Tag Archives: clowns

Diz, Boz, the Bard, and Me

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I wrote the other day about the fact that my writing is music in my head.  Now, I realize there are probably a number of things wrong with my head, and Lord knows, it may truly need a good cleaning… er, well, not a brainwashing if that’s what you had in mind.  No, what I need is to clarify the meaning of what I said, to restate in a less metaphorical and obscure way.

I have this insane notion that I am a good writer.  Believe me, I am aware of the fact that every Indie author with a self-published novel has the same crazy fantasy right now.  I imagine that my humor is like Mark Twain’s, my characterizations like Charles Dickens (Boz), my themes and insights like William Shakespeare (the Bard), and my creativity akin to that of Walt Disney (Diz).

I plan to write about it in a novel that used to be called The Little Boy Crooner, and now labors on under the title Sing Sad Songs… with Clowns.  Don’t be fooled by the fact that I call this idea-thing a novel.  It is not complete.  There is no flesh on the bare bones.  If it were one of the walking dead, it would not even qualify as a zombie.  It is an animated skeleton.  It is a notion about how words and ideas become and are transmitted by musical means.

The main character is a young boy named Francois Martin, the singing clown-boy in the Paffooney above.  He is orphaned by a terrible car wreck in France, then sent to the only living relatives he has, who happen to live in Norwall, Iowa.  Yes, that same goofy little farm town where I grew up and far too many of my novels are set.  The Norwall Martins own the town tavern, where the bachelor head of the family, Victor (also known as the Vicar), is trying to make a go of it by putting in his bar a new-fangled bar-thing called karaoke.

As you’ve probably guessed, Francois, though he is awkward and unable to communicate in English, is a natural at singing karaoke.  He puts on the clown paint and sings for his supper, and brings people into the bar from all across the State, and eventually the whole Midwest.

The clown images come through his connections to the Dreamlands… the same fantasy world of dreams alluded to in the novels of H.P. Lovecraft.  Three clowns, Mr. Disney (Diz), Mr. Dickens (Boz), and Mr. Shakespeare (the Bard) help the boy and his American cousin Billy travel back and forth to the Dreamlands and learn to understand each other in ways that family members should.   I should warn you, the new title reveals the fact that all dreams are not happy dreams and all endings are not happy endings.  But we shall try… Diz, Boz, the Bard, and I.

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From My Stuffed Animal Collection; Mama Clown and Baby Clown

From My Stuffed Animal Collection; Mama Clown and Baby Clown

Baby Clown was once my oldest son’s favorite woobie. He doesn’t remember that time when he was two and three, but he did say that these clowns now creep him out.

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October 22, 2013 · 11:23 pm

Clowns

When you are small, there is something intimidating about a man in strange clothes and a garish pattern of white and red and blue all over his face.  What is he hiding?  What does he want?  Why does he squeeze off a blast from that ridiculous little horn with the big red squeeze bulb right in your little-boy face?   His big floppy shoes suggest monstrous feet.  Why does he have such a big mouth with red paint all around it?  “The better to eat you with, my dear!”

But clowns have a purpose for those of us who are no longer frightened little boys.  They parody our actions and exaggerate everything.  They look like us, sound like us, and behave like us if only we are able to look at ourselves times twelve or thirteen.  They are essential to our lives and our happiness.  Why, you ask?  Because, my friend, we should never take ourselves too seriously.  If we look at life only through serious eyes, we will never get enough of weeping.  When we blow up too many balloons with our face painted on them, balloons of self-importance, as serious adults are wont to do, then we need to find the maniac with the pin.  He’s not always a professional with face paint and floppy shoes.  Sometimes he is the mailman, the local grocer, or even your deadbeat brother-in-law.  But the point is, no matter how scary he sometimes seems, we all depend on the clown.  We all need the foolishness of the most foolish among us.  It keeps us sane.

Why then did I have to take it upon myself to give the world clowns?  After all, that is precisely what I am doing as a writer.  I am physically miserable with my six incurable diseases.  I have diabetes, arthritis, hyper tension, psoriasis, Chronic Obstructive Pulmonary Disorder, and I have a prostate the size of a cantaloupe.    I can’t walk without a cane.  I can’t breathe while I’m walking.  I can’t pee without pain.  I can’t draw as much as I’d like. And soon I will have to retire from teaching… the single greatest thing I ever did with my foolish little life.  Oh, and every night while I’m trying to sleep, I itch the top layer of skin off all my most sensitive anatomical parts thanks to the gift of psoriasis.  I have every reason to just curl up in a ball and cry.  But that’s not what a clown does.  A clown picks himself up and dusts off that rusty tin can that he keeps his sense of humor in.  A clown looks at the world around him and sees all the really absurd things that are there.  He looks at the way high school students act.  He sees politicians like Ted Cruz in the U.S. Senate.  He sees injustice, moronic balloons with Ted Cruz’s face on them getting bigger and bigger and presidential, people on Texas roadways turning road rage into performance art, and even the contradictory things his wife says to him in little cartoon speech balloons that never seem to agree with each other and fight back and forth until they fill up the entire Cartoon Panel of Real Life.  The clown sharpens that sense of humor, that crooked little pin, until it is balloon-popping razor sharp.  It suddenly becomes time to pop a few balloons.

