Category Archives: writing

Being Prosaic

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I admit it.  I am prosaic.  I think in sentences.  I speak in paragraphs.  I write in 5-paragraph essays.  I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post.  I write prose.  Simple.  Direct.  Declarative.  But those last three are sentence fragments.  Does that fit the model of prose?  How about asking a question in the middle of a paragraph full of statements?  Is that all simple enough to be truly prosaic?

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Prose is focused on the everyday tasks of writing.  It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.

I don’t mean to be pulling your reader’s mind in two directions at once, however.  I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas.  I should be more clear, more direct, and more to the point.

So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.

20160705_214055Ah, irony again!  It ends up being anything but simple.  You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas.  One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning.  You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect.  Prose is a powerful and infinitely variable tool for creating meaning in words.  Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.

Simply stated; I am a writer of prose.  I am too dumb about what makes something poetry to really write anything but prose.  But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago.  I find it useful to examine in writing how I go about writing and what I can do with it.  I try to push the boundaries in directions they haven’t been pushed before.  And hopefully, I learn something from every new essay I write.  What I learned here is that I am prosaic.  And that is not always a bad thing.

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Braindrain With a Side-Order of Lethargy

Because of weather, depression, and dealing with a wounded automobile, I have been having trouble getting writing done lately.  I mean, me, the goof who writes every day and claims to never have writer’s block, is having trouble with being motivated enough the write things.

It is entirely possible that it is due to an improper diet.  I mean, I haven’t been eating well this week.  Having to squeeze the food budget to be able to pay all the bills this month is a part of the problem.  The effect intermittent rain and heat have on my appetite could also be at least partly to blame.  I stress eat, and am not always smart enough to depend on peanuts and peanut butter to get me through the problem.

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I realize I need to eat protein to aid my brain, and fruits and vegetables so that my diabetes will slow itself down in the process of eating my brain.  That process can make you a bit stupid.

I am also quite aware that eating food that has eyeballs and mouths and occasionally cat ears is also a bad idea for dietary propriety.  Especially if it can also talk to me.  Do non-cartoonists also have this problem?

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Eating right with Ramen noodles as seen in the movie Ponyo.

All right, I admit it.  My writing problems probably don’t stem from eating cartoon food.  Or eating food in a cartoon for that matter, a thing I haven’t tried in real life.  But the whole cartoon food allusion has gotten me halfway to 500 words today.  So it is worth something.  And the real solution to the problem has been to just sit down and clack away at the keyboard, even if the only thing it yields is foofy nonsense.  (And I know “foofy” isn’t even a real word, but WordPress counted it anyway.)  I managed to write today simply by doing it.

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K.I.S.S.

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When learning to write, you have to learn the rules.  And then you start writing, and you learn that you have to break all the rules to do it well.  But what do I know?  You have to be pretty desperate to get your writing advice from a Mickey.  After all, it’s not like Mickey was a writing teacher for over thirty years… oh, wait a minute… yes, he was.

Okay, so I decided to write today about the K.I.S.S. rule of writing.  That’s right, Keep It Simple, Stupid.  Other writing teachers tell me it should be, Keep It Simple, Sweetie, because you can’t say “stupid” to a kid.  Okay, that’s mostly true.  But I use “stupid” when I use the rule myself.  I’m talking to Mickey after all.

So, I better stop “bird-walking” in the middle of this essay, because “bird-walking”, drifting off topic for no purpose, is the opposite of keeping it simple.

I try to write posts of no more than 500 words.  I write an introduction that says something stupid or inane that speaks to the theme I want to talk about.  Then I pile in a few sentences that talk more about the theme and do a good job of irritating the reader to the point that they can’t wait to get to the conclusion.  Finally I finish up with a really pithy and wonderful bit of wisdom to tie a knot in the bow of my essay.  I save that bit for the end as a sort of revenge for all the readers who don’t read all the way to the end, even on a short post like this one.  Of course, I could be wrong about how wonderful and pithy it is.  What does “pithy” even mean?  It can be like the soup in the bottom of the chili pot, thicker and spicier than what came before… or possibly overcooked with burned beans.

That was another bit of “bird-walking”, wasn’t it?  See, you have to break the rules to make it work better.

So, in order to keep it simple, I guess I need to end here for today.  Simple can be the same thing as short, but more often you are trying to achieve “simple and elegant” and pack a lot of meaning and resonance into a few lines.  And I, of course, am totally incapable of doing that with my purple paisley prose.  And there’s the knot in that bow.

