The difference between who you want to be and who you are is humbling.
The recipe for humble pie requires good, clear eyesight.
And you need a reliable mirror that only shows the flaws in the reflected image, not in the mirror itself.
And you need to look at every detail in the whole of you. Even the secret things that you tend to conceal from everybody, especially yourself.
And writing a novel, if you do it right, is a form of baking humble pie.
The good and the not-so-good is reflected in reviews, which are often written with mirrors that have flaws.
But what you see, if you are honest with yourself, can show you that, even though you are far from perfect, you are exactly what you are supposed to be.
It is, of course, one of the most powerful, masterful, and best-known pieces of music ever written.
Mozart completed the “little serenade” in Vienna in 1787, but it wasn’t published until 1827, long after Mozart’s untimely death.
The Serenade is incorrectly translated into English as “A Little Night Music”. But this is and always has been the way I prefer to think of it. A creation of Mozart written shortly before he hopped aboard the ferryman’s boat and rode off into the eternal night. It is the artifact that proves the art of the master who even has the word “art” as a part of his name. A little music to play on after the master is gone to prove his universal connection to the great silent symphony that is everything in the universe singing silently together.
It is basically what I myself am laboring now to do. I have been dancing along the edge of the abyss of poverty, suffering, and death since I left my teaching job in 2014. I will soon be taking my own trip into night aboard the ferryman’s dreaded boat. And I feel the need to put my own art out there in novel and cartoon form before that happens.
I am not saying that I am a master on the level of a Mozart. My name is not Mickart. But I do have a “key’ in the name Mickey. And it will hopefully unlock something worthwhile for my family and all those I loved and leave behind me. And hopefully, it will provide a little night music to help soothe the next in line behind me at the ferryman’s dock.
No man is an island. John Donne the English poet stated that. And Ernest Hemingway quoted it… and wove it into his stories as a major theme… and proceeded to try to disprove it. We need other people. I married an island girl from the island of Luzon in the Philippines. She may have actually needed me too, though she will never admit it.
When I was a young junior high school teacher in the early eighties, they called me Mr. Gilligan. My classroom was known as Gilligan’s Island. This came about because a goofball student in the very first class on the very first day said, “You look like Gilligan’s Island!” By which he meant I reminded him of Bob Denver, the actor that played Gilligan. But as he said it, he was actually accusing me of being an island. And no man is an island. Thank you, Fabian, you were sorta dumb, but I loved you for it.
You see, being Gilligan on Gilligan’s Island was not a bad thing to be. It was who I was as a teacher. Nerdy, awkward, telling stories about when I was young, and my doofy friends like Skinny Mulligan. Being a teacher gave me an identity. And Gilligan was stranded on the Island with two beautiful single women, Mary Ann and Ginger. Not a bad thing to be. And I loved teaching and telling stories to kids who would later be the doofy students in new stories.
But we go through life searching for who we are and why we are here. Now that I am retired, and no longer a teacher… who am I now? We never really find the answer. Answers change over time. And so do I.
I am certainly no expert on the Golden Age of Comics. I was, in fact, born the year that the Golden Age ended. I am a child of the Silver Age (1956 to the early 1970s) and those were the comics I grew up with. But I admit to a fascination with the initial creation of the characters I love, including Batman, Superman, the Flash, Captain America, the Phantom, Steve Canyon, Wonder Woman and numerous others who were first put on the comic book pages in the Golden Age. And being subject to comic book prices that zoomed upward from a dollar an issue, I was bedazzled by the ten cent price on old comics.
Comic books owe their creation to the popular newspaper comic strips from the Depression era and WWII wartime. Originally, comic strips were gathered and printed on cheap paper. Dick Tracy, Prince Valiant, Terry and the Pirates, Flash Gordon, and other adventure strips would lead to the war comics and hero-centered comics that would morph into superhero comics.
Some of the artwork in Golden Age comics leaves a lot to be desired. Especially original, straight to comic book publications that were produced fast and furiously by publishers who would open one week, produce three issues. and go out of business three weeks later. But in the mad scramble, some truly great artists formed the start of their illustrious careers, Will Eisner, Hal Foster, Milt Caniff, and Bill Elder learned to master their craft in the newspaper strips, and all later created comic books and graphic novels. True geniuses like Jack “King” Kirby and Bob Kane and Jack Davis grew directly from comic book studio madhouses into comic-book-artist immortality.
