Tag Archives: artwork

Sculpture Anatomy

Here is a collage that represents one of my hoarding-disorder collecting diseases enabled by the internet.  The rules for this collection are basically;

  1. Only photographs.
  2. Only human bodies, or people parts.
  3. Only artistically created people parts made of non-people stuff.
  4. Naked is not only allowed, but preferred.539637_414849215220540_1199730384_n
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    1. This is a porcelain doll, not a real girl… just so you know I didn’t break any rules.
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    The point is, art is a depiction of us.  No matter how you create it, what it visually portrays is a reflection, like the one in the bathroom mirror every morning.  Beautiful, grotesque, sexy, repulsive, adorable, or disturbing… it is who we are.  The point is also, it allows me to point, click, and save and create a collection that I don’t have to hide from my wife.  Because, well, you know… it’s art.

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Filed under artists I admire, artwork, collage, humor, nudes, old art

Humor Without Insults

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I am not one who can stand to watch Republican debates.  I know the clown car is full to busting, but I can’s stand the idea that one of those narrow-minded, fact-free, duplicitous Bozos could end up being the next president.  (Or fascist dictator, when you consider what “fascist” actually means, and what former President Carter has said about the U.S. not being a democracy any more.)  If one of those clowns wins it, the true power will once again reside with the unseen ring master, like it was with the rodeo-clown George W. Bush and his secret puppet-master, Dick Cheney.  And I pay enough attention to know that Donald Trump was so insulting to women during the debate, that Democrats can pick Beelzebub to run as their candidate and women still won’t vote Republican.

I watched the final Jon Stewart Daily Show instead.  Stewart is more liberal than I am and uses a lot more bad words than I ever could, but his humor and politics are far gentler and kinder than anything coming out of the mouths of name-calling conservatives.  They uniformly say terrible and untrue things about President Obama and Hilary Clinton.  They don’t hold back from calling even their own Senate leader a liar (a la Senator “Slappy Happy” Ted Cruz.and Senator Mitch McConnell).  The Donald is a master of the crude and inappropriate slam.  Look at the unfounded claims he made against Mexicans and the cowardly way he impugned the honor of Senator John McCain.  Jon Stewart mocks them by taking their own actual statements and putting them beside the verifiable facts to show the absurdity of their political beliefs and goals without casting insults.  Yes, I love his turtle voice for aping Mitch McConnell, but there is a gentleness to his wit that shows affection for his subjects rather than laying waste to their psyches with crude insults and unfounded accusations.

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I had to learn the kind of humor I’m extolling here as a classroom teacher.  You cannot believe how fragile the little animals can be when you resort to calling them names.  A growing, developing, vulnerable psyche cannot take the random bash and cruel cut the way an adult can (though even an adult shouldn’t have to).  You have to learn to be funny by the surprising imagery you use, the comparisons with funny things, and the flat out absurd.  And self-deprecating humor is the only kind of insult you can actually get away with.  (I even learned that when a student grows to love and respect you too much, even insulting yourself to make a point is out the window.)

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Humor definitely has its uses in the classroom.  This classroom poster was used both to teach students how to write a quatrain of twin couplets, and also to teach them that classroom discipline was a matter of teaching them how not to be like cockroaches.  I am not directly calling them cockroaches.  Instead I am telling them that if they choose to use the thoughtless and rather dumb behaviors that are against classroom procedure, they are choosing to be like roaches.  Of course, there is always the classroom clown like Steve-O Whoopsadoodle (not his real name, but a name he called himself) who glories in being like cockroaches.  You also have to learn to laugh at them politely and give them their few minutes of fools’ fame.

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So, to sum it all up, humor is a very useful thing in running the world and teaching things to others.  It is  why I always go for the joke in my writing.  The place I am at doesn’t always have to be the happiest place on Earth, but it is a lot funnier and happier without the cruel and biting insult.  (Sorry about earlier, George, you old rodeo clown).  And if we can just be a little nicer to each other when we make fun, it might turn out to actually be fun.  (You are welcome to find all the gaffs and mistakes I made in the old drawing above.  I was still learning my craft in 1980.  But please don’t call me names over it.  I have had all the blue I can handle for one week.  I used up the last of it in this last Paffooney.)