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Writing with Power

Troubled hearts can be soothed with words.  In 1Samuel 16:23 David plays the harp and his singing was a relief for Saul and the bad spirit departed from upon him.  In the same way, the written word can touch the soul of the reader and, like Saul, free the reader from the demons besetting him.  That is power.  That is responsibility.

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Of course, I am the last person to claim that I can teach you to write with power… I can’t even claim that I can write with power myself.  But I know how to write well enough to make myself laugh, cry, and feel through my writing.  And occasionally someone else reads my writing and agrees.  Through years worth of being a writing teacher, I do have some thoughts about how it may be done.

First of all, I am not wrong to choose David’s harp playing, inspired by Jehovah as it was, as a metaphor for writing power.  It is in the very sounds of the words that a great deal of emotion and meaning is embedded.  One can evoke a very bitter and angry feeling by describing a cruel woman not as a “mean girl” but as one whose laughter is “like the crass cackling of devious old witch”.   Mean girl has too soft a labial sound, even with the hard g, to be as ugly and staccato as the repeated sounds added to the tch and the fact that “devious” comes so close to “devil”… a related word.  A happy feeling can be created by describing a smile as “a sudden sunburst of white teeth and happiness”.  That almost makes me laugh…unless you add “shark’s” between “white” and “teeth”… and then I am convinced I am about to be eaten.  The sounds in the description are like a sizzling burn that leads into the firework display at the end of the word “sunburst”.  To write with the music inherent in words, at some point you have to hear it out loud.  I always hear the words in my head when I write, spoken in a wide variety of voices.  But to truly get it right, I have to read aloud to hear with my ears… which I have already done three times to this paragraph alone.

In order to have power, writing must manipulate feelings.   I don’t mean by using the word “manipulate” that it is some sort of Machiavellian bad thing.  Simply put, a writer must control the feelings of the reader, not by sound alone, but by the depth of meaning of the words.  You must be able to weave a paragraph together not only with the simple meanings of the words themselves, but all the connotations and denotations in those words.  You must use metaphor and simile, comparison, allusion, and sensory details.  Ernest Hemingway had a working style almost completely devoid of metaphor and the writer’s own personal commentary… but that only worked because all his themes were about dispirited people suffering tragedy and loss and a pervasive sense of disconnectedness.  Hemingway is a powerful writer… but his books never make me laugh.  Purple prosey over-describers like Charles Dickens can make me laugh with a simple list of things.  “The boy’s desk had a nearly dry ink bottle, several pens that needed new nibs and were chewed about the grip, and a small stack of papers crammed full of ink drawings of skulls and skeletons.”   It is that last startling detail in the list that makes the mundane suddenly funny.

I suppose to do today’s topic true justice, I should write about it in book length.  There is so much more to say.  But I have bored you long enough for one post with writing nuts and bolts.  It is enough to say that I believe in the magic of words, and I think that if, like any good Dungeons and Dragons wizard, you study your books of magic long enough, you can soon be casting fireballs around the room made up of nothing but words.

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Stranger Dings

Yes, Singing Bare has no message on his chalkboard. He is clearly nonplussed by the dozens of strange small things that have been happening for which he can find no cause… rhyme or reason.

One of the reasons he is nonplussed (here meaning confused and disoriented, not the new, controversial definition of nonchalance) is that Mickey is having trouble actually getting writing done. And yet, Mickey is definitely not suffering from writer’s block. The ideas still come in a flood that, if anything, drowns out older ideas that didn’t get written down before the brainstorms increased. There are currently three complete novels in my head waiting to get written down, and I added to none of them yesterday.

Poppensparkle is threatening to do to her novella what her sister, Derfentwinkle, did to her novella, turning it into the novel The Necromancer’s Apprentice.

The barrier is, of course, 30,000 words. More than that is a novel. Less than that is a novella. So, how do you do necessary world-building with a world of three-inch-tall fairies and keep it spare enough to fit into the shorter novella length? One can’t let such conundrums paralyze your writing. And yet, one can’t rely on the details in the previous book not needing to be repeated in this one to build a consistent fantasy world.

The problem with the primary WIP (Work in Progress for non-writers) is completely different. I left off in the middle of a Canto, as I often do to keep the flow going from one writing session to the next. And that normally is something I can just pick up and write the next time I sit down to it. Three weeks later I still haven’t finished the scene where Valerie is in the hospital and has to explain why her cousin Tim did something stupid to land him in the hospital in a coma… to Tim’s father, Uncle Rance. It is already written in my head. Just not in the perfect words. And I know it is stupid to wait for perfect words to magically appear. But I did… and they haven’t.

