It’s been two weeks, and no spider sense or webbing shooting out of my wrists has happened yet.
My beard glows in the dark (if I use the flashlight properly.)
But no verifiable stuff that might get me an invitation to join the Avengers.
How do I know that it was a spider bite that has caused two weeks worth of painful spider-wound? Well, this is the second time I have been bitten by a brown recluse spider in Texas. The previous time was in 1982 in South Texas. I had to go to the doctor with a temperature of 103 degrees, a necrotic wound in my right armpit. And I needed sulfa drugs to keep from getting worse and possibly dying.
This time around I didn’t go to the doctor. Not only was it a much smaller wound, only causing a slight fever and a moderate wound infection, but going to the doctor brings with it an added chance of catching and dying from the Covid Delta variant. I am vaccinated. But I also have three of the serious conditions that have caused the only Delta deaths among the vaccinated people with breakthrough infections.
I bought myself a new Moana doll from Walmart to make myself feel better about being bit by a spider with no resultant super powers. But it is a reminder too that my mother, the doll-maker, is dying.
The spider that bit me this time around must’ve been a smaller one than the one that bit me in South Texas. That one caused a wound that was larger than a quarter. This time it was smaller than a penny. The wound itself is caused because the spider’s venom dissolves flesh into a juice the spider can suck out of the victim. The biggest danger it causes is an infection that turns into gangrene. I avoided that outcome by repeatedly cleaning the wound with soap and water.
So, this spider bite is not going to kill me. It is sore, but not deadly. Like the first time, I never felt the bite happen, nor saw the little spider. But I have no desire to be bit a third time in my life.
And, unfortunately, I do not get to be Glowbeard the newest Avenger.
I was a comic book nut from a very early age. I started collecting comics in 1966 when I was ten years old. Almost as soon as I started collecting them, I began copying the drawings, copying Spiderman, Hawkeye, Captain America, Avengers, and Batman. I am a comic book lover, and I am also a comic book plagiarist. But I promise to use my own artwork and photographs to illustrate this blog post. After all, I am illustrating being a copy cat.
Cosmic Boy, Saturn Girl, and Lightning Lad in the style of artist Curt Swan in 1962.
My parents didn’t approve of kids with comic books. I desperately wanted Spiderman comic books and Avengers comic books, like the ones I read in the barbershop every time I was waiting for a haircut. But they had gotten wind of Frederic Wertham’s campaign against comic books two years before I was even born. The learned psychiatrist insisted that comic books corrupted children with sexual images hidden in the artwork (oh, gawd, look where Saturn Girl’s hands are… close anyway), Batman and Robin were homosexuals trying to influence young boys to be gay, Wonder Woman was a lesbian who was into bondage. This he said in 1954, but it didn’t really reach my parents’ ears in rural Iowa for another 12 years. The result was severe limits on my comic book ownership possibilities. But Superboy and the Legion of Super-Heroes were acceptable, as were Casper the Friendly Ghost and Scrooge McDuck.
So, my copy above of Curt Swan’s work is from the Legion of Superheroes. Superman was boy-scout enough to qualify too. I could get by with Tarzan even though he was a mostly naked guy running around the jungles. And time and money solve a lot of problems. I was allowed to subscribe to Avengers and X-men and the Amazing Spiderman once I had field-work money to put towards it. I drew lots of comic book heroes from that point onwards.
I learned how to draw men with unhealthy amounts of muscles, women with waists that would break in two with the amount of breastly boobage a teenage boy would pack on top, and numerous people who actually seemed to think capes made sense as a fashion statement. I also learned how to do shading in pen and ink and foreshortening from master artists like John Romita Jr. and George Perez and Barry Windsor-Smith. And I would be remiss if I didn’t give proper credit to Murphy Anderson and Jack “King” Kirby. I know you don’t know who those people are because you are not the comic book nut I am… nobody is. But believe me, they are masters of an American Art form. And I will never be one of them, because even though I am almost as good as some of them, I chose to be a teacher instead of being a comic book artist, a thing I could’ve so easily succeeded at back in the 1980’s. You should know this too… I have never regretted making that choice.
