Mr. Bean

Rowan Atkinson is a genius comedian, and the character of Mr. Bean is the greatest work he has done, the best proof of his genius.  As someone who works at humor and tries to get it right, I have to analyze and carefully study the work of the master.  How does he do it?  What does it all mean?  And what can I learn from it?

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Atkinson not only created the character, he co-wrote the entire television series and controls every aspect of the performance as the central character.  Mr. Bean is the bumbling every-man, going through horrific troubles because of the cascade effect of simple little errors.  We laugh at him because we have all been there.  Tasting the hot sauce leads to a meltdown that causes chaos and disaster for the entire store.  Overcoming fear of heights makes him the center of attention for the entire pool-house when can’t overcome the urge to use the diving board, and yet, can’t make himself jump off.  We have all lived the nightmare of being trapped naked in the hotel hallway, locked out of our room, just when the hallway becomes crowded.

There is a certain charm to Mr. Bean.  He is a childlike character, blissfully unaware of how much he doesn’t know about the complex society around him.  He has a teddy bear that sleeps with him and comforts him.  He lays out his supplies for the big exam, and he’s thought of practically everything he will possibly need, but basic physics fails him and makes the pencils keep rolling out of place.

 

Rowan Atkinson is a master of the art form because he has such tremendous control of his rubberized goofy face and manic body.  He can drive his goofy little yellow car from a sofa mounted on top.  He can change clothes while driving.  Just watching him shave with an electric razor is a total hoot.

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It is mostly physical comedy, almost slapstick, and yet it is not the broad unfeeling poke-in-the-eye you get with the Three Stooges.  Most of the real damage is done to himself, though pompous and deserving people are often near enough to get a helping of it smack in the face.  A lot of it is practically pantomime, with hardly any real dialogue.  Much of it, like the sword fight with the bumblebee using a butter knife, is simply silly.

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The movie, Mr. Bean’s Holiday, extends the character by making him actually interact with other characters, though in his own inimitable Mr. Bean way.  The limited dialogue thing is amplified by the fact that he is traveling in France and does not speak French.  Still, he interacts with the boy he accidentally kidnaps, the girl who wants to be a movie star whom he helps in her quest by an accident at the Cannes Film Festival, and the movie director whom he almost kills but ends up saving his career with a hit home movie.

Mr. Bean makes the ridiculous an art form by helping us to laugh at ourselves as we are beset by all the little troubles of life that Bean magically floats through.

So, now I have told you why I love Rowan Atkinson as a comedian.  He is a comedic genius.  Of course, you knew that already, right?

 

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Filed under artists I admire, comedians, humor, review of television, sharing from YouTube

Superheroes from the 60’s

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I was a comic book nut from a very early age.  I started collecting comics in 1966 when I was ten years old.  Almost as soon as I started collecting them, I began copying the drawings, copying Spiderman, Hawkeye, Captain America, Avengers, and Batman.  I am a comic book lover, and I am also a comic book plagiarist.  But I promise to use my own artwork and photographs to illustrate this blog post.  After all, I am illustrating being a copy cat.

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Cosmic Boy, Saturn Girl, and Lightning Lad in the style of artist Curt Swan in 1962.

My parents didn’t approve of kids with comic books.  I desperately wanted Spiderman comic books and Avengers comic books, like the ones I read in the barbershop every time I was waiting for a haircut.  But they had gotten wind of Frederic Wertham’s campaign against comic books two years before I was even born.  The learned psychiatrist insisted that comic books corrupted children with sexual images hidden in the artwork (oh, gawd, look where Saturn Girl’s hands are… close anyway), Batman and Robin were homosexuals trying to influence young boys to be gay, Wonder Woman was a lesbian who was into bondage.  This he said in 1954, but it didn’t really reach my parents’ ears in rural Iowa for another 12 years.  The result was severe limits on my comic book ownership possibilities.  But Superboy and the Legion of Super-Heroes were acceptable, as were Casper the Friendly Ghost and Scrooge McDuck.

