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My Bookish Journey (Part III)

As I indicated in Part II, I killed PDMI Publishing with my first contest novel, Snow Babies. Not because it was that bad of a novel. Rather, it was the endless compounding of my bad luck over time, caused by the Publishing Gods’ keen desires to keep my stories from being generally read and enjoyed. Fickle and cruel are the Publishing Gods.

I took some of the most memorable events in my time as a teacher, put them in a cook-pot and added a batter made of characters based on real teachers I have taught with, learned from, and copied their methods, mixed it with a wooden whisk made of fairy tales, and then baked it with the high heat of the love of teaching to make the next manuscript I would submit to the same YA Novel contest, the Rossetti Awards.

I thought it was an excellent novel. And, like Snow Babies before it, it made the final round of the judging. And there was a range of prizes for the best in about five categories of YA novel for which Magical Miss Morgan qualified for two of them. If it had taken any of those prizes, it would’ve gained me the attention of major publishers looking for new talent.

Alas, there were more novels in competition in that second contest, and I only won the placement in the final round of judging. The Publishing Gods are powerful and implacable.

I submitted it to another publisher that I meant to kill, and they promptly rejected it. They could not handle many novels, got an avalanche of mostly terrible novels, and rejected mine after the first page didn’t dazzle them enough. My consolation had to be that, even though they didn’t give me a contract, they did die shortly after, being closed the next time I checked on them.

Mike Murphy and Blueberry Bates, two of Miss Morgan’s students

So, I gritted my teeth and tried the pay-to-publish publishers one more time. I chose Page Publishing because they only cost a third of what I-Universe did. I could, at that time, barely still afford it with my partially-restored credit rating.

Unfortunately, as a Publisher, Page was worth only one one-hundredth of the value of I-Universe. They didn’t actually have editors. I basically edited the whole thing myself. Their “editor” only communicated to me once with a proof-read copy that I basically had to re-edit and change everything back to being correct English usage. The major editorial contribution? They tried to change every instance of my use of Miss Morgan to Ms. Morgan. Even in the title. The young bozo-editor didn’t understand that even married female teachers are addressed as “Miss.”

As hard as they tried to mess up the novel for me, almost as badly as Publish America did to AeroQuest, I was pleased with the final outcome and the ten copies they sent me. However, I had already vowed to myself that I would never again trust my work to fly-by-night small publishers. And, of course, no major publisher was accepting unsolicited manuscripts. So, I began my relationship with Amazon Kindle Direct Publishing.

That, then, will be the topic of Part IV.

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My Bookish Journey (Part II)

It is possible, I suppose, that after my unlooked-for hiatus from teaching, and the subsequent employment as an ESL teacher for the Garland, Texas School District in 2007. I might never have tried picking up the magic pencil again.

I loved teaching. And I was seriously considering doing it until the day I dropped dead.

But, God, of course, usually has other ideas for everybody. My last three years as a Texas public school teacher were my hardest health-wise. I had the H1N1 flu twice in one year. Both strains, one time each. I spent a week in the hospital with pneumonia. I reached a point where I was sick more days every semester than I had sick days to cover. My paychecks began to shrink. And it got harder to make it through the day standing in front of classrooms holding the big pencil of lesson delivery.

As I contemplated the inevitable dropping into deadness that happens even to English teachers, I began to realize that I couldn’t just let my stories disappear when I did. I needed to actually get serious about publishing them. I wrote another. I took an old manuscript called Nobody’s Babies and rewrote it as Snow Babies. I submitted it in manuscript form to a writing contest. I entered it into Chanticleer Book Reviews’ YA novel-writing contest called the Dante Rossetti Awards. https://www.chantireviews.com/contests/ I made it through to the final round of judging, one of twelve books. I didn’t win, and I couldn’t legally put on the eventual cover of the book that it was a finalist, but it was. So, it was time to find a new publisher. Preferably one that didn’t require my indentured servitude to Mastercard and Discover for the rest of my life.

I found a publisher that loved my book. PDMI Publishing was a business operated as an Indie publisher by a poet and his wife and supported by all the writers and editors and artists whose work he put into print. They were expanding when I signed a contract with them. I was given a brand new book editor who joined them shortly after I did. Jessie Cornwell was her name.