As with most things that have a Golden Age, the truth was that later comic book eras were superior in most ways. But this Golden Age was the foundational age for an American art-form that I truly love. So, flaws and warts are overlooked. And some of these old ten cent books on super-cheap paper are worth huge amounts of money if you still have a rare one in mint condition. Ah, there’s the rub for a manic old collector guy like me.
Most of the Golden Age comic book images used for this post were borrowed from the ComicsintheGoldenAge Twitter page @ComicsintheGA. If you love old comics like I do, you should definitely check it out.
It is normal for the world we live in to inspire us to draw pictures of it. But architects do the opposite. They imagine a world we could live in, and then build it.
David and Me in Cotulla
Sometimes, like in the picture above, I draw real people in imaginary places. Other times I draw imaginary people and put them in real places.
Gyro and Billy on the planet Pan Galactica A
Sometimes I put imaginary people in imaginary places. (I photo-shopped this planet myself.)
Superchicken and Sherry before school
In fiction, I am re-casting my real past as something fictional, so the places I draw with words in descriptions need to be as real as my amber-colored memory can manage.
Valerie and her skateboard in front of the Congregational Church
When I use photos, though, I have to deal with the fact that over time, places change. The church does not look exactly like it did in the 1980s when this drawing is set.
Drawing things I once saw, and by “drawing” I mean “making pictures,” is how I recreate myself to give my own life meaning.
Drawing with increasingly painful arthritic hands is still worth it. I suppose I should feel a little embarrassed about drawing so many young girls. Especially when I draw them naked.
But drawing someone who is naked, yet totally confident in their own skin and unafraid of the world they have bared themselves to, captures a feeling I have aspired to my whole life.
That is the purpose of art. To show the deepest insights life has forced upon the artist.
Not all the nudes I draw are female.
Sometimes it is the top of the head that is naked. That makes it easier to show what you are thinking. No hairy stuff between the viewer and the mind of the man.
Mere shapes and lines can make you feel something deeply.
There is a joy that can come from drawing something that begins with a spark from your secret heart.
But people will know at first sight what things you used to keep secret and to yourself.
And some people will hate you for it. They detect a little nudism or a little bit of gayness (and I am definitely not gay) and immediately default to hating your drawings, and, beyond that, hating you.
But I don’t accept hate. Because I don’t know hate. It is a stranger to me, from a country I have never been to. And I don’t recognize that stranger. But I don’t hate him. Because I don’t know hate.
When I was a boy in Iowa, living in a boring little farm town where nothing really ever happened, I made a bunch of stuff up in my stupid little head and had great fun pretending it was all real.
I loved stories about Flash Gordon, Tarzan, and Jungle Jim on the Saturday afternoon TV ;matinee on Channel 3 from Mason City.
So, naturally, I told my friends at school that I was secretly a boy from outer space pretending to be Mike Beyer as part of a super-secret mission from a Star Empire that nobody but me knew existed. I got really embarrassed one night at 4-H Fun Night in Eagle Grove when the girl I had a secret crush on confronted me about telling my friends that she was a Martian Princess trapped on Earth by agents from outer space. She wasn’t mad. She thought it was funny. But I turned shades of red and purple in the face that no one knew was humanly possible. I got both joy and agony out of being the sort of juvenile liar who is destined to grow up to be a story-teller.
But lies are not always harmless amusement. I am not saying I never told an evil, black lie. But I don’t think I ever did. At least, if I ever did, it was forgettable enough to be forgotten by me.
And the lie about the sexual assault I endured at ten was not really a lie. I didn’t tell anybody because he threatened to hurt me worse if I did. That scared me enough that it would be years before I even allowed myself to remember that it happened. And lies of omission are not regular lies. You are not telling somebody to believe something that isn’t true. You are simply not telling anyone about something you don’t want to be known.
