Category Archives: cartoons

Klowns

Kops

Over the past 50 years I have spent considerable time creating my own cartoons and cartoon characters.  In general I have always been stuck on adventure cartoons.  Milt Caniff’s Terry and the Pirates and Roy Crane’s Buzz Sawyer were always foremost in my goofy little cartoonist’s mind when I created.  I made an entire universe of characters and space-opera plots for what started as Zebra Fleet and would turn into Aeroquest.  I tried my hand at sword and sorcery fantasy with Hidden Kingdom.  In more recent years I started journaling in cartoon form with Adventures in Fantastica, a story that involves my dream self, Mickey. and a number of people from my real life, past and present, re-cast as talking animals and other weird cartoon characters.

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I can’t publish stuff directly out of this large and ever-growing pile of cartoons because it is a pen-and-ink rough draft and includes lots of personal information about family and friends… and former students.  It is also x-rated at several points.  It is actually about my life.  But there are weird and wonderful story-arcs in it that could easily be converted.  The section set in Clowntown in particular… (Klowntown if I write it in Fantastican Kambobbulated Language) is a good story about a Klown detective named Squiggy who is trying to catch a thief who stole the heart-tarts from the Queen of Hearts.  I want to try making this into a cartoon strip that I intend to publish here on WordPress as a sort of web comic.  Don;t know what web comics are?  Here is one my son put me onto that you should give a look-see; Two Kinds

The Klowns in today’s Paffooney are Klowntown Kops.  They reveal what the average beat-klown-kop looks like in Fantastica.  They are pratfall and slapstick clowns that use rubber whack-bats and pie-whacker pies (like the Ray Brad-berry Sci-Fi Pie the Klown is holding, ready for pie-whacking bad guys.)

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Expelling Evil (But Only If You Can Overcome Spelling Trouble) Part Two

In the last episode of Expelling Evil, Grammar Naziswe saw the Captain Action Hero-Action-Guy Team move into Mickey’s Library with the speed of a Republican in Congress when there is legislation to be passed.  The heroes were prepared to battle Dr. Evil and evil Dr. Evil’s evil minions.  Captain Carl Action had encountered and pacified the evil minion known as the Agent in Red.  He found ways to capture and interrogate her that, while not the least bit effective, were something that he really, really enjoyed.

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So Carl, taking his time… an entire week if you can believe it!  decided to extend his interrogation even longer, in spite of chapped lips and the total absence of lip balm.  It was then that Colonel Komma and his evil Grammar Nazis decided to move in and attack the foolish hero-guy with Blitzkrieg word war.

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It was true.  I went back to that post and looked it up.  The word wondrous was spelled w-o-n-d-E-r-o-u-s!  Stupid Captain Carl!  How could he be so heroically stupid?  He let my wonderful, nearly perfect, purple paisley prose get possessed by a common, ordinary spelling demon.  The Grammar Nazis had him in an impossible position.  And his only response to the terrible situation?  He misuses an apostrophe, placing it on a plural noun that is not possessive!

 

 

 

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Then, just as Colonel Komma moved in for the editorial kill, Captain Carl came up with the perfect defense.  He used his super-power of super stupidity as a shield.    He successfully argued that you cannot be defeated by editing of your poor grammar if you don’t understand what they are talking about.  Fortunes of war were suddenly reversed!

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Captain Carl was not the only Captain Action present.  Captain Bill Newguy Action stepped in to disarm the Grammar Nazi with his famous whack-a-doo smacketty-smack punch.  The Grammar Nazis were defeated by the hypocrisy of trying to correct English grammar with such a thick accent that they were actually forcing the cartoonist to misspell stuff on purpose to accurately represent the weird sounds in their Grammar Nazi speech balloons.

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Colonel Komma was no longer the kapturing konqueror he was hoping to be.  Instead he had become the kaptured kook.  But Mickey was still no nearer to having his X-Box back for playing EA Sports Baseball ’04.  Dr. Evil still had control of that.