In 2012 I completed and published Catch a Falling Star. That novel is about aliens who speak English because they have been watching old television broadcasts from Earth and absolutely adore I Love Lucy reruns. They invade Earth via one small town in Iowa where they make the fatal mistake of being charmed by humans. The juvenile specimen they kidnap, Dorin Dobbs, leads a tadpole mutiny aboard the Tellerons’ space ship. The tadpole they accidentally leave behind on Earth is adopted and becomes beloved by a childless farm couple. And Commander Biznap falls deeply in love with a septuagenarian Sunday School teacher who aids him, and he rewards with a return to her youthful twenties via de-aging technology. The invasion gets defeated. Someone disintegrates himself, and the Tellerons leave having learned to be better people as they flee to Mars in defeat.
Of course, this novel, written while I was still teaching for the Garland School District, is ultimately the origin of my manic love of researching conspiracy theories. After publishing the novel, I had a dream about the book. I dreamed that aliens had read the book and began chasing me, wanting to know how I knew what I knew about them. I tried to tell them that I made it all up, but they didn’t believe me.
So, after I had written and published the book, I took up researching alien contact and flying saucer encounters Wow! I began to see what some really, obviously insane people believe is true, as well as what some very intelligent and credible people hesitantly report, revealing some insanely disturbing things.
I do not believe any of the stories told by David Icke, the lecturer who sells books and lectures on the existence of shape-shifting lizard-people who masquerade as important government figures and celebrities. (Although the orange president we so recently had was definitely a lizard pf some kind ) Icke is very easily recognizable as a grifter and con man. Of course, his grifts are all legal. If lying were completely illegal, fiction writers would be out of business, and nobody would fall in love or be able to sell real estate.
But one cannot quickly dismiss the work of journalist and physicist Stanton Friedman so easily. He had an interview experience with Major Jesse Marcel who was the intelligence officer on the New Mexico base in 1947, and who told Friedman what may be the real story behind the Roswell Incident . This was a credible source telling a story as a whistle-blower years after the actual experience which was very different than the government’s version of events in spite of the fact that Marcel and other witnesses had been threatened to keep the secret.
The real trick to this fascinating search for reality in the bizarre world of alien contact, MUFON researchers, and underground alien facilities is to accept that complete knowledge of reality is unattainable.
You know that something real is being covered up based on the elaborate cover-up efforts that the authorities have gone through. Weather balloons? Really? Even Project Mogul balloons for spying on Russian atomic-bomb efforts? Well, maybe. But there are so many things that were subjected to cover-up, misinformation campaigns, threatening witnesses, Men in Black, and deathbed confessions that you have to believe something very disturbing is actually real. It is real that lying is going on on both sides. And there are a lot of concerning facts brought out by people who have nothing to gain by their revelations and an awful lot to lose. Some have even died.
So, you have to detect lies and juggle the lies of liars to get anywhere near to reality. And I have applied the process to more than one conspiracy theory.
Here are some things that I have concluded (at least until more information surfaces.)
In the 1940’s and 50’s the U.S. government knocked down a handful of flying saucers and UFOs using high-intensity radar waves developed for World War II. Bob Lazar is probably telling the truth. Linda Moulton Howe is probably telling the truth. Travis Walton is probably also telling the truth, but is less believable than the other two. David Icke and Alex Jones are liars. The Ancient Aliens program from History Channel and now on Netflix is not solid science, but have some very interesting details to add to the mysteries. The government definitely knows about aliens, either because they made contact with other worlds in the Eisenhower Administration, or because they are producing the information themselves to cover up something far more concerning.
The important thing in this topic is not the reality of aliens visiting Earth. The important thing is how the reality of the topic is pursued. Are you going to be crazy or pursue a sensible information-gathering process where the results are tested and retested? ls it about my thinking processes. or am I deceiving myself? These questions are the reasons I do what I do. And also why I had to re-post this old post today with numerous typos corrected. Did the government put those in to make me look like an insane idiot? Or is my idiocy self-inflicted? You be the judge.
Today I have a low-grade fever. A slight cough. No sign of Covid yet, and I am fully vaccinated. But I have been to Walmart without a mask and get regular flu regularly. And it could also be a sinus infection again due to high pollen counts and neighborhood grass-cutting.
But the truly frustrating thing is that I had planned to go tomorrow to Bluebonnet Nudist Park, give them a copy of my nudist novel, and meet some of the members of that establishment that I didn’t meet in 2017.
The frustrating thing is that this marks the fifth time that I had planned to go back to Bluebonnet for a second visit. And now the plans are canceled yet again by illness.
As ever, I remain mostly a closet nudist. Me being a nudist now in the twilight years of my life is mostly a joke I tell, only loosely based on reality.
