If you have a brain, use it… every day. Especially as you get older and your mind’s most important gears are getting rusty. You don’t want Alzheimer’s do you?
I don’t want that. But thinking all the time is hard. I don’t feel well. I sometimes forget to do things. It is impressive to me that I now have 743 straight days of posting here without forgetting.
You should not believe in ghosts. You should Carl Sagan the whole topic, not believing in something without tangible proof. I do, however, keep seeing the ghost dog in the old house we live in. We have a little yellow and white dog. The ghost dog is bigger. And dark brown. And sometimes I only see his hind quarters and tail. So, sometimes, it is only a half-dog ghost.
I have dismissed the ghost dog as a mere hallucination. Possibly a symptom of Parkinson’s, which my father died of. I have discussed the matter at night with Douglas, the booger-man. He used to live in the attic when the kids were little. Now, he lives in the library, and when I have to get up bleary eyed in the middle of the night to go into the bathroom next to the library to pee, I see his buggy eyes and his amused grin with all the teeth in it. And he agrees with me. The ghost dog is definitely just a hallucination, and I should treat it as such.
And I shouldn’t know so much about conspiracy theories. It seems if you learn too much about the JFK assassination, or what really happened on 9-11, or who might really have written Shakespeare’s plays, paying the glove-maker’s son to use his name as a pen name, and building a theatre for him just so he could revolutionize English literature secretly, you will alienate all your intelligent friends… and a few of the semi-intelligent ones, and end up arguing with literal Philistines who insult you like trolls under the bridges of Twitter, Instagram, and Facebook.
And you will accomplish nothing by it but misusing the word “Literal.”
And so, on a dark and stormy night in Texas on the second day of March, I have to come to terms with the fact that I like me the way I am, and I do not follow good advice.
My personal history as a school teacher begins in the 1981-82 school year in a little town in South Texas called Cotulla. Without realizing it, I was following in the footsteps of former U.S. President LBJ. Really! It’s true! To prove it, here is a picture from the LBJ Museum showing the big-eared, jug-headed goofball with his class of Mexican American Cotullans.
His class looked a lot like my first class, only a lot smaller. I was hired by the new junior high principal to be the 8th-Grade English teacher for Frank Newman Junior High. The school had basically imploded the year before. Gus the janitor told me that the previous principal had been robbed several times, with kids breaking into the main office in the middle of the building during the middle of the night. They even broke open the safe. Some of the same kids I was supposed to teach had been arrested for assault the previous year, and some of the kids were caught making babies in the school cafeteria. I went into the same classroom that the previous year’s seventh grade class had used to drive poor Miss Finklebine out of teaching for life. They had set off firecrackers under her chair. They threw erasers and chalk at each other. They almost got away with murder… In fact, they may have gotten away with it. Miss F was never heard from again, and I found a very long list of self-destructive rantings (in the form of discipline reports that had apparently never been turned in) in her desk that threatened the lives of several students whom I knew for certain had survived because they were in my eighth grade classes that year. I don’t think they tracked her down and got her… but what they did to that poor woman’s mind may have pushed her over the edge. I had a tough year that year. The two boys who threatened to beat me to death with a fence post they picked up when I was marching kids in a line to the cafeteria, El Mouse and El Talan, both went to prison withing five years of being in my class. Both of them are now deceased. El Mouse by suicide after the Texas Syndicate wrecked him in prison, and Talan was shot and killed by a rival drug dealer while his wife and family looked on. I hope you are not laughing at the moment. I do often exaggerate for humorous effect… but that is not what I am doing here.
Cotulla was once a wild west town, probably worse than anything Hollywood ever put up on the silver screen. Former Mayor and descendant of the town’s founder, Bill Cotulla, once told me that they had six-gun shoot-outs on Front Street in the 1880’s. I met Mr. Van Cleve the former Texas Ranger whose picture is in the Waco Texas Rangers’ Hall of Fame because of the border machine-gun shoot-out in the 1940’s. In fact, I taught English to his grandson. The school, just like the town, was a tamable thing. I spent the next 23 years of my life there teaching mostly Spanish-speaking kids about the wonders of English, literature, and writing. I saw the school go from a rough-and-tumble wild beginning into a program that routinely out-performed other small schools our size in everything but Math.
I know that you may find this part difficult to swallow… in the same way a goat has never managed to swallow an entire school bus… but my fiction books about school kids in Iowa are really mostly about characters I knew and taught in Cotulla, Texas and only slightly merged with the white-bread Iowegians I grew up with in Rowan, Iowa. Texas and Iowa have more in common than you might think… Me, for one thing.
The story behind this picture is probably more interesting than the picture itself.
