Tag Archives: humor

Autorumination (the reprise)

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(This is a black-and-white cartoon in pen and ink that I have shamelessly colorized with colored pencil.)

    I have to tell you, driving in Texas, especially the “Big D” is taking your life in your hands, gripping that old steering wheel in a grip of death, and trying like heck not to hit any of the myriad things flying in front of you.  I have had in my lifetime three accidents and too many near misses to count.  Drivers that don’t have their number of kills painted on the driver-side door are rare indeed.
    One of the scariest encounters on the road has to be the legendary Texas Killer Grandma.  They have a private club where they get together over knitting and compare the goriest kills they have managed with their oversized automobiles.  These old lady drivers are invariably white-skinned and have hair either of strange shades of blue and periwinkle, or silver, almost chrome.  They have Killer Grandma nicknames like Suicide Sadie and End-It-All Emma.  They drive big black Cadillacs, Buicks, and Mercedes.  They have mostly no-fault insurance that will guarantee they can mash your children in the back end of your family car without jail time, and usually without paying for a penny of your damages.  They cruise around Dallas watching for unwary drivers so they can leap in front without signaling, getting bashed from behind by the victim, and sending the victim swirling off the overpass to a fiery death and dismemberment.  Then they cackle all the way to the next club meeting.
    Killer Grandmas drive a class of vehicle I call the American Wasp Rocket.  These are large, unwieldy vehicles from Ford and GM that wreak havoc with smaller, slower cars, especially foreign-made cars like Toyotas, Subarus, and Volkswagens.  In the northern precincts of Dallas, Austin, and Houston, where these vehicles truly dominate, you will often see BMW, Volvo, or Italian Wasp Rockets, which are almost an oxymoron by their very nature.  (“I only buy them gol’ dang furrin cars iffen they’re status symbols, cause I only buy American, but I figgur high-dollar wagons like them thar Lambourginis count as American too!”)  These cars are all large enough to crush an SUV under their wheels, and, of course, they are only driven at hyper-speeds while winding their way through heavy traffic so the occupants can arrive anywhere they are going FIRST.  Besides Texas Killer Grandmas, there are few other drivers of these vehicles who aren’t over-weight, middle-aged white males who have high-paying white-collar jobs.
    The most common vehicles on Texas highways are, of course, the typical Bubba.  Bubba cars are always pick-up trucks, and almost always Chevys.  In fact, they almost have to be white, red, or brown, or they don’t count as a proper Bubba.  Bubbas drive like Foster Brooks on speed, always weaving, wobbling, wagging, and wrecking.  The highway is their own personal demolition derby, and if they don’t get you with a straight-on hood-smash, they’ll ding you with whatever falls out of the back of their pick-up (beer bottles, kids, used tires, tools, parts of the vehicle that have already fallen off once before, and sometimes ugly wives).
    A more-or-less brain-damaged sub-species of Bubba is the Billy Bob.  They drive Ford pickups, white, red, brown, and sometimes gold.  They will kill you no less quickly than a Bubba, but they do tend to have better insurance.
    Of course, I can’t even talk about Beaner cars.  It is not politically correct, as a young Hispanic student was pointing out to me just two weeks ago.  “I can say I’m a Beaner,” he said, “But you can’t say it because you’re a Gringo Loco.  Only Beaners are allowed to call a Beaner a Beaner.  You could be killed for saying that in the Barrio!  Even for thinking that!”  So, I won’t talk about those cars on the road in the fast lane doing a mere twenty-five miles per hour.  I won’t mention how they have eighteen kids and a Tia Carmen in the back seat and can’t see out with the rear view mirror.  I won’t even talk about the rosary beads, fuzzy dice, and numerous brightly colored stuffed animals that hang from the rear view mirror blocking the windshield also.  It just wouldn’t be nice to talk about that.
    So, I guess I have to sum up with a concluding statement that makes sense out of all of this Texas road-rage and bumper-car nonsense.  It would have to be something like this:  If you ever plan to drive in Texas, be prepared.  Have your burial plot purchased, your insurance paid up, and “Drive Friendly!”

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Chuck Dickens and the Origins of Writing

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Don’t make the mistake of thinking I have any earthly idea where writing comes from or how it began.  I am only talking personal history here, nothing grander or more meaningful.  This post is only self-referential hoo-haw, which is a fancy way of interpreting “conceited crap”.

So, the truth is, I am writing about Charles Dickens because he is the author I most want to become.  True, I rant on and on about Twain and his humor.  And a good deal of my artwork owes everything to Disney, but everything I am good at in writing is based on Dickens.

