
I may have expressed this sentiment once or twice before, but I am really tired of Donald Trump. His march toward fascist dictatorship and becoming a really incompetent Hitler 2.0 has only made me learn new bad words to shout at the TV news that I never knew I already knew before.
So, I am not going to complain about him in this essay. Instead, I am going to praise another group of artists for complaining about him in a really well-done manner. Yes, I am about to laud Stephen Colbert’s new Showtime Cartoon Show, Our Cartoon President.


The idea for this show began on Stephen Colbert’s Late Night on CBS talk show. He did extremely popular segments there where he interviewed Donald Trump as a cartoon character. Colbert’s show is on TV past my bedtime, so I only manage to catch these segments on YouTube. But I sincerely appreciate every single one I watched on computer when it made me late for wherever else I was really supposed to be and do. It gave me chuckles and smiles about some the darkest, dirtiest things the human cartoon has done to disrupt my life in retirement.

The characterizations as well as the cartoon caricatures couldn’t be more spot on. The series really nails Ted Cruz as the Zodiac Killer invading the White House to steal toothpaste and use the President’s toothbrush. Eric Trump is portrayed with a disturbing amount of politically incorrect accuracy. The pilot episode, offered online for free, captures the killer clowns of the Trump administration so well, you really begin to wish it were these cartoon people running the country instead of the real collection of Bond villains, peanut-heads, and malevolent mooks we actually have.
Now, the bad news is… I can’t afford Showtime. So the chances of watching this show are limited to watching whatever snippets get illegally uploaded on YouTube. But I intend to appreciate the heck out of this cartoon show, and watch the free episode 1 many times.


































Stranger Things Too
I admit it. I binge-watched Stranger Things 2 this weekend, just like everyone else who fell in love with the original.
The monster is bigger and scarier this time. It uses new versions of last year’s monster for minions. The characters are growing and changing and falling in love. If anything, I love the characters as people even more than last time.
The whole thing is very seriously set in 1984. You know, the year of Ghostbusters as a summer blockbuster. References to D & D, Star Wars, Lord of the Rings, and visual homages to Speilberg movies, gritty urban dramas like The Warriors, and the video game Dragon’s Lair don’t merely set the scene, they are cultural references artfully used to weave the story together and move the plot, providing short-hand explications of science-fiction-y ideas and Steven King tropes. There is story-telling mastery to be marveled at here.
And my favorite thing of all here is the satisfying collection of resolutions to ongoing issues. Eleven re-connects with her past and separates herself from it again. She finds a place for herself and someone to love her, in more ways than one. Jonathan and Nancy and Steve work on their love triangle. And Joyce and Hopper move closer together in spite of the tragedy that tears Joyce’s world apart. (I can’t talk about Bob. I identify with Bob. He is just like me in so many ways. And what happens to Bob? Ack! There have to be horrors in horror movies. And the best ones rattle the foundations that you live on.)
I am the Uncritical Critic. I only tell you about the things I love when it comes to movies, TV, books, and music. And I definitely love this.
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Filed under art criticism, commentary, humor, movie review, review of television
Tagged as Duffer Brothers, story-telling, Stranger Things, Stranger Things 2