Yes, I am saying the world I live in is a low-budget commercial movie made without literary or artistic pretensions. You know, the kind where movie makers learn their craft, taking big risks with smaller consequences, and making the world of their picture reflect their heart rather than the producer’s lust for money.
Mostly what I am talking about are the movies I remember from late-night Saturday TV in black and white (regardless of whether or not the movie was made in Technicolor) and the less-risky as well as more-likely-good Saturday matinees on Channel 3. Movies made in the 1950s, 1960s, and early 1970s. They were perfect, of course, for the forbidden Midnight Movie on the show called Gravesend Manor. I had to sneak downstairs to watch it on Saturday nights with the volume turned way down low. (Not that Mom and Dad didn’t know. Well, maybe they didn’t know how many of those I watched completely naked… maybe.)
I watched this one when I was twelve, late night on an October Saturday. I had a bed-sheet with me to pull over my head at the scariest parts. Frankenstein was a crashed astronaut brought back to life by the magic of space radiation. He was uglier than sin, but still the hero of the movie, saving the Earth from invading guys in gorilla suits and scary masks (none of which looked like the movie poster.)
This one, starring James Whitmore, a really good B-Movie actor, was about giant ants coming up from the sewers and the underground to eat the city.
I would end up watching it again twenty years later when I was wearing clothes and not alone in the dark house lit only by a black-and-white TV screen.
I realized on the second viewing that it was actually a pretty good movie in spite of cheesy special effects. And I realized too that I had learned from James Whitmore’s hero character that, in times of crisis, you have to run towards the trouble rather than away from it, a thing that I used several times in my teaching career with fights and tornadoes and even rattlesnakes visiting the school campus looking to eat a seventh-grader or something (though it was a bad idea for the snake even if it had been successful.)
This one, of course, taught me that monsters liked to carry off pretty girls in bikinis. And not just on the poster, either. But it was the hero that got the girl, not the monster. This movie taught me that it sucks to be the monster. Though it also taught me that it was a good movie to take your pajamas off for and watch naked when you are thirteen.
But not all B-movies had to be watched late night on Saturdays. This movie was one of the first ones that I got to go to the movie theater to see by myself. (My sisters and little brother were still too young and got nightmares too easily to see such a movie.) It came out when I was in my teens and Mom and Dad began thinking of me as an adult once… or even possibly twice in a month.
And not all B-movies were monster movies, gangster movies, and westerns. Some, like a lot of Danny Kaye’s movies, were movies my Dad and my grandparents were more than happy to watch with me. I saw this one in both black-and-white and color. And I learned from this that it was okay to take advantage of happy accidents, like a case of mistaken identity, and using your wits, your creative singing ability, and your inexplicable good luck to win the day for everybody but the bad guys armed only with your good sense of humor.
And some of the best movies I have ever seen, judging by what I learned about movies as literature from Professor Loring Silet in his Modern Film Class at Iowa State University, are by their nature B-movies.
I am using movie posters in this blog post only from movies I have personally seen. (And I admit that not all of them are strictly “good” movies according to Professor Silet, but I like them all.)
Feel free to tell me in the comments if you have seen any of these movies yourself. I am open to all opinions, comments, and confessions.
I live in a B-movie world. The production values around me are not the top-dollar ones. But the stories are entertaining. The real-life heroes still run towards the problem. And it still sucks to be the monster. But it has always been worth the price of the ticket. And during my time on Earth here, even in 2020, I plan on staying till the end of the picture. I go nowhere until I see the Best Boy’s name in the end credits. And maybe not even then.
Catch a Falling Star 
From an Alternative Point of View
Am I literally able to fortell the future? Of course not. But as an overly-sensitive artistical type one could argue that there is evidence in my art and writings that my reality now was at least partially embedded in my consciousness many years ago.
And truthfully, looking at the truth of things based on empirical evidence is what this point-of-view post is all about. We cannot always rely on the traditional concepts of good and evil as they have been taught to us. Sometimes you have to look at how the evidence stacks up properly, and just plain intuit a new way of seeing the whole picture. Yes, this is a portrait of a fifteen-year-old former student of mine. And she was definitely evil and difficult to deal with. But she went into nursing after high school. She works in the ER where her decisive ways and ferocious insistence on having things work out in her favor because that’s the way the established rules say it must be done turn into positive qualities that are probably saving lives in a Texas hospital as we speak. It is all in how you perceive the truth of a situation and then apply it.
Comedy, of course, depends greatly on rearranging your point of view. If you are going to make a joke about something, you have to re-mix and un-match the details in ways that still make a sort of sense to the reader or the hearer of the joke. I have taught at schools like Dudwhittler’s. If you are a teacher, you recognize that that school bus carries not only that which is funny, but also that which is very true. The teacher driving the bus is a tin man who easily rusts and cries too much, thus rusting further, but you can see he has earned his heart, even if he has to drive the bus on top of teaching so he will have enough money to buy food.
But probably the most anticipated thing from a new perspective that you were expecting since reading the title is a new perspective on the Coronavirus shut-down and economic depression. That alternative take is simply this… the pandemic, though extremely hard and painful, is a good thing that happened at the right time.
I am willing to say this, even though the way the virus has been mishandled in this country is going to very likely be the death of me, because there are benefits that we simply don’t recognize without a thorough punch to the gut and another to loose teeth.
It is a good thing because it will make it harder for Herr Fuhrer Pumpkinhead to win the next election, and he will probably take a number of corrupt Republicans down to the bottom of the sea with him.
It is a good thing because it is proving to us that we can survive on less and still make our way out of the bad situation.
It is a good thing because kids get extra time off from school, and probably also the chance to spend more time with the people who really teach them things we need them to know… like parents, grandparents on Zoom, teachers who don’t fear distance-learning technology, and trolls on the internet (Yes, I know that last one is risky and mainly learning the hard way, but it is also true from before the virus hit).
It is a good thing because the air is cleaner. And we have proven that we can make radical adjustments when it is a matter of life and death. And the environmental crisis is actually a matter of life and death.
So, now I’ve had my twisted say about my pretzel-minded perspective. And so you can now trash it, or possibly learn to like pretzels.
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