Tag Archives: science fiction

Man-Eaters

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I finally finished this illustration for the novel Stardusters and Space Lizards.   So I know that many of you are now thinking, “What the @#$%&! is that?”  But I must confess that one of the characters in that science-fictiony humor thingy about planetary environmental Armageddon is actually a man-eating plant with three heads.  But it needs to be pointed out, that though he/she/it seems to be menacing Brekka, Telleron girl space explorer, and at one point in the novel actually eats her, he/she/it does not like the taste of Tellerons, and befriends them later in the story.  So, he/she/it eats earth humans and lizard people, but not frog-like Tellerons.  This is probably only an important distinction to nutty sci-fi nerds like me, and you should feel completely free to ignore it.

It is important, though, for me to finish this humorous but didactic tale in a more timely fashion.  If I don’t finish it soon, we are going to have a man-eating carrot-man-thing that likes to eat girls as our next president who will deregulate all polluting industries and cause the heat-death of the planet Earth.  And then my novel will not only be unfinished, but also completely irrelevant.  These are the worries that keep me up late at night.

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Stardusters… Canto 18

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Canto Eighteen – On an Over-Large Fireball Falling Out of Orbit

The orbital station was really no longer able to be classified as orbital.  Flames licked up all around the perimeter of the vehicle, and looking out any porthole or window let you see instantly that they were all minutes away from burning up.

“What is the next step, Sizzahl?” asked Davalon with a hint of panic in his voice.

“You have the two coils in place?  One inside the other?”

“Yes.”

“Turn it on.  The coils should then spiral in opposite directions.  That is what will provide the antigravity field, the inner and outer coils pulsing with opposing electro-magnetic energies.  It should begin almost immediately to interact with the planet’s magnetic field and slow you to a stop.”

Davalon nodded to George Jetson, and the somewhat cocky Telleron boy instantly flipped the power switch.  The light show that started made a prickly sensation run up and down the spines of everyone on board.

“It’s working.  I think you have saved us, Sizzahl.”

“To be honest, I didn’t do it to save you.  I really needed the plants on board that station.  And I was really lucky that you had Earthers on your ship when you crashed.  I need some of their genes, too.”

“You didn’t mean to save us?” asked Davalon.  “So… are you going to eat us after all?”

“I would if I were anyone else from Galtorr Prime.  We are a carnivorous race, you know.  But you lucked out.  I am probably the only vegetarian Galtorrian in existence… even before the wars wiped out ninety per cent of the population.”

“Are there other Galtorrians with you?” asked George Jetson nervously.

“No, I… I’m all alone here.  I have been since the armies of Senator Tedhkruhz overran our facility and… and… killed my parents.”

“Sizzahl?” said Davalon.  “Are you crying?”

“Yeah… I mean, no!” she sniffed loudly.  “What makes you think that?  Galtorrians are too mean to cry.”

“I know our intelligence reports on your planet suggest Galtorrians are much less sentimental than Tellerons, and Tellerons are so bad that they ate their own children until recently… when the Earthers taught us to love each other.”

“Tellerons are just too stupid to know better.  Every intelligent species tries to preserve themselves, especially through family units.”

George and Davalon were the only tadpoles hearing this from Sizzahl.  Davalon made a promise to himself that he would discuss it with Alden and Gracie Morrell later.  Perhaps Galtorrians could become better people in the same way that Tellerons had through exposure to Earth humans.

“How did you get this technology?” asked George Jetson while studying the spiraling coils.  This is tech level twelve at least.  We thought Galtorr Prime was just like Earth, only at tech level nine.”

“Ha!  That shows how uninformed you superior-minded idiots really are.  Alien races from advanced worlds have been visiting and living on both Galtorr Prime and Earth for millennia.  Probably even longer.”

“Alien races?” said Davalon, “like who?”

“You know about the Utopians, right?” said Sizzahl.

“The who?”

“The Utopians from the Zeta Reticuli systems.  The Earthers call them the Grays.”

“That’s creepy,” said Davalon.  “That double-star system is well within the borders of the Telleron Empire.  How is it that we don’t know about what they are up to?”

“Are they a part of your so-called empire?”

“No.” admitted Davalon.  “We have never really conquered any star-faring races who tried to resist us.”