There are clowns in my writing not just because I like to write humor, but because it is the only way I can truly fight back.  I must crack a few jokes.  I must take a few metaphors and push them and pull them until they are so out of shape they form a picture of Ted Cruz’s face.  I must puncture things and blow things up.  I must toss sarcasm-berry  pies at Ted Cruz’s face.  (Actually, I love Ted Cruz.   What wannabe humorist wouldn’t?  He’s such an easy target.)  I must mock things and ape people.  I must sock things and grape people… waitaminnit!  Grape people?  Is that what a one-eyed, one-horned, giant purple people eater eats?  I must do all the funny foolish things that a foolish funny clown can do to make the tears turn to laughter and pain to be ignored.  Ted Cruz to be ignored too, if possible.

I have a riff or two to do on the clown heroes who inspire me.  Red Skelton, Milton Berle, Terry Pratchett, Douglas Adams, and even Charlie Chaplin.  But maybe that has to wait for another day… another post.  As teachers and other clowns must always be aware, the attention span of the audience wears out quickly.  If you have read this far, you are getting sleepy… sleepy (Michael Beyer is the funniest writer you ever read and you will not remember that I am the one who told you so).

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The clown in the picture is NOT Ted Cruz.  Shame on you for thinking that.

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Valerie Clarke, Iowa Girl

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My newest novel is called Snow Babies.  It is not published yet, but I am not worried.  It is the best thing I’ve ever written, and it will endure even if no one ever lowers themselves to actually reading it.  The portrait here is the main character, Valerie Elaine Clarke, the most beautiful girl ever born in Norwall, Iowa (the fictional version of the town I grew up in, rural, farm town, population 275).  She and her mother have moved to town and left farming behind because Valerie’s father… shudder… lost the farm for unpaid FHA loans, and then killed… but you don’t want to hear about that.  She is a vibrant, sassy, and open-hearted girl living in a 1984 world of skateboards, rock and roll, and stupid people that do all kinds of stupid things.  Right before the December blizzard hits, she sees a homeless wanderer, a hobo, on Main Street.  The guy doesn’t know a bad storm is coming.  He wears a jacket made of crazy quilt material, all colorful patches and quilted stitching.  Valerie can’t let the poor man freeze to death, can she?  And her and her mother live in a modest three-bedroom home even though there are only two people living there.  She will ask her mother if they can take him in during the storm, and maybe asked if she can keep him.

Silly, right?  I’ve told people that this is a comedy novel about freezing to death, complete with clowns.  But, to be honest, it’s probably more about not freezing to death, and how a small community can come together to face a big problem, namely, a killer of a blizzard.  So, if you like comedies laced with tragedy, filled with bad snow metaphors, and stupid people doing stupid things with consequences both good and bad, then you should be looking for the novel Snow Babies… or running away screaming… I know it’s one of those.

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I included a shot of my latest paffooney held by my daughter, the Princess.  Valerie is a combination of a girl I grew up with in Iowa, a girl I once taught in a small town in Texas, and a certain young lady who gets referred to repeatedly as “the Princess”.

 

 

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Snow Babies

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The day before yesterday I completed the book Snow Babies.  This is a novel I have been working on and off on since 1978.  It is a comedy about orphans freezing to death in a blizzard.  Not really funny you say?  Not packed full of yucks because of the orphan-dying thing?   Well, needless to say, no good comedy is free of tears, just as no tragedy works without its lighter moments and occasional jokes.  And did I tell you there are clowns?  I promise you clowns.

Now, if you are honest about it, you know clowns don’t all come in face paint.  Some are ordinary bumblers, schmucks, and goofy guys doing the bumbling, schmucky, goofy things that bumblers, schmucks, and goofy guys do every day.  You will notice them as easily as you notice them in Shakespeare’s works because they are always the ones taking the header center stage.  If you can’t tell the clowns, then maybe in a future novel I will put them in face paint.

There are scary things too in a good comedy.  I have witches, snow ghosts, and mysterious strangers in my story.    It’s part of that Midwest heritage where we Iowegians go slightly insane because of the long cold winters and the lack of citified entertainments.  Give a yokel or a hick from the sticks enough time to sit and diddle, and you will get weird stories.  How else do you explain how a dude from Kansas named L. Frank Baum could come up with a wonderful world like Oz?

So now that I’ve told you all these wonderful, interesting, and goofy things about the book I just wrote, let me pop your bubbles with the publication pin.  I have not got it published yet.  And I am looking for a better deal than last time around, because it’s an even better book.

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