But the strange little thing that has Singing Bare nonplussed is actually a nudist thing. Both he and I share the problem of wanting to be a nudist, but not quite being able to cross that barrier. For him, as an imaginary turn-of-the-century Native American boy it is the inability to cast aside the loincloth, not because he’s shy, but because that sort of nakedness can get your ads canceled on WordPress. (Not that Mickey has ads.) For Mickey it is a matter of not being able to join a local nudist club because, although they allow single men to join, and married men with supporting wives can also join, but men with objecting wives are barred from applying. My wife is okay with me being a nudist as long as she doesn’t have to get naked herself. But she is unwilling to give any kind of written or verbal consent that will be observed by anyone besides Mickey himself. She would be embarrassed for anyone else in her religion to know that it was true that she was okay with her husband spending time naked socially.

So, I am not ashamed that I like the naturist-nudist way of life. I am sad that it took me so long to embrace it as a fact in life. And my wife has known about my belief in nudism since before we got married. She has only ever been opposed to nudism because she believes her religion tells her it is a sinful act. Yer, the Jehovah’s Witnesses believe that Adam and Eve were perfect when they were in the Garden of Eden. and the Bible says they were naked when they were perfect. So, since Witnesses believe they will all become perfect after Armageddon, they must also believe they will be naked after Armageddon. Right? Ah, well, that’s just one of those little dings life puts in the enamel of my being. One of those Stranger Dings.

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The Writing Imperative

I am a writer because I write.

I write because I have to.

I have to because somebody has to control the words.

People are made of words.  Their identity, their inner self, their reason for existence… all made of words.  The very thoughts in their heads are… words.

If I want to control the words I am made of, then I must be the writer who writes his own story.

I don’t want anyone else to write the words that essentially become me.  Do you?

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Of course, authors create characters.  Even autobiographers create characters.  Carl Sandburg could no more make his words into Lincoln than a bird can make its tweets into a cat.   Sandburg can, however, help us to understand Lincoln as Carl Sandburg understands the words that are Lincoln.

Lincoln probably did not have the words for “bikini girls” in his head when he wrote those words in the second quote.  But somebody thought that the picture would help us understand the words.  By all accounts, Lincoln was not a particularly happy man leading a particularly happy life.  But he showed us the meaning of his words when he stood firm against the strong winds of harsh words and bad ideas in a terrible time.  And he was as happy about it as he made up his mind to be.

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I, too, have not lived a particularly happy life.  But I was always the “teacher with a sense of humor” in the classroom, and students loved me for it.  Funny people are often not happy people.  But they make themselves out of funny words because laughter heals pain, and jokes are effective medicine.  And so I choose to write comedy novels.  Novels that are funny even though they are about hard things like freezing to death, losing loved ones, being humiliated, being molested, and fear of death.  Magical purple words can bring light to any darkness.  I am the words I choose to write in my own story.  The words not only reveal me, they make me who I am.  And it is up to me to write those words.  Other people might wish to do it for me.  But they really can’t.  The words are for me alone to write.

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And so it is imperative that I write my words in the form of my novels, my essays, and this goofy blog post.  I am writing myself to life, even if no one ever reads my writing.

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On Fridays I’m Supposed to Be Funny

Being a daily blogger who has now reached 421 consecutive days with at least one post on WordPress and at least one Tweet on Twitter (linking it to this blog,) I am attempting to impose order and structure on the content of this humor blog.

Mondays are for self-reflection, Tuesdays are for my on-going novel writing, Wednesdays are for what ever is current or topical to complain about, Thursdays are about teaching something (or stories about teaching something to somebody in the past,) Fridays are supposed to be funny business, Saturdays are about artwork, and Sundays are for major themes and big ideas.

So, you can see, I blow the structure apart regularly every single week. I almost never do it according to plan.

But that doesn’t excuse the fact that I am supposed to be Funny on Fridays. You see, not only is Funny on Friday an alliteration, a poorly-connected form of ironic humor, but Friday is named after the Norse goddess Frigga, the goddess of love, marriage, fertility, family, and civilization. There is no Norse goddess of humor. But humor is obviously always about sex, the toilets backing up, kids defying their parents in order to do something foolish, how terrible your mother-in-law really is, laws that Republicans pass that screw up your life, and sex again… all those things Frigga was the goddess of.

And I have now come to the realization that I have arrived at my Laughing Place. I am now retired from a job I loved that provided me with numerous little anecdotes about the funny things that happen to teachers. You know, things like a kid that destroyed the hallway drinking fountain by head-butting it, the kid who could make his entire head turn purple by tightening every muscle in his rubber face, the boys who held fart contests for an entire month in 1984, the winner of the contest winning a week of in-school suspension, and the loser winning the exact same prize, and many other such stories that most of the girls were smart enough not to become the main characters of.