“Yeah,” said George Jetson, “we are better at conquering little fuzzy critters and bug-people.”

“Are you referring to Kriitians?”

“Um, yeah.  Why?” asked George.

“We have some of them here on Galtorr as well.  I’ll bet the Utopians took a few of them to Earth as well.  Much the same way that Galtorrians were established in underground bases on Earth.”

“How can all of this happen without Telleron knowledge of it?” asked Davalon.

“Simple.  You guys are really pretty stupid.”

Sizzahl’s lack of respect and constant insults were beginning to grind at Davalon’s gizzard.  Of course, Tellerons didn’t have gizzards… hopefully.  That was just an Earth expression from some old western movies Davalon had seen.  But it fit.  His gizzard, whatever that truly was, was feeling very, very ground down.

*****

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Stardusters… Canto 16

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Canto Sixteen – Falling Out of Orbit

Alden and Gracie Morrell, along with all the Telleron tadpoles were gathered around the communicator.

“We welded our ship into the side of the space station,” Davalon said to the voice on the speaker.

“Why the Hrrasskattoon did you do that?”  said the angry female voice.

“Hrrasskattoon?” asked George Jetson.

“It probably means blogwopping,” said Tanith.

“Blogwopping?” asked Gracie Morrell.

“You don’t really want to know,” said Davalon.

“Oh,” said Gracie, suddenly realizing.

“We crashed into the side of the station and there were holes in the bulkheads of both vehicles.  We would’ve eventually had explosive decompression if we hadn’t made the two vehicles into one.”

“Resourceful,” said the angry voice, “but you are trespassing on my property.”

“Are you somewhere here on board?” asked Davalon.

“Of course not!  I know better than to be aboard an unaerodynamic space vehicle when I am trying to salvage it and bring it down to the surface through the atmosphere.  I might burn up.”

“You are crashing the station?”  Brekka was horrified.  “We’ll all die!”

“You’re lucky you are not dead already,” said the voice.  “But since you are there, you can do some repairs for me that will help me bring you down safely.  I’d rather not burn the station up if I can help it.  Especially now that I can see you have Earth humans with you.  They might be worth a lot to me if I can get them down here alive.”

“Tellerons are not worth anything to you?” asked Menolly.

“Of course they are.  But I could still eat a dead Telleron, couldn’t I?”

Menolly and Brekka grabbed each other around the necks and did the hugging thing they learned from humans.  Both girls began shivering violently.

“So you are planning to eat us?” asked Gracie in an angry tone.

“No.   I can use all of you if you live through this.  You may have noticed that my world has been devastated.  I am trying to save what is left of it.  I’m not ready for the reality of planetary extinction.”

“How can we help?” asked Davalon.

“I need the anti-gravity coils repaired so I can float the whole thing down.  That will keep the whole station from burning up on re-entry.”

“What if we don’t know how to repair anti-gravity coils?” asked George Jetson nervously.

“I will guide you through it step by step.  You don’t think I would rely on Telleron intelligence, do you?  We often refer to your people as Space Clowns.  There’s a reason for that,” said the voice with a sneer.

“A good reason,” Davalon said softly to himself.

“Say!  How is it that you speak English?” asked Gracie.

“The same reason your Telleron friends speak it,” said the voice.  “Television.   I particularly like the Brady Bunch.  It is my favorite show.  It’s how I know you two Earth people are mere children.  I especially like when Marcia bosses around Greg and Peter.  They almost act like Galtorrians sometimes, though much funnier… and less killing and eating each other.”

“My name is Davalon,” said Dav.  “I am the leader of this expedition.  Can I ask what your name is?”

“I am called Sizzahl.  But we need to be getting to work before your orbit degrades any further.  As far as any of you are actually concerned, my name, for the next few hours, might as well be GOD ALMIGHTY.”

“Oh, good,” muttered Alden Morrell, “a religious lizard-woman.”

*****

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Stardusters… Canto 9

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Canto Nine – Aboard Wing One Under the Cloud Cover

“What do we know about the place below us?” asked Biznap.

“The continent is called as a whole Pincara Bolo,” said Starbright, reading from her monitor.  “In Galactic English that means the deadly wastelands.  According to the Pathfinder’s Geophysical Guidebook it is one of the most densely populated places on this high-population world.  The city directly below us is the regional capitol known as Kabiss Pincaralay, the Ruined Palaces.”