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So, my copy above of Curt Swan’s work is from the Legion of Superheroes.  Superman was boy-scout enough to qualify too.  I could get by with Tarzan even though he was a mostly naked guy running around the jungles.  And time and money solve a lot of problems.  I was allowed to subscribe to Avengers and X-men and the Amazing Spiderman once I had field-work money to put towards it.  I drew lots of comic book heroes from that point onwards.

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I learned how to draw men with unhealthy amounts of muscles, women with waists that would break in two with the amount of breastly boobage a teenage boy would pack on top, and numerous people who actually seemed to think capes made sense as a fashion statement.  I also learned how to do shading in pen and ink and foreshortening from master artists like John Romita Jr. and George Perez and Barry Windsor-Smith.  And I would be remiss if I didn’t give proper credit to Murphy Anderson and Jack “King” Kirby.  I know you don’t know who those people are because you are not the comic book nut I am… nobody is.  But believe me, they are masters of an American Art form.  And I will never be one of them, because even though I am almost as good as some of them, I chose to be a teacher instead of being a comic book artist, a thing I could’ve so easily succeeded at back in the 1980’s.  You should know this too…  I have never regretted making that choice.

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60’s Rock and Roll (Poems made of Memory)

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  1. Pete Townshend is Now Old

I heard it and didn’t believe

Who heard it, you say, and then leave?

Yes they heard it and didn’t believe

Who sang it, you say, for reprieve?

Don’t shoot me, they sang it, believe!

Who told it, the pinball retrieved?

Yes they told it, and now I am peeved

Who wrote it and must be believed?

Yes they wrote it and made me believe

A pinball wizard, his song has grown cold

And finally they sang it and now it is sold

And a generation loved and laughed and were bold

But both Pete and Roger are now really old!

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  1. Sergeant Pepper’s Lonely Heart

They were the soul of the movement

And love did surround them

The little girls screamed and that’s how

We all found them

With a real nowhere man

Living in a nowhere land

And poor Elinor Rigby’s lost love

There were one, two, three steps

Right down Penny Lane

Blue meanies and lovers regret in the main

And light shines upon us from somewhere above

But the thing I regret beyond yesterday

Is the fact that love grew and then went away

And in the darkness a shot rang out…

And John’s voice was silent…

As tears replaced cheers and grew dark all about.

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  1. Monkees and Mayhem

I saw her face, and I’m a believer

I laughed when she laughed and never deceived her

On the last train to Clarksville in the quietest car

I watched her bright antics and loved from afar

The song they were singing was really quite frantic

And never could I be quite so pedantic

To tell the daydream believer her show was now over

And move on to leave her for a dog, name of Rover.

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Hogfather (a Book Review)

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I finished reading the book Hogfather, by Terry Pratchett,  while sitting in the waiting room as the dentist worked on the wires of my son’s braces in a nearby dentist’s chamber of horrors.  The receptionist and secretary probably thought I was insane for incessantly chortling and making those other rude snorty noises you make when you don’t want to interrupt others with laughing, but can’t help it.  What better way to wait in the cold chambers of dental anxiety than to read a funny, funny book about an assassin named Mr. Teatime who meant to slay the Hogfather, Terry Pratchett’s version of Santa Claus, by stealing children’s teeth from the tooth fairy and using them to control young minds and make them stop believing in the Hogfather, that giver of gifts on the sacred and festive Hogswatch Eve?

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This story has an unusual hero.  Death, that skeletal reaper of souls and talker in ALL CAPITOL LETTERS.  Oh, and not just Death.  His granddaughter Susan is along for the adventure.  So Death puts on the red suit to make people believe in the Hogfather again while Susan tracks down the perpetrators of the tooth fairy plot.

Terry Pratchett’s Discworld novels are full of bizarre but highly developed characters who not only make you laugh, but make you think.  The books can be fairly thick and full of complex ideas, and yet, the pages melt away as you read.  And the people who can hear you laughing about the book will think you are absolutely crazy.

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Like Pulling Teeth from a Chicken

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Life is hard here in the Kingdom of Paffoon where you labor hard at a labor of love and try to give birth to something eternal that ends up going nowhere… stacks of old writing litter my closets, and the prospects of being published grow dimmer and dimmer.  My book Snow Babies has a contract with a publisher, but, apparently they are not going to be able to publish it after all.  I am at the very least going to have to find another publisher for the rest of my books, both finished manuscripts and works in progress.

