Category Archives: strange and wonderful ideas about life

Stranger Dings

Yes, Singing Bare has no message on his chalkboard. He is clearly nonplussed by the dozens of strange small things that have been happening for which he can find no cause… rhyme or reason.

One of the reasons he is nonplussed (here meaning confused and disoriented, not the new, controversial definition of nonchalance) is that Mickey is having trouble actually getting writing done. And yet, Mickey is definitely not suffering from writer’s block. The ideas still come in a flood that, if anything, drowns out older ideas that didn’t get written down before the brainstorms increased. There are currently three complete novels in my head waiting to get written down, and I added to none of them yesterday.

Poppensparkle is threatening to do to her novella what her sister, Derfentwinkle, did to her novella, turning it into the novel The Necromancer’s Apprentice.

The barrier is, of course, 30,000 words. More than that is a novel. Less than that is a novella. So, how do you do necessary world-building with a world of three-inch-tall fairies and keep it spare enough to fit into the shorter novella length? One can’t let such conundrums paralyze your writing. And yet, one can’t rely on the details in the previous book not needing to be repeated in this one to build a consistent fantasy world.

The problem with the primary WIP (Work in Progress for non-writers) is completely different. I left off in the middle of a Canto, as I often do to keep the flow going from one writing session to the next. And that normally is something I can just pick up and write the next time I sit down to it. Three weeks later I still haven’t finished the scene where Valerie is in the hospital and has to explain why her cousin Tim did something stupid to land him in the hospital in a coma… to Tim’s father, Uncle Rance. It is already written in my head. Just not in the perfect words. And I know it is stupid to wait for perfect words to magically appear. But I did… and they haven’t.

But the strange little thing that has Singing Bare nonplussed is actually a nudist thing. Both he and I share the problem of wanting to be a nudist, but not quite being able to cross that barrier. For him, as an imaginary turn-of-the-century Native American boy it is the inability to cast aside the loincloth, not because he’s shy, but because that sort of nakedness can get your ads canceled on WordPress. (Not that Mickey has ads.) For Mickey it is a matter of not being able to join a local nudist club because, although they allow single men to join, and married men with supporting wives can also join, but men with objecting wives are barred from applying. My wife is okay with me being a nudist as long as she doesn’t have to get naked herself. But she is unwilling to give any kind of written or verbal consent that will be observed by anyone besides Mickey himself. She would be embarrassed for anyone else in her religion to know that it was true that she was okay with her husband spending time naked socially.

So, I am not ashamed that I like the naturist-nudist way of life. I am sad that it took me so long to embrace it as a fact in life. And my wife has known about my belief in nudism since before we got married. She has only ever been opposed to nudism because she believes her religion tells her it is a sinful act. Yer, the Jehovah’s Witnesses believe that Adam and Eve were perfect when they were in the Garden of Eden. and the Bible says they were naked when they were perfect. So, since Witnesses believe they will all become perfect after Armageddon, they must also believe they will be naked after Armageddon. Right? Ah, well, that’s just one of those little dings life puts in the enamel of my being. One of those Stranger Dings.

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The World is a B-Movie

Yes, I am saying the world I live in is a low-budget commercial movie made without literary or artistic pretensions. You know, the kind where movie makers learn their craft, taking big risks with smaller consequences, and making the world of their picture reflect their heart rather than the producer’s lust for money.

Mostly what I am talking about are the movies I remember from late-night Saturday TV in black and white (regardless of whether or not the movie was made in Technicolor) and the less-risky as well as more-likely-good Saturday matinees on Channel 3. Movies made in the 1950s, 1960s, and early 1970s. They were perfect, of course, for the forbidden Midnight Movie on the show called Gravesend Manor. I had to sneak downstairs to watch it on Saturday nights with the volume turned way down low. (Not that Mom and Dad didn’t know. Well, maybe they didn’t know how many of those I watched completely naked… maybe.)

