In musical terms, Allegro Non Troppo means fast tempo, but not too fast. So, I recently discovered that Allegro Non Troppo is one of many rare and obscure old movies which I am passionate about that can be found in its entirety on YouTube. I will include the YouTube link to a portion of it at the end of this post, and I sincerely recommend that if you have never seen this movie, you watch the whole thing at least once. No matter how many cringes or winces or blushes it causes, this is a movie of many bizarre parts that you really need to take in as a whole. It ranges from the ridiculous to the sublime, the atrociously ugly to the lyrically beautiful, from the brilliant classical score being played by a mistreated band of old ladies with orchestral instruments to a gorilla running amok, from Debussy to Ravel, from an artist released from his cage to single-handedly draw the animation, to a satire rich with baudy humor making fun of no less a work of animation than Prisney’s.. I mean Disney’s Fantasia. The dark elements are there. The light-hearted, lilting comedy is there. The fairy tale delicacy and technicolor dreaming is all there.
And why should this be important to me? Especially now that I am retired from a long and fruitful teaching career? Well, I have history with this movie. I saw it first in college. I was an English major, but I took every film as literature class I could fit into my silly schedule. As an undergrad, I was determined to be a cartoonist for a career. I took classes seriously and aced most of them, but I was at college to intellectually play around. I didn’t take the prescribed courses to be an English teacher. That had to wait for the more responsible me to come along in grad school for that. I saw both Fantasia and Allegro Non Troppo during one of the play-time years. Much as the old satyr in Claude Debussy’s Prélude à l’après-midi d’un faune, I was enamored with sensory experience. I took my first girlfriend to see Disney’s Fantasia, and she later turned down the opportunity to see Allegro Non Troppo with me. Good sense on her part, but the beginning of the end of our relationship.
Just as Fantasia has the part in it where Stravinsky’s Rite of Spring describes evolution from the beginning of the Earth to the end of the dinosaurs, Allegro Non Troppo uses Ravel’s Bolero to describe the evolution of life on a weird planet from germs in a discarded Coke bottle to the inevitable coming of the malevolent monkey who is ultimately us. And, of course, the satire would not be complete without some off-set for Dukas’ The Sorcerer’s Apprentice.
As near as I can figure it out, the apprentice, played by Mickey Mouse, becomes the snake from the Garden of Eden in Allegro Non Troppo. When the snake is unable to get Adam and Eve to eat the apple, he makes the mistake of eating the apple himself. He learns the hard way that, no matter how clever, even diabolically clever, you think you are, you are not really in control of anything in life. Every would-be wizard in the world has to understand that he is powerless without hard experience. And what a boring world full of naked people this would be if there were never any apprentices in it foolish enough to actually become wizards.
Of cou
rse, I haven’t really talked about the most heart-twisting part of Allegro Non Troppo… the sad cat wandering the ruins of his former home, or the most laugh-aloud part with the super-tidy little lady-bee trying to eat a blossom, but being interrupted by a couple of picnickers.
But the thing is, this movie is a timely subject for me. Not only did I, just yesterday, rediscover it, but it still has the same meaning for me now as it did when I first saw it. Then I was an aspiring young artist who loved this movie because it approached ideas non-consecutively, just as I approached my learning years… rambling here and there, finding first a bitter-sweet something, and then a sad beauty behind everything in life. And it is where I am again now, in a poor-health enforced retirement… divorced from teacher’s schedules and time itself. Able to do as I please, and aspiring once again to commit great acts of art.




































On the Problem of Always Being Wrong
I was a middle-school teacher for thirty-one years. That, of course, basically means I have to be wrong about everything. Principals have told me so. Parents have told me so. And students who have heard them say so take it completely to heart because, well… Who has the most authority to declare someone else completely wrong?
Yes, I have it on good authority… I am wrong about everything, always.
.
But it is very useful to realize that I am in good company. Galileo was wrong about the sun not going around the Earth. The College of Cardinals said it was so, and the Inquisition forced him to confess he was wrong. Giordano Bruno was so wrong about Copernicus being right that the Inquisition had to burn him at the stake. One would almost think that it is a bad thing to be wrong.
But it’s not.
Science, in fact requires its greatest practitioners to find out all the ways that they are wrong. How else do you create a theory of what is probably right?
It is fundamental to the scientific method to be as right as it is possible to prove. Of course, every scientific theory yields up a lot of anomalies that somehow defy the rules of the currently understood correct theory.
Isaac Newton got thumped on the brain-top by an apple and realized that the same thing that made the apple fall to Earth was making the Moon fall to the Earth, although the Moon is falling at the same rate as it is going around the Earth, so it never finishes the falling.
Later, Albert Einstein would realize that Newton’s gravity would even bend the light of distant stars around the edges of the Sun. And so, he found where Newton, genius that he was, was wrong. And so, the Theory of Relativity was born.
Guess what. Einstein was wrong too.
So, ultimately, it is okay for me to be wrong about things. It is necessary to be wrong before you can find out what is right. So, when I say something stupid like the following…
Comedy is good for you.
You should be naked more.
Fairies are only real if you believe in them.
You must take a leap of faith and live in the world like a Navajo, in tune with the natural world and comfortable with other people living in your world too. Moment by moment in the present moment.
…and eventually, I may stumble upon what is right and true. Or get burned at the stake like Bruno. That happens too.
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