
I made a choice, long about 1980 or so. And I have not regretted that choice. I became a teacher instead of the writer/artist I thought I wanted to be. And the more I look back on it now, if I had gone the writer route back then, I could’ve eventually become an author like Terry Brooks who wrote the Shannara books. I might’ve even been as good as R.A. Salvatore whose fantasy adventure stories have reached the best seller list. Back then, in the 1980’s I could’ve eventually broke into the business and been successful. Even as late as when Frank McCourt broke onto the literary scene with his memoir, Angela’s Ashes in 1996, I might’ve been able to transition from teacher to writer the way he did. But I chose to keep going with a teaching career that enthralled me.

Publishing and the literary scene is changing now. And it is no longer possible for someone like me to break into the big time. I am an author who has come aboard a sinking ship.
But I have stories to tell. They have lived inside me for more than thirty years. And I am scrambling now to get them told before my crappy old body completely betrays me and makes the chance go away. I will get them told… even if no one ever listens.

And there are some advantages to doing it the way I have done it. It is, and always has been, about the people in my life. My wife, my children, my students, my co-workers, my cousins by the dozens, my little town in Iowa… they are the people in my stories. My stories are true to life, even if they have werewolves and fairies and living gingerbread men and nudists in them. I live in a cartoon world of metaphor and surrealism, after all. I would not have had the depth of character-understanding in my stories without my experiences as a teacher. And I really don’t have to worry about the whole marketing thing any more. I am not on that treadmill. I do not have to be aware of what the market is looking for. If my writing ever turns a profit, I won’t live long enough to see it anyway. And that has never been what it is all about.

I can do anything I please with my stories. They belong to me. I do not owe the world anything. What I give you now in this blog and in my books, is given for love, not profit. I can even write a pointless blog post about Sunday blather and illustrate it with Tintin drawings by Herge. And you can’t stop me. And, hopefully… you don’t even want to.

































The Cowboy Code
When I was a boy playing cowboys and Indians with cap pistols and rubber tomahawks, we all knew that cowboys had a code. The guy in the white hat always shoots straight. He knows right from wrong. He only shoots the bad guy. He even shoots the gun out of the bad guy’s hand if he can. Westerns are about right and wrong, good and bad, and the unyieldingly good knights of plains.
And boys believe what they see on TV and in the movie theaters. People who make television shows never lie, do they? In fact, Wyatt Earp was based on a real guy who really lived and really shot the bad guys at the gosh-darn real OK Corral.
Daniel Boone was a real guy too. He faced the opening up of new lands full of deadly dangers. And when Fess Parker played him in 1964, wearing Davy Crockett’s coonskin hat, he walked the earth like a guardian angel, making everyone safe by the end of the episode. He even knew which Indians were good and which were bad. Mingo was always on Daniel’s side. And when they spoke to each other about the dangers they faced, it was never about killing the people they feared. It was about doing what is was right, about helping the community at Boonesboro to survive. Being encouraging… looking forward to a more settled future created by following the cowboy frontier code.
So, I am left wondering what ever happened to the cowboy code? I listen to Republican presidential candidates talking about dipping bullets in pig’s blood to kill Muslims, and building walls against Mexican immigrants, and why our right to carry assault rifles is sacred, and I wonder what happened. Didn’t they experience the same education from the television versions of the Great American Mythology? Didn’t they learn the code too?
I am old enough now to know that cap guns are not real guns and you cannot solve problems by shooting somebody. But that was never the point of the cowboy code. We need straight-shooters again in our lives, not to shoot people, but to tell the unvarnished truth. We need wise people who can tell who are the good Indians and who are the bad We need them to shoot the weapons out of the bad guys’ hands. And I know that’s asking for leaders to be larger than life and be more perfect than a man can actually be. But Daniel Boone was a real man. Myths and legends start with a fundamental truth.
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Tagged as autobiography, childhood beliefs, cowboy code, Daniel Boone, humor, politics, Red Ryder, Roy Rogers, Wyatt Earp