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I do intend to follow through and get published, though.  I can no longer teach, but I feel a powerful force pushing me towards the sheer precipice of authordom.  One way or another I am going to make it over the edge and plummet to the bottom of that cliff.  I am compelled by the need to tell stories, and I have a captive audience every school day no longer.

I used to tell my classes that doing impossible things was like trying to pull chicken teeth with pliers.  You know, impossible things like getting a book published or teaching a mostly Spanish-speaking student how to read in English…  every-day-sort-of impossible things.

“But, Mr. B, chickens don’t have teeth,” some bright-eyed student would say after realizing that “chicken” was the English word for “pollo”.

“Exactly!” I would say.  “That’s what makes it so challenging!”

And now I must put on my chicken-catching socks, find my tooth-pulling pliers, and get ready to make more novels happen.  After a brief bout of consternation and depression, I actually feel a bit better about the whole fiasco.  There are other publishers, and publishers seem to like my writing, even if they can’t publish it.  And I have waited two years to get Snow Babies published, all apparently for nothing.  It is time to stop wasting time.  And maybe to stop repeating repetitions too.

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Pen and Ink

4th Dimension

Simple lines and line-drawn figures can contain the wisdom of the world.  It is a simple faith that can turn one into a cartoonist, a comic book artist, or an illustrator.  It is an almost god-like power.  You can make fools and geeks and little girls with fourth dimensional hoola-hoops come to life.

 

It has been said by some who’ve seen my line drawings, my pen-and-ink cartoons, that I am good at it.  But what do they know?  I’ve shown you in this blog some of the real greats.  Wally Wood and Milt Caniff and Cliff Sterret and George Herriman and Charles Shultz are all better than I am.  But I am at least smart enough to have learned things from them.

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Black and white lines and shapes can convey feeling in almost the same way that words can.  You can express feelings of melancholy, fatigue, or joy.  You can create a sense of adventure, or make someone laugh with a clever reversal of expectations.

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So there you have it.  I am not really that good… not a master of the art.  But I know it.  I can appreciate it when I see it.  And there are things I can use it to accomplish.

MickeyX22

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April Showers

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I have always believed the point of April showers was to bring May flowers.  But the showers this April are merely making the flowers wet, since they are already here.

Last night was like that.  Drippy rain followed by thundershowers… quaking in safety as the world gets wet.

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I worry about global warming and the possible end of life on Earth.  But flowers each spring are a hopeful sign.  The world is renewing itself after the winter of our discontent.  In fact, a couple of years ago, the daffodils came out in February and got frozen to death in the week following their bold attempt to bloom early.  It just goes to prove that daffodils are the dumbest of all flowers.  I drew a portrait of one of them.  Daffy O’Dill posed for this shortly before his fateful encounter with the weed whacker.

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But pictures of the flowers in our yard are like the pictures of sunrises that I collect.  As I get older and enter the late winter months of my little life, they give me hope and consolation.  I hate to think that when my life ends the rest of humanity will soon follow.  Pessimists like me have good reason to think such things might be the case.  But there is also reason for hope.  Flowers are a sign of hope.  Flowers are a sign that life renews itself.  Flowers bloom, and the bees come, and seeds develop, and everything continues to grow.  Flowers make God smile.

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So, the rain came down, and in spite of possible hail and thunderstorms, wind and possible tornadoes, there are flowers.  In fact, look at this humongous rose growing in our neighbor’s tree.  If it actually came from outer space, it may be very well looking to eat us… eat our evil dentist at the very least.  And I found a novel way to get another good post out of my flower pictures.

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Catch a Falling Star – Book Review

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I finally got the book review from Serious Reading.  If you are actually interested, you can find it here;

Seriousreading.com Book Review

I have not been a very successful marketer of my own book.  But I have made attempts to get help with it.  This book review is an example of that.  I have chosen to reproduce the interview here as a way of ditching my responsibility for writing anything new in this post.

Interview with Michael Beyer, author of “Catch a Falling Star”

A common misconception entwined with authors is that they are socially inept, how true is that?

