Today I made an attempt to photograph some of my pen and ink stuff in ways that are less gray and gloomy.

This pen and ink scene is entirely from my imagination. Both the gnarled tree and the castle were taken from doodles on throw-away newsprint. The Buffalo was an exercise in capturing an animal from a photo in pen and ink. The whole thing is much too big to fit on my little scanner. Last time I photogged it, it came out as mostly a pool of murky gray with black tattoos all over it. This time I used my 300 Watt light and bounced it at an angle to get this less murky pastel gray photo of the scene.

I am definitely not the world’s greatest photographer. I am ranked somewhere in the top 3 billions, maybe, on a good day. This blasphemy in pen and ink is Animal Town with its jarring forced perspectives and two-dimensional silliness. Last time I photogged it, it came out looking pretty much the same as it did here. Even photogging in natural Texas sunlight tends to make this composition into flat gray wallpaper.

Here is an even worse experiment. This one is an unfinished drawing of a nudist beauty pageant being hosted in Toon Town. Besides being stupid and in poor taste, the pencil lines tend to totally disappear in the gray fog. But, truthfully, I probably should have thrown this thing away long ago rather than trying to photograph it.

This pen and ink is enhanced with colored pencil. It looks better in many ways even though I didn’t change the light source, the filters, or the camera. Color, I guess is the answer for me and my inadequate photography skills. We shall see what we shall see as I continue to experiment and learn. Maybe I can rise up to number 2,999,999,999… with about a million years of practice.








































Reading Other Writers
Nobody who wants to be a writer gets by with just writing and never reading anything by anybody else. It is too easy to devolve into some kind of human mushroom that way, thinking only thoughts a mushroom could think, all fungus-like and having no chlorophyll of their own. You never learn to decode other people and other people’s thinking if you don’t read other people’s thoughts crystallized in writing.
And not every other writer is Robert Frost. Or even Jack Frost who thinks he’s Gene Kelly. There has to be some interpretation, some digging for understanding. What did that writer mean when she said political correctness was like a tongue disease? And what does it mean when a commenting troll calls me a nekkid poofter? Is that how he spells “exceptional genius”? I think it is. Trolls are not smart.
I know people have to make an effort to understand me. When I write, I am writing under the delusion that I can produce literary quality off the top of my head. In fact, I can barely produce hair off the top of my head, and it is gray when I do it. See what I did there? It is the kind of joke a surrealist makes, pretending the idiomatic expression you use is to be taken literally when it doesn’t literally make sense. That kind of nonsense is what my readers have to put up with, and probably also the reason why most of them just look at the pictures. If you have to think too hard when you read, your brain could over-heat and your hair could catch fire. I like that kind of purple paisley prose that folds back in on itself and makes you think in curlicues. But most people don’t. Most people don’t have fire-proof hair like I do.
Sometimes, it doesn’t even take a word to make the point. For instance, why, in the picture, is Fluttershy trying to drink out of the toilet in the dollhouse bathroom? For that matter, why does a doll house even need a bathroom? Applejack doesn’t even fit in that yellow bathtub. I know. I tried to stuff her in there for this picture. And, as you read this, doesn’t this paragraph tell you a lot about me that you probably didn’t even want to know?
When I am reading the writing of others, I am looking for a cornucopia of things. I want to not only understand their ideas, I want to detect the limping footprints across the murder scene of their paragraphs and come to know the deeper things about them as well. I spent years decoding and trying to understand the writing of preliterate kids in my middle school English classes in order to be able to teach them to write better. And I learned that no writer is a bad writer as long as they are using readable words. I also learned that very few writers are James Joyce or Marcel Proust. Thank God for that! And given enough time I can read anything by anybody and learn something from it. I read a lot. And it may not always make me a better writer to read it, but it always has value. It is always worth doing.
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