Looking for stuff to organize into a post today led me to realize that I currently exist swimming in a tidal wave of goofy images that I myself have created.
So, lazy and goofy old me will now show you some of these things.
I don’t even remember why I drew some of these things.
Some of it, is obviously because I was a teacher.
But some of it is merely wacky.
Though some might be considered inspirational.
While some of it is just meant to be appealing.
But all of it provides me with an easy post that you can read fast, but still get plenty to think about from. It is even good for a re-post if I add something newer.
Facebook, Instagram, and Threads were all down today at various times. Not that I am such a loser that I spend all day on Facebook and can’t live without it. I like to use Instagram for posting artwork as I continue to noodle with digital art tools. The little girl I use as a model for pictures of my imaginary granddaughter posts on Instagram her little videos more than twice a day. I managed to get this drawing done today even though Instagram disappeared shortly after Facebook was completely gone. I didn’t need either social media site to create this picture as I already had a rough draft done, and from there it can all be done offline.
I didn’t need the Facebook group of sites for this practice picture at all. I made it from the most viewed photo on my WordPress blog, Catch a Falling Star, where you should be reading this post if you are not merely looking at the pictures.
Here’s the original photo with the little naked girl, her six fish in jars, and the black cat pretending not to be thinking obsessively about how to get fish out of jars. You can see how well… or how poorly I redrew the picture. I regret drawing the cat looking fatter and less hungry than the one in the photo.
And for good measure, here’s a picture of me and my plastic doll Ariel whom I constantly talk to while my wife is away at work and my daughter is occupied with college classes. She stands in for the grandchild I don’t have too. I even drew glasses on her to make her feel more like one of my myopic family.
And to finish up, I did a bikini picture. I like girls in bikinis. But, incredibly old coot that I am, I have more or less forgotten why I like bikini pictures so much. The model for this one was plucked from Instagram after the site came back to life. So, basically, I did more drawing, not less, on a day without Facebook.
Yes, in some ways, I have Peter Pan syndrome. I have never truly grown up. But not in the ways that really matter in life.
As a writer of fiction, I put all my effort into writing young adult novels. My main characters are mostly children from roughly around eight years old to teens who are almost adults.
But it is not as G-rated as Nancy Drew. I have issues that creep in to become the monster under the bed. My childhood was not all naked innocence and sunshine.
Don’t get me wrong. I had wonderful parents. And wonderful grandparents. And the little town of Rowan, Iowa becomes the town of Norwall in all my Earthbound fiction. It was a very magical, if boring, place to grow up. I lived in town, but my uncles and grandparents lived on working farms. I knew farm life. I knew how you fed animals, trained animals, and helped them reproduce. I knew that farm animals die. And, sometimes, people die too. Even people who are important to you and you depend on.
And at the ripe old age of ten, I was sexually assaulted by an older boy. It is hard to talk about that even now, 52 years later. It wasn’t so much a sex act that I was forced to commit. It was more of a sexual-torture thing. He took his pleasure from twisting my private parts, making me hurt intensely, telling me all the while not to scream or call out for help. I think I even passed out at one point. There was no pleasure in it for me in any way. In fact, once he let me go with more threats, I promptly turned it into a repressed memory for twelve years. It turned me from an outgoing, leader-of-the-gang type kid into a miserable wallflower. It made me contemplate suicide as a teen. It led to some self harm that my parents never actually figured out, burning my lower back against the heater grate and making small burn scars on my arms and legs. It kept me from falling in love with a girl until my thirties. And it made me turn myself inside out through drawings, cartoons, and story-telling.
The Baby Werewolf
Some of the key stories I have turned into novels were created because of what happened to me, the horror at the center of my childhood. The monster in my novel, The Baby Werewolf, and the serial killer in Fools and Their Toys were both inspired by him, were both a reaction to what he did to me.
And do you know what he means to me now? I have forgiven him. He passed away a few years ago of a heart condition. I avoided him and his family from when it happened until now. I never told anyone what he did to me. I never sought any kind of revenge or justice for his act. To this day I still haven’t revealed his name to anyone, though I have been able to talk about it in this blog since he died. He has paid his price. The scales are balanced. I am healed. That is enough.