The first actual Dickens novel that I read was accomplished during my extended illness as a high school sophomore.  I read in bed, both at home and in the hospital, from my library copy of The Old Curiosity Shop.  I was enthralled by the journey and subsequent tragedy of Little Nell.  I thoroughly loathed the villain Daniel Quilp and was roundly thrilled by his well-deserved fatal comeuppance.  It was my first encounter with the master of characters.  I followed that reading with a biography of Dickens that revealed to me for the first time that his characters were based on real people.  Mr. Micawber in David Copperfield was actually Dickens’ own father.  Little Nell was the cousin he dearly loved who died in his arms.    The crafty Fagin was a caricature of a well-known fence named Soloman, a Jew of infamous reputation, but not without his redeeming quality of caring for the orphaned poor.  So it is that I have chosen to make my silly stories about real people in much the same way Dickens did.  If you are now worried that since you know me, you may end up in my books, never fear.  I change names and splice characters together.  You will have to make an effort to recognize yourself.  And, besides, nobody reads my books anyway.

I also like the way Dickens uses young characters and follows them over time as they grow and change.  Oliver Twist was the first child protagonist in English literature.  David Copperfield, Nicholas Nickleby, and Pip in Great Expectations are also like that.  David Copperfield, in fact, is Chuck’s own fictionalized self.  I fully intend to do the same.  It is the reason my books fall into the Young Adult category.  I also intend to employ the same kind of gentle, innocent humor that Dickens used.  I mean to portray things that are funny in a disarming, absurdist way rather than resorting to attack humor and bad words.

There it is, then, my tribute to Charles Dickens, a writer who makes me be who I am and write what I write.  I am not supposed to do Christmas posts because of my avowed religion, but you can consider this to be as close as I can come.  The author of A Christmas Carol… it doesn’t get much more Christmassy than that.

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Really Bad Jokes

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If you have the bad habit of reading this particular blog more than once, then you are probably aware that I used to be a public school teacher.  Even worse, I used to be a middle school English teacher.  Aagh!  Seventh graders!  It explains a lot about how life has warped my intelligence, personality, and world view.  It also explains somewhat where I found such a fountain-like source for some of the worst jokes you ever heard.

Now, as to the question of why I have chosen in my retirement early-onset senility to become a humor-blogger… well, that is simply not something I can answer in one post… or even a thousand.  But kids are the source of my goofball clown-brain joking around.

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Kid-humor, you see, is stunted and warped in weird ways by the time period you are talking about.  The eighties, nineties, two thousands, and the tens are all very different.  And those are the various sets of students that I attempted to learn moose bowling from by teaching them English.

Still, there are certain universal constants.

Potty humor really kills.  If you want to make a thirteen-year-old crack up with laughter, roll around on the floor, and maybe wet his or her pants, then you only need to work the “poop” word, or the “nickname for Richard” word, or the “Biblical word for donkey” word into the conversation.  Of course the actual words, even though we all know what they actually are, are magical words.  If you actually say them to kids in school as their teacher, those words can actually make you magically and permanently disappear from the front of the classroom.  All kids are big fans of George Carlin and his seven words, even though most of them have never heard of him.

And violent humor is popular with kids from all decades.  The most common punch line in the boys’ bathroom is, “… and then he kicked him in the Biblical word for donkey!” followed closely in second place by, “… and then she kicked him in the Biblical word for donkey!”  I am told (for I don’t actually go in such scary places myself) that in the girls’ bathroom the most popular punch line is, “…so I kicked him right in the soccer balls, and he deserved it!”   Why girls are apparently obsessed with soccer, I don’t know… or particularly care.sweet-thing

So my education in humor began with bad-word jokes, slapstick humor, put-downs, and rude noises coming from unfortunate places.  Humor in the classroom is actually a metaphorical mine field laced with tiger traps, dead-falls that end with an anvil hitting you on the head, or being challenged to a life-or-death game of moose bowling.  (Don’t know what moose bowling is?  Moose bowling is a very difficult game that, in order to knock down all the pins and win, you have to learn to roll a moose down the alley.)  Sounds like I spend too much time watching cartoons and playing video games, doesn’t it?  Well, there’s more.  And it gets worse from here.  But I will spare you that until the next time I am foolish enough to try making excuses for my really bad jokes.

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Tim Burton Movies

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Last night the Princess and I went to see Alice, Through the Looking Glass, the latest Tim Burton movie.  Of course we loved it.  Burton is one of the most interesting story-tellers of our time.  Did you know he is two years younger than me?  And also, like me, he began as a cartoonist and is totally dedicated to the idea that every artist is a surrealist and must exaggerate, elucidate, equivocate, and numerous other things that start with the letter “e” and end with the suffix “ate” simply because that’s how surrealism starts.  You notice a little bit of weirdness in real life and blow it all out of proportion with lies and coloring of meaning and relentless “what-iffing?”  If you don’t see surrealism in those last two sentences of purple paisley prose… then maybe you can see it visually in Burton’s many masterpieces.