I watched this one when I was twelve, late night on an October Saturday. I had a bed-sheet with me to pull over my head at the scariest parts. Frankenstein was a crashed astronaut brought back to life by the magic of space radiation. He was uglier than sin, but still the hero of the movie, saving the Earth from invading guys in gorilla suits and scary masks (none of which looked like the movie poster.)

This one, starring James Whitmore, a really good B-Movie actor, was about giant ants coming up from the sewers and the underground to eat the city.

I would end up watching it again twenty years later when I was wearing clothes and not alone in the dark house lit only by a black-and-white TV screen.

I realized on the second viewing that it was actually a pretty good movie in spite of cheesy special effects. And I realized too that I had learned from James Whitmore’s hero character that, in times of crisis, you have to run towards the trouble rather than away from it, a thing that I used several times in my teaching career with fights and tornadoes and even rattlesnakes visiting the school campus looking to eat a seventh-grader or something (though it was a bad idea for the snake even if it had been successful.)

This one, of course, taught me that monsters liked to carry off pretty girls in bikinis. And not just on the poster, either. But it was the hero that got the girl, not the monster. This movie taught me that it sucks to be the monster. Though it also taught me that it was a good movie to take your pajamas off for and watch naked when you are thirteen.

But not all B-movies had to be watched late night on Saturdays. This movie was one of the first ones that I got to go to the movie theater to see by myself. (My sisters and little brother were still too young and got nightmares too easily to see such a movie.) It came out when I was in my teens and Mom and Dad began thinking of me as an adult once… or even possibly twice in a month.

And not all B-movies were monster movies, gangster movies, and westerns. Some, like a lot of Danny Kaye’s movies, were movies my Dad and my grandparents were more than happy to watch with me. I saw this one in both black-and-white and color. And I learned from this that it was okay to take advantage of happy accidents, like a case of mistaken identity, and using your wits, your creative singing ability, and your inexplicable good luck to win the day for everybody but the bad guys armed only with your good sense of humor.

And some of the best movies I have ever seen, judging by what I learned about movies as literature from Professor Loring Silet in his Modern Film Class at Iowa State University, are by their nature B-movies.

I am using movie posters in this blog post only from movies I have personally seen. (And I admit that not all of them are strictly “good” movies according to Professor Silet, but I like them all.)

Feel free to tell me in the comments if you have seen any of these movies yourself. I am open to all opinions, comments, and confessions.

This one is based on Shakespeare’s The Tempest.
I saw this one in college. You had to be 18 at the time to even buy a ticket.
I actually think that this is one of the best movies ever made. It will always make my own personal top-ten list.

I live in a B-movie world. The production values around me are not the top-dollar ones. But the stories are entertaining. The real-life heroes still run towards the problem. And it still sucks to be the monster. But it has always been worth the price of the ticket. And during my time on Earth here, even in 2020, I plan on staying till the end of the picture. I go nowhere until I see the Best Boy’s name in the end credits. And maybe not even then.

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Is Mickey Icky?


This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
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I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway through Firestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
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But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.

Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
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So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
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And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.

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A Concert Performed For Nobody

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Back in my college days in the late 70’s I came back to the dorm one night late due to research until the library closed. In the entry hall to the dorms there was a piano. I had never seen anybody playing it. But as I got there, there was a student playing it. It was my nerd friend Kip, an engineering major. It was quiet, unassuming Kip. Kip who was so quiet, in fact, that I can’t even remember his last name, or what his voice sounded like. But he was playing the piano in an empty room with nobody listening. He was playing Scott Joplin’s composition “The Entertainer”. He had his back to me, totally lost in the music. He didn’t know I was there. And I… I was transfixed. I realized he was just practicing. But he knew the music right out his head, no sheet music on the piano in front of him. And he played like the ultimate virtuoso. And the music was so good it made my soul tingle.