My book was humming along towards publication for two years. Then, rather suddenly, the business collapsed and they released me from my contract. Being the next book in line to be published, I believe it was my incredible luck as an author trying to get published and actually make money from writing that killed the publisher. I didn’t get the final draft of my novel back, so, now I give credit as Editor to Jessie, but the only changes she made to it are the ones I remembered and agreed with.

I would make one more stab at working with an actual publisher for the next book I wanted to publish, Magical Miss Morgan. But that debacle is the subject of Part Three.

But I would go on to self-publish Snow Babies on Amazon, and, to date, it is the book I consider to be the best thing I have ever written.

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Word Magic

From the time I could first remember, I was always surrounded by stories. I had significantly gifted story-tellers in my life. My Grandpa Aldrich (Mom’s Dad) could spin a yarn about Dolly O’Rourke and her husband, Shorty the Dwarf, that would leave everybody in stitches. (Metaphorical, not Literal)

And my Grandma Beyer (Dad’s Mom) taught me about family history. She told me the story of how my great-uncle, her brother, died in a Navy training accident during World War II. He was in a gun turret aboard a destroyer when something went wrong, killing three in the explosion.

Words have power. They can connect you to people who died before you were ever born. They have the power to make you laugh or make you cry.

Are you reading my words now? After you have read them, they will be “read.” Take away the “a” and they will change color. They will be “red.” Did you see that trick coming? Especially since I telegraphed it with the colored picture that, if you are a normal reader, you read the “red” right before I connected it to “reading.”

Comedy, the writing of things that can be (can bee, can dee, candee, candy) funny, is a magical sort of word wrangling that is neither fattening nor a threat to diabetes if you consume it. How many word tricks are in the previous sentence? I count 8. But that wholly depends on which “previous sentence” I meant. I didn’t say, “the sentence previous to this one.” There were thirteen sentences previous to that one (including the one in the picture) and “previous” simply means “coming before.” Of course, if it doesn’t simply mean that, remember, lying is also a word trick.

Here’s a magic word I created myself. It was a made-up word. But do a Google picture search on that word and see if you can avoid artwork by Mickey. And you should always pay attention to the small print.

So, now you see how it is. Words have magic. Real magic. If you know how to use them. And it is not always a matter of morphological prestidigitation like this post is full of. It can be the ordinary magic of a good sentence or a well-crafted paragraph. But it is a wizardry because it takes practice, and reading, and more practice, and arcane theories spoken in the back of old bookshops, and more practice. But anyone can do it. At least… anyone literate. Because the magic doesn’t exist without a reader. So, thank you for being gullible enough for me to enchant you today.

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Where Do Ideas Come From?

When you make the mistake of admitting to others that you are a writer, they immediately assume you know things that are kept secret from “normal” people. For instance, they will simply assume that you can tell them where you get your ideas for writing. Well, I am fairly sure that I got the idea for this post from watching a YouTube video in which the Master, Neil Gaiman, says that every author has a joke answer for that one with enough sarcastic wit in it to punish the asker with public humiliation.

I asked the dog if she knew any jokes like that which I could use to prepare for someone asking me that question in public. She said, “You could tell them that your family dog tells you what to write every day.”

“No,” I said, “people would never believe it.”

“Well, it is supposed to be a joke. But you are right. No one would ever think you were actually smart enough to write down what a dog tells you.”

“Yes, it’s a good thing for me that you know how to speak in English. I could never translate and transcribe Barkinese.”

So, I began thinking of where some of my best ideas came from.

Dreams

Some of my stories come directly from dreams that I had. The nightmare about being chased down a street in Rowan at midnight by a large black dog with red eyes was an actual dream I had in the 1970s. So was the nightmare of the werewolf climbing out of the TV during a late-night viewing of Lon Chaney in The Wolfman.

Those two dreams together were the start of the story that became my recently published novel, The Baby Werewolf. Both dreams visit the protagonist in the story I wrote almost as if they were his dreams and not actually mine.

