
These are volumes 3 & 4 of my daily journal that I have kept since the 1980s.
Writing every single day is something I have been doing since 1975, my senior year in high school. It is why I claim to be a writer, even though I have never made enough money at it to even begin to think of myself as a professional writer. I kept a journal/diary/series of notebooks that I filled with junk I wrote and doodles in the margins up until the mid-90s when I began to put all my noodling into computer files instead of notebooks. I have millions of words piled in piles of notebooks and filling my hard drive to the point of “insufficient memory” errors on my laptop. I am now 69 years old and have been writing every day for 51 years.

There are days in the past where I only wrote a word, or a sentence or two. But there were a lot of words besides the words in my journal. I started my first novel in college. I completed it the summer before my first teaching job in 1981. I put it the closet, never to be thought of again, except when I needed a good cringe and cry at how terrible a writer I once was. I have been starting, stopping, percolating, piecing together, and eventually completing novel projects ever since… each one goofier and more wit-wacky than the last. So I have a closet full of those too.

It would be wrong of me to suggest that my journals are only for words. As a cartoon-boy-wannabee I doodle everywhere in margins and corners and parts of pages. Sometimes the doodle is an afterthought. Sometimes it precedes the paragraph. Sometimes it is directly connected to the words and their meaning.
Sometimes the work of art is the main thing itself.

But always, the habit of writing down words and ideas every single day takes precedence over every other part of my day. That’s the main reason I am stupid enough to think of myself as a writer even though I don’t make a living by writing.

But I did put my words into my profession too. As a teacher of writing, I wrote with and to my students. I did that for 31 years as a classroom teacher, and two years as a substitute. I required them each to keep a daily journal (though they only got graded for the ones they wrote in class, and then only for reaching the amount of words assigned). We shared the writing aloud in class, making only positive comments. I wrote every assignment I gave them, including the journal entries. They got to see and hear what I could write, and it often inspired them or gave them a structure to hang their own ideas upon. And often they liked what I wrote and were surprised by it almost as much as I liked and was surprised by theirs. Being a writer was never a total waste of time and effort.
So am I telling you that if you want to be writer you have to write every day too? If I have to tell you that… you have totally missed the point.




















I Hope You Dance…
When you walk to the front of the classroom and take up the big pencil in front of a group of young teens and twelve-year-olds, there is a strong pressure to learn how to sing and dance. That, of course, is a metaphor. I was always too arthritic and clunky in my movements to literally dance. But I looked out over a sea of bored and malevolence-filled eyes, slack and sometimes drooling mouths attached to hormone-fueled and creatively evil minds. And I was being paid to put ideas in their heads. Specifically boring and difficult ideas that none of them really wanted in their own personal heads. So I felt the need to learn to dance, to teach in ways that were engaging like good dance tunes, and entertaining in ways that made them want to take action, to metaphorically get up and dance along with me.
I wanted them to enjoy learning the way I did.
But the music of the teacher is not always compatible with the dance style of the individual learner. The secret behind that is, there is absolutely no way to prompt them to dance along with you until you learn about the music already playing in their stupid little heads. (And you can’t, of course ever use the word “stupid” out loud, no matter how funny or true the word is,) You have to get to know a kid before you can teach them anything.
The discordant melodies and bizarre tunes you encounter when you talk to them is like dancing in a minefield blindfolded. Some don’t have enough to eat at home and have to survive off of the nutrition-less food they get in the school cafeteria’s free-and-reduced lunch program. Some of them have never heard a single positive thing from the adults at home, enduring only endless criticism, insults, and sometimes fists. Some of them fall in love you. Some due to hormones. Some due to the fact that you treat them like a real human being. Some because they just stupidly assume that everyone dances to the same tunes they hear in their own personal head.
Some of them automatically hate you because they know that if you hear their own secret music in their own self-loathing heads, you will never accept it. They hate you because you are a teacher and teachers always hate them. Some of them, deep down, are as loathsome as they think they are.
But, if you find the right music, you can get any of them, even all of them, to dance. It might be hard to find. It might be a nearly impossible task to learn to play that music once you find it. But it can be done.
And if you get them to dance to your music, to dance along with you, I can’t think of anything more rewarding, anything more life-fulfilling. Have you ever tried it for yourself? If you are not a teacher, how about with your own children or the children related to you? Everybody should learn to dance this dance I am talking about in metaphors. At least once in your life. It is addictive. You will want to dance more. So the next time the music starts and you get the chance… I hope you’ll dance!
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