You may already know about my doll-collecting mania. You may have already called the mental health people to come take care of the problem, and they just haven’t arrived at my door yet with the white coat that has the extra long sleeves. But you may not know that my mother is a doll-maker and has something to do with my doll-collecting hoarding disorder.
In the early 1990’s my mother and I put our money together and bought a kiln while we were visiting my sister’s family out in California. It wasn’t the most expensive model, but it wasn’t the cheapest, either. We both had enough experience with ceramics that we didn’t want to buy a burning box that was merely going to blow our porcelain projects to kingdom come. Mother had doll-making friends in Texas who taught her about firing greenware and glazing and porcelain paint and all the other arcane stuff you have to know to make expensive hand-made dolls. Now, honestly, at the start we could’ve made some money at it selling to seriously ill doll collectors and other kooks, but we were not willing to part with our early art, and by the time we were ready to do more than just have an expensive hobby, everyone who would’ve paid money for the product was making their own. So dreams of commercial success were supplanted by the hobbyist’s mania that made more and more charming little things to occasionally display at the county fair.
The two dolls I have left to share on my blog from that era were both crafted by my mother. She lovingly fired the porcelain body parts, painted the faces by hand, and created the wardrobe on her Singer sewing machine. I made some dolls too, but never with the wondrous craft and care that made my mother’s dolls beyond compare.
Tom Sawyer was originally a boy doll who was supposed to be able to hold a model train in his hands. My mother had the pattern for the little engineer’s uniform and hat that she would use on another doll instead. He is named after the Tom Sawyer clothing pattern that my mother bought and sewed together to dress him in. He has a cloth and stuffing body underneath his clothes together with porcelain head, hands, and bare feet.
The other doll I have left to brag unctuously about is a doll named Nicole after the niece my wife and I have whom this doll bares a striking resemblance to. She displays a beautiful little girl’s sun dress with quilted accent colors that my mother sewed from scratch with the help of a pattern she was truly fond of and used more than once.
These dolls were gifts to my wife and I, presented shortly after my mother bought out my share of the kiln when she retired and moved back to the frosty land of the Iowegians. I haven’t kept them as thoroughly dusted and cobweb-free as they deserve because I have been a somewhat lazy and slovenly son… but I do love them almost as much as (and sometimes more depending on recent behavior) my own children. (After all, porcelain kids rarely make a mess, overspend allowances, or hog the television too much.)






















The Be-Bop Beat of Mickey’s Brain
Truthfully, when I look back at the string of posts in the picket fence of this daily blog, I fail to see the overall map of it in any semblance of pattern or order. Honestly, I did not set out to be purposefully wacky.
I did, however, set out to be purposefully surreal. I mean it, I consciously put bizarrely dissimilar things together in an attempt to find parallels and connections in unlike things because, not only is it funny and surprising, but is a comic act that serves to keep the mind nimble and never numb. I do think quite a lot. And I try to see connections between things where others wouldn’t. For instance, the Coppertone girl with her bare butt and Bullwinkle with his unicycle are both being threatened in a way that is both comic, and taking advantage of their inherent image of innocence. Neither will lose anything by it. The girl stands to brown her pale white behind in the sun, while Bullwinkle will probably land on his head and it will make a decent cushion to preserve him because of it’s empty and rubbery qualities.
I must also admit to a bit of the old telling of stretchers, the misrepresentation of the truth, the loquacious layer-onner of lies. Not Trumpian lies that land on you like elephants dropped like bombs out of B-52’s. Instead, fictions that entertain and elucidate. It is the most likely reason I keep saying connecting words and phrases like “truthfully” and “honestly” and “I mean it”. Those are words that liars love.
Yes fiction writers like me tell little white lies.
I have now published my novel Recipes for Gingerbread Children. It is a novel based on real people I have known and loved and listened to. It is about an old German woman, a survivor of WWII concentration camps, who loves to tell stories to children and bake gingerbread cookies, especially gingerbread men. It features a pair of teenage nudist girls who believe in going completely naked whenever you are indoors, even if you are in someone else’s house. It features Nazis, both in flashback and ghostly forms. It also features fairies from the Hidden Kingdom of Tellosia, a fairy kingdom filled with little three-inch tall magical people living under our very noses. And it has a werewolf in it, though admittedly a very young one. It is a comedy with its requisite sad parts, and it is definitely an example of surrealism. It is also full of lies… err, I mean fiction.
But the real purpose of this supposedly be-bop brain fart in blog-post form is not so much to explain my blog (because how do you explain a blog that goes from Flashbacks and Foobah to telling about Madman Trump to Another novel part… #37 to Centaurs to a book and movie review, to this eccentric and eclectic thing, which probably exists more to make alliteration jokes than anything else in the most musical beat I can bang out?) but to prove that I do often think about thinking and how things fit together and what it all means… and how to write a run-on sentence that adds to the effect rather than simply annoys. And, yeah, I’m doing that. And it feels like a good thing to do.
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