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Filed under humor, Paffooney, writing humor

Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

Toonerville 35 1931_12_18_Pelham_Sun_Section_2_Pg_1_Col_2_Toonerville_Comic 10-17-2010 07;49;35PMToonervillecolor021531

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Filed under art my Grandpa loved, artists I admire, cartoons, Toonerville

Magnificent Maisey on the Mound

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Okay, I am taking over this danged silly old blog today to talk about something important!  Baseball!!!  Yeah, and even more important, I wanna talk about how girls can be good at baseball.

My name is Maisey Moira Morgan.  I am a left-handed pitcher for the Carrollton Cardinals.  That’s a boys’ Little League team, in case ya didn’t know.  I ain’t the only girl in boys’ Little League, but I am the only girl on the Cardinals’ team.  The only girl pitcher.  The only WINNING girl pitcher.  I woulda been an undefeated winning girl pitcher if Tyree Suggs hadn’t dropped that fly ball in the bottom of the ninth inning out in right field two weeks ago.  I ended my season at 3 wins and 1 loss.

You see, the thing is, I know the secret to striking out boys at the plate.  First of all, I am a left-handed pitcher.  Those danged boys are all used to seeing the ball flung at ’em from the right side.  Ninety-nine and two-tenths per cent of all pitchers in our league are right-handed.  So are most of the batters.  So that futzes them up right there.  And on top of that, Uncle Milt taught me to throw a knuckle-ball two years ago.  That is one amazingly hard pitch to hit square if you do it right.  You curl your fingers on the ball and give a little sorta push-out with your fingertips as you let it go.  And you try really hard to make the ball not spin as you push it towards the batter.  It can do amazing things after it leaves my hand.  Uncle Milt swears that he saw one of my pitches double-dip and then corkscrew as it went across the plate low in the strike zone.  A mere boy can’t really get a good swing at a pitch if it flutters around like a crazy bug with butterfly wings.

But that ain’t even the real secret to my baseball success.  You see, them danged boys all think they can step up to the plate and put their bat on any ball thrown at ’em by a mere girl.  They are not afraid of me, even the third time they get up to bat after striking out twice before.  My uniform is not exactly sexy, but all I really have to do is wiggle my behind a little and smile at them, and they don’t even seem to be thinking about hitting the ball any more.  I get an even bigger smile on my sweet little face when strike three flutters past ’em.  I always take ’em by surprise.

I expect to be the first woman pitcher in the major leagues one day.  Remember my name.  Maisey Moira Morgan.  Future Hall of Famer.

(Disclaimer; Maisey might actually have a hard time claiming her place in the Baseball Hall of Fame, not because the major leagues don’t have any women in them, but because she is an entirely fictional human being, only existing in Mickey’s stupid little head.)

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Filed under baseball, baseball fan, characters, humor, kids, Paffooney, pen and ink

Doodle-Bop!

Sometimes the only thing you really want out of life is just to get by. You get tired of always having to climb the danged highest mountain.  You get tired of trying to swim the danged deepest sea.

16750_102844509741181_100000468961606_71393_6278100_nSometimes all you want to do is doodle-bop!…  To draw in pen and ink and post your derfiest doofenwacky doodles so you can just make your way through another danged day.

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You aim a lot for different, and undeniably original… because no one thinks like you… certainly no one who is real and has a real brain.  You are gifted with an “other-ness”, a sing-songy simpering something that makes you want to doodle and do what no man has done before.  (Does that sentence exist anywhere else in all of literature?  Even if there is some alternate dimension with infinite monkeys typing on infinite typewriters?  What’s a typewriter, you say?  Danged millennials!)

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I really can’t help it, you know.  I was a middle school teacher for 24 years.  That sort of thing has mental health consequences.  And if you wring the sponges in your stupid old brain hard enough and long enough… doodle-bop! comes out.

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Turtle boy’s magic iron of irony!!!

And you have to wonder why some of the stuff that is in your stupid old head is even in there.  Why is it that sometimes the words “Argyle socks are filled with rocks” are drifting through the vast empty spaces in the logic centers of your brain?  There has to be a reason for everything, doesn’t there?

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I do believe I have made myself chuckle at least a dozen chuck-tacular times in the chuck-a-tational crafting of this cheddar-cheesy post.  But it only really counts if I can make you girlishly giggle or guy-like guffaw with my word-munching and cartoony paffoonies.

Wild Ride

The terror-filled cartoon car chase that is life as usual.

You may have noticed that everything is black and white, even though it doesn’t have to be.  Good versus evil, hot versus cold, everything can be divided up simplistically… but the really profound part of simplicity is vibrating reverberations of complexity that lie just underneath.  Words have meaning, even though they are just a bunch of crooked squiggles marked on a page.  (Yes, I know… “or typed on a computer screen”.  Danged millennials!)

