To be a wizard is to be wise. Look at the word origin if you don’t believe me.
wizard (n.) early 15c., “philosopher, sage,” from Middle English wys “wise” (see wise (adj.)) + -ard . Compare Lithuanian žynystė “magic,” žynys “sorcerer,” žynė “witch,” all from žinoti “to know.” (Wisely plagiarized from http://www.etymonline.com/word/wizard)

Mickey is a wizard. He writes down foolish things like that because he knows that the beginning of wisdom is to recognize that you are no more than a fool. You can laugh, but it’s true. Some wise guy that I am paraphrasing here said so. (Probably Socrates.) So, that makes it true
Don’t believe me? Want to debate me?
Have you taken the step yet of recognizing your own foolishness?
How can you be wise if you never take the first step down the path to wisdom?
And what defines a wizard, is that a wizard writes. He must write his wisdom down. Otherwise, there are no fruits of his wisdom. I tend to write mostly strawberry wisdom. That kind of fruit is tart and sweet in season, but sours easily and spoils in hot weather and dry kitchens. Blueberry fruits are probably better. They become tarter and sweeter with dryness, kinda like good humor and subtle jokes. But enough of the fruit-metaphor nonsense. The best fruit of wisdom is the Bradbury fruit. I confess to having eaten often of Bradbury Pie. Dandelion Wine and The Illustrated Man leap to mind, but there are far more Bradbury Pies than that.

So, if Mickey is a wizard, and wise wizards write wisdom, then where do we get Beyer-berry Pie?
The strawberry-flavored pies are found in the My Books page of this blog, though the author’s page on Amazon is a more up-to-date list.
Here’s a link https://www.amazon.com/Michael-Beyer/e/B00DL1X14C/ref=dp_byline_cont_book_1
Recently the fool of a wizard, Mickey, planned to set up a free-promotion weekend for A Field Guide to Fauns. But because he cast a time-warp spell and leaped from 2020 to 2022, he now is offering a free copy of Sing Sad Songs until the end of May 2022. Honestly, as Mickey Books go, Sing Sad Songs is one of his very best.
The foolishness begins below..
Of course, I probably can’t sell a single copy of A Field Guide to Fauns. Potential readers will see that there are naked people in this book about nudists and automatically think that Mickey is too weird and crazy to be a good writer. But good writers like Ray Bradbury and Kurt Vonnegut can be bizarre in their writing too. (I wonder what Vonnegut-berry Pie would taste like? I must read Cat’s Cradle again, for the third time.) Probably at least blueberry-flavored, if not gooseberry.
But even failed wizards can write wizardly writing if they write with wit and, possibly, with real wisdom,

If I have any wisdom at all to share in this post about wisdom, it can be summed up like this;
- Writing helps you with knowing, and knowing leads to wisdom. So take some time to write about what you know.
- Writing every day makes you more coherent and easier to understand. Stringing pearls of wisdom into a necklace comes with practice.
- Writing is worth doing. Everyone should do it. Even if you don’t think you can do it well.
- You should read and understand other people’s wisdom too, as often as possible. You are not the only person in the world who knows stuff. And some of their stuff is better than your stuff.
- The stuff you write can outlive you. So make the ghost of you that you leave behind as pretty as you can. Someone may love you for it. And you can never be sure who that someone will be.
So, there you have it. The full measure of the wacky wizard’s wisdom was written down by the wise-fool-wizard Mickey.














Ah, irony again! It ends up being anything but simple. You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas. One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning. You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect. Prose is a powerful and infinitely variable tool for creating meaning in words. Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.























The Way Mickey’s Mind Works
If you’ve read any of the crap that Mickey wrote about before in this goofy blog, you probably already suspect that Mickey’s mind does not work like a normal mind. The road map above is just one indicator of the weirdness of the wiring that propels Mickey on the yellow brick road to Oz and back. He just isn’t a normal thinker.
But having a few bats in the old belfry doesn’t prevent the man from having a plan. If you read all of Mickey’s hometown novels, you will discover he hasn’t written them in time order. Main characters in my 2016 novel weren’t even born yet in my 2017 books. If you look at them in chronological order rather than the order written, you will see characters growing and changing over time. A shy kid in one novel grows into a werewolf hunter in the next. A girl who loses her father to suicide in a novel not yet completed, learns how to love again in another novel.
Multiple Mickian stories are totally infected with fairies. The magic little buggers are harder to get rid of than mosquitoes and are far and away more dangerous. And there are disturbing levels of science-fiction-ness radiating through all of the stories. How dare he think like that? In undulating spirals instead of straight lines! He doesn’t even use complete sentences all the time. And they used to let that odd bird teach English to middle school kids.
But there is a method to his utter madness. He started with the simpler stories of growing up and learning about the terrors of kissing girls when you are only twelve. And then he moved on into the darker realms of dealing with death and loss of love, the tragedy of finding true love and losing it again almost as soon as you recognize its reality. Simple moves on to complex. Order is restored with imagination, only to be broken down again and then restored yet again,.
And, of course, we always listen to Mr. Gaiman. He is a powerful wizard after all. The Sandman and creator of good dreams. So Mickey will completely ignore the fact that nobody reads his books no matter what he does or says. And he will write another story.
It is called Sing Sad Songs, and it is the most complex and difficult story that Mickey has ever written. And it will be glorious. It also rips Mickey’s heart out. And I will put that ripped-out heart back in place and make Mickey keep writing it, no matter how many times I have to wash, rinse, and repeat. The continued work is called Fools and Their Toys. It solves the murder mystery begun in Sing Sad Songs. This re-post of an updated statement of goals is the very spell that will made that magic happen. So, weird little head-map in hand, here we go on the writer’s journey once again and further along the trail.
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