Events

Snow Babies, the best novel I have ever written, was based on two different blizzards I experienced, first as a child in the 1960’s, and then again as a high school kid in the 1970s. Each blizzard involved being snowed in for a week at someone else’s house. As a child, I was stuck at Grandpa’s farm place until the snow plows could finally do their work and open the gravel roads. As a teen, I was stuck in Great Grandma’s retirement apartment near the high school in Belmond.

That novel also is based on the next source of ideas;

Characters

I can’t think of any story I have written that isn’t based on real people I have known in one way or another. Valerie in the novel above is based on three different girls I have known or taught. One of those three is my own daughter. The four orphans on the bus in that story are all boys from my junior high classes in the 1980s.

Lucky Catbird Sandman, the hobo who wears the quilted coat of many colors, is based on the poet Walt Whitman, whom I knew well in a past life, and my own shiftless, storyteller self. Some characters are just so key to a story idea that they themselves are the reason for a book to exist.

In conclusion, the dog doesn’t really know what she’s talking about. None of these things are really where I get my ideas. But I am out of time. I will have to write about the bottle imp another day. No, really. A magical imp trapped in a bottle. You can make one of those give you ideas for novels with only a slight risk to your life and soul.

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The Writing Imperative

I am a writer because I write. I write because I have to. I have to because somebody has to control the words. People are made of words.  Their identity, their inner self, their reason for existence… all made of words.  The very thoughts in their heads are… words. If I want to control the words I am made of, then I must be the writer who writes his own story. I don’t want anyone else to write the words that essentially become me.  Do you? Purple words Of course, authors create characters.  Even autobiographers create characters.  Carl Sandburg could no more make his words into Lincoln than a bird can make its tweets into a cat.   Sandburg can, however, help us to understand Lincoln as Carl Sandburg understands the words that are Lincoln. Lincoln probably did not have the words for “bikini girls” in his head when he wrote those words in the second quote.  But somebody thought that the picture would help us understand the words.  By all accounts, Lincoln was not a particularly happy man leading a particularly happy life.  But he showed us the meaning of his words when he stood firm against the strong winds of harsh words and bad ideas in a terrible time.  And he was as happy about it as he made up his mind to be. Miltie223408 I, too, have not lived a particularly happy life.  But I was always the “teacher with a sense of humor” in the classroom, and students loved me for it.  Funny people are often not happy people.  But they make themselves out of funny words because laughter heals pain, and jokes are effective medicine.  And so I choose to write comedy novels.  Novels that are funny even though they are about hard things like freezing to death, losing loved ones, being humiliated, being molested, and fear of death.  Magical purple words can bring light to any darkness.  I am the words I choose to write in my own story.  The words not only reveal me, they make me who I am.  And it is up to me to write those words.  Other people might wish to do it for me.  But they really can’t.  The words are for me alone to write. Green words And so it is imperative that I write my words in the form of my novels, my essays, and this goofy blog post.  I am writing myself to life, even if no one ever reads my writing.

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My Bookish Journey (Part II)

It is possible, I suppose, that after my unlooked-for hiatus from teaching, and the subsequent employment as an ESL teacher for the Garland, Texas School District in 2007. I might never have tried picking up the magic pencil again.

I loved teaching. And I was seriously considering doing it until the day I dropped dead.

But, God, of course, usually has other ideas for everybody. My last three years as a Texas public school teacher were my hardest health-wise. I had the H1N1 flu twice in one year. Both strains, one time each. I spent a week in the hospital with pneumonia. I reached a point where I was sick more days every semester than I had sick days to cover. My paychecks began to shrink. And it got harder to make it through the day standing in front of classrooms holding the big pencil of lesson delivery.

As I contemplated the inevitable dropping into deadness that happens even to English teachers, I began to realize that I couldn’t just let my stories disappear when I did. I needed to actually get serious about publishing them. I wrote another. I took an old manuscript called Nobody’s Babies and rewrote it as Snow Babies. I submitted it in manuscript form to a writing contest. I entered it into Chanticleer Book Reviews’ YA novel-writing contest called the Dante Rossetti Awards. https://www.chantireviews.com/contests/ I made it through to the final round of judging, one of twelve books. I didn’t win, and I couldn’t legally put on the eventual cover of the book that it was a finalist, but it was. So, it was time to find a new publisher. Preferably one that didn’t require my indentured servitude to Mastercard and Discover for the rest of my life.

