Magic Words That Can Make You Disappear
Yesterday I managed to make a ridiculous post about the dangers of using humor in the classroom. I managed to leave out one of the dangers that daily annoys every teacher of middle schoolers who has ever been even remotely dedicated to the notion that you must at least try to follow the school rules if you wish to remain employed and outside of the prison system. That tiger trap is the important societal rule against certain magic words. You know the ones. Those words that, if you dare to say them out loud in the classroom as a student, make you instantly disappear… and learn hard words like the word “consequences”, and “eternal detention”, and “Would you like fries with that?” And if you are a teacher, those words lead to other hard words like “special school board meeting” and “disciplinary action”, and though they take longer to work their magic, eventually also “Would you like fries with that?”
These magic words are a serious danger and roadblock to teaching young minds because they so easily begin flowing out of young mouths. When you become a teacher infamous for using humor in the classroom, those young minds who don’t really have the big word of “inhibitions” wired into their circuitry yet will think license to laugh in the classroom is the same as license for dropping the magic F-word, or the magic S-word, or the combo-magic M-F-word. And those words invariably make somebody disappear completely… sometimes even permanently.
Being a Texas teacher, I have experience with the ridiculously harsh notion of Zero Tolerance Policies. Yes, in Texas we give the death penalty for swearing at the teacher. Well, maybe only a trip to court in front of an unfriendly judge who will levy a fifty dollar fine for the sin and then forbid the parents to pay it, making the child choose between paying it himself or spending a night in jail. So it is definitely in the students’ best interests if the teacher navigates around magic words in the laughing classroom environment.
You do this primarily through modeling. I never use even remotely offensive words in conversations with students. I sometimes even correct myself out loud for using interjections when I am mad like “Oofahdoo!” or “Fabulous French Frick-a-see-see!” because, as I point out to them, we all know what magic words they are filling in for. Context can often say for us the word we are not supposed to say. I have also been known to fake getting mad at them for saying “Criminnittly!” or “Hang-dang it!” in imitation of me because the teacher getting mad over the use of certain words is an absolute guarantee that the word will come out of the student the next time he or she needs to express inappropriate sentiment in the classroom. A teacher’s job, then, becomes the putting of lipstick on the pig. Because we are burdened with rules that absolutely prevent the use of George Carlin words in the classroom, and when the powers that be see the lipstick on the pig, they will think “Marilyn Monroe”, and their absolutes will be satisfied. Of course, I am begging you… please don’t tell them that it is really still a pig.
Catch a Falling Star 
A Mr. Holland Moment
Life is making music. We hum, we sing to ourselves, movie music plays in our head as the soundtrack to our daily life. At least, it does if we stop for a moment and dare to listen. We make music in many different ways. Some play guitar. Some are piano players. And some of us are only player pianos. Some of us make music by writing a themed paragraph like this one. Others make an engine sing in the automotive shop. Still others plant gardens and make flowers or tomatoes grow. I chose teaching kids to read and write. The music still swells in my ears four years after retiring.
The 1995 movie, Mr. Holland’s Opus, is about a musician who thinks he is going to write a magnificent classical orchestra opus while teaching music at a public high school to bring in money and allow him time to compose and be with his young wife as they start a new family.
But teaching is not, of course, what he thought it was. He has to learn the hard way that it is not an easy thing to open up the closed little clam shells that are the minds of students and put music in. You have to learn who they are as people first. You have to learn to care about what goes on in their lives, and how the world around them makes them feel… and react to what you have to teach. Mr. Holland has to learn to pull them into music appreciation using rock and roll and music they like to listen to, teaching them to understand the sparkles and beats and elements that make it up and can be found in all music throughout their lives. They can even begin to find those things in classical music, and appreciate why it has taken hold of our attention for centuries.
And teaching is not easy. You have to make sacrifices. Big dreams, such as a magnum opus called “An American Symphony”, have to be put on the shelf until later. You have children, and you find that parenting isn’t easy either. Mr. Holland’s son is deaf and can never actually hear the music that his father writes from the center of his soul. And the issue of the importance of what you have to teach becomes something you have to fight for. Budget cuts and lack of funding cripples teachers in every field, especially if you teach the arts. Principals don’t often appreciate the value of the life lessons you have to give. Being in high school band doesn’t get you a high paying job later.
But in the end, at the climax of the movie, the students all come back to honor Mr. Holland. They provide a public performance of his magnum opus, his life’s work. And the movie ends with a feeling that it was all worth it, because what he built was eternal, and will be there long after the last note of his music is completely forgotten. It is in the lives and loves and memories of his students, and they will pass it on.
But this post isn’t a movie review. This post is about my movie, my music. I was a teacher in the same way Mr. Holland was. I learned the same lessons about being a teacher as he did. I had the same struggles to learn to reach kids. And my Mr. Holland moment wasn’t anywhere near as big and as loud as Mr. Holland’s. His was performed on a stage in front of the whole school and alumni. His won Richard Dreyfus an Academy Award for Best Actor. But his was only fictional.
Mine was real. It happened in a portable building on the Naaman Forest High School campus. The students and the teacher in the classroom next door threw a surprise party for me. They made a lot of food to share, almost all of which I couldn’t eat because of diabetes. And they told me how much they would miss me, and that they would never forget me. And I had promised myself I would never cry about having to retire. But I broke my promise. In fact, I am crying now ten years later. But they are not tears of sadness. My masterwork has now reached its last, bitter-sweet notes. The crescendos have all faded. But the music of our lives will still keep playing. And not even death can silence it completely.
1 Comment
Filed under artwork, autobiography, commentary, happiness, insight, kids, movie review, teaching
Tagged as education, music, music-education, teachers, teaching