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Tim Burton began his legacy as an apprentice Disney animator specializing in stop-motion animation.  But he was just another creative nobody like me until the launch of his small-budget monster hit, Pee-Wee’s Big Adventure.

Of course, any time you can pull in huge profits for little investments, you will have Hollywood executives ramming the heads of their unpaid interns like battering rams against your door so they can get in and throw money at you.

Hence, Batman.

 

Batman was the first time I actually took notice of Tim.  And not just as a director of a film… eventually two films.  He was gifted at assembling a cast.  And this would work to his advantage as several singular talents attached themselves to him and worked in his movie projects repeatedly.

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And his repeated collaboration with Danny Elfman and his music was easily as great a master-stroke of genius as John Williams with Spielberg and Lucas.

He has repeatedly used his movies to describe and rewrite his own life story as a misunderstood genius flubbing horribly in the quest to fit in with a world full of “regular people”.

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Poster for the film ‘Edward Scissorhands’ (directed by Tim Burton), 1990. (Photo by Buyenlarge/Getty Images)

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His sense of humor, of course, is distinctly and colorfully bizarre.

Dark Shadows

DSTF-0046r JOHNNY DEPP as Barnabas Collins in Warner Bros. Pictures’ and Village Roadshow Pictures’ “DARK SHADOWS,” a Warner Bros. Pictures release.

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Burton is, just like me, a child of the 70’s.  He references things like the old gothic soap opera, Dark Shadows, that were a part of his impressionable youth just as they were mine.  He picks stories about things he truly cares about, and that is also just like me.

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So, in a rather bizarre coincidence that is entirely appropriate to surrealists, I love any Tim Burton movie simply because it is a Tim Burton movie.  He is probably me in an alternate dimension.  And as such, I already know I will love his next movie, whatever the heck it is.

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Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

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Fairy Tales and Dragons (with pointillism)

Going through my old drawing portfolio, I found my children’s book project from my undergrad college years.  I have no idea now looking at the illustrations what the story was even about.  I lost the actual story, and I never made a cover for it.  But here is a look at old hopes and dreams and a way of seeing the world that begins; Once Upon a Time…

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I have no earthly idea what the heck this story is even about, but I do like the pen and ink work, and probably couldn’t repeat it if I had to.

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Olfactory Story Telling

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My dog Jade

While walking the dog yesterday, we struck up a conversation about writing and being a writer that proved once and for all that DOGS REALLY DON’T KNOW HOW TO WRITE!

She turned around on the end of her leash and looked at me with that woeful you-don’t-feed-me-enough look on her little well-fed face.  “You know, I was reading your blog today, and I think I know how to make you a well-known writer and best-selling author.”

“Oh, really?” I said.  “Since when do you know anything about being a writer or marketing fiction?”

“Well, you do remember that I wrote a couple of blog posts for you already.”

“True.  But I can’t afford to do that again.   You type with your tongue and it leaves the keyboard all sticky.  I haven’t gotten it truly clean and working properly again since that last time.  If you are asking to write another post, you can forget it.”

“Well, sorry about that.  But I do think I know how to make your writing more popular with a bigger audience.”.

“Oh?  How could you possibly know that?”

“Hey, talking dog here!  That has to count for something, doesn’t it?  Don’t you think people would be amazed to learn about things from a dog’s perspective?”

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“Nobody’s going to believe I have a talking dog.  That isn’t something within the realm of what is normal.  They are all going to think I am just a crazy old man.”

“Well, you are a crazy old man.  I can’t help that.  But what if you told stories from a dog’s perspective?  You know, things that only a dog could’ve come up with?”

“Oh, like what, for instance?”

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Why does the neighbor’s dog always smell like burritos?

“Well, you know that more than half of what a dog perceives about the world she gets through her sense of smell?”

“Okay…”

“Like that spot on the grass over there.  Boy dog.  Handsome border collie… ate three hotdogs about four days ago.  Ooh!  He smells perfect!”

“You’re talking about poop smells again, aren’t you?”

“Well, yes.  But I can also tell you about the pigeons that were in that live oak tree there yesterday.”

“Oh?  What color were they?”

“I don’t know… gray maybe?”

“Bird doo.  You are smelling old bird poop!  You want me to write about poop more?”

“Well, no… not exactly.  But if you could tell your stories through the sense of smell more…  that would be unique and different.  People would like that a lot because it’s never really been done before.”

