I have told you before that I am blessed with the mental quirk known as synesthesia. I get sensory impressions of things that they can’t possibly have, but my brain imposes them anyway. For instance, today is a Thursday, so it is a yellow-ochre day. You can’t actually see the colors of a day or a month, but I do. I have very strong impressions with crossed-up sensory input. Mondays are teal blue, except in the month of September which is sky blue, so they become a darker blue or indigo-color day every week. And this weird mental mini-illness also applies to fiction.

For example, the character of Atticus Finch, the lawyer and father of Scout in To Kill a Mockingbird comes across to me as a beige character. He represents a hero who struggles to do what is essentially right in a difficult situation. He faces raising Scout and her older brother Gem in a time and place where racism and vindictiveness are often dominant, and fairness and a sense of equity is often lost in the face of those problems. Hence, I believe that if he was some kind of pure, saintly character, he would be pure white as a character. But he has to make compromises. He has to shoot the rabid dog. He has to accept food and other goods in lieu of fees from people who can’t otherwise pay a lawyer for legal help. He has to defend a black man from wrongful rape charges as a public defender. But he is definitely a good man. He understands and accepts the shortcomings of a damaged soul like Boo Radley. He defends Tom Robinson, the black man, as an equal, even as a friend. He has to defeat the Ewells in court, but he understands and feels sympathy for abused Mayella Ewell.
Atticus Finch is beige in color because he is a character of firm principles who is not perfect, and slightly browned by the compromises of a regular hard life.

Captain Ahab, from the novel Moby-Dick, is a very different character, though he is played here by the same actor, Gregory Peck. Ahab is a dark navy-blue character. Navy blue is a color associated with the sea and the Navy (well, duh!), but also represents the depths of the ocean, the darkness that can fill the deepest corners of the obsessive mind. It is not quite a black villainous color, but definitely darker than what is needed. Ahab is a main character in his story, but definitely not a hero. He is an obsessive-compulsive nightmare, which is also a navy-blue thing. He is a storm-cloud threatening to sink his own ship, which he eventually does, and also a navy-blue thing.

Captain Keith Mallory, the anchoring main character in the plot of Alistair Maclean’s novel The Guns of Navarone, is a Kelly green character.
Now, that, of course, is not a mere Irish association, although Mallory is probably an Irish name. The color, for me, smacks of military discipline, resilience, irrepressible life and hope, and responsibility. Captain Mallory is not the leader of the commando raid on the impossibly secure anti-ship gun site on the island of Navarone, but leadership is thrust upon him when Major Franklin is injured climbing the cliff towards the guns. He is forced to adapt and make incredibly hard choices, leaving Franklin behind to be cured of gangrene by the enemy while in possession of false information that Mallory intentionally made him believe, knowing it would be tortured out of him. He also must decide to execute the resistance girl who had been helping the commandos until it was revealed she was a plant and actually helping the Germans. He is a Kelly green character of life and hope because he finds a way to succeed in the mission and brings most of the group out of it alive, having struck a major blow to the Germans.
This essay is not about Gregory Peck, though he is in all the pictures. I am merely using him to illustrate the idea that characters in fiction have different colors for me. He is a very good actor to be able to change color so easily. But the colors represent for me the kinds and qualities of the characters. I know it is not an entirely rational thing. But like the synesthesia effects on the days of the week, the colors perceived by my irrational Mickey-brain for fictional characters mean something to me, and I am attempting to explain in the best way that an irrational Mickey can.


































Dave Barry
I threatened to write a post about Dave Barry and the writing gods apparently thought that was a very very bad idea. They have tried to prevent me from carrying out this idle threat by attacking my computer with gremlins. Now my WordPress page is shrinking practically out of sight. I can barely see what I am typing. You don’t believe me? Here’s what it looks like at the moment;
They obviously tricked me into pressing the secret shrink button on my computer, and I have no idea where to find the un-shrink features. Not only that, but my Facebook page is automatically translating everything it can into French. They really don’t want me to tell you about Dave Barry. And why do you suppose that is?
Well, Dave Barry may actually be me from a parallel dimension. He started writing for The Miami Herald in the early 80’s, at about the same time I started teaching. He retired from that in 2004 after winning a Pulitzer Prize and started writing humorous novels…. the same thing I started doing when I left the job I loved and was good at. Okay, so I am stretching the analogy to the point that all the buttons are popping off its shirt… but the point is, we are alike in some ways and I admire his work and I steal things from it whenever I possibly can. Like this post. I deeply admire the way he can say witty and pithy things. Like some of these quotes;
So, you see, he is very good at doing what I want to be good at. He is a humor columnist and all-around imitation Mark Twain. And I have read and loved his novels. Especially the Peter Pan things he writes with a partner.
So, I will leave this post here even though I could talk for hours about how Dave Barry makes me laugh. I have to stop. the words on the screen keep getting smaller and smaller, and my old eyes are about to fall out of my head.
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