What he gave me, though, was a gift of purpose and an ability to fight the darkness with a strategy of sharing every tactic I have learned about defending myself from predators, depression, and crippling self-loathing in novel form. I shared those tactics as well during my years as a teacher and mentor to kids who had problems like mine for which my solutions sometimes also served as answers. I was able to put into thematic form the positive answers to the question every kid asks themselves somewhere along the road to adulthood, “Am I a monster because of what I have done and what has happened to me?”
The answer, of course, is, “No, I am not a monster.” But kids like me desperately need someone to tell them that and give them reasons why it is true. Fiction can do that. At least, I believe that it can.
And so, I write YA novels, novels for kids trying to become adults. And what good does that do if nobody ever reads my books? Or even this blog post which some of you who actually read my blog posts have probably given up on as too hard to read several paragraphs ago? It keeps me young. At 62 I still think like a twelve-year-old. Admittedly a wise-beyond-his-years twelve-year-old. I have never grown up in my mind where it counts. And maybe it even makes me able to fly like Peter Pan. But no jumping off roofs to find out for sure.
Lawanda and Geoff, time travelers, visited me from the future today. They come from the 56th Century CE, precisely two hundred years before the beginning of the Xandar Empire, the Milky Way’s first galaxy-wide Star Empire.
Here’s the birth of the characters in the third draft of the picture, before I designed their uniforms and converted Lawanda into a female.
Here’s a fellow space traveler. Still no name for her.
Here’s a second draft of the space traveler portrait, before I learned she was from the future and outer space.
Here’s further proof that once you make a digital picture, it is so easy to edit details that you can make many versions of the same picture.
Yes I will continue to coddiwomple for a while. On my birthday in November of 2014 after retiring in May, I decided I would do a blog post every single day for at least a year. Now, two years and four months later, I am still posting every single day. I think that I shall continue for a while because there are real benefits to doing so.
It keeps my seriously old and worn-out brain active, chugging along even though it is held together with mental duct tape.
It challenges my ability to come up with new ideas. I admit, sometimes I set down to write a post with nothing in my head but random snippets of music and empty space. Yet, I have managed to increasingly create bizarre and exotic thought-artifacts at an increasingly volatile pace. Perhaps soon the ideas reach critical mass and my writing goes boom like a series of fireworks.
It has increased my visibility on WordPress and the reach of my writing through social media.
It has taught me how much I hate Twitter. People tweeting in a rage at each other makes the world a birdhouse full of angry birds.
It has also taught me to edit carefully and quickly because my writing time is theoretically limited, as is my target word-count.
And I have learned that some days I need to do a simple and easy post like this to give my mind-muscles a chance to rest and grow.
So I will continue to post on WordPress, putting up pusillanimous Paffoonies to treat and entertain you. (Yes, I know that “pusillanimous” means timid. But the root words mean “small mind”, and my mind is nothing if not small. And I also needed a multi-syllabic p-word to make the alliteration sound funnier.)
Johann Sebastian Bach may or may not have written his organ masterpiece, Toccata and Fugue in D Minor in 1704. All we know for sure is that the combined efforts of Johannes Ringk, who saved it in manuscript form in the 1830’s, and Felix Mendelssohn who performed it and made it a hit you could dance to during the Bach Revival in 1840 made it possible to still hear its sublime music today. Okay, maybe not dance to exactly… But without the two of them, the piece might have been lost to us in obscurity.
The Toccata part is a composition that uses fast fingerings and a sprightly beat to make happy hippie type music that is really quite trippy. The Fugue part (pronounced Fyoog, not Fuggwee which I learned to my horror in grade school music class) is a part where one part of the tune echoes another part of the tune and one part becomes the other part and then reflects it all back again. I know that’s needlessly confusing, but at least I know what I mean. That is not always a given when I am writing quickly like a Toccata.
I have posted two different versions for you to listen to in this musical metaphor nonsensical posticle… err… Popsicle… err… maybe just post. One is the kinda creepy organ version like you might find in a Hammer Films monster movie in the 1970’s. The other is the light and fluffy violin version from Disney’s Fantasia. I don’t really expect you to listen to both, but listening to one or the other would at least give you a tonal hint about what the ever-loving foolishness I am writing in this post is really all about.
You see, I find sober thoughts in this 313-year-old piece of music that I apply to the arc of my life to give it meaning in musical measure.