“You do understand that I can’t use my laptop to write smells?  There are no words I could use that will automatically put smells into the reader’s nose.”

“Well, but if you could invent one…”

“According to you, it would be mostly poop smells anyway.  Who wants to sniff that?”

“It would make your blog more popular with dogs.”

“But dogs don’t read!”

“How do you know for sure?  You believed me when I said I read your blog today.”

“Well, you certainly got me there.  Now, don’t we have some important business to take care of?”

“Yes, but…  You see that squirrel over there?”

“Yes, so?”

“So one day soon, I’m gonna eat him!”

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Yes, I Throw a Moose or Two

I thought that this silly poem needed to be re-posted because school is ending.  The need for silliness is absolutely imperative.  I also need to throw a few mooses… er… moosei… er… meese?  How do you pluralize the word moose?

Life is as Hard as Bowling with a Moose (A Poem)

Life is like Moose Bowling,
Because…
In order to knock over all the pins,
And win…
You have to learn HOW TO THROW A MOOSE!

As the days count down, I have had to exercise my moose-throwing muscles more and more.  Today I have five days left in my teaching career.  So many precious kids I have to give up and never see again…  So many teachers will tell you that every year the kids are getting worse and worse, and their attitudes are turning more sour, disrespectful, and violent.  But those teachers don’t know the secret.  You have to throw a moose or two at the problem.  Real discipline is hard work.  Harder than demanding that kids sit in rows and be silent… heads down and pens scratching away.  You have to actually talk to kids and learn who they are… what they feel is important… what their problems are, and what they want you to do about them.   You have to be honest, give them a hook or two to draw them into the whole learning thing.  You have to actually care. 

So, I do.  I care.  And I let them talk.  It’s a moose that has to be tossed.

The comment was made this morning that you have to keep them working right up until the end of the year.  Doing no formal lessons in class is actually a lot harder and more risky than continuing to plod through the textbook.  But in five more days there are no more classes, no more books, no more teachers’ dirty looks… school’s out forever.   I haven’t done any lessons since two weeks ago.  Grades are in the gradebook.  I have been showing kids my favorite movies.  Especially movies from the eighties.  (Truthfully, I have not been well enough to actually teach.  My body aches and I can’t breathe very well)  I have been talking to kids about those movies… what they think about them, and what they think about life in general.  Kids are telling me they are worried about my poor health.  They say they are interested in my books and my writing, even though they don’t actually read just for pleasure and will never buy what I write… or even look at this blog.  They tell me about their troubles, their hopes and dreams, their most significant relationships, and they tell me that they will miss me next year.  Five days… will I make it through without breaking into tears?  No, I won’t.  I may not even try.  That’s one moose too heavy to throw.

But I have no regrets.  I have touched more than two thousand five hundred lives (a pretty close estimate… I don’t have a good enough memory to actually count.)  They have touched my life in return.  No other thing I could have done with my life would ever mean as much.  Doctors save lives, but teachers shape real people.  So what does it all mean?  I mean, really?  It means I have thrown a lot of mooses… er… moosei… er… well, you know what I mean.  And if my arms are growing weary, then it is for a very good reason.

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Special Snowflakes

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When conservative cultural warriors, Twitter Trolls, or dyspeptic gasbags like Rush Limbaugh call you a “Special Snowflake”, I have discovered, to my chagrin, that they don’t mean it as a compliment.  In their self-centered, egotistical world you have to be as emotionally tough and able to “take it” as they believe (somewhat erroneously to my way of thinking) they themselves are.  They have no time for political correctness, safe spaces, or, apparently, manners polite enough not to get you killed on the mean streets where they never go.  Being a retired school teacher who was once in charge of fragile young psyches trying to negotiate a cruel Darwinian world, I think I disagree with them.

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Have you ever tried to draw a snowflake?  Believe me, it is difficult.  Snowflakes are hexagonal star-shapes with enough lace and  filigrees in them to make it a nightmare to draw it with painfully arthritic hands.  The one above took me an hour with ruler and compass and colored pencils, and it still doesn’t look as good as a first grader can create with scissors and folded paper.  Much better to use a computer program to spit them out with mathematical precision and fractal beauty.  That’s how all the tiny ones in the background were created.  But even a computer can’t recreate the fragile, complicated beauty of real snowflakes.

You see how the fragile crystalline structures will break in spots, melt in spots, attach to others, and get warped or misshapen?  That is the reason no two snowflakes are alike, even though they all come from the same basic mathematically precise patterns generated by ice crystals.  Life changes each one in a different way.

