Being and Artistry

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Being an artist is a matter of genetics, luck, and loads of practice.  I began drawing when I was only four or five years old.  I drew skulls and skeletons, crocodiles and deer on everything.  My kindergarten and first grade teachers were constantly gritting their teeth over the marked-up margins of every workbook and worksheet.  I drew and colored on everything.  I eventually got rather good, drawing in pencil, crayon, ink, and as you see here, colored pencil.  I loved to draw the people and things around me.  I also drew the things of my imagination.  I drew my best girl, Alicia, and I drew the half-cobra half-man that lived in the secret cavern under our house.  I drew a picture of the house across the underpass from Grandma Mary’s house.  I drew cardinals, and I drew Snoopy cartoons.  I drew my sports heroes in football and hockey, Donny Anderson and Gordie Howe.  I drew monsters with fangs and fuzzy animals with huge soulful eyes.  I still draw and it’s mostly the same things that I drew when I was a child.  I will post more of the drawings here in the near future to dazzle you with my talents and ridiculous sense of the absurd.

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The Future is Bright if You Let it Be

It is highly probable that, based on this summer’s historically all-time high temperature records, we will very probably die in the future of way-too-much sunshine.

“Grandpa Mickey, you gotta be more positive!” said my imaginary granddaughter. “We don’t have any choice but to face the future the way it is. And the way it is is gonna be hotter for a while.”

Okay, she has a point. They have been predicting the end of the world for years and years. It was supposed to end in 2012 according to the Mayan Calendar. It was supposed to end with Y2K in the year 2000. The Jehovah’s Witnesses were expecting the end to come in 1978. And a majority of Christian humanity was watching for signs of the Second Coming in the year 1000 A.D.

We have come through existential crisis before. Two world wars, a nuclear Cold War, the Black Death, the Spanish Flu, Covid 19, and Great Aunt Selma’s Christmas fruit cake.

“Fruit cake, Grandpa?”

“If you were brave enough to eat it, Susu, there were grave consequences…”

“Oh.”

“But you are always talking about being a nudist, right, Grandpa? That’s a solution to hotter weather. We can take our clothes off to be cooler.”

There are things that we will have to do if we are going to recover from global warming. Granted, getting naked is not really a step we will be forced to take, though it couldn’t hurt. I can make a list of things that need to be underway as a method of battling climate-change Armageddon.

We need to start with the whole “Eat the rich!” thing. I don’t recommend that we literally eat them. Food poisoning would surpass heart disease, cancer, and Covid if we did. But the climate change crisis is their fault. They made profits by polluting, slashing expensive safety and environmental protection restrictions to line their pockets with more wealth than they could ever spend. So, since fighting the climate change battle is going to be hugely expensive, they should pay most of it. They would be investing in a future where we can all live happily a while longer and not even think about killing them, roasting them, and serving them for lunch. We could wait for the Devil to do that part in his kitchen.

We need to adapt to frequent severe storms and rising oceans. Cities will need to evolve into sealed domed environments, many of which will eventually be underwater anyway. The oceans will need to be de-acidified. That’s because we will have to replace cattle ranches and field crops with seaweed farms and fish ranches. Restoring coral reefs will be critical. Many of us will swim to the worksite, or travel in robotic underwater crawlers, speeders, and swimming vehicles. In the city, inside the underwater vehicles, and in water where we don’t need pressurized suits, we really don’t need clothing. Susu and I will thrive there.

We will also be building many carbon sinks of different kinds upon the land. We have to not only put purified oxygen and nitrogen back into the air on land, but we have to suck an awful lot of carbon out. Vertical forests will become a thing, where skyscrapers of many stories will be enclosed by trees on every level. We will need to become like Mowgli and Young Tarzan, naked in the jungle and at one with a new form of nature, one scientifically balanced and controlled. Weather control and air scrubbers will join windmills and solar panels on much of the Earth’s surface.

Of course, majority rules. If you all decide that a lifeless thousand-degree boneyard is the better choice so you can have your big cars, super yachts, and penis rockets for the short while that the world is burning, Susu and I are not strong enough to stop you.

“Don’t think about the bad stuff, Grandpa. You and I will be good together in the future you talk about. See, I’m naked and ready already!”

