
See Dick?
See Jane?
See Sally?
See Dick run?
See Jane run?
See Sally…? Wait a minute! Why don’t I remember Sally?
Did Dick forget to feed Spot and Spot was forced to kill and eat Sally?
No… I had Dick and Jane books in Kiddy-garter and they did have Sally in them. And Spot never killed anyone. But with all the running she did, Sally did not do anything memorable. If my teacher, Miss Ketchum, had told the Spot eats Sally story, I’m sure I would’ve remembered Sally better and learned to read faster.
But I actually did learn to read faster because there was a Cat in the Hat, and a Yertle the Turtle, and because Horton the elephant heard a Who, and a Grinch stole Christmas. Yes, humor is what always did it for me in the classroom. Dr. Seuss taught me to read. Miss Mennenga taught me to read out loud. And in seventh grade, Mr. Hickman taught me to appreciate really really terrible jokes. And those are the people who twisted my arm… er, actually my brain… enough to make me be a teacher who taught by making things funny. There were kids who really loved me, and principals who really hated me. But I had students come back to me years later and say… “I don’t remember anything at all from my classes in junior high except when you read The Outsiders out loud and did all those voices, and played the Greek myth game where we had to kill the giants with magic arrows, and the stupid jokes you told.” High praise indeed!

I think that teaching kids to laugh in the classroom was a big part of teaching them how to use the language and how to think critically. You find what’s funny in what you learn, and you have accidentally examined it carefully… and probably etched it on the stone part of your brain more memorably than any other way you could do it. And once it’s etched in stone, you’re not getting that out again any time soon.


Humor makes you look at things from another point of view, if for no other reason, then simply because you are trying to make somebody laugh. For instance, do you wonder like I do why the Cat in the Hat is trying to pluck the wig off of Yelling Yolanda who is perched on the back of yellow yawning yak? I bet you can’t look at those two pictures positioned like that and not see what I am talking about. Of course, I am not betting money on it. I am simply talking Iowegian… a totally different post.
But the point is, humor and learning go hand in hand. It takes intelligence to get the joke. Joking makes you smarter. And that is why the class clowns in the past… the good and funny ones… not the stupid and clueless ones… were always my favorite students.



























How To Write A Mickian Essay
I know the last thing you would ever consider doing is to take up writing essays like these. What kind of a moronic bingo-boingo clown wants to take everything he or she knows, put it in a high-speed blender and turn it all into idea milkshakes?
But I was a writing teacher for many years. And now, being retired and having no students to yell at when my blood pressure gets high, the urge to teach it again is overwhelming.
So, here goes…
Once you have picked the silly, pointless, or semi-obnoxious idea you want to shape the essay around, you have to write a lead. A lead is the attention-grabbing device or booby-trap for readers that will draw them into your essay. In a Mickian essay, whose purpose is to entertain, or possibly bore you in a mildly amusing manner, or cause you enough brain damage to make you want to send me money (this last possibility never seems to work, but I thought I’d throw it in there just in case), the lead is usually a “surpriser”, something so amazingly dumb or off-the-wall crazy that you just have to read, at least a little bit, to find out if this writer is really that insane or what. The rest of the intro paragraph that is not part of the lead may be used to draw things together to suggest the essay is not simply a chaotic mass of silly words in random order. It can point the reader down the jungle path that he or she can take to come out of the other end of the essay alive.
Once started on this insane quest to build an essay that will strangle the senses and mix up the mind of the reader, you have to carry out the plan in three or four body paragraphs. This is where you have to use those bricks of brainiac bull-puckie that you have saved up to be the concrete details in the framework of the main rooms of the little idea-house you are constructing. If you were to number or label these main rooms, this one you are reading now would, for example, be Room #2, or B, or “the second body paragraph”. And as you read this paragraph, you should be thinking in the voice of your favorite English teacher of all time. The three main rooms in this example idea house are beginning, middle, and end. You could also call them introduction, body, and conclusion. These are the rooms of your idea house that the reader will live in during his or her brief stay (assuming they don’t run out of the house screaming after seeing the clutter in the entryway).
The last thing you have to do is the concluding paragraph. (Of course, you have to realize that we are not actually there yet in this essay. This is Room C in the smelly chickenhouse of this essay, the third body paragraph.) The escape hatch on the essay that may potentially explode into fireworks of thoughts, daydreams, or plans for something better to do with your life than a read an essay written by an insane former middle school English teacher at any moment, is a necessary part of the whole process. This is where you have to remind them of what the essay is basically about, and leave them with the thought that you want to haunt them in their nightmares later. The last thing that you say in the essay is the thing they are the most likely to remember. So you need to save the best for last.
So, here, finally, is the exit door to this masterfully mixed-up Mickian Essay. It is a simple, and straightforward structure. The introduction containing the lead is followed by three or four body paragraphs that develop the idea and end in a conclusion that summarizes or simply restates the overall main idea. And now you know why all of my former students either know how to construct an essay, or have several years left in therapy sessions with a psychiatrist.
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