It occurs to me that that single moment is, for me, a metaphor for my life. It is a concert played for nobody. I am competing only with myself. I am trying to please only myself. And if anybody is listening… I mean really listening… not just looking at the pictures and moving on, I don’t know it. And that is probably how it should be. This poor player is strutting and fretting his hour upon the stage. And when the concert ends… when the concert ends…? Applause is not likely. And applause is not needed. The music exists for its own sake. And the echoes of it are the fuel that powers the universe.

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Daily Magic

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Daily Magic

The world all around us is magic…

And magic encompasses all,

But sadly the world is not permanent

And tomorrow the darkness may fall.

So here is the magic of daylight

The sun has arisen from pall

And at least for a moment the true light

Is the sun as it voices its call.

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Never Explain

You should never have to explain a poem…

It is there for all to see…

And whether ’tis sick, or happy, or bad…

It is its own reason to be.

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Never Explain… The Sequel

You should never have to explain a joke…

Whether stupid, or ribald, or punny…

Because reasons all melt with explaining…

And, if you do, it’s not really funny.

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Pearls in the Dark

Swim down into deepening darkness.

Do you truly want to find a pearl?

Fish around in oysters and dark places.

Risk your fingers, your hand… hold your breath.

The deeper you dive, the more you risk, the brighter the pearl.

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Write This One Too, Doofus!

Where did these poems suddenly come from?

You are not a poet…

And you already know it…

You meant to write one…

You wrote five…

How was so much doggerel in you?

Goofy wisdom…

Silly rhythm…

Random rhyme?

You’ve been writing these poems all your life…

Every action…

Every footstep…

Every joke…

Is a pearl from the oyster of your soul…

Some are beautiful…

Some are ugly…

All have value…

So don’t question the magic, you fool.

 

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Hurtful Words

Yesterday’s post got me thinking about how words and the power behind words can actually hurt people.  They can you know.  Words like “brainiac”, “bookworm”, “nerd”, “spaz”, “geek”, and “absent-minded professor” were used as weapons against me to make me cry and warp my self-image when I was a mere unformed boy.  I do not deny that I was smarter than the average kid.  I also recognize that my lot in life was probably better than that of people assaulted with words like “fatty”, “moron”, “loser”, and “queer”.  Being skinny as a child, there was actually only one of those deadly words that was never flung my direction.  Words like that have the power, not only to hurt, but even to cripple and kill.

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We all stand naked at times before a jury of our peers, and often they decide to throw stones.

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I try to commit acts of humor in this blog.  Or, at least, acts of verbal nit-witted goofiness that make at least me laugh.  I have been told by readers and students and those forced to listen that I only think I am funny, and I am a hopelessly silly and pointless old man (a special thank you to Miss Angela for that last example, used to tell me off in front of a science class I was substitute teaching years ago.)  But those words do not hurt me.  I am immune to their power because I know what the words mean and I am wizard enough to shape, direct, and control their power.

I have stated before that I don’t approve of insult humor (usually right before calling Trump a pumpkin-head, or otherwise insulting other members of the ruling Empire of Evil Idiots).   And I don’t mean to shame others or make them feel belittled by my writing.  But sometimes it happens and can’t be helped.

This blog isn’t about entertainment.  I am not a stand-up comedian working on joke material.  I use this blog as a laboratory for creating words and ideas.  It is mostly raw material that I mean to shape into gemstones that can be used to decorate or structurally support my crown jewel novels.  I use it to piece ideas together… stitch metaphors and bake gooseberry pies of unusual thinking. I use it to reflect on what I have written and what I have been working on.  And sometimes, like today, I use it to reflect on how readers take what I have written and respond or use it for ideas of their own.  That’s why I never reject or delete comments.  They are useful, even when they are barbed and stinging.  I made an entire post out of them yesterday.

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I try hard myself to be tough in the face of hurtful words.  You have to learn that essential Superman skill to be a middle school and high school teacher.  It is there in those foundries for word-bullets that the most hurtful words are regularly wielded.  The skill is useful for when you need the word-bullets to bounce off you, especially if you are standing between the shooter and someone else.  But I can never feel completely safe.  Some words are kryptonite and will harm me no matter what I do.  Some words you simply must avoid.