You see, I was thinking about putting together a book about my blog-thoughts about being a nudist and the topic of naturism. It was going to be a book of humorous essays and artwork related to nudes and nudists, many of which you may have seen in this blog unless some of the first ones drove you away from the crazy nudist Mickey’s blog long ago… in which case you are not reading this anyway.
This pictured was created with the notion that I could use it as a cover illustration.
So far, I have only used the pen-and-ink version of the drawing to make this first attempt. I like it, within limits. But I may try again with the colored version.
The subject of the picture is called Lillianna. She was inspired by a Brazilian naturist girl from a video travel guide for naturists that I owned before my wife accidentally stepped on it. Lillianna is probably not really the girl’s name. They were speaking Portuguese in the video with an English-speaking narrator talking over them, so I never really caught the girl’s actual name. And I wouldn’t have used it anyway.
The picture doesn’t look anything like the girl in the video. She was blond and not a cartoon character. And my drawing ability is going downhill as my eyes get worse. And arthritis has ruined the accuracy of my lines. And I have poor quality colored pencils because my hands are not good enough to draw with the expensive ones, and the colors don’t blend well, so that kinda makes the black-and-white better.
And then I had difficulty making my various glitchy computers full of bugs communicate properly with the scanner and each other. It has taken me three weeks to get to the point I am at with this cover project. You are welcome to make your suggestions in the comments. And no, I will not set it all on fire.
This postable Paffooney is really not so wonderfully postable. It got a little bit moisture damaged in the garage where I found it improperly stored. It is an oil painting from before I had a family of my own back in the 1980’s. It is called Madonna of the Golden Door. The girl is my sister, the younger of my two sisters. The boy is one of my favorite students from the 1980’s, one I fed and helped raise in addition to being his teacher for two years.
This painting inspired the following silly free verse poem;
I am fascinated by the darker alleyways in the city of human thought. I love monster movies, those love-story tragedies where the monster is us with one or more of our basic flaws pumped up to the absolute maximum. We are all capable of becoming a monster. There are consequences to every hurtful thing we have ever thought or ever said to other people, especially the people we love.
The monster movies I love most are the old black and whites from Universal Studios. But I can also seriously enjoy the monsters of Hammer Films, and even the more recent remakes of Frankenstein, The Mummy, and their silly sequels. I am fascinated by the Creature from the Black Lagoon because it is the story of a total outsider who is so different he can’t really communicate with the others he meets. All he can do is grab the one that attracts him and strike out at those who cause him pain. It occurs to me that I am him when having an argument with my wife. Sometimes I am too intelligent and culturally different to talk to her and be understood. She gets mad at me and lashes out at me because when I am trying to make peace she thinks I am somehow making fun of her. How do you convince someone of anything if they always think your heartfelt apology is actually sarcasm? How do you share what’s in your heart if they are always looking for double meaning in everything you say?
But other people can change into monsters too. I am not the only one. People who are bitter about how their life seems to have turned out can strike out at others like the Mummy. Wrapped in restrictive wrappings of what they think should have been, and denied the eternal rest of satisfaction over the way the past treated them, they attack with intent to injure, even just with hurtful words, because their past sins have animated them with a need to change the past, though the time is long past when they should’ve let their bitterness simply die away.
And we might all of us fall into the trap of Victor Frankenstein’s monster, who never asked to be made. He finds life to be an unmanageable nightmare with others constantly assaulting him with the pitchforks and torches of their fear and rejection.
But the thing about monster movies… at least the good ones, is that you can watch it to the end and see the monster defeated. We realize in the end that the monster never really wins. He can defeat the monstrous qualities within himself and stop himself. Or the antidote to what ails him is discovered (as Luke did with Darth Vader). Or we can see him put to his justifiable end and remember that if we should see those qualities within ourselves, we should do something about it so that we do not suffer the same fate. Or, better yet, we can learn to laugh at the monstrosity that is every-day life. Humor is a panacea for most of life’s ills.
I am aware that nobody who looks at my blog ever clicks on my videos. This one, however, would be very useful if you are really going to read and engage with this essay. This self-reflection came into being as a response to watching this video. The video talks about how most people can’t stand to actually sit alone in a room with only themselves. And it has an impact. I have claimed in the past to being a devotee of the Theodore Roethke maxim, “Being, not doing, is my first love.” But how does one go about becoming truly self-aware? How does one enumerate the concept of “being”? I believe I can do it, but it requires a bit of self-examination. How do I do it?
Let me count the ways…
I put myself down on paper, through drawing or writing in English and look at the way it portrays me.
I find myself in both the written characters I create and the cartoon characters I draw. In Hidden Kingdom, my graphic novel, the Mouse and young Prinz Flute are both me. I can see myself both as the reluctant romantic hero and the snarky child-thing with a dangerous little bit of wisdom.