Part of the problem is the fact that I simply waited too long in my life to give in to the urge to be a nudist. I was one from childhood onward, but always too afraid of the unknown to try it openly. Especially after being assaulted at the ripe old age of ten.
My real opportunity came when I had a girlfriend in the 1980’s whose sister lived with her husband and children in a clothing-optional apartment complex in Austin. I met nudists there fully committed to the lifestyle and who encouraged me to join the movement, even after I broke up with that girlfriend. There were limited opportunities to become a nudist then. A park near Houston, a park near San Antonio, a nude beach on Lake Travis (Hippie Hollow,) and clubs in the Austin area that met in members’ homes. I only ever visited those places with clothes on. I never actually tried it. And now that I am old, I regret the opportunities missed.
Now I am old and ill and unable to express my love of nudism and naturism except through art and fiction. Of course, it has always been a very visual-only experience for me. No touching was ever involved. Whatever sexual feelings there were were always sublimated and deeply buried or strictly controlled.
And, as always, I didn’t absolutely need to share these normally private sort of details, but it seems my art and writing make me far more naked to the world than walking around a nudist park ever could.
Yes, Mondays are blue. Specifically French blue. Every day of the week has its own color. Sunday is golden yellow, Tuesday is a yellow-ochre, Wednesday is indigo blue and sometimes changes to blue violet, Thursday is burnt orange, and Friday is solid wood brown, and of course Saturday is rich pure red while Mondays are not just any blue… they are French blue. I learned the names of these colors from being a painter and using oil paints. I experience these colors every week and they help me maintain the calendar in my stupid old head. I began to realize when I first heard about the colors of the wind in the Disney movie Pocahontas that there was something to this everyday thing, something different in the way I see the world. I have in the last few years learned that this condition has a name. It is called synesthesia.
It has been suggested to me by more than a few people that I don’t really perceive the world the same way “normal people do”. When I was growing up, and going to school, I never had trouble remembering to capitalize the first word in a sentence. I did however, have a great deal of difficulty with capital letters on nouns. Looking back on that difficulty now, I can say without a doubt that I was having trouble not because I didn’t know the difference between proper nouns and common nouns. It was because things like the word “dog” or “chair” had to begin with the right color. Dogs are blue when you are talking about the color of the letters in the word. But small “d” is blue-green, not true blue. It doesn’t fit as well as the dark blue capital “D”. And chairs are orange-red when you write them down, while the small “c” appears light green by itself.
Sundays are Sun-days, and that’s why they are golden yellow.
I am told that most synesthetes are taken by surprise when they learn that they are seeing things differently than other people do. I certainly was. I always got funny looks whenever I described Thursdays as orange, or the month of November as sky blue. My classmates in 4th grade thought I was nuts… of course, it wasn’t just for the orange Thursdays thing. I was not a normal kid in any real sense of the word. I always suspected that if I could look at the world through other people’s eyes, I would probably see the color green as what I called red, or that glowing halo that surrounded things when organ music played in the Methodist church would no longer be there. But once I learned how synesthesia works I knew it was true. The visual part of the brain can be scanned to show activity, and lights up on the scanner as if the brain is seeing bright colors when Beethoven’s Ninth Symphony is being played while the subject of the scan is actually blindfolded. I am told that synesthesia is more common in left-handed girls. My daughter, the Princess, tells me that she also sees color on printed numbers and letters. She is left handed and also gifted at drawing. I suspect she inherited the synesthesia from me.
Synesthesia probably explains what this nonsense is all about.
Now, I acknowledge the fact that my synesthesia is self-diagnosed and not proven by any of the methods the articles I have read about the condition talked about. But my personal experiences always seem to fall in line with descriptions of letter/number/color combinations and music/color combinations that I have read about. And if I do have it, it is not the same as any of my six incurable diseases. It is not a bad condition to have. In an artistic sense, it might actually be a good thing. I could use some good for a change. Good doesn’t usually come from weirdness… not my weirdness, anyway. (Oh, and capital “G” is lime green… as is the word Goodness).
Mai Ling uses psionic ninja powers to separate the flowers from the weeds, a thing that is not easy to do.
I suppose that if I were to be insightfully honest for a moment, I would have to admit that I am a failed novelist. If you take “success” as meaning “financial success”, the fact that I only make less than five dollars a month for my writing means I am a failure at it. If you specify that success means my books find readers, then evidence would suggest that my books are mostly ignored. A majority of those who have responded favorably to my work are actually members of the nudist community on Twitter. I admit that I have cultivated that a bit with nudist characters in about a fourth of my books. But that is a result of having experienced fascinating people and situations that I felt I had to write about because I happened to meet, totally by chance, interesting nudists in real life.