Anyway, there is my essay on hurtful words.  If you want to consider all of that being my two cents on the matter… well, I probably owe you a dollar fifty-five.

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Wisdom From a Writer’s Life

Don’t get too excited.  I searched every box, trunk, bag of tricks, safe, closet, and jelly bean jar that I have in my rusty old memory.  I didn’t find much.  In fact, the old saying is rather applicable, “The beginning of wisdom is recognizing just how much of a fool you really are.”  The little pile of bottle caps and marshmallows that represent the sum total of my wisdom is infinitely tiny compared to the vast universe of things I will never know and never understand.  I am a fool.  I probably have no more wisdom than you do.  But I have a different point of view.  It comes from years worth of turning my ideas inside out, of wearing my mental underwear on the outside of my mental pants just to get a laugh, of stringing images and stupid-headed notions together in long pointless strings like this one.

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Mason City, Iowa… where I was born.  River City in the musical “The Music Man“.

One thing I can say with certainty, nothing makes you understand “home”, the place you grew up in and think of as where you come from, better than leaving it and going somewhere else.  Federal Avenue in Mason City looks nothing now like it did when I was a boy in the 1960’s going shopping downtown and spending hours in department stores waiting for the ten minutes at the end in the toy section you were promised for being good.  You have to look at the places and people of your youth through the lenses of history and distance and context and knowing now what you didn’t know then.

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Grandpa Aldrich’s farm in Iowa is now Mom and Dad’s house.  It has been in the family for over 100 years, a Century Farm.

The only thing that stays the same is that everything changes.  If I look back at the arc of my life, growing up in Iowa with crazy story-telling skills inherited from Grandpa Aldrich, to going to Iowa State “Cow College” and studying English, to going to University of Iowa for a remedial teaching degree because English majors can’t get jobs reading books, to teaching in distant South Texas more than a thousand miles away, to learning all the classroom cuss words in Spanish the hard way, by being called that, to moving to Dallas/Fort Worth to get fired from one teaching job and taking another that involved teaching English to non-English speakers, to retiring and spending time writing foolish reflections like this one because I am old and mostly home-bound with ill health.  I have come a long way from childhood to second childhood.

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                                                                                      If “what doesn’t kill you makes you stronger” is really true, I should be Superman now.  I look like I’ve seen a lot of Kryptonite, don’t I?

Six incurable diseases and being a cancer survivor since 1983 have left their marks upon me.  Literally.  Little pink bleedy spots all over me are the mark of psoriasis.  The fuzzy-bad photo of me spares you some of the gory details.  The point is, I guess, that life is both fleeting and fragile.  If you never stop and think about what it all means then you are a fool.  If you don’t try to understand it in terms of sentences and paragraphs with main ideas, you are an even bigger fool.  You must write down the fruit of your examinations and ruminations.  But if you reach a point that you are actually satisfied that you know what it all means, that makes you the biggest fool of all.

If I have any wisdom at all to share in this post about wisdom, it can be summed up like this;

  • Writing helps you with knowing, and knowing leads to wisdom.  So take some time to write about what you know.
  • Writing every day makes you more coherent and easier to understand.  Stringing pearls of wisdom into a necklace comes with practice.
  • Writing is worth doing.  Everyone should do it.  Even if you don’t think you can do it well.
  • You should read and understand other people’s wisdom too, as often as possible.  You are not the only person in the world who knows stuff.  And some of their stuff is better than your stuff.
  • The stuff you write can outlive you.  So make the ghost of you that you leave behind as pretty as you can.  Someone may love you for it.  And you can never be sure who that someone will be.

So by now you are probably wondering, where is all that wisdom he promised us in the title?  Look around carefully in this essay.  If you don’t see it there, then you are probably right in thinking, just as I warned you about at the outset, “Gosh darn that Mickey!  He is a really big fool.”

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What the Heck is this Blog About?