I learn to know more about my secret heart and what I truly think about the world I live in and react to by writing about what I think and the things that happen to me, both for good and ill. This blog is all about learning about myself, just as your blog is a mirror of who you really are. Consequently, I have no secrets left.
I not only reveal myself in this blog, but I also attempt to sing about myself in much the same way that Walt Whitman did in his poetry.
I live most of my life in my own imagination. It is a silly Willy Wonka world of images, songs, music, and dreams. It can all blow away in a moment when the sun comes out. It can also keep me in a light-obscuring cloud wrapped and safe, well away from the things I fear and the things that worry me. I came to realize I was repressing the memory of being sexually assaulted when I was ten through a dream when I was nineteen, re-living the event in a dream from which I awoke with a blinding flash of realization. I came to grips with the horror that mangled my childhood and young adulthood first by facing the fact that the nightmare had been real, and then by finding ways to overcome it. I became a teacher of young people in large part as a way to protect them and prevent such a thing from ever happening again to someone else.
I use my fictional stories about the girl Valerie Clarke to examine my relationships with my own daughter and a couple of old girlfriends from my youth.
I often worry that I don’t see real people as being real people. I tend to think of them from the first meeting onward as potential book characters, walking collections of details and quirks, conflicts and motivations. But I recognize too that that way of seeing with the author’s eye is not incorrect. People really are those things. There are rules and generalizations that everyone falls under at some point. It is not so much that I see real people as book characters as it is that I realize that book characters are as real as any other purportedly “real” people.
I am myself both the subject of my cartooning and fictionarooning, and the cartoon character of myself as well.
Mickey is not a real person. He is a cartoonist persona, a mask, a fake identity, and the lie I tell myself about who I actually am.
In this essay, I have attempted to explain to you who I think I am spending time with when I am alone in a room with myself. He is not such a terrible person to spend time with, this Mickey. Or else he really is truly awful, and I am lying about me and who I think I am when I am alone with me and have no other options. But probably not. I have been getting to know me for about 562 years, only exaggerating by 500, and I am not finished yet.
“Where do you expect me to go in this world that isn’t even in my… time?”
Molly looked at her with those creepily lifelike glass eyes. “There was a place I could safely go when I was alive. Let’s go there.”
Brittany was in a fog as the doll guided her down one street and then onto another. They kept going past all those clunky-looking old-time cars with lumpy and rounded body parts, like out of a black-and-white gangster movie. The ladies all wore dresses with big shoulders and puffy sleeves. The men were mostly older and mostly all wearing those old-time hats like Indiana Jones or something… “fedora” was the word stuck in Brittany’s mind.
“This house! This is Dora McMaster’s house.” The doll pointed at an old Victorian-style house with a rounded, tower-like structure on the left side of the front of the house. The whole thing was painted slate gray with black trim.
Brittany knocked at the door, rapping half-heartedly with her knuckles.
The door opened, and a woman with a bee-hive hairdo and reading glasses answered the door.
“Oh, hello. How can I…?” The woman swallowed audibly as she saw the doll.
“Is something wrong?” Brittany asked.
The woman held her right hand in front of her mouth. “That’s Molly’s doll… But it can’t be. I haven’t even finished painting the face of it yet.”
“You… you made this doll?”
“No! That isn’t possible. Come in… I’ll show you why.”
Brittany followed the woman into her home. Through the entryway and into a sitting room where there were hundreds of porcelain dolls, only half of them finished. In the center of the room on a worktable stood the hairless head and upper torso of the very doll that Brittany held in her arms.
“This is the doll I was making for poor little Molly. It is a portrait of her. I made it myself, and shared the design with no one, although I do have the mold for the head in the basement next to my porcelain kiln.”
“You’re a doll-maker?”
“Yes, and if you have stolen one of my designs, I am not happy about it.”
“You have to tell her lies to make sense of it,” said the doll. “She will never understand otherwise.”
“I can’t lie…” said Brittany aloud.
“I should hope not.”
“You obviously made this doll. It looks like my own daughter Hannah, which is why I bought it. She somehow must look exactly like your Molly.”
“Well, if that’s the truth, then that doll must have my mark on it. Show me the back of her neck.”
Brittany handed her the doll.
Mrs. McMaster’s eyes bulged as she spotted her own signature in blue porcelain glaze at the base of the doll’s neck where the ball joint fit neatly into the neck socket.
“I apparently did make this doll. Did you come here to buy new clothes for it?”
“I don’t want any new clothes,” said the doll to Brittany. “I prefer to be nude since the fire.”
“I don’t really have any money right now.” That, at least, was not a lie. “But I would like to learn more about this Molly who looks like my Hannah.”