“Why do they call it an awful name like that?” asked Farbick.

“If they are like us, they call it that because they were too stupid to call it by a better name,” answered Starbright.  “The Guidebook says they are a very warlike people and their mega-structures in this city have had to be rebuilt and repaired more times than anyone could keep track of.”

A break in the orange-brown cloud-cover revealed the city beneath them.  It was an endless maze of gutted structures, craters, and smoldering ruins.  There really didn’t seem to be a habitable structure anywhere.

“Life signs?” questioned Biznap.

“Scanners indicate there are only a scarce few small life-forms.  None seem to be any larger than a Skoog Monkey,” said one of the two crewman whose names Biznap had not bothered to learn.    Skoog Monkeys were small furry primates from the planet Misko Skoogalia, a part of the Telleron Empire that had been easily colonized because it had no intelligent creatures on it.  Skoog Monkeys were green-furred and just smart enough to make pleasant pet animals.  They also came in handy as a quick snack on long journeys.

“Odd,” said Biznap.  “One would expect a capitol city with so many buildings to be better inhabited than that.  Surely they are masking their presence from our scanners, somehow.”

“Really, I doubt that,” said the stupid cadet.  “This planet is listed as Tech Level Nine just like the planet Earth.  It is a society just beginning to discover the capability of space travel.  We are Tech Level Fourteen, and should be invisible to their primitive detection devices.  They can’t have developed much beyond primitive sonar and radar capability.”

“What?”

“Sound waves and radio waves bounced off objects for the purposes of detection,” supplied Starbright to the Commander.

“There!  Straight ahead!” said Farbick.  “I see a big, intact, domed structure with what appear to be electric lights.  That has to mean some kind of people.”

Biznap looked and saw it too.  It was an impressively large structure, larger than things like football stadiums back on Earth.  Usually Tellerons tried to avoid such things as population centers, but if they had any hope of finding a population at all, it would probably be there.

“Okay,” said Biznap, “Land near there.  We have to risk contact sooner or later.  It might as well be here and now.”

*****

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Stardusters… Canto Two

I am trying to follow through with my insane writing plan to post a chapter from this unfinished Sci-Fi novel every Tuesday.  So, here is the second installment of my comedy about the end of the world if it was a lizard world, which it isn’t… or, at least, we hope it isn’t.

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Canto Two – Xiar’s Captain’s Quarters

“What do you mean by Galtorr Prime?” shouted Captain Xiar at his first officer and his first officer’s Earther primate wife.  The Captain had inherited his rank rather than earned it, so he firmly believed that shouting was the key ingredient in good leadership.  “We can’t be at Galtorr Prime.  That’s the worst place for us to be.”

“This was not the plan, Captain,” said Biznap.  “We arrived here by accident.”

“Well, reverse the process.  Even going back to Earth is better than here!”

“Well…” Biznap scraped the floor with his foot.  “The thing is… we can’t.”

“What?  Why?”

“We corrected a fundamental flaw in the program that has been there for over a hundred years.  The astrogator has been rebooted with a new primary Sleer seed.  It can’t find the coordinates for Barnard’s Star or for Earth either one.   It will just calculate up a spot in empty space.  We have been travelling using the wrong coordinates for more than a century.”

“Why can’t we go back to those coordinates?”

“They are now gone from the system.”

“How could this happen?”

Harmony Castille, the beautiful blonde Sunday school teacher, raised her hand.  “It’s my fault.  I corrected the math and caused the system to operate on new coordinates.”

“Really, Captain,” said Biznap. “It turns out we have been operating with faulty math for too long.  Now that we’re doing it right, the machine won’t go back to the old, wrong system.  We would have to map out new coordinates all over again.  Re-explore the entire empire.”

“So you are telling me we have no choice but to live in orbit around the most dangerous planet in existence?”

“No, it is worse than that.  No longer recycling protein by eating our tadpoles means we have to find new food sources on the planet below.  We are going to have to establish a downport colony to continue to survive and grow as a community.”

Xiar sat down on his resting pad thoroughly stunned.  His new wife, Shalar, beautiful and green and wearing only the satin robe made for her by the Morrells, put both arms around Xiar’s thick green neck.