I read a lot of other people’s blogs for a lot of reasons.  As an old writing teacher and retired Grammar Nazi, I love to see where writers are on the talent spectrum.  I have read everything from the philosophy of Camus and Kant to the beginning writing of ESL kids who are illiterate in two languages.  I view it like a vast flower garden of varied posies where even the weeds can be considered beautiful.  And like rare species of flower, I notice that many of the best blossoms out there in the blogosphere are consistent with their coloring and patterns.  In other words, they have a theme.

Fox logic

So, do I have an over-all theme for my blog?  It isn’t purely poetical like some of the poetry blogs I like to read.  I really only write comically bad poetry.  It has photos in it, but it isn’t anything like some of the photography blogs I follow.  They actually know how to photograph stuff and make it look perfect and pretty.  It is not strictly an art blog.  I do a lot of drawing and cartooning and inflict it upon you in this blog.  But I am not a professional artist and can’t hold a candle to some of the painters and artists I follow and sometimes even post about.  I enjoy calling Trump President Pumpkinhead, but I can’t say that my blog is a political humor blog, or that I am even passable as a humorous political commentator.

One thing that I can definitely say is that I was once a teacher.  I was one of those organizers and explainers who stand in front of diverse groups of kids five days a week for six shows a day and try to make them understand a little something.  Something wise.  Something wonderful.  Something new.  Look at the video above if you haven’t already watched it.  Not only does it give you a sense of the power of holding the big pencil, it teaches you something you probably didn’t realize before with so much more than mere words.

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But can I say this is an education blog?  No.  It is far too silly and pointless to be that.  If you want a real education blog, you have to look for someone like Diane Ravitch’s blog.  Education is a more serious and sober topic than Mickey.

By the way, were you worried about the poor bunny in that first cartoon getting eaten by the fox and the bear?  Well, maybe this point from that conversation can put your mind at ease.

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Mickey is tricky and gets good mileage out of his cartoons.

You may have gotten the idea that I like Bobby McFerrin by this point in my post.  It is true.  Pure genius and raw creative talent fascinate me.  Is that the end point of my journey to an answer about what the heck this blog is about?  Perhaps.  As good an answer as any.  But I think the question is still open for debate.  It is the journey from thought through many thoughts to theme that make it all fun.  And I don’t anticipate that journey actually ending anytime soon.

 

 

 

 

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Synesthesia (Part Two; The Color of Music)

Okay, so on the synesthesia tests I didn’t score as a synesthete on the music/color test.  But I was extremely synesthetic on the tests for color/months/days of the week.  I was a little over the mark on letter/number/colors synesthesia too, but it was more a problem with manipulating the color-selector device when I don’t have a mouse to use on my laptop.  The test for music did not test the way I see colors with music.  They wanted me to respond to what color each individual note seemed to be, and that isn’t even close to the way I experience it.  For me, the perfect description of how synesthesia works for me is Bach’s Tocata and Fugue in D minor as it is depicted in Fantasia.

I was shocked when I first saw it.  The colors are wrong for this piece, but the visual experience is almost exactly how I experience music, especially wordless instrumental music.  The only problem with this piece is that the overall color schemes are wrong.  But this comes about because every synesthete sees the colors differently.  And I have no doubt that at least one of the artists who created this had synesthesia.  If there were more reds, yellows, and magenta in the opening and more indigo contrasted with silver later, this interpretation would be perfect.

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Music synesthetically works in two directions for me.  The picture above, called The Wings of Imagination, makes me think of La Mer by Claude Debussy.

If you listen to the piece, don’t look at the YouTube illustration, look at my picture if you want to see the music the way I do.  The following song, Don’t Worry, Be Happy, is a multicolored song that I can best express with the colors in the picture I call Rainbow Peacock.