Quite true… the person who goes on to become a successful author is the sociopath who sits in the back of the classroom during his freshman year of high school watching everybody through pop-bottle-bottom glasses and taking notes on everything everyone else is doing or saying. But, the rub is that you cannot successfully write anything without learning how to talk to people first. This is why most of them take years to get their books successfully completed. It is also why some authors have closets full of manuscripts that no one has ever seen.

Do all authors have to be grammar Nazis?

Alle begrüßen die heiligen Worte! Yes, authors must pass through the grammar Nazi stage, even if they are to become grammar anarchists like Kurt Vonnegut or Terry Pratchett. You have to know the rules you are breaking before you can break them without simply being stupid.

If you could have been the original author of any book, what would it have been and why?

My own book. The good books that are out there are good only because you couldn’t rewrite it and make it any better than it already is. I also don’t want to waste my time re-writing a dumb book or an evil book or a goofy book… well, I might have to think twice about the goofy book.

What makes this particular genre you are involved in so special?

I was a public school English teacher for 31 years in Texas. I write YA novels because, not only are kids my main audience, but also my primary source material. All the best fantasy, science fiction, and humor ideas can be accidentally happened upon and written down somewhere in a middle school classroom. All the best characters and clowns too.

What works best for you: Typewriters, fountain pen, dictate, computer or longhand?

For twenty years I wrote everything out in longhand in spiral notebooks. It took considerable work to copy it all out on a typewriter. Then some nut invented that computer thing, and an even nuttier nut showed me how to use one. The world will live to regret those two big mistakes.

When did it dawn upon you that you wanted to be a writer?

I started writing things down in the back of the classroom when I was about twelve. Before that I told stories to everyone who would listen… or couldn’t escape listening. My sisters still blame me for recurring nightmares and my grade school best friend still reminds me that I am not actually a changeling left on Earth by Martians. I guess I haven’t actually made up my mind yet about becoming a writer.

How often do you write?

Are you asking how many times a day? Or how often I stop writing? The second one is easier to answer… never.

Do you have a set schedule for writing, or are you one of those who write only when they feel inspired?

I write whenever life doesn’t interfere. Now that I am retired from teaching I write every morning for at least an hour and at least 500 finished words. But I am writing in my head even when I am at Wal-Mart returning the sneakers my daughter begged me for because I wasn’t smart enough not to buy pink ones.

How hard was it to sit down and actually start writing something?

About as hard as it is to remember to breathe. As an English teacher I always made it my policy to write any writing assignment I ever assigned to my students. Other members of the faculty all knew that I was willing to write anything that needed writing, and the State of Texas requires teachers to write huge stacks of B.S. daily. So at least some of their lesson plans look suspiciously like mine.

Writers are often associated with loner tendencies; is there any truth to that?

I know a lot of other writers who are stressed by being around stupid people too much. But, as a former school teacher, I like people… especially kid people… even the stupid ones.

Do you think writers have a normal life like others?

No. I don’t have to explain that one, do I? The world does not have as many writers as there are normal people. There has to be a reason for that, don’t you think?

Do you set a plot or prefer going wherever an idea takes you?

I have in the past mapped out elaborate road-maps of plot and character motivation. I never followed a single one to the “X marks the spot”. You only find treasure if you learn to dig for treasure along the way.

What, according to you, is the hardest thing about writing?

Quitting for the session. I try always to leave something unwritten that I wanted to say to pick up next time… and it often brings me back to do some more well before I had planned to.

What would you say is the easiest aspect of writing?

Everything about writing is hard. I do it easily now only because I have worked at it since I was twelve. Years of practice and re-writing, trying new things and failing badly, trying again and failing again, ironing out the wrinkles and then putting them back in… It takes effort, just like building the Great Wall of China, one brick at a time… but isn’t it a danged big old wall now?

Have you ever experienced “Writer’s Block”? How long do they usually last?

Dang! How am I ever going to answer that? I have to really think about it. Maybe I can answer by next Tuesday.

Any tips you would like to share to overcome it?

Well, I guess that wasn’t really that hard after all. All I did was write something down as soon as it came into my head. If it turns out to be a stupid idea, computers make it easy to erase and replace. I told you that you were going to regret that particular invention, didn’t I?

