Thinking Naked

I intend to write a book of essays about naturism and nudism, my attempts as a teacher to avoid becoming a practitioner while still teaching, and my eventual yielding to the urge to become what I avoided becoming for too long.

Now I know from my own family and my various communities over the years that nudists and naturists are generally considered to be a category of crazy people. That was especially a pointed observation in Iowa during the winter time when I was a boy in the 60s.

Of course, it was the 60s. And even though the hippies and other allegedly naked crazy people lived in far-away California and far-away New York, and closer, but still far-away Chicago, there were people we all gossiped about that would gad about their house in the all-together. Apparently, we knew because somebody, probably an old-lady gossip gatherer, had been looking through somebody else’s back windows. And some of those local crazy people turned out to be ordinary farmers, bankers, and even members of the Belle City town council. Really, the councilman and his wife are the reason I am calling the town by the fictionalized version of its name. Not because I am trying to protect the people’s identities, which you can figure out with very limited research, but because the old-lady gossip gatherer may have fictionalized what she allegedly saw through their back window and talked about at morning coffee in the Uptown Cafe.

But you see me here in a drawing of myself as a nude boy because from very early on in life, I felt the urge to give myself the freedom of costume… or lack thereof… as the councilman and his wife obviously gave to themselves in the privacy of their own home.

I was a big fan of skinny-dipping, and spending alone time nude in the woods south of town and the tree-lined pastures down by the creek to the west of town. I enjoyed being naked, although I dreaded the Devil finding out what I had already told Jesus in private, and then being condemned to Hell to burn for eternity… although, according to the paintings of Hieronymus Bosch in the Encyclopedia Britannica at school, I would still get to be naked.

This, then, will be a book both humorous and potentially sad about naked people and why naked can be good. I will include in this book works of art that I have made portraying people who are intentionally naked and happy about it. So, if your eyeballs will catch on fire for seeing naked people in artwork, your eyeballs should already be producing prodigious amounts of smoke, if not open flames. You better stop looking before you are blind. Some people’s Old Testament God is obviously much crankier than the God Jesus told me about when I talked to him in private.

I do intend to make fun of people who like to be nude in this book. But I will also make fun of myself for being one of those people. And I don’t intend to spare people who wear clothes all the time from a little bit of satire either. (Really, Mrs. Simms? You made Richard wear a swimsuit in the bathtub until he was twenty?)

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Reading Bag of Bones

This is not a book review. I did finish reading this book in a 3-hour-end-of-the-book reading orgy, spending an hour last night, and two more early in the morning before the rest of my family was awake.

This is certainly not a book review. But I did read a Stephen King book, 1998’s Bag of Bones, which I picked up from the dollar sale shelves at Half Price Books. And I did love the story.

………………………………………………………………………This is not a book review. Instead, I want to talk about what a novelist can learn and reflect on by meta-cogitating over what this book reveals about King’s work habits and style and author’s voice.

Mike Noonan, the protagonist, is a novelist who writes books that routinely land in the numbers 10 through 15 slots in the New York Times Bestseller List. Obviously, this first-person narrative is coming directly out of King’s own writing experience. But, remember, this is not a book review. I am discussing what I have learned about how King puts a story together.

King sets a back-story for this novel that digs deep into the geographica and historica of the city in Maine where the story is set. The literal bag of bones revealed in the book’s climax is almost a hundred years old. And he takes a compellingly realistic tour back in time to the turn of the Twentieth Century more than once to reveal who the undead characters are and why they do what they do. One thing that makes a writer, a novelist, truly solid is his ability to set the scene, to grow the story out of the background in the most organic and realistic way possible. But this is not a book review. I am saying that King always does this with his books. And if you wish to write at that level, you must do that too. I know I am sincerely trying.

