

I have been using the Tuesday post for this blog for a very novel thing. Yes, that’s an ironic pun made with 55% pure iron. This once-a-week exercise in fictional weirdness is basically a forge for failing novel ideas.
I began with the Stardusters manuscript for a stalled sequel to Catch a Falling Star. I worked it out with a rewritten Canto per Tuesday. And I turned the weird little climate-crisis science-fiction comedy into a passable piece of novel noodling. I was also able to use it as a test novel for the Amazon Kindle Publishing method of turning it into a book that I could hold a copy of in my two hands.


Then I tried to rehabilitate my first and worst published novel, Aeroquest. I found I had a lot of very good individual Cantos (which I was using as a faux-poetical and somewhat snooty substitute for the word chapter). But the overall story was fractured and incoherent. What I eventually decided to do with this book is to break it up into at least three separate stories. I don’t know if I will ever republish this book, it is there to be worked on for as long as I’m still kicking.
So, what will I do with Tuesdays now?

This is now the longest stalled manuscript I have going. It has some definite problems and plot holes. I might choose to revise and edit it in this space on my blog. If I do, it will be even more of a real rewrite in front of your eyes than the first two. I initially thought these Novel Tuesdays might yield input and criticism that might prove useful. But of the few people who are actually interested enough to read this word-wrenching and rearranging, I don’t seem to get any thoughts beyond likes and hope-you-succeeds.
Anyway, I am pretty well addicted to this odd writing behavior by now, and next Tuesday yields the start of a new novel, whether you are ready or not.





























The Art of Being Mickey
I have published my eighth novel in the last six years. Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid-mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even then some who have achieved commercial success.
But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’
So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.
I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))
—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.
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