of the coin knowing that half the time life falls to tails.

So, what good does it do me to think about and write about things like this? Well, it makes for me a sort of philosophical gyroscope that spins and dances and helps me keep my balance in the stormy sea of daily life. I deal with hard things with humor and a sense of literary irony. I make complex metaphors that help me throw a rope around the things that hurt me.

We are living now in the Spider Kingdom. Hard times are here again. The corrupt and corpulent corporate spiders are spinning the many webs we are trapped in. As metaphorical as it is, we wouldn’t have the government we currently have and be suffering the way we are if that weren’t true.

But no bad thing nor no good thing lasts forever. The wheel goes round and round. The top of the wheel reaches the bottom just as often as the bottom returns to the top. So, it will all pass if we can only hold out long enough.

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Made-Up People

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I often get criticized for talking to people who are basically invisible, probably imaginary, and definitely not real people, no matter what else they may be.

The unfinished cover picture is from the novel The Bicycle-Wheel Genius which I finished the final rewrite and edit for and then published in 2018.  All of the characters in that book are fictional.    Even though some of them strongly resemble the real people who inspired me to create them, they are fictional people doing fictional and sometimes impossible things.  And yet, they are all people who I have lived with as walking, talking, fictional people for many years.  Most of those people have been talking to me since the 1970’s.  I know some of them far better than any of the real people who are a part of my life.

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These, of course, are only a few of my imaginary friends.  Some I spend time with a lot.  Some I haven’t seen or heard from in quite a while.  And I do know they are not real people.  Mandy is a cartoon panda bear, and Anneliese is a living gingerbread cookie.  I do understand I made these people up in my stupid little head.

But it seems to me that the people in the world around us are really no less imaginary, ephemeral, and unreal.  Look at the recently replaced Presidentumb of the Disunited States.  He is an evil cartoon James Bond villain if there ever was one.

Animated cast of OUR CARTOON PRESIDENT. Photo: Courtesy of SHOWTIME

Animated cast of OUR CARTOON PRESIDENT. Photo: Courtesy of SHOWTIME

People in the real world create an imaginary person in their own stupid little heads, and pretend real hard that that imaginary person is really them in real life.  And of course, nobody sees anybody else in the same way that they see themselves.  Everybody thinks they are a somebody who is different from anybody else who thinks they are a somebody too, and really they are telling themselves, and each other, lies about who somebody really is, and it is all very confusing, and if you can follow this sentence, you must be a far better reader than I am a writer, because none of it really makes sense to me.  I think everybody is imaginary in some sense of the word.

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So, if you happen to see me talking to a big white rabbit-man who used to be a pet white rabbit, but got changed into a rabbit-man through futuristic genetic science and metal carrots, don’t panic and call the police.  I am just talking to another fictional character from a book I finished writing.  And why are you looking inside my head, anyway?  There’s an awful lot of personal stuff going on in there.  Of course, you only see that because I wrote about it in this essay.  So it is not an invasion of privacy.  It is just me writing down stuff I probably should keep in my own stupid little head.  My bad.

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I Hope You Dance…

When you walk to the front of the classroom and take up the big pencil in front of a group of young teens and twelve-year-olds, there is a strong pressure to learn how to sing and dance. That, of course, is a metaphor. I was always too arthritic and clunky in my movements to literally dance. But I looked out over a sea of bored and malevolence-filled eyes, slack and sometimes drooling mouths attached to hormone-fueled and creatively evil minds. And I was being paid to put ideas in their heads. Specifically boring and difficult ideas that none of them really wanted in their own personal heads. So I felt the need to learn to dance, to teach in ways that were engaging like good dance tunes, and entertaining in ways that made them want to take action, to metaphorically get up and dance along with me.

I wanted them to enjoy learning the way I did.

But the music of the teacher is not always compatible with the dance style of the individual learner. The secret behind that is, there is absolutely no way to prompt them to dance along with you until you learn about the music already playing in their stupid little heads. (And you can’t, of course ever use the word “stupid” out loud, no matter how funny or true the word is,) You have to get to know a kid before you can teach them anything.

The discordant melodies and bizarre tunes you encounter when you talk to them is like dancing in a minefield blindfolded. Some don’t have enough to eat at home and have to survive off of the nutrition-less food they get in the school cafeteria’s free-and-reduced lunch program. Some of them have never heard a single positive thing from the adults at home, enduring only endless criticism, insults, and sometimes fists. Some of them fall in love with you. Some due to hormones. Some due to the fact that you treat them like a real human being. Some because they just stupidly assume that everyone dances to the same tunes they hear in their own personal head.

Some of them automatically hate you because they know that if you hear their own secret music in their own self-loathing heads, you will never accept it. They hate you because you are a teacher and teachers always hate them. Some of them, deep down, are as loathsome as they think they are.

But, if you find the right music, you can get any of them, even all of them, to dance. It might be hard to find. It might be a nearly impossible task to learn to play that music once you find it. But it can be done.

And if you get them to dance to your music, to dance along with you, I can’t think of anything more rewarding, anything more life-fulfilling. Have you ever tried it for yourself? If you are not a teacher, how about with your own children or the children related to you? Everybody should learn to dance this dance I am talking about in metaphors. At least once in your life. It is addictive. You will want to dance more. So the next time the music starts and you get the chance… I hope you’ll dance!

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