At the end of the story, he clearly tells the reader that he learned from Thomas Hardy that “the most brilliantly drawn character in a novel is but a bag of bones”. So, he is definitely aware that a character is a construct that has to be crafted from raw materials. It takes a master craftsman to build one with the right words to make it live and breathe on the page. He does it masterfully in this book with several characters. The protagonist, the beautiful young love interest, the love interest’s charming three-year-old daughter who is nearly slain in a horrific manner at the end of the book… The living villain is a well-crafted bag of bones, as is the ghost, the actual bag of bones in the story. But this is not a book review. Most of his books, at least the ones I have read, have the same sort of masterful characters.

There is so much more to be learned about novel writing from this book. He literally shows you how ideas are captured, how they are developed into stories, how you overcome “writer’s block”, and Noonan’s book he is writing within this book is even used as an example of how to poetically advance the plot. But this is not a book review. You should read this book. It is a very good and scary piece of work. But you should read it because it shows us how to write and do it like a master.

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Little Red-Haired Girl (A Poem and Paffooney)

Little Red-Haired Girl

You never told her that you loved her, Charlie Brown

That little red-haired girl, so cute, so nice

You only looked and looked from afar

You never told her that you loved her, Charlie Brown

You could’ve held her hand

You could’ve walked her home from school

You never told her that you loved her, Charlie Brown

She never got your Valentine

At least, you forgot to sign your name

You never told her that you loved her, Charlie Brown

No hope of marriage now, nor children for old age

Happily ever after has now long gone

You never told her that you loved her, Charlie Brown

Now every love poem is a sad poem

And the world is blue and down

You never told her that you loved her…

You never told her that you loved her…

You never told her that you loved her, Charlie Brown

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Surviving Friday 13th, 2023 version

It is said that Friday the 13th, though really unlikely to be lucky for you if you are a Knight Templar, is a lucky day once you survive one with no bad luck at all.

So, did I experience any good luck on this infamously unlucky day?

Well, I sold a book. Not today the 13th, but I discovered I sold it on Amazon today.

The weather has been cripplingly cold on my arthritic joints, making it hard to write, draw, or walk for essential exercise to keep my diabetes and arthritis in check. But when I went out for a walk at the usual time, the weather was perfect for it… not too cold, not too warm for how I was dressed, and beautiful sunshine to light my way.

My hemorrhoid has stopped bleeding, so I managed to do some nude meditation today for the first time in months. With friends… but they are only imaginary.

I got a voicemail from a publisher wanting to talk to me about one of my books. I know they will only want to make money in some way that I will have to pay for. I have become cynical about the publishing industry. But it is interest from a publisher in some of my books.

The chalkboard girl is right, It is foolish to believe in good or bad luck. We make our own meaning in life. And that is a superpower.

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A Poem Written on a Picture

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-a poem written by Mickey and pasted on a picture.

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Harvey Comic Books


“Joker”, a harlequin jack-in-the-box logo for Harvey

When I was a kid old enough to begin to see and interact with the real world in the tragic and magical 1960s, the first comic books available to me, long before my parents would allow me to pick up and buy Spiderman and Batman and (shudder) comics with monsters in them, were the kid-friendly comics of the Harvey Brothers.

Now, you have to understand that Harvey Comics had been around since the 1940s and made their money on characters licensed first from the Brookwood Publications company that Alfred Harvey bought out in 1941 to provide the building, equipment, and publishing personnel to start producing comic books.

Robert B. Harvey and Leon Harvey joined the company to help produce titles they now owned the rights too like Black Cat, the Shield, Shock Gibson, and Captain Freedom.

…………………………………………Of course, most of those characters didn’t last very long. Black Cat was the only title still being published by Harvey in the 1950s.

They would go on to license characters from Famous Studios, the animated cartoon works of Max Fleischer and his brother Dave. That’s when the kid- friendly, parent-approved comic books of Fleischer creations like Casper the Friendly Ghost opened up the world of comic books to seven-year-old Mickey circa 1963.

In spite of this cover art, Casper rarely wore clothing.