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The full range of primary colors together in one picture, or one song, always means completeness, fullness, and happiness to me.  If there is absence of one or more of the basic colors from the color wheel, the mood and emotion present in the song or picture is altered to something other than happiness.  The Firebird Suite by Igor Stravinsky goes from the indigo and navy blue of fear and confusion to instances of angry red and feverish orange.  It would look something like this in the theater of my imagination;

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And one of my favorite instrumental pieces of all times, Prelude to the Afternoon of the Faun by Claude Debussy, is full of melancholy and sexual tension, deeply felt vibrations in the depths of my stomach, and would look like my picture Sleeping Beauty with its teal and blue melancholia juxtaposed with candle-lit yellows and wood brown mixed feelings of joy and anxiety.

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Now, if you have waded through all of this goofy color-and-music analysis from a source whose sanity is questionable at best, you probably have no earthly idea what any of it has to do with anything.  But if you have that aha!-moment and see it all clearly too, then I suspect you probably are a synesthete too.  Poor you.  It is not a treatable condition.  But it is also not a burden.  Learn to enjoy it.  It resonates in your very soul.

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Synesthesia (Part One; French Blue Monday)

This link will help you understand Synesthesia

Francois spotlight

Yes, Mondays are blue.  Specifically French blue.  Every day of the week has its own color.  Sunday is golden yellow, Tuesday is a yellow-ochre,  Wednesday is indigo blue and sometimes changes to blue violet, Thursday is burnt orange, and Friday is solid wood brown, and of course Saturday is rich pure red while Mondays are not just any blue… they are French blue.  I learned the names of these colors from being a painter and using oil paints.  I experience these colors every week and they help me maintain the calendar in my stupid old head.  I began to realize when I first heard about the colors of the wind in the Disney movie Pocahontas that there was something to this everyday thing, something different in the way I see the world.  I have in the last few years learned that this condition has a name.  It is called synesthesia.

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It has been suggested to me by more than a few people that I don’t really perceive the world the same way “normal people do”.  When I was growing up, and going to school, I never had trouble remembering to capitalize the first word in a sentence.  I did however, have a great deal of difficulty with capital letters on nouns.  Looking back on that difficulty now, I can say without a doubt that I was having trouble not because I didn’t know the difference between proper nouns and common nouns.  It was because things like the word “dog” or “chair” had to begin with the right color.  Dogs are blue when you are talking about the color of the letters in the word.  But small “d” is blue-green, not true blue.  It doesn’t fit as well as the dark blue capital “D”.  And chairs are orange-red when you write them down, while the small “c” appears light green by itself.

sunnyface2

Sundays are Sun-days, and that’s why they are golden yellow.

I am told that most synesthetes are taken by surprise when they learn that they are seeing things differently than other people do.  I certainly was.  I always got funny looks whenever I described Thursdays as orange, or the month of November as sky blue.  My classmates in 4th grade thought I was nuts… of course, it wasn’t just for the orange Thursdays thing.  I was not a normal kid in any real sense of the word.  I always suspected that if I could look at the world through other people’s eyes, I would probably see the color green as what I called red, or that glowing halo that surrounded things when organ music played in the Methodist church would no longer be there.  But once I learned how synesthesia works I knew it was true.   The visual part of the brain can be scanned to show activity, and lights up on the scanner as if the brain is seeing bright colors when Beethoven’s Ninth Symphony is being played while the subject of the scan is actually blindfolded.  I am told that synesthesia is more common in left-handed girls.  My daughter, the Princess, tells me that she also sees color on printed numbers and letters.  She is left handed and also gifted at drawing.  I suspect she inherited the synesthesia from me.

Creativity

Synesthesia probably explains what this nonsense is all about.

Now, I acknowledge the fact that my synesthesia is self-diagnosed and not proven by any of the methods the articles I have read about the condition talked about.  But my personal experiences always seem to fall in line with descriptions of letter/number/color combinations and music/color combinations that I have read about.  And if I do have it, it is not the same as any of my six incurable diseases.  It is not a bad condition to have.  In an artistic sense, it might actually be a good thing.  I could use some good for a change.  Good doesn’t usually come from weirdness… not my weirdness, anyway.  (Oh, and capital “G” is lime green… as is the word Goodness).

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