“What do we know about the Galtorrians, dearest?” she asked innocently.  Hugging behaviors were entirely new to Tellerons.  They had seen humans do it countless times on Earther television, such as the I Love Lucy show that Tellerons loved so deeply, but they had never practiced it until Alden and Gracie Morrell had adopted Xiar’s son Davalon who Xiar had nearly marooned on Earth (accidentally).  They had shown him how to do it as they showed him how to actually be a good parent.  Xiar found it totally alien… but he liked it.

“I don’t really know.  We have to get Farbick to work on it right away, but I believe they are lizard-men who eat meat and fight wars.”

“We knew the Earthers ate meat and fought wars,” reminded Shalar.  “They didn’t turn out to be so terrible.  In fact, we learned a lot about them.   They were very kind and generous to us.”

“Do you really think we can be so badly mistaken about two races we believed to be our enemies?  One was unlikely enough.”

“I really fear we are not mistaken this time,” said Biznap.

“Do we have their broadcasts to monitor?” asked Shalar, “We had a wealth of information at the tips of our sucker pads last time thanks to the broadcasts.”

“No signals at all,” sighed Harmony.  “It’s like they haven’t invented TV or radio yet.”

“Maybe our superior technology will help us this time,” suggested Biznap.

“Not when guided by stupid brains,” moaned Xiar.  “This time we are surely lost.”

“Don’t give up before trying,” said Harmony.  “The Lord helps those who help themselves.”

“I don’t know who your Lord is,” said Xiar, “But fire up the ritual laser lights and let’s get praying.  We need all the help we can get.  Do we need to consider sacrificing a few tadpoles or junior officers?  What appeases your god?”

“Ach!  Educating heathens can be such a trial!” swore Harmony.  “Let me get my Bible.  I have some serious educating to do.”

*****

So, there you have chapter two, which probably makes no sense whatsoever, unless you read chapter one… or possibly bought and read my published novel Catch a Falling Star.  Tricky about shameless self-promotion, ain’t I?

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Philip K. Dick

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There is a major drawback to being so smart that you can perceive the edges of infinity.  It makes you bedbug crazy.  I love the science fiction that populated the paperback shelves in the 50’s and 60’s when I was a boy.  I love the work of Philip K. Dick.  But it leads you to contemplate what is real… what is imaginary… and what is the nature of what will be.

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the robot Philip K. Dick who appeared at Comic Con and answered questions

There are numerous ways to investigate life.  But it is in the nature of imaginary people to try to find ways to make themselves real.  When the replicants in Bladerunner try to make themselves into real people, they must try to create memories that didn’t exist.  They try to mirror human life to the extent that they can actually fool the bladerunner into letting them live.  Of course, it doesn’t work.  They are not real.  (Bladerunner is the movie name of Do Androids Dream of Electric Sheep).

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It is like that for me as well.  Being an imaginary person is difficult.  You have to constantly invent yourself and re-invent yourself.  By the time you finally get to know yourself, you have to change again so that the anti-android factions don’t destroy you.  Although, I think I may not actually be an android.

Does that sound a bit crazy?  Well Philip K. Dick’s life story may in fact have led him down the path to really crazy.  In 1971 he broke up with his wife, Nancy Hackett.  She moved out of his life, and an amphetamine-abuse bender moved in.  In 1972, ironically the year I began reading Dick’s work, he fell in love at the Vancouver Science Fiction Convention.  That was immediately followed by erratic behavior, a break-up, and an attempted suicide overdosing on the sedative potassium bromide.  This, of course, led directly to his 1977 novel A Scanner Darkly.

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The story is about a police detective who is corrupted by a dangerous addictive drug that takes him down the rabbit hole of paranoia, and being assaulted by the perception of multiple realities simultaneously.  His novel Ubik from 1969 is a story of psychics trying to battle groups of other psychics even after they are killed by a bomb.  The crazy seems to have been building for a while.

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In 1974 he had a transcendental experience when a lady delivering medicine to his door wore a fish-shaped pendant which he said shot a pink beam into his head.   He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent.  He would later admit to believing he had been reincarnated as the prophet Elijah.