“This is Texas, Princess. It’s illegal for you to be naked on the city streets where old church ladies will see you. I’ll end up in jail.”

“But they won’t catch me. I’m not real. Remember? I will only ever exist in the future.”

“Yes, I know. But I am already nearer to 70 than I am to the average first-time-grandpa age. And my children are not likely to have any more children in the near future.”

“Don’t be sad. We’ll be together one day. I promise.”

Well, it doesn’t hurt to be positive. The future looks pretty bleak. But sunshine has a way of finding even the bluest souls. And warming them up. And a granddaughter is not impossible.

As Yogi Berra once wisely said, “It ain’t over till it’s over.”

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Signs and Symbols

Lately, I have been getting good signs from my book-sales dashboard at Amazon.. People have started buying and reading my books, at least, the ones with nudist characters in them. A Field Guide to Fauns and Recipes for Gingerbread Children lead the way with more than a thousand pages read on Kindle Unlimited between them. I have already made more than $8.00 total this month in only the last two weeks.

Like the male cardinal who shows up in our yard when good things are happening, it is a sign that it is not all done for nothing. $8.00 will make no real difference to my bank account. But it does show that people are reading my books. I know that this does not sound like the results of lots of readers reading, but remember, publishers, especially Amazon, always screw writers out of most of what they deserve when books are sold.

The most expensive of the books that are actually being bought are priced at less than $3.00, of which, most of that money goes towards Amazon’s e-book-making expenses (whatever those are). If I needed to make myself rich, I would never have become first a teacher, and then a fiction writer. Having readers is the thing. And these are a couple of my best books that are getting read.

So, I take it as a good sign. A symbol that I really am an author.

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Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

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New Scans of Old Art

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The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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About Bruce Timm

“Today I thought I would tell you about Bruce Timm.”

“Bruce Timm?  Who the heck is he?”

“You know. That artist with that style… you know, the Batman guy.”

“You mean he played Batman?”

“No.  He designed Batman; The Animated Series.”

“Oh, that guy… the guy who draws girls really good.”

“Yes, that’s the one.”

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“He gave all the DC heroes their modern, animated look… their style and flair.  He made them angular, immediately identifiable, and powerful.”

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“Yeah, I think he not only did the Batman cartoon, all film noir and retro-cool, but the Superman series that followed it, the Justice League, and all the cartoon series and movies that went along with those.”

“But that’s not all he did, either, is it?”

“No, there’s more.  He wanted to be a comic book artist, but before he got into animation, Marvel and DC turned him down.”

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“I heard he worked at Filmation for a while.”

“Yes, he got a chance to draw and design characters for Blackstar, Flash Gordon, He-Man and the Masters of the Universe, She-Ra; Princess of Power, and the Lone Ranger.

“Dang!  He was busy.  But only superhero stuff?”

“In 1989 he went to work for Warner Brothers.  He worked on Tiny Toon Adventures.”

“That Spielberg/Bugs Bunny thing?  The one with Buster and Babs Bunny?”

“Yeah, that one, believe it or not.”

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“Tell me more about the girls.  I want to hear about him drawing girls.  Wonder Woman in Justice League was hot.”

“Showing you is probably better than telling you.  Be prepared to cover your eyes, though.  He liked to draw the female figure nude and semi-naked.”

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Betty and Veronica from the Archie comics.

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“I like how he draws pretty girls.”

“You would.”

“He’s the artist you wish you could be, isn’t he?”

“Pretty much.  He’s about four years younger than me.  If I had gone the comic-book artist route instead of becoming a public school teacher, our careers might’ve been parallel.”

“Except he has talent.”

“Yeah, there’s that.”

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Naked Innocence

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To be clear, I will have to write a post called Naked Experience to go with this post.  It is a William Blake style of thing.  You know, that English Romantic Poet guy who was into drawing naked people even more than me?  The writer of Songs of Innocence and Experience?  You know, this stuff;

Well, maybe you don’t know.  But Blake gave the world the metaphor of the innocent lamb and the tyger of experience (tyger is his spelling, not mine, and it didn’t blow up the spell checker, even though it made the thing unhappy with me again).  There is a certain something I have learned about nakedness that I mean to innocently convey.  I learned it from anatomy drawing class and spending time with nudists.  Naked is not evil.  Naked is not pornography.  Nakedness, itself, is a very good thing.