I have lost a lot of writing-community followers on Twitter because of my interactions with Twitter nudists. My work gets dismissed on occasion because your standard teacher-turned-writer on Twitter, usually female and usually fundamentalist Christian, doesn’t want to be contaminated by sinful nudist associations. Ah, such a life. But I don’t wish to destroy anyone’s faith in a God who will apparently burn them for an eternity in Hell if they are tempted to frolic with no clothes on. I would rather be blocked by them on Twitter than have them give up on whatever paradise they are pursuing.
But I am basically on the Brad Bird side of the argument about whether or not you can choose to be a hero even if others will see you as a monster. My fiction does not cause demonic possession and probably does not cause spontaneous bouts of joyful nudism either. Even my werewolf story, which was too much for one potential reviewer, does not have actual werewolves in it. Although it does describe some things that really happened to me as a child in a fictionalized, sort-of-truthful way.
So, by those criteria, I judge myself to be a failed writer.
But I am definitely not giving up on writing in despair. Those were never the reasons I wrote novels to begin with.
I write because I have something to say to the world and stories to tell. And I mean to have my say, even if the world is too stone-deaf and stupefied to listen.
I have things to say about living and learning.
I have things to say about finding love, and losing love, and finding it again.
I have things to say about how I think the world works, and why I’m pretty sure I’m completely wrong about all of that. And what I intend to do about it.
To that end, I have started writing a book full of essays like the stuff and garbage and lovely wisdom I write in this goofy little blog. And I shall call it Laughing Blue. Because, you know, nobody is going to read it anyway, and I can call it whatever the heck I want to call it.
The WordPress Notices have been telling me I am on a posting streak of everyday posts for 51 straight days now. It started with day 99. I guess that is a worthy thing to pursue and extend. I have more-or-less relentlessly been writing 500 words a day on something, somewhere for a very long time now. That workmanlike dedication to the slavery part of the writing life began back in the 1990’s before I got married. Back to the time when I switched from writing Walden-style journals to the present work-in-progress manuscript mill. I have written 26 novels, books of essays, and autobiographies since then, and I have actually published 20 of them.
One fascinating thing about my writing habit is how it has impacted and altered the course of my life. I used to keep all my secrets very closely guarded and very near. There was a time when I didn’t admit being a victim of sexual assault even to myself. I couldn’t bear to give or receive hugs, or touch people in ways that were closer than a handshake. I only kissed a girl on the lips once when I was nine (and got hit pretty soundly on the cheek for it) and again after the age of 35, after I was regularly writing every day. I still hesitate. Even with my wife and mother. I wet my pants once in school because I couldn’t stand to be alone in the boys’ bathroom where another boy might come in. That all gradually eased and became less of a thing because I wrote about it. Writing actually recovered my repressed memory when I was in college because I could write about it and keep the knowledge on paper where I could reread it. Writing helped me examine my life. Everything. And it took away the fear and self-loathing that filled my life like two thousand pounds of wet sand.
Writing gave me freedom. It allowed me to take my life back from the darkness and the shadows.
In truth, I became an excellent writing teacher because I wrote and shared some of my writing with students, just as I required them to share their writing with me and with their peers.
In Truth, the whole belatedly becoming a nudist thing is a part of how writing about life has really changed my life. I never used to wear shorts or go shirtless, even when swimming, because of the sexual insecurity caused by that childhood assault. I was imprisoned within my clothing by fear and self-loathing. All of that is probably also the cause of my fascination with drawing child nudes. And nude women as well.
Writing about things brings clarity and removes the iron bars of the invisible cages we all build around ourselves to protect ourselves from the things we fear most. So, my passion for today is plainly exhibited in consecutive post-day number 150. I do also intend to write more.
Looking at old photos from another century that were in Mom’s photo box was an unexpected kick in the feels. You know how photos were back then, more than a half century ago, mostly birthday parties, Christmas, and Summer vacations taken on an old Browning box camera with Kodak film.
……….. …………….. …………………………………………………………………. ………….
This photo makes me chuckle. It was an unwritten rule. Lincoln Logs, Tinker Toys, Construction Sets…. Dad got to play with them first. We always had to build the picture on the box or tube first before I could chew on or lose any of the critical pieces.