I have also managed to reach a point in life where I don’t have to worry about money (at least not the way I used to worry, being more than thirty thousand dollars in debt.) After five years of paying off a Chapter 13 Bankruptcy and inheriting a farm as a third-part-owner of farmland where we rent the land and don’t do the work ourselves. I am no longer in debt. And the evil pirate bankers are no longer circling my home like vultures. So, I am in my Laughing Place because debt-free farmland ownership is my brier patch. The evil pirate bankers threw me in, and it turned out it was a good place for the rabbit that is me. Now I can laugh and laugh. And I might as well do it on Fridays.

So you can now rely on me to try and frequently fail to follow the schedule and be funny on Fridays.

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Wisdom From a Writer’s Life

Don’t get too excited.  I searched every box, trunk, bag of tricks, safe, closet, and jelly bean jar that I have in my rusty old memory.  I didn’t find much.  In fact, the old saying is rather applicable, “The beginning of wisdom is recognizing just how much of a fool you really are.”  The little pile of bottle caps and marshmallows that represent the sum total of my wisdom is infinitely tiny compared to the vast universe of things I will never know and never understand.  I am a fool.  I probably have no more wisdom than you do.  But I have a different point of view.  It comes from years worth of turning my ideas inside out, of wearing my mental underwear on the outside of my mental pants just to get a laugh, of stringing images and stupid-headed notions together in long pointless strings like this one.

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Mason City, Iowa… where I was born.  River City in the musical “The Music Man“.

One thing I can say with certainty, nothing makes you understand “home”, the place you grew up in and think of as where you come from, better than leaving it and going somewhere else.  Federal Avenue in Mason City looks nothing now like it did when I was a boy in the 1960’s going shopping downtown and spending hours in department stores waiting for the ten minutes at the end in the toy section you were promised for being good.  You have to look at the places and people of your youth through the lenses of history and distance and context and knowing now what you didn’t know then.

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Grandpa Aldrich’s farm in Iowa is now Mom and Dad’s house.  It has been in the family for over 100 years, a Century Farm.

The only thing that stays the same is that everything changes.  If I look back at the arc of my life, growing up in Iowa with crazy story-telling skills inherited from Grandpa Aldrich, to going to Iowa State “Cow College” and studying English, to going to University of Iowa for a remedial teaching degree because English majors can’t get jobs reading books, to teaching in distant South Texas more than a thousand miles away, to learning all the classroom cuss words in Spanish the hard way, by being called that, to moving to Dallas/Fort Worth to get fired from one teaching job and taking another that involved teaching English to non-English speakers, to retiring and spending time writing foolish reflections like this one because I am old and mostly home-bound with ill health.  I have come a long way from childhood to second childhood.

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                                                                                      If “what doesn’t kill you makes you stronger” is really true, I should be Superman now.  I look like I’ve seen a lot of Kryptonite, don’t I?

Six incurable diseases and being a cancer survivor since 1983 have left their marks upon me.  Literally.  Little pink bleedy spots all over me are the mark of psoriasis.  The fuzzy-bad photo of me spares you some of the gory details.  The point is, I guess, that life is both fleeting and fragile.  If you never stop and think about what it all means then you are a fool.  If you don’t try to understand it in terms of sentences and paragraphs with main ideas, you are an even bigger fool.  You must write down the fruit of your examinations and ruminations.  But if you reach a point that you are actually satisfied that you know what it all means, that makes you the biggest fool of all.

If I have any wisdom at all to share in this post about wisdom, it can be summed up like this;

  • Writing helps you with knowing, and knowing leads to wisdom.  So take some time to write about what you know.
  • Writing every day makes you more coherent and easier to understand.  Stringing pearls of wisdom into a necklace comes with practice.
  • Writing is worth doing.  Everyone should do it.  Even if you don’t think you can do it well.
  • You should read and understand other people’s wisdom too, as often as possible.  You are not the only person in the world who knows stuff.  And some of their stuff is better than your stuff.
  • The stuff you write can outlive you.  So make the ghost of you that you leave behind as pretty as you can.  Someone may love you for it.  And you can never be sure who that someone will be.

So by now you are probably wondering, where is all that wisdom he promised us in the title?  Look around carefully in this essay.  If you don’t see it there, then you are probably right in thinking, just as I warned you about at the outset, “Gosh darn that Mickey!  He is a really big fool.”

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What the Heck is this Blog About?

