When you make the mistake of admitting to others that you are a writer, they immediately assume you know things that are kept secret from “normal” people. For instance, they will simply assume that you can tell them where you get your ideas for writing. Well, I am fairly sure that I got the idea for this post from watching a YouTube video in which the Master, Neil Gaiman, says that every author has a joke answer for that one with enough sarcastic wit in it to punish the asker with public humiliation.
I asked the dog if she knew any jokes like that which I could use to prepare for someone asking me that question in public. She said, “You could tell them that your family dog tells you what to write every day.”
“No,” I said, “people would never believe it.”
“Well, it is supposed to be a joke. But you are right. No one would ever think you were actually smart enough to write down what a dog tells you.”
“Yes, it’s a good thing for me that you know how to speak in English. I could never translate and transcribe Barkinese.”
So, I began thinking of where some of my best ideas came from.
Dreams
Some of my stories come directly from dreams that I had. The nightmare about being chased down a street in Rowan at midnight by a large black dog with red eyes was an actual dream I had in the 1970s. So was the nightmare of the werewolf climbing out of the TV during a late-night viewing of Lon Chaney in The Wolfman.
Those two dreams together were the start of the story that became my recently published novel, The Baby Werewolf. Both dreams visit the protagonist in the story I wrote almost as if they were his dreams and not actually mine.
Events
Snow Babies, the best novel I have ever written, was based on two different blizzards I experienced, first as a child in the 1960’s, and then again as a high school kid in the 1970s. Each blizzard involved being snowed in for a week at someone else’s house. As a child, I was stuck at Grandpa’s farm place until the snow plows could finally do their work and open the gravel roads. As a teen, I was stuck in Great Grandma’s retirement apartment near the high school in Belmond.
That novel also is based on the next source of ideas;
Characters
I can’t think of any story I have written that isn’t based on real people I have known in one way or another. Valerie in the novel above is based on three different girls I have known or taught. One of those three is my own daughter. The four orphans on the bus in that story are all boys from my junior high classes in the 1980s.
Lucky Catbird Sandman, the hobo who wears the quilted coat of many colors, is based on the poet Walt Whitman, whom I knew well in a past life, and my own shiftless, storyteller self. Some characters are just so key to a story idea that they themselves are the reason for a book to exist.
In conclusion, the dog doesn’t really know what she’s talking about. None of these things are really where I get my ideas. But I am out of time. I will have to write about the bottle imp another day. No, really. A magical imp trapped in a bottle. You can make one of those give you ideas for novels with only a slight risk to your life and soul.
Catch a Falling Star 
Re-bubbling the Old Enthusiasm
It is getting harder and harder to climb the new day’s hill to get to the summit where I can reasonably get a good look at the road ahead. At almost-64, I can see the road ahead is far shorter and much darker than the highway stretching out behind me. It is not so much a matter of how much time I have spent on the road as it is a matter of the wear and tear the mileage has caused.
This weekend I had another depressing free-book promotion where, in five days, I only moved five books, one purchase, and four free books. I have made $0.45 as an author for the month of June.
I was recently given another bit of good advice from a successful author. He said that I shouldn’t be in such a rush to publish. He suggested taking more time with my writing. Hold on to it longer. Polish it and love it more. And now that I have reached sixteen books published on my author’s page, I have basically beaten the grim reaper in the question of whether or not he was ever going to silence me and my author’s voice. I can afford to live with the next one longer.
But the last one, A Field Guide to Fauns, practically wrote itself. It went fast from inspiration to publication simply because the writer in me was on fire and full of love and life and laughter that had to boil over into hot print exactly as quickly as it did. The additional writing time afforded me by the pandemic and quarantine didn’t hurt either. Once in print, my nudist friends loved it.
This next one has the potential to boil and brew and pop out of me in the same accelerated way as that last one did. Of course, it has been percolating inside my brain basically since the Summer of 1974. So, this is no rushed job. The Wizard in his Keep is a story of a man who tries to take the children of the sister of his childhood best friend to a place of safety when their parents are killed in a car wreck. But the only safe place he has to offer is in the world of his imagination. A world he has bizarrely made real. And that best friend comes searching for the children. And so does a predator who seeks to do them all grievous harm.
In many ways, it is a story already written.
So, I am rekindling the flame that keeps the story-pot boiling. And more of it is already cooking. And I am recovering from the cool winds of disappointment, as well as the dark storm clouds of the nearing future.
This is now actually a two-year-old post. Both of the books mentioned here are published and available from Amazon. As far as holding on to the books longer, there is no problem with that on Amazon. Editing, improving, and re-publishing a book is actually easier than publishing it the first time. Nothing about this old post has been made untrue by the passage of time. I am still probably the best author of books like these whose published books almost never get read.
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