Birthday parties were always in pairs. Every child shared the party with cousins born that month. Diane (in the high chair) and I both celebrated in the November party. Nancy. in front, appears to be ready to toss the cake on the floor. I don’t believe she was trying to get even for anything I did during her September party… at least nothing I will admit to here.
Here’s a triple portrait from when there were only three of us. Nancy, Mary (the littlest one) and Me. No David then. But a 60’s space-age design on the curtains.
Mary was one of the triplets all born the same year. Jeanette and Janice were our twin cousins. The three of them celebrated their birthdays together.
Here is the situation the stork dropped down the chimney when I was eight. David was my little brother that is now taller than me, and he weighs more too.
Three of us on Halloween. We were very scary. Especially the evil little demon dressed like a princess. My kids like to make fun of this picture.
Here’s the one that made me cry. Patty was the second cousin whom the Berillas (On my mother’s side of the family) put in charge of me when we went all the way to Cleveland to visit. She was three years older than me, and she kept me out of trouble when we visited the Cleveland Zoo. As we were looking at these pictures, Mom told me that Patty came out of retirement last winter to work as a nurse again during the pandemic nursing shortage. For her trouble, she contracted Covid and died in December. I’m devastated still.
And here’s the last one for today (though not the last one I copied to share with my poor phone-camera skills.)
This is not the Cleveland Zoo. This is the Deer Farm Zoo in Mason City, Iowa. We could feed the deer by hand then with corn and little green “deer-food” pellets. There are still deer in East Park in Mason City half a century later. But they are fended off from people now. They still don’t bite… the deer, I mean. But they have to be out of the reach of people now so they don’t get hurt or get fed something that will kill them (even if it is considered food by crazy people.)
Anatidaephobia (pronounced anna-tidy-phobia) is a pervasive and irrational fear that you are being watched by a duck. A person with this rare phobia fears that somehow, somewhere a duck is watching their every move.
I know, that’s pretty random, right?
But that’s how this Art Day post works. I had no idea what the first picture would be until I searched for it. This post began not with an idea, but a title; Random Art, the Art of Picking at Random.
Most of my art posts are exactly that. Pictures picked at random simply by going back through my media gallery and picking them. I usually pick up a theme along the way, sensing how the pictures are connected and deciding what that reveals about the artist and how that should be put into words.
I am aware that by relying on my library of already-used images, I am bound to be putting up something that you may have seen before. But I do have a large supply of already-downloaded pictures, and I find that I deeply love seeing some of these over and over again. However, they are all original artworks done by me. (Yes, I know I didn’t make any of the Pez dispensers or anything in the above photo. But I made the arrangement and took the photo. That makes it as much my art as Campbell Soup cans can be Andy Warhol’s work.) And I have seen them far more often than you have, and I haven’t tired of them.
Many of these pictures are actually self portraits. And that’s because an artist can only come up with whatever is actually inside him at the time.
I am not myself in this picture, but it is never-the-less very much about me and who I am inside.
You might be able to spot the connections between this picture and the last one if you are observant of small details.
Boz, the Bard, Diz, and Poe
This picture seems awfully random until you start to see them as Mr. Dickens, Mr. Shakespeare, Mr. Disney, and Mr. Poe.
So, there it is, Random Art for Saturday Art Day. Picked totally at random. And yet, at the end it seems somehow organized. That is a sort of small miracle, and probably proof that God exists… at least in some random way.
If you’ve read very much of my goofy little blog, you’ve probably run across the fact that I am something of a conspiracy theorist and strange-twist believer… sometimes referred to as a tinfoil-hat-wearer, or that old uncle you don’t want your kids sitting next to at the Thanksgiving dinner table. And I’ve got another one for you. I discovered while obsessing about nostalgia and old ads in the Saturday Evening Post, that the Coca-Cola company is probably responsible for warping my mind as a child.
My plan in revealing this hideous conspiracy is to take a look at ads and illustrations that I saw as a kid addicted to reading Saturday Evening Post every week at Grandpa and Grandma Aldrich’s farm. I will scour them for hidden meanings and try to reveal to you the insidious plot underlying these mind-altering illustrations. Keep in mind that you should probably take everything I say in this article with a grain of salt. No, really, salt can protect you from subtle mind-control messages.
And, yes, I realize that not all the messages are that subtle. Sometimes they shout at you, “Drink Coke and you will have more sex!” And you have to remember we are trying to avoid that kind of mind control. We have to fight every instance of ad companies trying to take control over us by exploiting our baser animal urges.