I found a publisher that loved my book. PDMI Publishing was a business operated as an Indie publisher by a poet and his wife and supported by all the writers and editors and artists whose work he put into print. They were expanding when I signed a contract with them. I was given a brand new book editor who joined them shortly after I did. Jessie Cornwell was her name.

My book was humming along towards publication for two years. Then, rather suddenly, the business collapsed and they released me from my contract. Being the next book in line to be published, I believe it was my incredible luck as an author trying to get published and actually make money from writing that killed the publisher. I didn’t get the final draft of my novel back, so, now I give credit as Editor to Jessie, but the only changes she made to it are the ones I remembered and agreed with.

I would make one more stab at working with an actual publisher for the next book I wanted to publish, Magical Miss Morgan. But that debacle is the subject of Part Three.

But I would go on to self-publish Snow Babies on Amazon, and, to date, it is the book I consider to be the best thing I have ever written.

Leave a comment

Filed under novel writing, Paffooney, publishing, writing

Word Magic

From the time I could first remember, I was always surrounded by stories. I had significantly gifted story-tellers in my life. My Grandpa Aldrich (Mom’s Dad) could spin a yarn about Dolly O’Rourke and her husband, Shorty the Dwarf, that would leave everybody in stitches. (Metaphorical, not Literal)

And my Grandma Beyer (Dad’s Mom) taught me about family history. She told me the story of how my Great Uncle, her brother, died in a Navy training accident during World War II. He was in gun turret aboard a destroyer when something went wrong, killing three in the explosion.

Words have power. They can connect you to people who died before you were ever born. They have the power to make you laugh, or make you cry.

Are you reading my words now? After you have read them, they will be “read.” Take away the “a” and they will change color. They will be “red.” Did you see that trick coming? Especially since I telegraphed it with the colored picture that, if you are a normal reader, you read the “red” right before I connected it to “reading.”

Comedy, the writing of things that can be (can bee, can dee, candee, candy) funny, is a magical sort of word wrangling that is neither fattening nor a threat to diabetes if you consume it. How many word tricks are in the previous sentence? I count 8. But that wholly depends on which “previous sentence” I meant. I didn’t say, “the sentence previous to this one.” There were thirteen sentences previous to that one (including the one in the picture) and “previous” simply means “coming before.” Of course, if it doesn’t simply mean that, remember, lying is also a word trick.

Here’s a magic word I created myself. It was a made-up word. But do a Google picture search on that word and see if you can avoid artwork by Mickey. And you should always pay attention to the small print.

So, now you see how it is. Words have magic. Real magic. If you know how to use them. And it is not always a matter of morphological prestidigitation like this post is full of. It can be the ordinary magic of a good sentence, or a well-crafted paragraph. But it is a wizardry because it takes practice, and reading, and more practice, and arcane theories spoken in the backs of old book shops, and more practice. But anyone can do it. At least… anyone literate. Because the magic doesn’t exist without a reader. So, thank you for being gullible enough for me to enchant you today.

Leave a comment

Filed under humor, Paffooney, strange and wonderful ideas about life, wizards, word games, wordplay, writing, writing humor, writing teacher

Writing with Power

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Word Salad and Idea Casserole

In a world filled with interesting and engaging ideas, I get frustrated with the constant barrage of word salad on social media tossed at me by conservative friends.  As Trump seems to be coming closer and closer to ending his administration with his own chaotic behavior, those who supported him are tossing more and more flavorless lettuce and rotted vegetables in the mix.  I have to resist the urge to throw the same thing back at them.  I do not resist such salad-making well.  Witness my attempts to alter this stupid meme from a friend;

29791846_1957483447626027_2873846592954171392_n

I admit, I kinda barfed half-digested word salad all over this one.  I get tired of debating the issues only to be insulted like this and then accused of only insulting Trump and avoiding what they call the “Real Issues”, like Hillary giving a gazillion per cent of our uranium wealth to the Russians and Obama being the one guilty of colluding with Russians.