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And that, of course, is the reason this essay is really about people rather than mere physical artifacts of cold weather.  Our fragilities and frailties are earned, and they make us who we are.  I have a squinky eye like Popeye from playing baseball and getting hit by a pitch.  I have a big toe that won’t bend from playing football.  They both represent mistakes that I learned from the hard way.

As a teacher, I learned that bipolar disorder and anxiety disorders are very real things.  I lost a job once to one of those.  And I spent a long night talking someone out of suicide one horrible December.  Forgive me, I had to take fifteen minutes just there to cry again.  I guess I am just a “special snowflake”.  But the point is, those things are real.  People really are destroyed by them sometimes.  And they deserve any effort I can make to protect them or help them make it through the night.

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But people are like snowflakes.  They are all complex.  They are all beautiful in some way.  They are all different.  No two are exactly the same.

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And I really think boorish bastards have no right to insist that we need to take safe spaces and sanctuaries away from them.  Every snowflake has worth.  Winter snow leaves moisture for seedlings to get their start every spring.  If you are a farmer, you should know this and appreciate snowflakes.  And snowflakes can be fascinating.  Even goofy ones like me.

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Filed under 1000 Voices Speak for Compassion, artwork, battling depression, commentary, compassion, humor, metaphor, Paffooney, self portrait, Snow Babies, strange and wonderful ideas about life

Novel Nudists

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I have known nudists for a long time, since the 1980’s in fact.  I have recently dabbled my toes in the cold waters of being a nudist myself.  I did work on pool cracks this past summer while naked.  I made one visit to a nudist park and actually got naked in front of strangers who were also naked.  It is a certain kind of crazy connection to nature, my self, and the bare selves of others to be a nudist, even if it is for only a few hours.  I used to think nudists were crazy people.  But I have begun to understand in ways that are hard to understand.  And being a novelist, that was bound to creep into the piles of supposedly wise understanding that goes into the creation of novels.  I say “supposedly wise” because wisdom is simply the lipstick on the pig of ridiculous human experiences.

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The Cobble family appeared first in my novel, Superchicken.  It is a semi-autobiographical novel that uses some of my real life experiences and the real life experiences of boys I either grew up with or taught, mixed in with bizarre fantasy adventures that came from my perceptions of life as an adult.  So the Cobble family really represent my encounters with nudism and the semi-sane people known as nudists.  Particularly important to the story are the Cobble Sisters, twins Sherry and Shelly, who fully embrace the idea of being nudists and try to get other characters to not only approve of the behavior, but share in it.  Sherry is the more forward of the two, more willing to be seen naked by the boys in her school and in her little Iowa farm town.  Shelly is the quieter of the two, a bit more shy and a lot more focused on the love of one particular boy.

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In fact, the Cobble Sisters are based on real life twin blond girls from my recollections of the past.  The Cobble farm is out along the Iowa River and just north of Highway Three in Iowa.  It is a real place where real twin girls lived when I was a boy.  They were blond and pretty and outgoing.  But they were not actually nudists.  There was another pair of twin blond girls from my first two years of teaching who actually provided the somewhat aggressively sensual personalities of the Cobble Sisters.  The real nudists I knew were mostly in Texas.

The sisters appear in more than one of the novels I have written or am in the process of writing.  They appear for the second time in the novel Recipes for Gingerbread Children which I finished writing in 2016.  They are also a part of the novel I am working on now, The Baby Werewolf.   That last is probably the main reason they are on my mind this morning.  Writing a humorous horror story about werewolves, nudists, pornographers, and real wolves is a lot more complex and difficult than it sounds.  But it is hopefully doable.  And my nudist characters are all basically representative of the idea that all honest and straight-forward people are metaphorically naked all the time.  That’s the thing about those nudist twins.  They don’t hide anything.  Not their most private bits, and certainly not what they are thinking at any given time.

So as I continue to struggle with revealing myself as a writer… and possibly as a nudist as well, I will count on the Cobble Sisters to make certain important points about life and love and laughter… and how you can have all three while walking around naked.

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Both novels discussed in this old post are now available from Amazon in self-published, finished form.

Here is the link for this book;

https://www.amazon.com/Baby-Werewolf-Michael-Beyer/dp/1791895379/ref=sr_1_2?ie=UTF8&qid=1545236655&sr=8-2&keywords=michael+beyer+books+the+baby+werewolf

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And its companion book and an intertwined story is easily found here;

https://www.amazon.com/Recipes-Gingerbread-Children-Michael-Beyer-ebook/dp/B07KQTMN7R/ref=sr_1_1?ie=UTF8&qid=1547520896&sr=8-1&keywords=michael+beyer+books+recipes+for+gingerbread+children

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