
Scherzo 14 – Spaceheart Joins the Space Opera
She was the size and shape of a blond-haired human girl of about fourteen years of age. She wore one of those tech-level 25 armored space bikinis, and Dr. Hooey had to admit she looked pretty appealing in it.
“So, they issued you that armored bikini instead of the usual Time Knight’s eccentric, colorful costume?”
“Oh, yes, by my special request,” said the girl. “It’s fully functional as a space suit, putting atmosphere around me inside an electromagnetic bubble that will also shield me from radiation, lasers, micro-meteors, blades, microwaves, nuclear blasts, and even slug-thrower bullets.”
“Ahem, yes…” Hooey wasn’t sure whether he should be harsh with his evaluation, or just charmed with her natural enthusiasm. Her enthusiasm alone was of a kind that could defeat space criminals, evade alien attacks, and charm world leaders. And that happy grin could certainly kill a grizzly bear at thirty paces. “Prepared for practically anything, aren’t we?”
“Well, being prepared is the key to everything you have accomplished Dr. Hooey. I studied you carefully while I was in the academy. You more than any other Time Knight we discussed. I prayed to the Seven Goddesses of the Pleiades that I would be chosen to be your companion on this next journey through time.”
“Ahem… your name is Spaceheart, I believe?”
“Yes. That is definitely my preferred moniker of the moment.”
“I suppose I can’t just call you Becky or Alice or something?”
“No, please. I like Spaceheart. It is a cool pulp-fiction sort of science-fictiony name.”
Hooey almost said, “Ahem” again, but he was running out, so he decided to save the last few for later.
“So, one of the main jobs of the time-travel companion is the keeping of order inside the time-ship.”
Spaceheart looked around at the mess inside the Star Wars. She shuddered. Wires were hanging from the dark space where the ceiling allegedly was supposed to be. Burnt panels covered the control console with melted buttons, charred thing-a-majiggs, and a grossly detached doodle-ma-whoop. You couldn’t make the chronometric time jumps without a re-attached doodle-ma-whoop. And you would need to replace every single thing-a-majigg in order to prevent the Time Knights inside the ship from prematurely aging or turning back into babies. A glitch in either direction could pop you out of existence without warning.
“It got damaged a bit with that last mission, huh?”
“Oh, yes. It actually killed me, so that I had to reboot myself with an entirely new and better-looking reincarnation.”
“But, the Lizard Lady was successful before she died?”
“Well, technically… Um, she’s not actually dead yet at this time… er, the relative dimension in time and space she currently inhabits.”
“Oh, that’s interesting…”
“Yes, um… she’s in position to help us win the battle at Outpost. So, our job is mainly to correct whatever goes wrong with the ancient device that Ged Aero is trying to send to another universe.”-
“I guess I better get started on the clean-up and repair procedures.”
“Ahem… yes, I didn’t mean to use up that one, but if you don’t mind… I would like to pull up a lawn chair and watch you work. Um, you are going to wear that armored bikini, right?”
“Um, yes…?”
“Can I take pictures too?”
Spaceheart smiled at the dirty old man who turned younger again.


















Vonnegut
My experience of the works of Kurt Vonnegut is limited to the reading of three books; Cat’s Cradle, Breakfast of Champions, and Slaughterhouse Five. But it was enough to make me love him and use him as a shaper of my soul.
I deeply apologize for the fact that even though he only wrote 14 books and a bunch of short stories, I have not read everything I could get my hands on by Kurt. Three novels and one short story (Harrison Bergeron) is not really enough to compare to the many, many things that I have read by Mark Twain, Terry Pratchett, Louis L’Amour, and Michael Crichton. I can’t begin to count how many books of each of those four I have read and reread. But it is enough that I read those three novels and have a lifelong regret of never buying and reading Slapstick when I had the chance. Vonnegut writes black humor. The ideas are painful, and burn away flesh from your personal body of being. And at the same time, you cannot help but laugh at the pure, clean, horrifying truths his ridiculous stories reveal.
If, in the course of telling a story, you can put the sublime, the ridiculous, and the horrendous side by side, and make the reader see how they actually fit together, then you can write like Vonnegut.
Let me give you three quick and dirty book reports of the Vonnegut I have read in the order I have read them;
I read Cat’s Cradle in college. I was young and idealistic at the time, foolishly convinced I could be a great writer and cartoonist who could use my work to change mankind for the better.
In the book, Dr. Felix Hoenikker (a fictionalized co-creator of the atomic bomb) is obsessively re-stacking cannonballs in the town square in pursuit of a new way to align water molecules that will yield ice that does not melt at room temperature. Much as he did with the A-bomb, Hoenikker invents a world-ending science-thing without any thought for the possible consequences. The narrator of the novel is trying to write a humanizing biography of the scientist, and comes to observe the inevitable destruction of the whole world when the oceans freeze into Ice-9, the un-meltable ice crystal. Before the world ends, the narrator spends time on the fictional Carribean island of San Lorenzo where he learns the fictional religion known as Bokononism, and learns to make love to a beautiful woman by pressing bare feet together sole to sole. It is a nihilistic picture of what humans are really like more savagely bleak than any portrayal Monte Python’s Flying Circus ever did on TV.
Needless to say, my ideals were eventually shattered and my faith in the world shaken.
I read Breakfast of Champions after I had been teaching long enough to buy my own house, be newly married, and a father to one son. It was probably the worst time of life to be reading a book so cynical, yet true.
In this story, the author Kilgore Trout, much published but mostly unknown, is headed to Midland City to deliver a keynote address at an arts festival. Dwayne Hoover is a wealthy business man who owns a lot of Midland City real-estate. Trout gives Hoover a book (supposedly a message from the creator of the universe) to read that suggests that all people (except for the reader of the book… meaning Hoover) are machines with no free will. Hoover takes the message to heart and tries to set the machines free by breaking them, beating up his son, his lover, and nine other people before being taken into custody.
The book contains devastating themes of suicide, free will, and social and economic cruelty. It makes you sincerely reflect on your own cog-in-the-machine reality.
Slaughterhouse Five is a book I bought and read when I missed my chance to buy Slapstick and needed something to take home from HalfPrice Books to make me feel better about what I missed. (Of the five books I had intended to buy that day, none were still on the shelves in spite of the fact that they had been there the week before.) It was fortuitous. This proved to be the best novel I had ever read by Vonnegut.
Like most of his work, the story of Billy Pilgrim is a fractured mosaic of small story pieces not presented in chronological order. It details Billy’s safe, ordinary marriage to a wife who gives him two children, but it is ironically cluttered with death, accidents, being stalked by an assassin, and being kidnapped by aliens. It also details his experiences in World War II where he is captured by the Germans, held prisoner in Dresden, kept in an underground slaughterhouse, and ironically survives the fire-bombing of Dresden by the Allies. Further, it details his time as a zoo exhibit on the alien planet of Tralfamadore.
It explores the themes of depression, post-traumatic-stress disorder, and anti-war sentiment. Vonnegut himself was a prisoner of war in Dresden during the fire-bombing, so real-life experiences fill the book with gravitas that it might not otherwise possess. Whether the author was ever kidnapped by aliens or not, I cannot say.
But Kurt Vonnegut’s desire to be a writer and portray himself as a writer in the character of Kilgore Trout, and even as himself in his work, has an awful lot to do with my desire to be a writer myself. Dark, pithy wisdom is his thing. But that wisdom, having been wrung from the darkness is all the more brightly lit because of that wringing. It is hard to read, but not hard to love.
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