To celebrate the funny face, you really have to smile.
The goofy look, the bizarre expression, that lingers for a while.
Have a face that’s funny? It really is a gift.
To look for happy people, use the chuckle-sound to sift.
Category Archives: artwork
Mickian Fantasy Art
There is a reason why anything in my artwork starting with a rabbit is assumed to be autobiographical. I raised rabbits as a 4-H project from about the age of 10 and we kept rabbits in pens until I was finishing my undergraduate degree. (Rabbit chores fell to my little brother when I was away from home.) In many ways, I was a rabbit-man. My personal avatar as a school teacher was Reluctant Rabbit.
There is often an exaggerated sense of adventure in my cartoonally weird Paffoonies, the very name of which is a fantasy word.
I have been known to actually believe gingerbread can be magical enough for gingerbread men to come to life once baked. It is the reason I bite the legs off first, so they can’t run away.
I have been known to see elves, fairies, and numerous other things that aren’t really there. In fact, a whole secret hidden kingdom of them inhabited the schoolyard in Iowa where I attended grades K through 6. They were all mostly three inches tall. The biggest ones, like dragons reaching only about six inches tall at their largest.
Upside Down and Inside Out
Ideally a writer must not become stuck in a rut, thinking about things in print from only one angle. If you fall into that trap you are doomed to be Tucker Carlson on FOX News, an evil, greedy, and anal-retentive soulless propagandist. Instead you need to have many eyes and notice things from up and down and all around.
As a writer of fiction I use the magic of observation, perception, and imagination together as three very different eyes. You use the observation eye, the one that sees naked Little Mickey in the center for what he really is, a naked, sometimes stinky, immature little brat who thinks he’s funny, to ground your thoughts in reality. You use the perception eye, the eye that discerns the things under the surface, like the presence of a happiness fairy and a sadness fairy in the picture, to determine what lies underneath everything, thoughts that may not be true, but are based on evidence and represent your best thinking. And you use the imagination eye to realize that you can take old pictures and paste them together in a new way to be creative and think a thought you totally never even thought about before.
And as a writer, you have to realize that everybody has a point of view that is uniquely their own. So, if you use the first-person narrative as much as I do, you have to learn to enter the character’s head and figure out how to be that person. I have become a small-town boy obsessed with monster movies. That one was easy. I became a somewhat dyspeptic and grumpy older man who owned a failing business. That was easier. Also I became a seventh-grade girl who lost her father and has to discover what post-trauma love is all about. Dang! That one was really hard. And I became a sentient sock puppet whose actual memories, perceptions, and personality reside in the head of his autistic puppeteer. Wow! Just wow!
So, what am I saying in this silly, unfocussed blog post? That you need to practice using your many eyes, and look at things from upside down and inside out, and finally see it’s not so unfocussed after all.
The Artist Who Masters the Darkness
Do you know who Bernie Wrightson is?
Bernie Wrightson in 1972, when I was a freshman and sophomore in high school, created for D.C. comics the character known as The Swamp Thing.
Of course,
being a stupid kid at the time, I totally ignored his genius with pen and ink, ink and brush, and fascinatingly dense forests of intricate detail.
I didn’t really get it until he joined The Studio with Jeffery C. Jones, Michael Kaluta, and Barry Windsor-Smith (whom I idolized for his work on Conan.)
And while in college, consuming everything available by The Studio that I could find and afford, I fell in love with his deeply dark and brooding illustration work for a new edition of Mary Shelley’s Frankenstein.
Frankenstein had 50 illustrations by Wrightson that firmly established the fact that by drawing with black ink you could show in startlingly real ways the qualities of white light. That appealed to me both literally as a way to make beautiful art and metaphorically, as that last thing was what I was doing with my own life, drawing the darkness to get to the beautiful light.
Most of his work
was drawing monsters; werewolves, zombies, the creatures of H.P. Lovecraft, and numerous things from nightmares.
But it has a definite beauty of its own. Darkness, evil, and corruption brings out the quality of what is light, righteous, and pure. There is truth in approaching reality from the dark side of the equation.
Of course, he would also do work on heroes like Batman, because the darkness breeds its own defenders of justice.
I am not so much a fan of monsters as I am a believer of taming the monsters who beset us as we try to make a worthy life for ourselves. But I can definitely see where Bernie Wrightson has been doing exactly that with his brilliant pen-and-ink artwork. Sadly, he will be doing no more of it since we lost him in 2017. But it is a legacy he left behind that will make his light continue to shine forth from dark places for a long time to come.