This is the Paffooney of this piece, a picture of my wife in her cartoon panda incarnation, along with the panda persona of my number two son. The background of this Paffooney is the actual Ringk manuscript that allowed Bach’s masterwork not to be lost for all time.
My life was always a musical composition, though I never really learned piano other than to pick out favorite tunes by ear. But the Bach Toccata and Fugue begins thusly;
The Toccata begins with a single-voice flourish in the upper ranges of the keyboard, doubled at the octave. It then spirals toward the bottom, where a diminished seventh chord appears (which actually implies a dominant chord with a minor 9th against a tonic pedal), built one note at a time. This resolves into a D major chord.
I interpret that in prose thusly;
Life was bright and full of promise when I was a child… men going to the moon, me learning to draw and paint, and being smarter than the average child to the point of being hated for my smart-asserry and tortured accordingly. I was sexually assaulted by an older boy and spiraled towards the bottom where I was diminished for a time and mired in a seventh chord of depression and despair. But that resolved into a D major chord when the realization dawned that I could teach and help others to learn the music of life.
And then the Fugue begins in earnest. I set the melody and led my students to repeat and reflect it back again. Over and over, rising like a storm and skipping like a happy child through the tulips that blossom as the showers pass. Winding and unwinding in equal measure, my life progressed to a creaky old age. But the notes of regret in the conclusion are few. The reflections of happinesses gained are legion. I have lived a life I do not regret. I may not have my music saved in the same way Johann Sebastian did, but I am proud of the whole of it. And whether by organ or by violin, it will translate to the next life, and will continue to repeat. What more can a doofus who thinks teaching and drawing and telling stories are a form of music ask for from life?
I have just finished a novel project that I worked on for a year, from Spring of 2016 to Spring of 2017. And part of my personal project procedure involves using drawings to help me visualize the characters in the story and begin to view them as real people, even when they most certainly aren’t real. I even have this derfy Mickian idea that Paffoonies (those picture ideas that are inseparably fused to words) are essential to Mickian fiction. (Mickian fiction= another frighteningly goofy idea that needs to go unexplained.)
The book, Recipes for Gingerbread Children is about an old woman, a German immigrant and Holocaust survivor, who comes to a small Iowa town with a gift for story-telling and a gift for baking things, especially gingerbread cookies.
Grandma Gretel Stein, seen in the Paffooney on the left, is the main character of the story. She tells stories, mostly fairy tales, that have lessons about being true and faithful even in the face of great evil. The fairy in her hand is General Tuffaney Swift, an immortal Storybook fairy who leads the army of the local fairy kingdom called Tellosia. Gretel believes he is real Honestly, she gets so into story-telling that her fairy friends seem absolutely real to her. And who is to say that there aren’t little magical people living in a hidden kingdom among the cornfields in Iowa? Gretel convinced me that they were real. She even has a hand in making new fairies by the baking of gingerbread. She gets a magical recipe from the fairy Erlking, a wise and magical being, and uses it to create living gingerbread boys and gingerbread girls.
The gingerbread girl on the right is Anneliese, named after Gretel’s own daughter and decorated with frosting, food coloring, and gumdrops by the favorite story listener who constantly listens to Gretel’s stories and helps bake Gretel’s gingerbread, Sherry Cobble.
Sherry is a beautiful young eighth grade girl who reminds Gretel of her long-lost daughter. Sherry has a twin sister named Shelly and they are identical twins, but Sherry not only looks like Anneliese once did, she acts like her with the same confidence and enthusiasm for life that Anneliese once had before the war.
Sherry and Shelly are both part of the Cobble family, who have a reputation locally as wacky-pants loonies because they believe firmly in being nudists and engaging in nature completely naked while not actually wearing any wacky pants. I haven’t done any actual pictures of Sherry in the nude, but if you look carefully at the first picture of her above and see clothing, then you are seeing things that are not there. Yep, the girl bakes and decorates gingerbread men in the buff, wearing her pale pink birthday suit, even when the weather outside in Iowa makes that nonsensical.