4th Dimension

And so, this is my doodle-bop!  Probably not the doodliest or the boppiest doodle-bop! I could have bopped… but there it is.  I have made it through another sorta creative post without losing my mind…  Honest!  I did not lose it.  It is merely temporarily misplaced for a moment.  It will be back in its proper place tomorrow… probably.

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Filed under blog posting, cartoony Paffooney, goofy thoughts, humor, imagination, irony, mental health, metaphor, Paffooney cartoony, pen and ink, pen and ink paffoonies, strange and wonderful ideas about life, wordplay

What Do Martians Look Like?

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As Catch a Falling Star was a science-fictiony sort of comedy, one of the questions that I have pursued in internet research is the one I have presented here in the title of this picture-and-Paffooney-filled post.  Seriously, the image search of Google’s answer to that question is enough to make you snort milk through the old nostrils as you sort through them while stupidly drinking a glass of milk.  The milky nose-snorts are the reason I have not sited picture sources on this post.  Cleaning the computer screen took too long.  I have merely randomly snatched and pirated pictures.  The only picture of a Martian presented here created by me are these two;

I admit to being surprised by my actual research into the whole question of whether or not we have ever been visited by intelligent life from the stars beyond the sky.  While I have not found proof that aliens exist, I have discovered there is actual proof that the government, and NASA in particular, have covered something up.  And it goes beyond Area 51 defense research.  But now that I have got the attention of the NSA and the Men in Black, this post is only filled with a collage of the unreal, made-up, and mostly silly.

Malevolent Martians;

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Martians Who Make the Mistake of Liking Us;

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Inexplicably Goofy Martians;

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Probably the only REAL Martians… from the future;

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Filed under aliens, cartoons, collage, comic book heroes, foolishness, humor, illustrations, science fiction

How to Be a Farm Boy Without Really Trying (or Wanting To)

Farmgirl is adapted from a picture borrowed from the Belmond Area Arts Council.

Farmgirl is adapted from a picture borrowed from the Belmond Area Arts Council.

I was born in Mason City, Iowa (the original River City of Meredith Wilson’s Broadway musical, the Music Man).  But my parents didn’t hold with no big-city Ioway sort of life, so we eventually moved to my mother’s home town, Rowan, Iowa.  It was roughly about 275 people (if you count the squirrels… which a lot of the townsfolk were… qualified squirrels).  My two maternal uncles and my grand parents were busy maintaining the family farm there, and though I lived in town because Dad was an accountant for a seed corn company instead of the farmer he grew up as… I got more than my fair share of farming-type opportunity.  You know the stuff… shoveling pig poo… cow poo too…   I got to help feed the chickens (and get chased by roosters, and get pecked by hens when we checked their nests for eggs, and watch the rooster rodeos as revenge for all the chasings… because roosters don’t lay eggs and the only thing they are really good for in an egg farming setting is lopping their heads off, and watching them flop around like rodeo bulls with no heads for fifteen minutes until they finally figured out they were dead, then plucking ’em and watching Grandma Aldrich cook ’em).  I got to drive a tractor, although they didn’t trust me to do more than the simplest of tractor-driving jobs like pulling the hay rake.  I got to shovel chicken poo out of the hen house and out of the brooder house.  (Notice how a lot of the world of the lowly farm boy centers somehow on poo?)  It was a rustic rural life reminiscent of Norman Rockwell… although he depicted mostly town life and not as much of the fields and animal pens (and poo) that are central to Iowegian farm culture.

Brent Clarke is a me character in my stories... but also one of my farm boy friends.

Brent Clarke is a me character in my stories… but also one of my farm boy friends.

Growing up a farm boy has a few advantages to go along with the many drawbacks.  First off, you learn young where babies come from.  Piglets and calves and puppies and kittens are not born in secret.  And it doesn’t take much spying out on farm life to learn how those baby animals are made either.  There is ample opportunity to learn what you are not supposed to learn at a young age from farm girls too… but we were gentlemen… and extremely embarrassed by the fact that baby people are made in the same grisly, awful way that baby animals are out in the barn.

You also learn to be somewhat self-sufficient.  I learned how to tend a garden.  I learned how to fix a flat.  I learned how to repair a roof and build a rabbit pen.  Hammer, pliers, screwdriver, saw… I learned to use them all and make stuff.  Crude stuff, sure… smashed-finger-with-hammer-stuff too.  I made a bookshelf in shop class that had a bit of Michael blood built into it.  But I learned things that boys should know, and really don’t any more.