Now, it is probably obvious that there are many ways that Harvey Comics influenced me as a storyteller later in life. It goes without saying that my dedication to childish humor in stories derives from this comic-book source. The cuteness of characters is another necessity of comic storytelling gleaned from these ripe fields of baby faces. And stories advanced by magical means and absurd sidetracks also come from here. But did you ever notice that Casper and the other ghosts all perform in the nude? Yes, I think my childhood longing to be a nudist began with Casper’s naked adventures. But unlike Casper, my urges along those lines were suppressed and repressed by parents and society as a whole. So watching Casper and Spooky and Pearl (Spooky’s goilfriend) romp naked through comic book hijinks were a sublimated substitution for that childhood desire. (Sure, none of them had genitals, but it wasn’t about that.)

…………………………………………….Of course, there were many other Harvey characters to enjoy that actually did wear clothes. I was particularly fond of Hot Stuff because he made such an art out of burning things and being a bad kid and roasting the backsides of fools and hypocrites with his trident. And he only ever wore a fireproof diaper, so he was almost a nudist too.

There were many other characters licensed by Harvey as well, including Felix the Cat, Little Audrey, Baby Huey, and the characters from Walter Lance Studios like Woody Woodpecker, Andy Panda, and Chilly Willy.

Dell would later take over the comic book rights to Walter Lantz Studios creations.

So, now you know the true story of how my innocent childhood was warped and woven and corrupted by the characters of Harvey Comics.

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What Love Really Means… Cartoon Version

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Exploring the Mind of Mickey

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One really weird thing that teachers do is think about thinking.  I mean, how can a person actually teach someone else how to think and how to learn if they don’t themselves understand the underlying processes?  Now that I have retired from teaching and spend all my time feeling sorry for myself, I thought I would try thinking about thinking one more time at least.  Hey, just because I am retired, it doesn’t mean I can’t still do some of the weird things I used to do as a teacher, right?

This time I made a map to aid me in my quest to follow the twists and turns of how Mickey thinks and how Mickey learns.  Don’t worry, though.  I didn’t actually cut Mickey’s head in half to be able to make this map.  I used the magical tool of imagination.  Some folks might call it story-telling… or bald-face lying.

Now, a brain surgeon would be concerned that my brain maps out in boxes.  He would identify it as a seriously deformed brain.  It is not supposed to be all rectangular spaces and stairs.  It probably indicates a severe medical need for corrective surgery… or possibly complete amputation.  But we are not going to concern ourselves with trying to save Mickey from himself right now.  That is far too complex a topic to tackle in a 500-word daily post.  We are just discussing the basics of operation.

You see the three little guys in the control room?  They are an indication that not only did I steal an idea from the Disney/Pixar Movie Inside Out, but I apparently have too few guys doing the job up there compared to the movie version.  (It probably makes sense though that a young girl like the one in the movie has a much more sensible configuration in her brain than someone who was a middle school teacher for 24 years.  Seriously, that job can do a bit of damage.)  The three little guys are not actually Moe, Curly, and Larry, though that wouldn’t be far from descriptive accuracy.  They are Impulsive Ignatz, currently in the driver’s seat (or else I wouldn’t be writing this), Proper Percy the Planner, and Pompositous Felixian Checkerbob, the fact-checker and perfectionist (also labeled the inner nerd… I am told not everyone has one of these).  They are the three little guys that run around in frantic circles in my head trying to deal with a constant flow of input and output, trying to make sense of everything, and routinely failing miserably.

I shouldn’t forget the other two little guys in my head, Sleepytime Tim in the Dream Center, and little Batty up in the attic.  I have no earthly idea how either of them function, or what in the heck they are supposed to do.  But there they are.  The other three run up and down stairs all day, locating magic mushrooms and random knowledge in the many file cabinets, record collections, book stacks, and odd greasy containers that are stored all around in the many nooks and crannies of Mickey’s mind.  They collect stuff through the eyes and ears, and it is also their responsibility to chuck things out through the stupidity broadcaster at various inopportune times.  It is also a good idea for them to avoid the lizard brain of the limbic system in the basement.  It is easily angered and might eat them.