So by now you can probably draw several conclusions about me as both a novelist and an illustrator. #1, There is definitely something a little bit off about me. #2, I haven’t said anything yet about this book having dead Nazis and a werewolf in it, even though I rarely talk about this book without throwing those things in somewhere. #3, Number 2 is actually taken care of in a backhanded way if you are reading this whole list carefully. #4, This story is probably about things that really aren’t just gingerbread recipes. #5, You should congratulate yourself if you read this far in this post. You have unusual amounts of patience and curiosity, and an extremely high tolerance for levels of goofy that put actual Goofy to shame.
Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.” His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988. And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.
His style is uniquely recognizable and easily identifiable. Nobody cartoons a Foon-man like Don Martin.
The googly eyes are always popped in surprise. The tongue is often out and twirling. Knees and elbows always have amazingly knobbly knobs. Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.
And then there is the way that Martin uses sound effects. Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.
And there is a certain musicality in the rhyming of the character names he uses. Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.
And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!
Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!
If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist. Like me he was obsessed with nudists and drawing anatomy. Like me he was not above making up words with ridiculous-sounding syllables. And like me he was also a purple-furred gorilla in a human suit… wait! No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.
So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more. Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.
Catch a Falling Star 
Being a Child for More Than 60 Years
Yes, in some ways, I have Peter Pan syndrome. I have never truly grown up. But not in the ways that really matter in life.
As a writer of fiction, I put all my effort into writing young adult novels. My main characters are mostly children from roughly around eight years old to teens who are almost adults.
But it is not as G-rated as Nancy Drew. I have issues that creep in to become the monster under the bed. My childhood was not all naked innocence and sunshine.
Don’t get me wrong. I had wonderful parents. And wonderful grandparents. And the little town of Rowan, Iowa becomes the town of Norwall in all my Earthbound fiction. It was a very magical, if boring, place to grow up. I lived in town, but my uncles and grandparents lived on working farms. I knew farm life. I knew how you fed animals, trained animals, and helped them reproduce. I knew that farm animals die. And, sometimes, people die too. Even people who are important to you and you depend on.
And at the ripe old age of ten, I was sexually assaulted by an older boy. It is hard to talk about that even now, 52 years later. It wasn’t so much a sex act that I was forced to commit. It was more of a sexual-torture thing. He took his pleasure from twisting my private parts, making me hurt intensely, telling me all the while not to scream or call out for help. I think I even passed out at one point. There was no pleasure in it for me in any way. In fact, once he let me go with more threats, I promptly turned it into a repressed memory for twelve years. It turned me from an outgoing, leader-of-the-gang type kid into a miserable wallflower. It made me contemplate suicide as a teen. It led to some self harm that my parents never actually figured out, burning my lower back against the heater grate and making small burn scars on my arms and legs. It kept me from falling in love with a girl until my thirties. And it made me turn myself inside out through drawings, cartoons, and story-telling.
Some of the key stories I have turned into novels were created because of what happened to me, the horror at the center of my childhood. The monster in my novel, The Baby Werewolf, and the serial killer in Fools and Their Toys were both inspired by him, were both a reaction to what he did to me.
And do you know what he means to me now? I have forgiven him. He passed away a few years ago of a heart condition. I avoided him and his family from when it happened until now. I never told anyone what he did to me. I never sought any kind of revenge or justice for his act. To this day I still haven’t revealed his name to anyone, though I have been able to talk about it in this blog since he died. He has paid his price. The scales are balanced. I am healed. That is enough.
What he gave me, though, was a gift of purpose and an ability to fight the darkness with a strategy of sharing every tactic I have learned about defending myself from predators, depression, and crippling self-loathing in novel form. I shared those tactics as well during my years as a teacher and mentor to kids who had problems like mine for which my solutions sometimes also served as answers. I was able to put into thematic form the positive answers to the question every kid asks themselves somewhere along the road to adulthood, “Am I a monster because of what I have done and what has happened to me?”
The answer, of course, is, “No, I am not a monster.” But kids like me desperately need someone to tell them that and give them reasons why it is true. Fiction can do that. At least, I believe that it can.
And so, I write YA novels, novels for kids trying to become adults. And what good does that do if nobody ever reads my books? Or even this blog post which some of you who actually read my blog posts have probably given up on as too hard to read several paragraphs ago? It keeps me young. At 62 I still think like a twelve-year-old. Admittedly a wise-beyond-his-years twelve-year-old. I have never grown up in my mind where it counts. And maybe it even makes me able to fly like Peter Pan. But no jumping off roofs to find out for sure.
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