When you walk to the front of the classroom and take up the big pencil in front of a group of young teens and twelve-year-olds, there is a strong pressure to learn how to sing and dance. That, of course, is a metaphor. I was always too arthritic and clunky in my movements to literally dance. But I looked out over a sea of bored and malevolence-filled eyes, slack and sometimes drooling mouths attached to hormone-fueled and creatively evil minds. And I was being paid to put ideas in their heads. Specifically boring and difficult ideas that none of them really wanted in their own personal heads. So I felt the need to learn to dance, to teach in ways that were engaging like good dance tunes, and entertaining in ways that made them want to take action, to metaphorically get up and dance along with me.
I wanted them to enjoy learning the way I did.

But the music of the teacher is not always compatible with the dance style of the individual learner. The secret behind that is, there is absolutely no way to prompt them to dance along with you until you learn about the music already playing in their stupid little heads. (And you can’t, of course ever use the word “stupid” out loud, no matter how funny or true the word is,) You have to get to know a kid before you can teach them anything.

The discordant melodies and bizarre tunes you encounter when you talk to them is like dancing in a minefield blindfolded. Some don’t have enough to eat at home and have to survive off of the nutrition-less food they get in the school cafeteria’s free-and-reduced lunch program. Some of them have never heard a single positive thing from the adults at home, enduring only endless criticism, insults, and sometimes fists. Some of them fall in love you. Some due to hormones. Some due to the fact that you treat them like a real human being. Some because they just stupidly assume that everyone dances to the same tunes they hear in their own personal head.

Some of them automatically hate you because they know that if you hear their own secret music in their own self-loathing heads, you will never accept it. They hate you because you are a teacher and teachers always hate them. Some of them, deep down, are as loathsome as they think they are.
But, if you find the right music, you can get any of them, even all of them, to dance. It might be hard to find. It might be a nearly impossible task to learn to play that music once you find it. But it can be done.

And if you get them to dance to your music, to dance along with you, I can’t think of anything more rewarding, anything more life-fulfilling. Have you ever tried it for yourself? If you are not a teacher, how about with your own children or the children related to you? Everybody should learn to dance this dance I am talking about in metaphors. At least once in your life. It is addictive. You will want to dance more. So the next time the music starts and you get the chance… I hope you’ll dance!











































Morning Has Broken
Today is off to a miserable start. I heard on the radio that David Bowie has died. Ziggy Stardust… the Goblin King… The Man Who Fell to Earth… the Thin White Duke…is gone. And even though since high school in the 1970’s I have never been quite sure how I felt about his music, I wept. The man was a musical maker of lyrical poetry. He could make you feel really really terrible… but he always made you feel. And he made me depressed as he led me through the Labyrinth… but he also made me soar… on the wings of a barn owl. It was about facing the darkness and finding your way. Finding the way out. Singing the Little Drummer Boy with Bing Crosby, but not actually singing it… making peace on Earth instead. Sometimes things are just so weirdly beautiful it hurts.
I dropped my daughter off at her middle school, and then Jody Dean & the Morning Team played this on the radio.
I wept again. Darkness is my old friend… I have lived with and through depression after depression. My own… my wife’s… my children’s… And it is a miracle I have lived this long without succumbing to the Darkness. It took Robin Williams. It took Ernest Hemingway. But somehow, the Goblin King always goaded me onward, to find the answer at the end of the Labyrinth. “You… you have no power over me.” And then I am okay once again.
I captured the dawn once again this morning. Once again I failed to truly ensnare the subtle reds and pinks and purples that were actually there. But there it is, anyhow. The morning has broken. The blackbird has spoken. The morning is new.
My heart is still sore this morning. The dog didn’t help when she spilled the trash to get at the napkins with bacon grease on them. We may have a dog-skin rug as a doormat later today. But David Bowie left so many words and ideas behind to comfort me. Is he one of those “neon gods we made”? Of course he is. But as the owl flutters off in the closing credits, we can take comfort in the knowledge that no one is ever really gone. And we can always anticipate some… Serious Moonlight.
This is, of course, an old post revisited.
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