Do you read much and if so who are your favorite authors?

Terry Pratchett, Michael Crichton, Louis L’Amour, R. A. Salvatore, William Faulkner, William Shakespeare, J.R.R. Tolkein, Madeleine L’Engle, Ernest Hemingway, Mark Twain… and these are just the authors I have read three or more books from (over ten from each of the first four) Reading allows me to live more than one life.

Over the years, what would you say has improved significantly in your writing?

My ability to finish a story to the point I don’t feel that it has to be totally re-written.

What is the most important thing about a book in your opinion?

Whether it makes you laugh or makes you cry or both, the most important thing is that one sweet-sad moment when you have to tell yourself, “Yes,this is true.”

If you had the choice to rewrite any of your books, which one would it be and why?

I am busy rewriting all of them now, except for the two I already have published, and I am busily thinking about at least one of those.

What is your take on the importance of a good cover and title?

Something about the title and cover has to entice the reader into making the mistake of picking the book up and looking inside. It is the essential booby trap that makes or breaks a book.

Have you ever designed your own book cover?

Yes. And so far publishers have ignored my wishes every time. I have found a small publisher called PDMI that may let me do the cover illustrations for the book they have foolishly agreed to publish.

Does a bad review affect your writing?

If I get a review that honestly defines the problem the reader had with my work, then of course I will try to fix the problem. Most bad reviews however are of the sort where very little thought went into it, and the only purpose was to vent and take something out on me as the author. It doesn’t always seem to be reflecting my writing… rather the prejudices that stand between the reader and my work.

Any advice you would like to give to your younger self?

Don’t worry about looking like an idiot, because you will, and you are, and the only thing you can do about it is write more and worry less.

What did you want to become when you were a kid?

I told my parents when I was five that I wanted to be a clown. When I was in junior high I decided I wanted to be a writer and a cartoonist. I said in high school that the last thing I would ever want to be is a teacher. So I went to college and learned to be a teacher, and along the way I got to be the other three things as well.

Do you recall the first ever book/novel you read?

The White Stag by Kate Seredy. I picked it off the classroom reading shelf in third grade because it had a plain red cover… the dust jacket was long lost. I believed that wonderful things were concealed by plain and ordinary appearances. I kept it for three months and read it at least four times. My teacher thought I was crazy. But by the end of fourth grade she asked for my help reading the book Ribsy by Beverly Cleary aloud to the whole class. I turned into a surprisingly good oral reader, and had from that first book onwards developed a lifelong love of reading.

Which book inspired you to begin writing?

I suppose it was Robert Louis Stevenson’s Treasure Island which I read in the fourth grade. It colored all the stories I told my friends and cousins in our little Iowa town. I loved adventure. I loved N. C. Wyeth’s illustrations in the edition my Grandma had in her house. I knew from halfway through the first chapter that I had to be like young Jim Hawkins and tell a story like that.

Did you ever think you would be unable to finish your first novel?

Yes. For most of the twenty-two years it took me to finally reach the last page.

Do you read any of your own work?

How can I write anything without reading it? I like to go back regularly to re-read as much as I can, and every time I do that, I get to the point that I almost think I actually know that dumb old guy who wrote that nonsense.

Tell us about your writing style, how is it different from other writers?

I can’t say, really. When I am writing I hear the voices in my head not as my own voice, but as the characters in the story. The characters are all people I know, though every character has some part of me mixed in too. I try to write what makes me laugh and makes me cry and makes me feel good inside… and I leave it up to the reader to try to feel that too.

Do your novels carry a message?

Every novel has to be full of metaphor and meaning. If we can’t as readers jump inside the characters and walk around in their lives for a bit, then what was the point of even writing it? There is no one message. There is a multitude of messages. And readers should maybe read stuff backwards and upside down to look for clues. You never know what else might be in there. Maybe Elvis is really alive and ordering chili every day at a Wendy’s in Michigan and that can only be revealed by reading the paragraph on page 23 in reverse order.

How much of yourself do you put into your books?

Jeez! I have to work hard to keep some stuff out of my books and save it for myself. Otherwise there would soon be nothing left of me. I don’t have any secrets left in life that aren’t found in my writing somewhere. I keep my ears out of my writing, or else what would I hear with? I keep my fingers out too so I have something to draw pictures with. I use much more of me than I should.