So now you should be able to fully understand how Mickey thinks.  (Or not… a qualifier I was forced to put in by Checkerbob.)

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The Bottle Imp Implementation

I gave you a list of places where my ideas for fiction come from, and in the end, I failed to explain the thing about the bottle imp. Yes, I do get ideas from the bottle imp. He’s an angry blue boggart with limited spell powers. But he’s also more than 700 years old and has only been trapped in the bottle since 1805. So, he has about 500 years of magical life experience to draw from and answer my idea questions. Admittedly it would be more helpful if he were a smarter imp. His name is Bruce, and his IQ in human terms would only be about 75. But, then, I don’t have to worry about misfired magic. If I asked him to, “Make me a hamburger,” he wouldn’t immediately change me into a fried, ground-beef patty because he is not smart enough to do that high of a level of magic spell.

But he is just barely intelligent enough to tell me a truthful answer if I asked him a question like, “What would happen if I put an alligator’s egg in a robin’s nest as a joke, and the robin family decided it was their own weird-looking egg and then tried to hatch it?” The answer would be truthful according to his vast knowledge of swamp pranks. And it would also be funny because he’s too dumb to know better. In fact, he told me about a mother robin who worked so diligently at hatching an alligator egg that a baby alligator was hatched. She convinced it that it was actually a bird. And when it came time for the baby birds to learn to fly, the baby alligator couldn’t do it… until she talked it into flapping madly with all four legs. Then, a mother’s love and faith in her child got an alligator airborne.

Yeah, that hasn’t proved to be a very useful story idea. I put it into a story I was writing during my seven years in high school, and then lost the manuscript. (I was a teacher, not a hard-to-graduate student.) But it was proof that you can get your writing ideas from a bottle imp.

So, if you decide to use bottle imps as an idea source for fiction, the next step is to find and acquire the right sort of bottle imp. I got mine from Smellbone, the rat-faced necromancer. I bought it for an American quarter and three Canadian loonies more than a dozen years ago. I found it at his Arcana and Horse-Radish Burger Emporium in Montreal. But I am not sure how that information helps you. Smellbone died in a firey magical-transformation accident involving an angry Wall-Street financier and a dill pickle. The whole Emporium went to cinders in an hour.

If you are going to try to capture the bottle imp yourself, which I strongly do not recommend, you are going to need a magical spell-resistant butterfly net, a solid glass jar, bottle, or brass urn. A garlic-soaked cork to fit the bottle. A spell scroll ready to cast containing at least one fairy-shrink spell. And an extremely limited amount of time to actually think about what you are doing.

Now I have told you how I get writing ideas from a bottle imp. Aren’t you glad I did not include this idea in the post about where ideas come from? After all, I am a fiction writer. I get my jollies from telling lies in story form. And bottle imps, especially angry blue bottle imps named Bruce, or Charlie, or Bill, are more trouble than they are worth. They can curse you with magical spells of infinite silliness and undercut your serious nature for a lifetime.

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The Haunted Toy Store… Canto 4

Canto 4 – The Marionettes

Shandra was waiting for him with a paper bag full of peanut-butter-and-jelly sandwiches.  She was running away from home.  There was no other choice about it.  They were never gonna beat her ass again like that, whether she deserved it or not.  And she was eight now.  She could damn well take care of her own self.

But Mark mattered.  She was gonna need him to run away too.  Through all the darkest times in first grade, Mark sitting next to her in Miss Immelmann’s class was the only reason she was still alive.  You don’t let go of somebody like that once you find them.  And he claimed he liked her too, didn’t he?  Enough that when she asked him, he showed her his little pink mushroom cap of a dick.  And he didn’t ask to see her little black coochie in return.  That was like love or something from a white man.  Even if he was just a little boy.  And when she asked him about running away together after school got out, he said yes, didn’t he?

