If you were fool enough to become a fan of my political humor, then you probably noticed that there has been very little of that in this blog for some time. And have you sensed the reason why yet?

Basically the problem is, politics is no longer funny. It is soul-suckingly horrible and robbing me of my ability to laugh. The idiotic moron criminal with tiny hands that we elected President is transparently corrupt and obviously guilty of numerous crimes, especially the obstruction of justice.

The idiotic moron criminal continues to get away with everything he does. He has packed the courts with appointees that don’t have the qualifications to do the job. They were chosen based on their stated agreement with the erroneous and criminal beliefs of the idiotic moron criminal. He depends on them to stay in power and rule his way.

He fires, pursues, and undermines the people who are supposed to protect us from lawbreakers so they won’t accuse and incarcerate him.

He doesn’t understand the first thing about foreign policy. And so, the idiotic criminal morons who are in charge of other countries can take advantage of their stupid little American brother-in-dictatorship.

And nobody is capable of changing anything, especially not minds. All the decent Republicans are resigning and leaving the corpse of the GOP to whatever Frankensteinian uses the idiotic moron criminal has for it. There seems to be no one left to turn to.

And so, I will proceed without pursuing political humor anymore. I am tired of scratching through piles of political chicken-poop to find anything worthy of real satire. The idiotic moron criminal always seems to win, no matter how much clever irony I throw at his orange head.
And I know there are readers out there who will say I am a hypocrite because I say I don’t like insult-humor, yet I routinely call the idiotic moron criminal an idiotic moron criminal. What else am I going to do? Call him a criminally moronic idiot? Respect needs to be earned in this world. And to earn it, he needs to pay me, and all the other American voters, reparations.
I wish to thank all the cartoonists represented in this blog whose work I blatantly stole for the purposes of illustrating this blog. I hope they can forgive me. I cannot pay out anything through lawsuits because the idiotic moron criminal with tiny hands has stolen all my money and left me bankrupt.
















The Republicans have found another scandal to pursue. Two FBI personnel were texting each other messages about how stupid and incompetent Donald Trump is. (As well as why one of them may have voted for him since they hated Hillary too.) The one agent who was involved in the Mueller investigation of Trump was immediately removed from the investigation when evidence of the possibility of lack of impartiality surfaced. This happened long before the Republican Conspiracy Elephants sniffed out the detail to make a big stinky in the media about it. Now, apparently the FBI has become a secret society wrongfully plotting against Trump.
























Winsor McCay
One work of comic strip art stands alone as having earned the artist, Winsor McCay, a full-fledged exhibition at the Metropolitan Museum of Art in New York City. Little Nemo in Slumberland is a one-of-a-kind achievement in fantasy art.
Winsor McCay lived from his birth in Michigan in 1869 to his finale in Brooklyn in 1934. In that time he created volumes full of his fine-art pages of full-page color newspaper cartoons, most in the four-color process.
As a boy, he pursued art from very early on, before he was twenty creating paintings turned into advertising and circus posters. He spent his early manhood doing amazingly detailed half-page political cartoons built around the editorials of Arthur Brisbane, He then became a staff artist for the Cincinnati Times Star Newspaper, illustrating fires, accidents, meetings, and notable events. He worked in the newspaper business with American artists like Winslow Homer and Frederick Remington who also developed their art skills through newspaper illustration. He moved into newspaper comics with numerous series strips that included Dreams of the Rarebit Fiend and Little Nemo in Slumberland. And he followed that massive amount of work up by becoming the “Father of the Animated Cartoon” with Gertie the Dinosaur, with whom he toured the US giving public performances as illustrated in the silent film below;
The truly amazing thing about his great volume of work was the intricate detail of every single panel and page. It represents a fantastic amount of work hours poured into the creation of art with an intense love of drawing. You can see in the many pages of Little Nemo how great he was as a draftsman, doing architectural renderings that rivaled any gifted architect. His fantasy artwork rendered the totally unbelievable and the creatively absurd in ways that made them completely believable.
I bought my copy of Nostalgia Press’s Little Nemo collection in the middle 70’s and have studied it more than the Bible in the intervening years. Winsor McCay taught me many art tricks and design flourishes that I still copy and steal to this very day.
No amount of negative criticism could ever change my faith in the talents of McCay. But since I have never seen a harsh word written against him, I have to think that problem will never come up.
My only regret is that the wonders of Winsor McCay, being over a hundred years old, will not be appreciated by a more modern generation to whom these glorious cartoon artworks are not generally available.
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Filed under art my Grandpa loved, artists I admire, artwork, book review, cartoon review, cartoons, comic strips, commentary
Tagged as Little Nemo in Slumberland, Winsor McCay