“Oh, of course. But, may I ask…? Where did you get this doll? I don’t remember making it or selling it to you.”
“Um, Aunt Phillia’s?”
“Oh, that explains a lot. That old devil’s toy store never sells anything that I didn’t give them for free. I still don’t remember making one for anyone whose daughter looks so much like poor Molly Beeman.”
“Tell me more about Molly…”
“Ah, the poor little thing… She would come around here looking so lost and forlorn after her daddy died in the North Africa campaign. The Germans killed him with artillery. He was in Tunisia with the 1st Armored Division. Molly’s mother took it too hard and went off the deep end…” Dora’s eyes filled with tears. She suddenly seemed to have lost the ability to talk.
“Something terrible happened? A fire perhaps?”
“I could have saved Molly if I had known… Oh, she could’ve lived here with me… Such a precious little thing.”
Dora was openly weeping now. Brittany put a hand on her shoulder.
“Molly died in a fire?”
“Yes. Her mother burned their house down with Molly in it… on purpose.” Brittany hugged Dora as the doll maker wept.
“Did the mother die too?”
“Not in the fire. They called it murder. She was hanged before the month was out.” Brittany’s stomach felt cold as the truth sunk in. The porcelain doll seemed to be cuddling against Mrs. McMaster’s shoulder as the poor woman wept. Was this thing of porcelain also a thing of evil? What did it want? And what was it doing to them? Brittany intended to learn.
Playing a piano recital completely naked is a nightmare some kids have when their piano teacher schedules their first recital. But it is something that is only a nightmare, not something a piano teacher would ever do in reality. Not require the piano student to perform nude, I mean. They will definitely schedule the recital and cause the nightmare.
The thing is, however, that the picture above is metaphorical, not literal. A performer on piano, or guitar, or doing stand-up comedy routines, or even teaching from the front of the classroom makes you feel exactly like that. You can’t do it by keeping even one square inch of yourself hidden away, concealed under clothing, lies, or misdirection. The contents of your inner heart has to be there on display.
I remember being naked in front of a classroom of mostly hostile and mostly illiterate eighth graders on the first day of classes in the Fall of 1981. I wasn’t literally naked. But they knew I didn’t speak or understand Spanish the way 85% of them did. They knew I was nervous and feeling awkward. They knew I didn’t know most of the truly terrible things they did to the poor teacher-lady who had tried to teach them English in that same classroom the year before. There were firecrackers under the desk, thumb tacks on the teachers’ chair, classroom fights, insults in Spanish and English directly to her face, classroom posters destroyed… they drove her out of the classroom screaming to the airport in San Antonio and out of teaching and the State of Texas probably for good. I had no armor, no experience, and only a few teacher tricks in my bag of… well, you know, tricks they had all seen already many times. I might as well have been literally naked.
I remember the advice I got in my college speech class about giving yourself confidence by imagining your audience was naked. But 25 thirteen-to-seventeen-year-olds, some with mustaches, some of the boys had mustaches too? Picturing them naked worked against me. They were scarier that way.
I never seriously entertained ideas of becoming a nudist back in my teaching days. I had to consider the morals clause in my endless string of one-year contracts. I had to consider my own post-traumatic fear of being naked after what happened to me at ten. But my encounters with nudists and nudist literature did get me wondering… did make me actually curious.
Like most Americans, I never thought of nudism as something for me, rather, a thing that could be tolerated about unusual people who lived in their heads too much and were often too much of an exhibitionist. But I did create nudist characters for some of my fantasy-comedy novels which I seriously began self-publishing after retiring as a teacher. Specifically, the Cobble Sisters and their family, based on twin girl students who claimed to be nudists in my classroom, though they may have been telling fictional stories themselves.
And then real nudists and naturists began finding my books and liking them. I became a part of the online Twitter-nudist community.
And while talking to a family psychotherapist, he suggested to me that I should deal with some of my problems by choosing one thing I was basically afraid to do, but might provide a thrill or other positive feelings. We talked about bungee jumping and sky diving, but those were out because of my health problems. And then he suggested I might profit from actually trying nudism.
One terrifying thing. A nudist website wanted someone to write a blog post for them about first-time visits to a nudist park or other nude venue. I applied for the job. They published my application piece and then asked me to follow through. I visited Bluebonnet Nudist Park on a Friday in July of 2017.
It was, in fact, one of the scariest things I have ever done on purpose. But once I was actually naked among other naked people, I really felt the power of my accomplishment. I overcame a childhood fear. I accomplished one scary thing. And it felt great. I would eventually do it again after the pandemic.
So, I am one of those unusual and somewhat crazy people now. My wife and children are mortified. I am driving away blog readers who think I must be nuts. And I feel good about it.