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Imagination has its dangers.  It is a powerful thing able to transform reality.  Science fiction writers often use their imagination to shape what the future will actually make come into being.  But it can also turn your mind inside out.  A great science fiction writer like Philip K. Dick can contemplate the nature of reality and turn his own reality inside out.  It is a lesson for me, a lesson for all of us.  Wait, is that a pink beam of light I see?  No, I just imagined it.

 

 

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A Full-Color Rough Draft

As terrible as my first published novel turned out to be, I have not given up on the idea of Aeroquest.  I am interested in whipping a part of it into the shape of a graphic novel.  So I bought a sketchbook and noodled down some Baby Mutant Space Ninjas gunk into it in full color.  But it is only a rough draft.  It is not finished artwork.  I can’t get over how pretty and colorful it is turning out to be.  I thought I would show you how it is going so far.

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There are obvious signs that the dialogue and text boxes need to turned into a more finished form.  And serious editing decisions probably need to be made about moon shots.

Here is what it looks like to use computer editing to try to fix some of the problems.

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I will continue to work on it, but I needed something to post today.  And sometimes you need to consider the work-in-progress warts and all.

 

 

 

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Transportation by Imagination

How does one use the mind to move from one place to another?  Is teleportation by mental ability possible?  Can we find new ways to travel using only the mind?  New worlds to travel to?  Of course!  Anything is possible once you realize there are no barriers to human imagination.  It is possible to traverse even the beginning and the end of the universe itself.

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Case in point, I have as a cartoonist tried to come up with novel ways to travel.  In Catch a Falling Star I imagined that an engineering prodigy and a scientific genius used recovered alien technology to turn an 1889 steam locomotive with a pair of Pullman passenger cars into a space vehicle using an old hot air balloon and Yankee ingenuity.  They used it to fly to Mars.

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A friend who read that book, Stuart R. West, who writes teenage horror story mysteries  (Here’s a link to Stuart’s stuff!) suggested an idea for an illustrated children’s book about three kids that feed bubble gum to a goldfish.  The goldfish urps up a bubble that ends up carrying them off on an adventure through the sky.  I drew a possible illustration for that book and killed the idea completely dead.  I have a secret super power for taking cute and funny ideas and turning them into things that are totally unmarketable.  I wonder if that makes me a super villain instead of a hero.  So, the cartoonist in me had to develop other ways to travel that are even more ridiculous.

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In Clowntown, a part of my Atlas of Fantastica cartoon, you travel the downtown Clowntown skyway by being flipped and flung along the Clowntown Trapeze-way.  It makes for a harrowing ride and it’s really heck to use for trips to the grocery store or coming home again with packages to carry.

Travelling in the part of Fantastica dominated by pirates is even worse.  Traveling by the science of Boomology means getting shot out of a cannon naked to get wherever you need to go.  It is not something I would want to try in real life, but the cartoon me seems to not enjoy it with only minor bumps and bruises.

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So, travelling by means of the mind alone, through imagination, is quite possible… and probably infinitely unwise.

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Tomorrowland

I am compelled to review this movie precisely because it has been a box-office disappointment and has been criticized for not being the best work director Brad Bird is capable of.  Other reviewers have said the set-up for the trip to the other dimension was wasted time and the plot is too slow…. they didn’t make enough use of the marvelous “other world” that they labored so intensively to create.  I think the main reason people are disappointed in this movie, which I saw for the first time by my lonesome self at the metroplex in Lewisville, Texas, is that people have either forgotten how to watch intelligent movies, or they have simply never learned.

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Movie character poster

The thing I loved most about this beautiful, inspirational movie, is its basic intelligence and the wonderful way Disney/Pixar’s Brad Bird weaves complex themes of past, present, and future together into a carefully patterned web of everything that’s right about good science fiction.  Good science fiction tells you, through basic scientific understanding, what the possibilities are.   It scares you with horrible possible futures that make all too much sense with things like climate change, nuclear warfare, and a society that embraces stupidity and entrenched habits that can lead us like lambs to the slaughter.  It also shows you how technology and the willingness to risk it all on good ideas can possibly solve problems, even those problems that technology itself creates.  This movie introduces us to complexly-layered characters.  The male lead character is played by George Clooney, yet his bright-eyed, inventive, little-boy self is also a critical part of the whole mix.  The female lead, Britt Robertson, is a dreamer who carries the theme with her based on the old Native American proverb that asks, “which wolf will win a battle between a dark wolf full of negativity and a white wolf full of positivity and light?”  The answer, of course, is the wolf you feed.  The character is relentlessly positive in the face of a horrific future that the film brings out which humanity probably deserves.  And the catalyst character, the little-girl robot played by Raffey Cassidy, is a brilliant performance by an amazing young actress that brings to the front and center one of the most powerful of all science-fiction questions, “what does it actually mean to be human?”