Have you ever incorporated something that happened to you in real life into your novels?

Yes. My friend Robert remembers when the aliens tried and failed to invade my hometown when we were boys. That became the basis for Catch a Falling Star. Of course, I changed a few things, because if Robert realized which character in the book was him, he’d probably want to punch me in the nose. The characters in my stories are all students I have taught, kids I grew up with, and people I have known. Even the really weird ones were real once upon a time. Sorry, Robert, but it’s true.

How realistic are your books?

I write humorous books about science fiction subjects and fantasy adventures. They are filled with lies and exaggerations. So everything is photo realistic. You believe me, don’t you?

What books have influenced your life the most?

Tolkien’s Lord of the Rings trilogy, Douglas Adams’ Hitchhiker’s Guide to the Galaxy trilogy… er quadrilogy… or maybe five-ilogy… I don’t know…, and Frank Herbert’s Dune. I have a thing for realistic fiction.

Are there any books that you are currently reading and why?

I started reading Terry Pratchett’s Hogfather because it is the only Terry Pratchett book I own that I haven’t read yet, and I haven’t gotten hold of a copy of Hat Full of Sky already.

Have any new writers grasped your interest recently?

I love John Green’s books Paper Towns and The Fault in Our Stars.

Is there anything you are currently working on that may intrigue the interest of your readers?

I am trying to get published a novel called Snow Babies. It is a fantasy-comedy about freezing to death in a blizzard and it has snow ghosts and clowns in it. That is a rather fast and flippant summation about a book that I think will make you cry a little and laugh a lot, but it is also fairly accurate. I am hoping the publisher I signed the contract with stays in business long enough to publish it. They have also made the mistake of allowing me to submit a cover illustration.

Who are your books mostly dedicated to?

I dedicate what I write to the people I have known and used as characters. I dedicate my writing to former students, friends, family, and co-workers, because what other reason could I have for writing?

It is often believed that almost all writers have had their hearts broken at some point in time, does that remain true for you as well?

My heart breaks every time a child fails in the classroom. My heart breaks every time I see something incredibly beautiful that I know will not last much longer. I have fallen in love at least five times, and had my heart broken by that at least ten times, maybe more. The scars you carry on the inside either fester and kill you, or they turn over time into pearls, the same way oysters deal with irritants inside their shells, and they can also be called “books you have to write” once they become pearls.

 

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Filed under book review, humor, publishing, writing

Blog Happy

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I can’t seem to help blogging daily on this goofy little blog spot.  I am a writer and I write every day whether I publish anything or not.  I am not connecting with readers through my published novels.  In fact, I seem to be nose against a brick wall with publishing anything further in novel form despite doing well in writing competitions.  Publishers exist mainly to make money for corporations, and creators of content of any kind are only paid serious money when the publishers are forced to by the healthy flow of cash into certain authors’ established platforms.  But feeling sorry for myself is a full time job and doesn’t pay very well… actually, if you can’t afford a lawyer, it doesn’t pay anything at all.  Instead I have been looking at the arc of this blog and rereading old posts.  To my amazement, I actually communicate ideas much more interestingly than the goofy-drunk word-flinger I thought I was.  Let me recount some of it so I can get the benefit of clip-show laziness the way television shows do.

Yesterday’s post was about the Lennon Sisters, a nostalgia post where I slathered on some goopy nostalgia about being a farm boy spending Saturday nights at my grand parents’ house and salted it with YouTube videos of the sisters singing some of my favorite songs from the Lawrence Welk Show.

The day before saw two posts about collecting Star Wars Action Figures, the twelve-inch size, not the three-inch.   They are a part of my over-all G.I. Joe/ Barbie obsession and have to be the same size.  One post was about the collection, and the other was a correction because I goofed on font size with speech balloons.

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The post before that was me mooning about this year’s apple blossoms and how I use them to counteract the moaning about how ill allergies make me while doing yard work.

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Before that was an extra-silly post about where creativity comes from, which recognizes the fact that I do, indeed, fall into the general category of “too creative to be outside of a mental institution”, but actually have no earthly idea why.