So, let me take a momentary interlude, a break if you will. I have this big glass of Diet Coke I just bought at QT, and…
Well, that was good!
Coca-Cola has been at this for a while. This ad from the 1940’s is apparently attempting to win World War II through choice of soft drinks. Look at this feisty brew the soldier is about to quaff. It is actually struggling in the cup to get out and go bite some German soldier’s face off. Any American soldier who can choke this stuff down is tough enough to take on the Axis powers, Napoleon after Hitler dug him up and used Frankenstein’s scientific breakthroughs to re-animate him, and even several countries we weren’t actually at war with. Even Rush Limbaugh and his weird lesbian-farmer-subsidies theory can’t compete with Coke on this level of propaganda wars.
I also think Coca-Cola ads may have something to do with why I became a Cardinals fan when I lived in a place full of Cubs and Twins fans. I admit, I added the dialogue and the commentary, but I used to do the same thing in my head when I was eight and the Cardinals went to the World Series… and the Cubs could not win it all even with Ernie Banks on their team. The Cardinals beat the Yankees in 7 games!
I blame Coca-Cola. Especially their ad department. Cause the generic manager is telling the generic Oubs player to “Relax… take it easy.” But the Cardinals won because Bob Gibson had that laser-intensity stare that bored holes through Mickey Mantle’s bat! (It is Oubs, not Cubs, by the way. Look at the big “O” on his jersey.)
And you can’t tell me that the Coca-Cola ad seen here, the one with the white-haired goblin child casting a spell on you with his crazy eyes and pointing at your dark, delicious master isn’t seriously trying to mess with children’s minds. There used to be a big five-foot-tall metal sign with this very picture on it in the one and only alley in Meservey, Iowa. The one time I went to the barber there to get my hair cut I had to sit in that barber chair and stare at this evil thing staring back at me from the alley across the street. It warped me. For one thing, I never went back to that barber shop again… at least until I was in college and the sign was gone.
So, I seriously believe Coca-Cola was messing with my mind as a child. They did it through subversive ad illustrations in Saturday Evening Post Magazine. And if I’m completely crazy now, I blame them. You don’t see that kind of thing going on today, do you? Well, I mean, we should be very worried. Because it probably means they have gotten better at it.
Can We Be Clear?
I suppose that if I were to be insightfully honest for a moment, I would have to admit that I am a failed novelist. If you take “success” as meaning “financial success”, the fact that I only make less than five dollars a month for my writing means I am a failure at it. If you specify that success means my books find readers, then evidence would suggest that my books are mostly ignored. A majority of those who have responded favorably to my work are actually members of the nudist community on Twitter. I admit that I have cultivated that a bit with nudist characters in about a fourth of my books. But that is a result of having experienced fascinating people and situations that I felt I had to write about because I happened to meet, totally by chance, interesting nudists in real life.
I have lost a lot of writing-community followers on Twitter because of my interactions with Twitter nudists. My work gets dismissed on occasion because your standard teacher-turned-writer on Twitter, usually female and usually fundamentalist Christian, doesn’t want to be contaminated by sinful nudist associations. Ah, such a life. But I don’t wish to destroy anyone’s faith in a God who will apparently burn them for an eternity in Hell if they are tempted to frolic with no clothes on. I would rather be blocked by them on Twitter than have them give up on whatever paradise they are pursuing.
But I am basically on the Brad Bird side of the argument about whether or not you can choose to be a hero even if others will see you as a monster. My fiction does not cause demonic possession and probably does not cause spontaneous bouts of joyful nudism either. Even my werewolf story, which was too much for one potential reviewer, does not have actual werewolves in it. Although it does describe some things that really happened to me as a child in a fictionalized, sort-of-truthful way.
So, by those criteria, I judge myself to be a failed writer.
I write because I have something to say to the world and stories to tell. And I mean to have my say, even if the world is too stone-deaf and stupefied to listen.
I have things to say about living and learning.
I have things to say about finding love, and losing love, and finding it again.
I have things to say about how I think the world works, and why I’m pretty sure I’m completely wrong about all of that. And what I intend to do about it.
To that end, I have started writing a book full of essays like the stuff and garbage and lovely wisdom I write in this goofy little blog. And I shall call it Laughing Blue. Because, you know, nobody is going to read it anyway, and I can call it whatever the heck I want to call it.
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