
If you have the bad habit of reading this particular blog more than once, then you are probably aware that I used to be a public school teacher. Even worse, I used to be a middle school English teacher. Aagh! Seventh graders! It explains a lot about how life has warped my intelligence, personality, and world view. It also explains somewhat where I found such a fountain-like source for some of the worst jokes you ever heard.
Now, as to the question of why I have chosen in my retirement early-onset senility to become a humor-blogger… well, that is simply not something I can answer in one post… or even a thousand. But kids are the source of my goofball clown-brain joking around.

Kid-humor, you see, is stunted and warped in weird ways by the time period you are talking about. The eighties, nineties, two thousands, and the tens are all very different. And those are the various sets of students that I attempted to learn moose bowling from by teaching them English.
Still, there are certain universal constants.
Potty humor really kills. If you want to make a thirteen-year-old crack up with laughter, roll around on the floor, and maybe wet his or her pants, then you only need to work the “poop” word, or the “nickname for Richard” word, or the “Biblical word for donkey” word into the conversation. Of course the actual words, even though we all know what they actually are, are magical words. If you actually say them to kids in school as their teacher, those words can actually make you magically and permanently disappear from the front of the classroom. All kids are big fans of George Carlin and his seven words, even though most of them have never heard of him.
And violent humor is popular with kids from all decades. The most common punch line in the boys’ bathroom is, “… and then he kicked him in the Biblical word for donkey!” followed closely in second place by, “… and then she kicked him in the Biblical word for donkey!” I am told (for I don’t actually go in such scary places myself) that in the girls’ bathroom the most popular punch line is, “…so I kicked him right in the soccer balls, and he deserved it!” Why girls are apparently obsessed with soccer, I don’t know… or particularly care.
So my education in humor began with bad-word jokes, slapstick humor, put-downs, and rude noises coming from unfortunate places. Humor in the classroom is actually a metaphorical mine field laced with tiger traps, dead-falls that end with an anvil hitting you on the head, or being challenged to a life-or-death game of moose bowling. (Don’t know what moose bowling is? Moose bowling is a very difficult game that, in order to knock down all the pins and win, you have to learn to roll a moose down the alley.) Sounds like I spend too much time watching cartoons and playing video games, doesn’t it? Well, there’s more. And it gets worse from here. But I will spare you that until the next time I am foolish enough to try making excuses for my really bad jokes.


































Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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Tagged as My Little Pony, Snow Babies