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That post was preceded by a post about my antique library books that I treat as treasure, though I found them at Goodwill prices or got them free as library discards.  The Sherlock Holmes books were even rescued from the middle school trash bin.

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Prior to that was a post moaning about having to deal with my daughter’s cold.  It gave me an excuse to re-post an old picture I drew that looks remarkably like my daughter the Princess, even though I drew it in colored pencil fifteen years before she was born and eight years before I even got married.

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The post before that was about marketing my published book, and how the review I paid for ended up being about the wrong book (same title, different author).  The mistake made by the book-review company has not been corrected yet even as of this writing.  They haven’t refunded my money either, I have noticed.

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Before that was a collage post of collected artwork and photographs from my Monster Movie file.  It focused mainly on the Universal movie monsters, and it provided a worthy use for my habit of filling my computer’s memory with all kinds of pictures copied from the internet.  I am a hoarder and collector in so many disgusting ways.

Loonies

And on the first day of April I posted an April Fool’s Day post full of pictures I have drawn of fools and photos of foolish things.

The conclusions I have drawn by looking at the last ten days of posting include these;  I definitely do not think in straight lines.  I think in quirky squiggles that double back on themselves and allow freaky ideas to meet themselves mid-sentence.  I also crave loopy levels of variety and my selections of topics and illustrations are completely unpredictable.   I like bright colors.  I dwell mostly in the past, though sometimes in the future.  My mind is a lot like a boomerang, travelling woop-woop-woop willy-nilly through the air, but always coming back to essentially the same things over and over.  I call all of this humor, though not all of this is funny because humor is basically pointed and takes you by surprise more often than not.  But if it is good humor, you can’t help telling yourself, “You know, when you stop to think about it, it is funny, but it’s also true.”

I came back to this post today thinking, “Wouldn’t it be a great idea to take some old blog posts, essays like this one, and put them all together into e-book form.  But then I began tinkering with the mechanics of the format, and then I realized, I use too darn much incompatible media to put into book form under the current Amazon publishing set-up.  And how do I shift my full-color imagination into strictly black-and-white?  So, there’s another blogging notion that requires a re-visit on another day.

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Filed under blog posting, humor, Uncategorized, writing humor

The Lovely Lennon Sisters

Grandpa and Grandma Aldrich lived on the family farm outside of town, a little more than two miles from the tiny farm town of Rowan, Iowa.  I walked it more than once.  It was faster to walk the railroad tracks between the two places.  About a mile and three quarters as the crow flies… three hours as the boy investigates the critters in the weeds, throws rocks at dragonflies, and listens to the birdsong along the way.  But the point is, my maternal grandparents lived close enough to have a profound influence on my young life.  Much of what they loved became what I love.  And every Saturday night, they loved to watch the Lawrence Welk Show.  And that show had highlights that we longed to see again and again… on a show that never really went into reruns.  We lived to see Jo Ann Castle play the old rinky-tink piano, Bobby and Cissy doing a dance routine, and most of all… the lovely Lennon Sisters.

I always wanted to be the things they wished me to be in the song “May You Always”.  I wanted to “walk in sunshine” and “live with laughter”.  They presented a world of possibilities all clean and good and wholesome.  As a young boy who hated girls, I had a secret crush on Janet Lennon who was the youngest, though a decade older than me, and on Peggy Lennon, the one with the exotic Asian eyes.  They sang to me and spoke directly to my heart.

You have to believe in something when you are young.  The world can present you with so many dark and hurtful experiences, that you simply have to have something to hang onto and keep you from being blighted and crippled by the pain.  For me, it often came in the form of a lovely and simple lyric sung by the lovely Lennon Sisters.  When you are faced with hard choices… especially in those dark moments when you think about ending it all because it is all just too much to bear, the things stored in those special pockets of your heart are the only things that can save you.  For me, one of those things will always be the music of the Lennon Sisters… especially when watched on the old black and white TV in the farmhouse where my grandparents lived, and helped to raise me, every Saturday night in the 1960’s.

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Filed under art my Grandpa loved, battling depression, Celebration, humor, inspiration, nostalgia, strange and wonderful ideas about life, TV review