But, enough of that.  It is time to make something healthier out of words and ideas.  I have a lot of things on my mind, and I want to get a lot of them said before I die.  So let me make some idea casserole, cooking a whole lot of very different ideas into one multivitamin dish.

DZyfT3lVAAAWfuI

  • Trump, for all the damage he’s done, will end up being good for us if we can just survive his administration to the end.  Scar tissue is always tougher than the surrounding flesh when the wound heals.  Repairing the damage he has done will leave us stronger, wiser, and more able to cope with the root causes of the Trump phenomenon.
  • My friends and family who supported the whole Trump mess primarily to hurt people whom they feel are smarter than them and so more stuck-up and self-important than them, will eventually get back to leading more productive lives than they did before.  And they will continue not to credit the ones who actually made that happen the way they didn’t credit Obama for healing the blunders of Bush.
  • I will get back to writing gentler, non-political-type humor novels.

  • I have my novel Superchicken half-way through the final edit to publish it on Amazon Kindle.  You can see I have been playing with cover ideas.  I plan to write Sing Sad Songs next.  Also I have two more novel ideas that I will add to this casserole as separate ingredients.  And I have The Bicycle Wheel Genius, Recipes for Gingerbread Children, and The Baby Werewolf finished and ready to edit as well.
  • Here’s new idea number one; The Boy Who Lived Forever is a fantasy novel about Icarus Jones coming to stay with the Jones family of Norwall.  He has survived a house fire that killed his parents and now must evade the dragon that pursues him while trying to figure out what is wrong with him health-wise.  Could he be dying?  Or did he survive the fire because he somehow can’t die?
  • Here’s new idea number two; Kingdoms Under the Earth is a fantasy novel about Blueberry Bates, a troubled young girl, falling seriously ill, and the measures her boyfriend, Mike Murphy, and her friends have to take in a realm made of magic and fever dreams to save her.

The truth is I really can’t do anything about politics and government beyond expressing my beliefs and voting my conscience.  I need to concentrate on telling stories.  It is the one thing that still gives my life meaning through the pain, illness, and suffering.  I am not dead yet.  And, not being dead, I need to be writing.

 

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Filed under angry rant, commentary, feeling sorry for myself, goofy thoughts, humor, imagination, novel plans, NOVEL WRITING, Paffooney, politics, strange and wonderful ideas about life

The Writing Imperative

I am a writer because I write.

I write because I have to.

I have to because somebody has to control the words.

People are made of words.  Their identity, their inner self, their reason for existence… all made of words.  The very thoughts in their heads are… words.

If I want to control the words I am made of, then I must be the writer who writes his own story.

I don’t want anyone else to write the words that essentially become me.  Do you?

Purple words

Of course, authors create characters.  Even autobiographers create characters.  Carl Sandburg could no more make his words into Lincoln than a bird can make its tweets into a cat.   Sandburg can, however, help us to understand Lincoln as Carl Sandburg understands the words that are Lincoln.

Lincoln probably did not have the words for “bikini girls” in his head when he wrote those words in the second quote.  But somebody thought that the picture would help us understand the words.  By all accounts, Lincoln was not a particularly happy man leading a particularly happy life.  But he showed us the meaning of his words when he stood firm against the strong winds of harsh words and bad ideas in a terrible time.  And he was as happy about it as he made up his mind to be.

Miltie223408

I, too, have not lived a particularly happy life.  But I was always the “teacher with a sense of humor” in the classroom, and students loved me for it.  Funny people are often not happy people.  But they make themselves out of funny words because laughter heals pain, and jokes are effective medicine.  And so I choose to write comedy novels.  Novels that are funny even though they are about hard things like freezing to death, losing loved ones, being humiliated, being molested, and fear of death.  Magical purple words can bring light to any darkness.  I am the words I choose to write in my own story.  The words not only reveal me, they make me who I am.  And it is up to me to write those words.  Other people might wish to do it for me.  But they really can’t.  The words are for me alone to write.

Green words

And so it is imperative that I write my words in the form of my novels, my essays, and this goofy blog post.  I am writing myself to life, even if no one ever reads my writing.

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Filed under humor, Paffooney, wordplay, writing, writing humor