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Oh, noooooo!  Again!

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Krazy Kat

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I told you before about a cartoonist from ancient ‘Toon Times named Fontaine Fox.  He was a master, and I acknowledge him as one of my greatest inspirations.  But he was not the original master mentor for my teenage ‘Toon Training.  That honor goes to the inestimable George Herriman.  He was the Krazy Kartoonist who died more than a decade before I was born, yet, through his Kreation, Krazy Kat, did more to warp my artistic bent into Krazy Kartooniana Mania than anybody else.  I discovered him first.  I found him through Komic books and the Kard Katalog at the local library.  I own a copy of the book I pictured first in this post.  It is the first Kartoon book I ever bought.  I couldn’t post a picture of my actual book here because I have read it so often in the past forty years that the Kover has Kome off.  It is now more of folder of loose pages than a book.

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Krazy Kat is a newspaper Komic strip that ran all around the world from 1913 to 1944.  Comics Journal would rate Krazy Kat as the greatest work of Komic art of the 20th Century.  Art critics hailed it as serious art, and it fits snugly into the surrealist movement of Salvador Dali and others.  It has been cited as a major influence on the work of other artists such as Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.

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The centerpiece of the strip is a love triangle.  Krazy Kat the Kharacter is a feline who may be female or may be male but is definitely deeply in love with Ignatz Mouse.  The Krazed rodent hopped up on seriously stinky fromage (cheese to us non-French speakers), is Konstantly throwing bricks at Krazy’s head… obviously out of serious disdain, however, Krazy sees it as a confession of love.  Offisa Pup, the police watchdog, wants to jail the malevolent mouse for battery and protect the precious Kat, whom he obviously loves with an unrequited love.  Explanations are superfluous in the weird world of Krazy Kat.  How can I explain the charm, the humor, the good-natured violence of a strip such as this?  There are echoes of it in Tom and Jerry animated cartoons, but nothing like it really exists anywhere else.  Krazy has her own unique language, a language that you naturally learn to interpret as you read the strip.  Ignatz exhibits psychotic frustrations that he takes out on the world around him in our name, that we might experience hubris at his expense.  And what’s with that mysterious sack of “Tiger Tea” that Krazy carries about and keeps a Klosely guarded “sekrit”?

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I honestly hope you will give Krazy Kat a thorough “look-see”.  Because if you like Kartoons at all… and it doesn’t have to be the Krazy Kooky love of a seriously overdosed addict like me… you will fall desperately in love with this one.   It is a world of its own, a superbly superfluous abstract anachronism.  It is a surrealist’s dream of fun with puns and tons of buns… or something like that.  Simply put… read it and don’t like it… I dare you!

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Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

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Filed under art my Grandpa loved, artists I admire, cartoons, Toonerville

The Next Little Project

All right, the time has come to figure out what to write next.  I have another thirty-plus-year-old writing project that would make an absolutely, terrifically horrible novel that I want to try to tame.  I have a cartoonized version created back when I was young and stupid… in about 1981, before the invention of the graphic novel.  It is in full color.  It was done before I learned how to draw.  It is a book that will now go under the ridiculously alliterated title The Captain Came Calling.

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The novel is set, like all of my hometown stories, in Norwall, Iowa… The fictionalized version of Rowan, the town I actually grew up in.  It isn’t quite as dorky in real life as it appears in my cutsified illustration, but it is approaching it at glacial speeds.

The town’s portrayal will have to change as I attempt to update and clarify characters.

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The people have to be switched about.  Phyllis Murphy has to become Mary Murphy.   The Pirates will have to switch from the 90’s Pirates to the 80’s Pirates, as the main character, Mary Phillips has to create a new Pirates’ Club that didn’t exist when I first wrote this bilge.  I have to update and increase the plot, adding the back-story  through the inclusion of the Captain’s Logbook… How else can I get mermaids and the voodoo priest into the story otherwise?