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I believe this movie brings out the best of Brad Bird’s skills as a story-teller.  Like some of his most brilliant work in the past, like the cartoon movie Iron Giant or the Pixar movie The Incredibles, this movie pushes the magic nostalgia buttons from a fondly-remembered simpler time.  I remember going to Walt Disney World in Orlando back in the 1970’s and being so enthralled by the two most must-see parts of the park, Fantasyland and Tomorrowland.  Tomorrowland was the culmination of my childhood astronaut dreams born of watching the moon landing of Apollo 11 in 1969 on our old black-and-white Motorola TV and all those other Gemini, and even Mercury missions that I followed with all-consuming interest.  It’s that feeling of a better world waiting up ahead, in the future, just around the corner.  The anticipation that something wonderful is going to happen… and then when it doesn’t happen, or, at least, doesn’t happen in the bright shiny way I was expecting… I can start over with the conviction that I can make it happen… that dreams really do come true.

Brad Bird's body of directorial work is, in my humble opinion, the equal of some of the greatest cinematic artists of all time.

Brad Bird’s body of directorial work is, in my humble opinion, the equal of some of the greatest cinematic artists of all time.

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Spacey Stories

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I am usually considered a Sci-fi and Fantasy author when anybody tries to categorize me.  I learned to write during the 70’s when Tolkien and Michael Moorcock and Frank Herbert were growing bigger, and Robert Heinlein, Ray Bradbury, and Isaac Asimov were gods.  Of course, I also have the YA-thing hanging around my neck like a bell.  I learned to tell stories being a dungeon master for middle-school and high-school boys back in the eighties.  And because it was Texas with a deeply-held and violently-enforced religious fear of anything with demons in it, I was forced to change my role-playing games from sword and sorcery to science-fiction.  I played endless Saturday-afternoon Traveller (http://en.wikipedia.org/wiki/Traveller_%28role-playing_game%29) games that could span parsecs and light-years in a single afternoon.  And I was one of those game-masters who used humor to build a campaign and keep the players engaged and interested.  We had epic space battles and conquered large swaths of the Orion Spur of the Milky Way Galaxy.  When I began turning my Traveller games into fiction, I used the personalities of the boys who played the game with me for characters in the stories.  I often used the same plots (applying considerable polish to portions of plot where… well, you know… teenage boys, not remarkably G-rated.)  I created things that made me and some of the players laugh, and even feel sad… with deep, cathartic effects, as if we had experienced those things in real life.  (The deaths of favorite characters and tragic failures of galaxy-saving plans come quickly to mind.)

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I enjoy practically everything Sci-Fi, from Flash Gordon, to Buck Rodgers,  to Star Trek and Star Wars…  I loved Mechwarrior books and comic-book Sci-Fi like Adam Strange, Hawkworld, and Guardians of the Galaxy (the old ones that came before Groot and Rocket Raccoon).  I let it warp and weave my imagination and the imaginary worlds that blossomed from it.
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nd the ideas continued to morph and change and become stories that I really had to tell.

Phoenix1My first published novel, Aeroquest is a compilation of old Traveller adventures.  I published it well before it was ready for market and used a cheap-o publisher that wasn’t worth the free price-tag,  They gave me no editorial help and apparently didn’t even read the novel.  I will not defame them by name here, but if they sound to you like Publish America… well, there might be a reason.

I love stories about time travel and sci-fi gadgets…  trans-mats and starships and meson cannons and sentient plants… oh, my!

And now that I have revealed that I have such a massive nerd-head that I really ought to own Comicon by now, I hope you will not suddenly turn me off and read my blog no more.  I can’t help it.  I was born that way… and any child doomed to be born in the 50’s and a child in the space-race 60’s was bound to have George-Lucas levels of Sci-Fi nerdism.

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