So, I guess I am claiming that because I am an Iowa boy… a farm boy… and despite my many short-comings and short-changings my life has been good and worthwhile… being a farm boy is good.  And one of the greatest shames of the modern world is this… there just aren’t many farm boys any more.

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Filed under farm boy, humor, Paffooney

Where-in Lies the Funny?

The author without his make-up and after imbibing extra caffeine.

The author without his make-up and after imbibing extra caffeine.

I am attempting to be a humor writer.  There’s a statement that calls for more than a little rationalization.  Why would anyone want to be funny?  Especially why would a manic-depressive sick-old former school teacher want to be funny and write books for young people that tackle subjects like suicide, lying, nudity, sex, trans-genderism, death, suffering, religion, alien invasions, and getting old?  (Well, okay, getting old is inherently funny… especially the noises you unintentionally make from orifices and joints whenever you try to sit, move, lift, eat, or breathe.)  I ask myself this question only because I need to get to 500 words and stretch out the hoopti-doo to cover up the fact that I already know the answer and it is short and simple.  Joking about the things that tear your life apart is the only way to handle things and not become a serial killer.  (Make that cereal killer, especially Kellogg’s cereal of any and every description.  I am a very loving and accepting fool at heart and could never kill even one person… probably even in self-defense.)  I recently took a Who-do-you-write-like test that I found on another blog at All Things Chronic.  Here is the link; https://painkills2.wordpress.com/2015/05/31/who-do-you-write-like/

That silly little analyzer took a bit of my purple paisley prose and churned out a horror-writer answer, H.P. Lovecraft.  The Lord of the Old Mad Gods and Moonbeasts is a particular favorite of mine, one of several writers whose novels I have read everything I can get my hands on.  I still sleep with the lights on at night because of The Dunwich Horror, and The Shadow Over Innsmouth.  I am mad with admiration for his allusions to gibbering sounds and unholy terrors that taint and transfix our lives with fear to the very marrow of the bones.  I have to admit, I like the idea of being compared to him, in spite of the fact that he tries to inspire fear and madness, while I aim for goofiness and gaiety.   It is a delicious irony to try always to be Mark-Twain funny while writing with a horror writer’s convoluted and dictionary-intensive style.

And don’t get the idea from my mention of him in this self-reflecting ramble through jumbled ideas that I really believe I am as funny as Mark Twain.  I am not deluded or mentally ill… well, not deluded, anyway.  I am still learning to make people laugh with words.  And I don’t mean to be mean about it.  I don’t do George Carlin F**k-the-world-style humor.  I don’t even do Don Rickles-style insults.  I am more in favor of gentle humor.  I am not looking to call anybody names or trying to make certain folks look like Biblical-word-for-donkeys.  (Not even Republicans named Rick in yesterday’s post).  I want to show fictional people undergoing some of the dark things that filled my life with hurt, and doing it with the grace and good humor that only comes from a heart full of self-sacrificing love.  (Gee, no wonder I find comedy hard… I have chosen the most difficult and elusive kind of humor for my art.  I’d do a lot better with poo-poo jokes.)  (Oh, wait, I do poo-poo jokes, don’t I.  This one counts too.)Senator Tedhkruzh

I wonder if I made a mistake yesterday in portraying Senator Ted Cruz as a lizard man from outer space.  Was that a mean, name-calling sort of joke?  Or was I painting him in broad, humorous strokes with my colored pencils?  Once again, you can be the judge.  Here’s the picture again.  And you get to decide if anything I have ever said is funnier than it is just plain sad.

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Filed under humor, Paffooney, writing humor

Wally Wood

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A self-portrait by Wallace Wood.

I am a bit of a cartoonist for a reason.  I started drawing cartoons at the age of five.  I read everything in the Sunday funny pages, not just for the jokes.  I poured over the drawings and copied some.  I drew Dagwood Bumstead and Blondie.  I drew Lil’ Abner and Charlie Brown and Pogo.  Cartoonists were heroes to me.

But my parents wanted to protect me from the evils of comic books.  Superheroes were off limits most of the time.  Things that are associated with evil were out of the question.  So Daredevil was beyond reach.  And Mad Magazine was full of socialist ideas and led kids down the dark path of satire.  So the truth is, I didn’t discover Wally Wood until I was in college.  His corrupting influence didn’t take hold of me until I was older and full of hormones.  Ah, youth and the propensity for sin!  Wally taught me that cartoons could be real.