To be honest with both you and myself, I never really ever got into trouble by telling a lie and getting caught for it. Most of the problems I ever had with girlfriends and eventually wife were created by telling the truth. That happens when you have two girlfriends at the same time and they really don’t like each other. It also happens when you decide things for yourself because you think it is the most sensible decision you can make, and when you tell your wife about it, you find out it is, in fact, the stupidest, most-wrongest idea any stupid person ever had… simply because husbands are always wrong. Funny, though, the decisions and ideas I carry out without telling her first always seem to work out fine. So, I must only be the world’s stupidest man if I tell her about it.
It almost seems like it is better to lie by omission than to tell the actual truth.
I am aware, however, that lies can be told in hurtful ways, fundamentally immoral and evil ways. It seems my email is full of scams and cons and lies daily. Not just African princes with money that desperately needs to pass through my bank account for some obscure reason, but Amazon gift cards for a thousand dollars that you just need to supply some information to have delivered to your bank account, and Norton security subscriptions that need to be renewed by credit card even though I stopped using Norton for that ten years ago.
And then there was an orange man who told us from before the first vote was cast that the 2020 election would be stolen by voter fraud. He whipped up an angry mob who took weapons and flags and anger into the US Capitol building so they could poop on stuff and kill some capitol policemen and try to get their hands on AOC because apparently they think she is a communist or something. That was an election lie that caused an insurrection. It caused people to get killed (on both sides, some battered policemen to commit suicide later, and Congress-people to tell more lies about terrorists merely being tourists. ‘
That’s a truly evil lie.
One of the things I appreciate most about nudists is the fact that naked people are not hiding anything.
So, I am able to identify being a liar as essentially a bad thing.
Of course, that is not going to prevent me from being the liar I have always been. Though, from now on I will be calling it being a fiction writer or a storyteller.
I drew this picture back in my college days, the middle 1970’s. If you look at it closely, you will see my shorthand in action. The rose on the trellis is one. I have drawn a thousand roses since I did this one. It is the formalized set of lines, colors, and shading that I always put together whenever the thing I mean is “a ro se.”
You can see it in the orange bricks of the goldfish pond. Compare those to the gray foundation bricks. The same shorthand patterns. The brick grid in the background as well.
The shadow patterns of wrinkles in the boy’s clothing are also shorthand I almost always do when drawing from my imagination. The faces in profile, too.
There is a language here spoken silently in colored pencil. Complex ideas pictured in a simple colored-pencil picture-language.
I recently got criticism for the unprofessional ugliness of one of my novel covers. Of course, that was only a part of the review that generally hated everything about my book. Some people feel certain works of art have no right to even exist. So, for art day today, I will inflict my recent crimes against the world of novel art on all the regretful followers of this blog, and probably ward off future followers as well.
This novella is already published. The first one I showed you represents only a novel idea. No writing yet exists for The Necromancer’s Apprentice outside of my stupid head.
This one is a part of my endless AeroQuest rewrite. The ending of the book and a handful of existing chapters that need to be expanded exist already. It is still a project planned for the part of the future in which I am most likely already dead. The character of Spaceheart featured on this cover has not been written at all yet.
This book is only a few chapters along. It is a currently stalled work in progress.
This one was written as a Tuesday novel-writing project and presented chapter by chapter on this blog. This is an updated cover that came about once I learned how to better create a cover, a thing I am still learning about.
This last one is the cover for a novella I am currently presenting on Tuesdays. It is nearing completion.
So, here now for your consideration are the most recent cover efforts I have made. Be disgusted and horrified at your leisure. I can take criticism. And I know it is useful to be open to criticism. It does indeed make you reflect on what you are doing.
Catch a Falling Star 
Humble Pie
The difference between who you want to be and who you are is humbling.
The recipe for humble pie requires good, clear eyesight.
And you need a reliable mirror that only shows the flaws in the reflected image, not in the mirror itself.
And you need to look at every detail in the whole of you. Even the secret things that you tend to conceal from everybody, especially yourself.
And writing a novel, if you do it right, is a form of baking humble pie.
The good and the not-so-good is reflected in reviews, which are often written with mirrors that have flaws.
But what you see, if you are honest with yourself, can show you that, even though you are far from perfect, you are exactly what you are supposed to be.
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Filed under artwork, autobiography, commentary, empathy, feeling sorry for myself, irony, Paffooney, self portrait, strange and wonderful ideas about life