I also have to be a little bit more politically correct about the portrayal of the tiki-idol-men.  South Seas’ Magic can’t be racist or misogynist.  And then there’s the whole thing about Captain Dettbarn’s less-than-Iowegian morals that has to be dealt with.  He’s basically a clown character, not a villain.

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And the Captain is cursed with invisibility.   That is no small thing to pull off in work of fantasy fiction in a Young Adult style.  It has to be believable enough to make the audience accept it, even if it is a comedy caper of the lowest sort.20141228_145924

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Me, Myself, and It

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I think it is provably true that any time an artist creates a work of art, it is actually a self-portrait.  Did you see the works of Thomas Kinkade and Paul Detlafsen in my recent posts?  Can I not effectively argue that those paintings give you a glimpse of the real person behind the paintbrush?  Was Norman Rockwell not the man portrayed in all those lovely down-home, truly American oils he did?  Was Theodor Giesel not also Dr. Seuss?  Then I look back at some of the goofy pictures that I have created through the years and think, “Oh no!  What have I done?”  I sometimes think I don’t have to post nude selfies of myself for people to see me naked.  Should I really have done that…?  …Of course, I should!  And that means I have seen William Shakespeare naked too!  Good Golly!  I have to quit thinking these goofy thoughts!

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Goofy Me

The more I looked at the silly simpering grin on my old foolish face, the more I realized it needed a few things added.  So I added a few of my dream babies.  You know, those characters I have created in cartoons and novels who may have started with my own three kids, or kids I grew up with, or kids I taught over the years, but ended up with a large injection of my own mental DNA in their final, fictional selves.  So here is a self portrait that I privately refer to by the title “Goofy Me”.

Self Portraixxxt  Man, is that ever goofy!

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The Rest of my Classroom Gallery

Here’s what’s left in my camera from school white boards and lessons.

Photo0107 Photo0110 Photo0112 Photo0118 Photo0123 Photo0126 Photo0127 Photo0133 Photo0137 Photo0139 Photo0144 Photo0146 Photo0149 Photo0142There you have it, the results of 31 years of doodling on the chalkboard (which became the dry erase board).  And yes, I did tell them the cartoon fairy drew all the pictures.  Especially when they were in my class for the second or third year when they asked, “Who does all the pictures on the board?”  And yes, I started doing this back in dinosaur days in white chalk on a green blackboard, followed by colored chalk, which later became a gray marker-board for washable marker, and finally became dry erase white board.  And I really bought my own chalk and markers too.  Teachers do that, you know.

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More Cartoons from the Classroom

Here are a few more chalkboard drawings (actually white board drawings).

Photo0067 Photo0069 Photo0072 Photo0075 Photo0082At the end of the school year, I let kiddos do their own self portraits along with my drawing of Black Timothy the Pirate.

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Cartoon Board-Work

I admit it.  I was a goofy teacher.  Kids never knew for sure whether I was serious, joking, or halfway in-between.  I worked for hours sometimes preparing the chalkboard, or later, white board, for the days lesson, putting key points and reminders up in cartoon form.  I used characters, symbols, jokes, pokes, and silliness to get the idea across.  Principals and others who evaluated my teaching always wondered why my classroom sounded so raucous and wild from outside the door with kids laughing, music playing, and sometimes desks being shuffled and shoved around the room.  The perfect-classroom-is-a-quiet-classroom crowd always hated my teaching style.  But the ones who came in and participated, got involved in paying attention and watching the kids interact with the content loved it.  I am not bragging.  My lesson plans were a mess filled with booby traps, explosions waiting to happen, un-intended consequences (also called teachable moments), and brainstorms that threatened at any moment to electrocute somebody with lightning.  Teaching is a dangerous business.  But the point is, there is an art to teaching that brings out the artist in you.  I offer the following evidence;

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