But where the hell was he?  School was over three hours ago.  And still no sign.

And then he was there, pedaling up on his shiny silver bicycle.  He was wearing that blue jacket of his.  And a baseball cap covered his wavy blond hair.  That beautiful blond hair.  Shandra loved how it felt when he let her comb it with her hand.  And he smiled at her as he used his bike chain to secure his bike to the lamp post on Mockingbird Lane.

“What took ya so long?”

“Mom asked too many questions.  I had a bad time sneaking out.  I didn’t tell her about you or the plan or anything.”

“That was smart of you.”

“You aren’t mad are you, Shandra?”

“Well, sure I am!  I worked hard making all these sandwiches to bribe you with.  I used all Poppa Dark’s peanut butter, so he’ll kill me if the cops catch us and take me home.”

“You didn’t have to bribe me.  I said I’d follow you anywhere, and I meant it.”

“Well, we are gonna need food on this journey.  We ain’t never coming back home again if we can help it.”

“Where are we going to run away to?”

“Well, I ain’t figured that out yet.”

“Let’s go in that toy store and look around while we think about it.”

“That’s the Haunted Toy Store, Mark!  Nobody goes in Aunt Phillia’s Toy Emporium unless they want to disappear from the face of the earth.”

“Well, we are running away to Europe or Mexico or somewhere…  Maybe it’s a good place to start laying low so the cops don’t know where we are.”

“Yeah, they would never think of finding a kid in a toy store.”  She frowned at him and let that last statement sink into his little, thick head.

“…But, a haunted toy store.”

“Good point.  Let’s go.”

She took him by the hand and, carrying the bag of peanut butter and jelly sandwiches in the other hand, she led him into the store.

The spooky old guy at the counter grinned at them and blinked his owl eyes.

“We’ve been expecting you.”

“What?” said Mark, sounding shocked.

“How did you know we were coming here?” Shandra said sharply.

“A little mouse told me.”

“Oh, yeah?  Did he say why we were coming here?”

“He said you were trying to escape from a bad situation, and he knew this shop specializes in helping out in such situations.”

Shandra was a bit stunned by that.

“You know what marionettes are?” said the creepy guy.

“Puppets,” said Mark.

“Puppets controlled by strings.  Some people are like that… controlled by strings, I mean.”

“Yeah, so?” challenged Shandra.

“So, go see the marionettes.  That will be of help to you.”

Shandra led Mark by the hand around the corner to where the marionettes hung on their strings.  It was a wall full of creepy, round-headed people with big, round eyes.  They were staring down at Shandra and Mark.  There were kings and queens, goofy-looking idiots with buck teeth, spindly men with bushy beards and what were probably soldier’s uniforms, ballerinas, clowns, flowers in flower pots with leafy arms and big-eyed faces on their blossoms, lots of ridiculous things like that.

“They are telling us to look at the big trunk there on the floor,” said Mark.

“I didn’t hear them say anything,” said Shandra.

“They want us to get into the trunk.”

“Why?”

“They say they will help us find a new home.”

Shandra didn’t want to believe a word of it at first.  She didn’t hear the wooden heads say anything at all.  This weren’t no fantasy movie with magic and junk in it.

“They say it’s the only way,” Mark pleaded.

So, only because they were desperate to escape the city…  And Mark seemed to think it was a good idea.

The trunk was big enough for both of them to sit in it if she faced Mark and put her legs over his legs.  They both leaned towards each other, and the lid came down by itself.  The lock clicked as if someone had turned a key.

“Uh-oh,” said Shandra, “We’re screwed!”

Then the lock clicked again.

“So, Mr. Mephisto, how about these?” said the creepy guy who ran the store.

“Ah, perfect!” said Mr. Mephisto, lifting the two puppets, Mark and Shandra, out of the trunk by their strings.

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