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Wally Wood was one of the original artists working for EC comics who formed Mad Magazine with it’s spoofs and irreverent humor.  Wood worked together with the Great Will Eisner on the Spirit.  He went on to work for Marvel on the comic book Daredevil where he innovated the red suit and double-D logo, as well as doing the primary story-telling that brought that comic book from the bottom of the Marvel stack to almost the very top.  His work on Daredevil resonates even until today where there is now a big controversy that the popular show on Netflix does not list Wood among the creators of Daredevil in their credits.  I must remember to complain about that later.

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But the thing that drew me to Wood more than anything was the realistic style that he brought to the unreal realm of cartoons.  The man could draw!  He did marvelous detail work and was a leader in the development of dynamic composition in an artistic industry that tolerated and even often encouraged really poor-quality drawing.  He took the comic book from the age of the glorified stick figure to an age of cinematic scope and know-how.  Here it is revealed in his classic break-down of innovative comic-book panels;

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But it is also important to realize that the more power you put into art, the more it can blow up and hurt people.  Wood had a dark side that went a bit darker as he went along.  He had an issue with the kind of false front comics had to throw up in front after the anti-comics crusade of psychologist Fredric Wertham’s book Seduction of Innocents.  He is probably the artist behind the cartoon poster The Disneyland Memorial Orgy.  He started his own cartoon studio that produced increasingly erotic and pornographic comics like Sally Forth, Cannon, and Gangbang.  He became increasingly ill, lost the sight in one eye, suffered severe headaches, and eventually committed suicide in 1981.  With great power comes great responsibility, and we are not all superheroes in the end.  But I will always admire and emulate the work of this great artist… and selfishly wish he could’ve lived to create more of the wonderful art he gave us.

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Filed under artwork, cartoon review, cartoons, humor, illustrations

Critiques in Color

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I recently posted about being synesthetic and discovering how I am different from normal people.  Here is the post if you are interested..   Then I discovered that Kanye West is also synesthetic as he gushed some southern-fried crappie-doo about how wonderful he is as an artist because he sees the colors of his music.  Well, now I don’t want that mental affliction any more.  I don’t wish to be anything like him.  Of course, it has to be incurable, doesn’t it.

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Now I am wasting today’s post on another metacognative thinking-about-thinking style of paragraph pile when I could be rhapsodizing about the humor of Dave Barry or the wisdom of Robert Fulghum, the author of

All I Really Need to Know I Learned in Kindergarten.

Here it is on Amazon.

I could be shamelessly promoting the work of artists whose works I love instead of examining the random filing cabinets in the back rooms of my stupid old head.  But I can’t because I now need to explain myself to myself again.  Self doubt and self examination are features of being an artist.  We reach a point where we have to think about how we do what we do, because if you don’t know where the magic comes from, you might not be able to call on it the next time you need it.

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I am a self-taught artist.  I have had art classes in high school and college, but never professional art training.  I know how to manipulate the rule of thirds, directional composition, movement, perspective, and lots of other artsy-craftsy techniques, but it is all a matter of trial and error and an instinct for repeating what works.  I have had a good deal more professional training as a writer.  But I do that mostly by instinct as well.  Trained instinct.  I have reached a point where my art is very complex and detailed.  And I don’t mean to suggest there are no flaws.  In fact, I am capable enough to see huge, glaring mistakes that really skew my original intent and make me feel hopelessly incompetent.  But others who see it and don’t know the inner workings of the process can look past those mistakes and not even see them.  Given enough time to look at my own work with new eyes, I am able to see at least some of what they see.

the Clarkes

Now that I have totally wasted 500-plus words on goofy talking-to-myself, what have I really accomplished beyond boring you to death?  What’s that you say?  You are not dead yet?  Well, that’s probably only because you looked at the pictures and didn’t read any of my sugar-noodle brain-scrapings in loosely paragraph-like form.  And if you did read this awful post by a colorblind artist who doubts his own abilities, you probably didn’t learn anything from it.  But that’s not the point.  The point is, I care about doing this, and I need to do it right.  And I managed to learn something… how to ramble and meander and make something that is either a hot mess… or something that vaguely resembles self-reflective art.

 

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Filed under art criticism, artwork, autobiography, colored pencil, coloring, feeling sorry for myself, humor, magic, Paffooney, strange and wonderful ideas about life, Uncategorized