Filed under artists I admire, artwork, heroes
The Art of Fall 2016
Brekka the female Telleron Tadpole is accidentally eaten by the flesh-eating flower from outer space known as Lester (both heads seen here are actually Lester,) But Brekka’s species of amphibianoid alien is poisonous to him/her/or it. so he vomits her out again, having juiced her just enough to grant her telepathy with the plant and all its buds. They become best of friends. This scene comes from the novel Stardusters and Space Lizards.
Filch is a Dungeons and Dragons character from the 1980’s. He is a Gypsy, pickpocket, thief, trap-master, and all around disgusting twelve-year-old boy. (A sixth-grader if he ever went to school.)
He was a D&D rogue used as a character by a 16-year-old band nerd who went on to attend undergraduate college at Notre Dame.
I told teacher stories in the fall of 2016, the second start of a school year after I retired. Randy was a pain in the posterior, extremely smart, and my biggest classroom clown. He saw the fins on the back of my Ford Torino and decided he would call me “Batman” my second year of teaching, 1982. In October he wore a Batman Halloween Mask (a cheap plastic one,) and before he could call me Batman, I addressed him in front of everyone, “I’m so glad you could attend my class today, Battyman, but you will need to go by your secret identity during class.” After that, Battyman was what the other 8th graders called him for the rest of the year.
Filed under artwork, autobiography, humor, Paffooney
The Never-Naked Nudist
Today I have a low-grade fever. A slight cough. No sign of Covid yet, and I am fully vaccinated. But I have been to Walmart without a mask and get regular flu regularly. And it could also be a sinus infection again due to high pollen counts and neighborhood grass-cutting.
But the truly frustrating thing is that I had planned to go tomorrow to Bluebonnet Nudist Park, give them a copy of my nudist novel, and meet some of the members of that establishment that I didn’t meet in 2017.
The frustrating thing is that this marks the fifth time that I had planned to go back to Bluebonnet for a second visit. And now the plans are canceled yet again by illness.
As ever, I remain mostly a closet nudist. Me being a nudist now in the twilight years of my life is mostly a joke I tell, only loosely based on reality.
Part of the problem is the fact that I simply waited too long in my life to give in to the urge to be a nudist. I was one from childhood onward, but always too afraid of the unknown to try it openly. Especially after being assaulted at the ripe old age of ten.
My real opportunity came when I had a girlfriend in the 1980’s whose sister lived with her husband and children in a clothing-optional apartment complex in Austin. I met nudists there fully committed to the lifestyle and who encouraged me to join the movement, even after I broke up with that girlfriend. There were limited opportunities to become a nudist then. A park near Houston, a park near San Antonio, a nude beach on Lake Travis (Hippie Hollow,) and clubs in the Austin area that met in members’ homes. I only ever visited those places with clothes on. I never actually tried it. And now that I am old, I regret the opportunities missed.
Now I am old and ill and unable to express my love of nudism and naturism except through art and fiction. Of course, it has always been a very visual-only experience for me. No touching was ever involved. Whatever sexual feelings there were were always sublimated and deeply buried or strictly controlled.
And, as always, I didn’t absolutely need to share these normally private sort of details, but it seems my art and writing make me far more naked to the world than walking around a nudist park ever could.
Really Odd Things are in the “Wrong File”
On my computer I keep a lot of picture files for inspiration both as an artist and a writer. One of those files is labeled simply the “Wrong File”. Everything in that picture file is in there for the wrong reason. Or does a wrong file need to be filled with the wrong stuff for the right reason? I don’t know. There is a lot wrong with this world. The fact that I am going to post stuff from the “Wrong File” is merely proof of that.
Liking Grumpy Cat posts on Facebook is an oxymoron of the lowest order. It is an example of what is wrong in the “Wrong File”.
Certain puns are just so wrong in a fundamental way. That’s right. They are both fun and mental. So that’s wrong.
As an educator I am aware that this thing we thought was true is now an untrue fact. That’s wrong also. My left brain tells me so. But my right brain tells me it feels right.
Yes, these things are wrong. Just wrong.
Why did I put this in here? This is not wrong. This is right. So I must’ve put it in the wrong file. So that’s all right, then.