I read a lot of other people’s blogs for a lot of reasons.  As an old writing teacher and retired Grammar Nazi, I love to see where writers are on the talent spectrum.  I have read everything from the philosophy of Camus and Kant to the beginning writing of ESL kids who are illiterate in two languages.  I view it like a vast flower garden of varied posies where even the weeds can be considered beautiful.  And like rare species of flower, I notice that many of the best blossoms out there in the blogosphere are consistent with their coloring and patterns.  In other words, they have a theme.

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So, do I have an over-all theme for my blog?  It isn’t purely poetical like some of the poetry blogs I like to read.  I really only write comically bad poetry.  It has photos in it, but it isn’t anything like some of the photography blogs I follow.  They actually know how to photograph stuff and make it look perfect and pretty.  It is not strictly an art blog.  I do a lot of drawing and cartooning and inflict it upon you in this blog.  But I am not a professional artist and can’t hold a candle to some of the painters and artists I follow and sometimes even post about.  I enjoy calling Trump President Pumpkinhead, but I can’t say that my blog is a political humor blog, or that I am even passable as a humorous political commentator.

One thing that I can definitely say is that I was once a teacher.  I was one of those organizers and explainers who stand in front of diverse groups of kids five days a week for six shows a day and try to make them understand a little something.  Something wise.  Something wonderful.  Something new.  Look at the video above if you haven’t already watched it.  Not only does it give you a sense of the power of holding the big pencil, it teaches you something you probably didn’t realize before with so much more than mere words.

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But can I say this is an education blog?  No.  It is far too silly and pointless to be that.  If you want a real education blog, you have to look for someone like Diane Ravitch’s blog.  Education is a more serious and sober topic than Mickey.

By the way, were you worried about the poor bunny in that first cartoon getting eaten by the fox and the bear?  Well, maybe this point from that conversation can put your mind at ease.

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Mickey is tricky and gets good mileage out of his cartoons.

You may have gotten the idea that I like Bobby McFerrin by this point in my post.  It is true.  Pure genius and raw creative talent fascinate me.  Is that the end point of my journey to an answer about what the heck this blog is about?  Perhaps.  As good an answer as any.  But I think the question is still open for debate.  It is the journey from thought through many thoughts to theme that make it all fun.  And I don’t anticipate that journey actually ending anytime soon.

 

 

 

 

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Writer’s Block

I have always contended that I don’t have writer’s block. But some days, especially if I am not feeling well, I have writer’s lethargy. I can be slow to come up with the next thing. Writing can become bogged down and I am easily distracted or lose focus and have to return to what I was trying to do previously.

There is evidence that I have often had that kind of problem frequently on this blog. One thing I do to overcome writer’s lethargy is suddenly start thinking about how you can overcome writer’s block. What are the strategies that help me overcome it?

I often resort to “kickstart statements.” These are surprising or deep-left-field items that give the old brain a shot of adrenaline. The picture of the girl with the message blackboard is that kind of kickstarter. I never could have used that thing in any kind of social-media post when I was still employed as a teacher. It has the potential to generate parent complaints and administrative thoughts about evaluations and contract cancellations. But there really are kids who have thoughts like that in your classroom, and I know because not only was I a kid like that myself, I used it as an optional journal topic for writing practice, and, boy! do they ever catch fire when they can write about something like that and they know only the teacher is ever going to read it. It is the way I learned how many of my students had ever been to a nude beach in Corpus Christi or Lake Travis (Hippy Hollow.)

I can also look around the room, or scroll through my media library on WordPress and find an image or an item that generates ideas, responses, and even stories. I scrolled through to find this image of the Gummi Bear, who was a brief internet sensation on YouTube a few years ago coming from German CGI cartoons that illustrated earworm music with dancing green gummy bears. There’s a lot a goofy writer like me can run away with inspired by a nonsense thing like that.

It is also possible to generate new ideas by deconstructing a metaphor in as humorous and convoluted a way as possible. This word-food thing is the result of writer’s lethargy of a while back.

Of course, there is always the ranting factor. This, I think, is a go-to method used by stand-up comedians. They will pick something that is deeply bugging them, like the rats that inhabit my attic and walls during a winter that hasn’t yet completely gone. And they start listing all the ways they can make funny stories about the time the rat appeared on the bathroom floor tiles while my daughter was on the toilet, or the time the dog killed a rat that was in the trap already, but not dead enough not to bite back with the dog’s nose conveniently within the reach of rat teeth. And then they can rant onward about how disgusting rats are. And how can anyone look at a rat face and think they are cute? You look at that evil, beady-eyed face and you don’t think Mickey Mouse, you think plague, disease, the Black Death, and how much the Bank of America lawyer who sued you looks just like that.

So, you can see that generating ideas is easy. And you can write something interesting even on days when you can’t think of anything … quickly. When you have, not writer’s block, but writer’s lethargy.

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