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At this point the avid clothing-wearers among you are probably saying to yourself, “This guy is nuts!  If God had wanted us to be nude, then we wouldn’t have been born with clothes on.”  And I must admit, I cannot argue with logic like that.

But on a more serious note, I believe nudity is a fundamentally essential part of the nature of art.  After all, pictures of naked people are a central part of what people have been drawing since they first started etching them with charcoal on cavern walls.  And all art, including this blog, is about the human experience.  What it means to be human.  What it feels like to be alive on this Earth and able to feel.

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And there is nothing sinister and immoral in drawing nudes to portray that fact.  I am trying to show metaphorically the music of existence, the pace, the symmetry, the musical score…  It isn’t focused on the private bits, what some call the naughty parts, even when those things are present in the picture.  “How dare that naughty Mickey show the naked back end of that butterfly!  It ought to have pants on at least!”  Yes, I am making a mockery of that outrage itself.  I am not a pornographer.  These pictures were not created to engender any prurient interests.  These pictures are part of Blake’s lamb.  They will not bite you.  Though blue-nosed people who wish to control what others think may very well bite me for daring to say so.

I have posted a lot of writing and artwork on this blog that I held for the longest time to be completely private and personal.   I hardly ever showed any of it to anybody before I posted it here.  But I am old.  I no longer have secrets.  I am capable of telling you everything even though I have never met most of you in real life.  And I have no shame.  I have become comfortable with emotional and intellectual nudity.  And when I am dead, the body I have kept hidden from the world for so long will be no more.  It’s just a thought.  It’s a naked thought.  And it is completely innocent.

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Old Portraits Made Digital

I took pictures that I drew back in the 70s and 80s and updated them with digital art, redrawing the pictures with a stylus, a touch-screen phone, and an AI digital assistant. I took pictures I drew of real-life people I knew and updated them. I can’t make them look much like the real people. I have turned most of these into fictional characters anyway, but I won’t use any real names.

Clint was a student whom I loved to hate. He held classroom farting contests in my fourth period class with his mindless minions. He gave me no end of trouble for two years. But when I finally got the relief of his graduation from 8th grade, he was the kid I hugged the hardest, hoping to make it hurt, and the kid I missed the most.

Shelly Cobble, one of the twin Cobble Sisters, was both a member of the Pirates and a nudist at home.

Sherry Cobble, the self-proclaimed smarter twin, was also a Pirate and even more of a nudist than sister Shelly. And, no, they are not based on my twin cousins. Yes, I am pretty sure that’s true.

Sherry again as a high school senior, still a member of the Pirates’ liars’ club and still a nudist.

Shelly again, same grade still, nudist still, Pirate still, but maybe the nicer sister.

Edward-Andrew Campbell, better known as the Superchicken, still in Junior high at the time of this picture.

Andrew Doble, Pirate, liar, not a criminal according to him, most likely a criminal to local law enforcement.

Dennis.

And so, I run out of time for more. But I like what I have done.

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Other Folks’ Artwork

There are many, many things I appreciate about other people’s artwork. It is not all a matter of envy or a desire to copy what they’ve done, stealing their techniques and insights for myself, though there is some of that. Look at the patterns Hergé uses to portray fish and undersea plants. I have shamelessly copied both. But it is more than just pen-and-ink burglary.

I like to be dazzled. I look for things other artists have done that pluck out sweet-sad melodies on the heartstrings of my of my artistically saturated soul. I look for things like the color blue in the art of Maxfield Parrish.

I love the mesmerizing surrealism of Salvador Dali.

I am fascinated by William-Adolphe Bouguereau’s ability to create photo-realistic and creamy-perfect nudes.

Basil Wolverton’s comic grotesqueries leave me stunned but laughing.

The dramatic lighting effects employed by Greg Hildebrandt slay me with beauty. (Though not literally. I am not bleeding and dying from looking at this picture, merely metaphorically cut to the heart.)

I even study closely movie-poster portraits like Bogart and Bergman in this Casablanca classic poster.

I could show you so many more art pieces that I dearly love to look at. But I will end with a very special artist.

This is the work of my daughter, Mina “the Princess” Beyer. Remember that name. She’s better than I am.

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