Putting this in a file my wife could find on my laptop… Yes, that was wrong.
Saddle shoes have been wrong for many years now. I still draw them on the feet of kids, especially girls, especially school-age girls, and that is especially especially wrong because it means I am just too old and out of fashion.’
Boy! Is that wrong!
These things are all older than me, but I remember two of them. Is that wrong?
I’m not sure I believe this is wrong. So is that wrong? To believe that it is right, I mean? I’m probably wrong.
My wife constantly tells me I am wrong… about everything. And I probably am. So that is not right. And if you think that’s my wife in the picture, you would be wrong. She’s much larger than that in real life.
And many people find surrealism is wrong. Surreal is when you put wrong things together on purpose to make something that almost seems right.
So that’s what odd about the “Wrong File”, It is so wrong that it is right.
Filed under artwork, collage, collecting, goofiness, irony, strange and wonderful ideas about life, surrealism, wordplay
Eine Kleine Nachtmusik
It is, of course, one of the most powerful, masterful, and best-known pieces of music ever written.
Mozart completed the “little serenade” in Vienna in 1787, but it wasn’t published until 1827, long after Mozart’s untimely death.
The Serenade is incorrectly translated into English as “A Little Night Music”. But this is and always has been the way I prefer to think of it. A creation of Mozart written shortly before he hopped aboard the ferryman’s boat and rode off into the eternal night. It is the artifact that proves the art of the master who even has the word “art” as a part of his name. A little music to play on after the master is gone to prove his universal connection to the great silent symphony that is everything in the universe singing silently together.
It is basically what I myself am laboring now to do. I have been dancing along the edge of the abyss of poverty, suffering, and death since I left my teaching job in 2014. I will soon be taking my own trip into night aboard the ferryman’s dreaded boat. And I feel the need to put my own art out there in novel and cartoon form before that happens.
I am not saying that I am a master on the level of a Mozart. My name is not Mickart. But I do have a “key’ in the name Mickey. And it will hopefully unlock something worthwhile for my family and all those I loved and leave behind me. And hopefully, it will provide a little night music to help soothe the next in line behind me at the ferryman’s dock.
Filed under artwork, cartoons, classical music, commentary, feeling sorry for myself, Hidden Kingdom, magic, metaphor, music, Paffooney
Islands of Identity
Who am I?
Why do I do the things that I do?
No man is an island. John Donne the English poet stated that. And Ernest Hemingway quoted it… and wove it into his stories as a major theme… and proceeded to try to disprove it. We need other people. I married an island girl from the island of Luzon in the Philippines. She may have actually needed me too, though she will never admit it.
When I was a young junior high school teacher in the early eighties, they called me Mr. Gilligan. My classroom was known as Gilligan’s Island. This came about because a goofball student in the very first class on the very first day said, “You look like Gilligan’s Island!” By which he meant I reminded him of Bob Denver, the actor that played Gilligan. But as he said it, he was actually accusing me of being an island. And no man is an island. Thank you, Fabian, you were sorta dumb, but I loved you for it.
You see, being Gilligan on Gilligan’s Island was not a bad thing to be. It was who I was as a teacher. Nerdy, awkward, telling stories about when I was young, and my doofy friends like Skinny Mulligan. Being a teacher gave me an identity. And Gilligan was stranded on the Island with two beautiful single women, Mary Ann and Ginger. Not a bad thing to be. And I loved teaching and telling stories to kids who would later be the doofy students in new stories.
But we go through life searching for who we are and why we are here. Now that I am retired, and no longer a teacher… who am I now? We never really find the answer. Answers change over time. And so do I.
Catch a Falling Star 
Humble Pie
The difference between who you want to be and who you are is humbling.
The recipe for humble pie requires good, clear eyesight.
And you need a reliable mirror that only shows the flaws in the reflected image, not in the mirror itself.
And you need to look at every detail in the whole of you. Even the secret things that you tend to conceal from everybody, especially yourself.
And writing a novel, if you do it right, is a form of baking humble pie.
The good and the not-so-good is reflected in reviews, which are often written with mirrors that have flaws.
But what you see, if you are honest with yourself, can show you that, even though you are far from perfect, you are exactly what you are supposed to be.
2 Comments
Filed under artwork, autobiography, commentary, empathy, feeling sorry for myself, irony, Paffooney, self portrait, strange and wonderful ideas about life