Journey back with me to the 1980’s, and hear once again the music of escape.
There was a time when I was young when I did not know where I would be when the next new dawn came. Yes, I once took the midnight train (except it was a bus) and I arrived in a teaching career in deep South Texas. I crossed borders into another culture, another way of life, another journey made of words and pictures that hasn’t reached the final station yet.

At the outset, we all take a risk. Born and raised in South Detroit (although it was really North Central Iowa) I passed through established procedures, rules, and regulations to do things that desperately needed doing for people who could only help themselves in very limited ways.
Some spoke mostly Spanish. Some lived in broken homes. One boy lived for a while under the bridge of the Nueces River, but attended school every day because he was hungry to learn, and because free school lunch was the majority of the food he got to eat. He got on a midnight train, and I never saw him or heard from him again. His sister, though, lived with a tia who treated her like a daughter, and grew up to be a school teacher. I let her teach the lesson for me during one class period, as part of an educational experiment, and it put her on her own midnight train.

It was a train going on the same track I followed. Not because of me and what I did for her. But because she came to realize it was the right journey to take for her. It was the perfect anywhere for her.
But there is danger inherent in getting on a midnight train going anywhere. You don’t know who is waiting for you down the line, or what your circumstances will be at the next station along the way. There may be strangers waiting up and down the boulevard, their shadows searching in the night. I befriended other teachers, mentored some, learned from many, even married one. I had a run in or two with people who sell drugs to kids. I had all four of my car tires slashed one night. I had a car window broken out. I had a boy once tell me he would kill me with a knife. I later had that boy tell me he had a good job and a girlfriend and he was grateful that I talked him out of it and never turned him in to the police.

And we end up paying anything to roll the dice just one more time… At one time or another we have all been there, aboard that midnight train to anywhere. There is a moment in everyone’s life when… well, some will win, and some will lose. Some were born to sing the blues. I have been there. I have done that. And it occurs to me, that song plays on in my head still. I am still on that journey. And I won’t stop believing. Because it goes on and on and on and on…




ege. It struck me that it was hauntingly beautiful… but maybe I wasn’t entirely sure what it meant.















Why Do You Think That? (Part Two)
In my short, sweet sixty years of life, I have probably seen more than my share of movies. I have seen classic movies, black-and-white movies, cartoon movies, Humphrey Bogart movies, epic movies, science fiction movies, PeeWee Herman movies, Disney movies, Oscar-winning movies, and endless box-office stinkers. But in all of that, one of the most undeniable threads of all is that movies make me cry. In fact they make me cry so often it is a miracle that even a drop of moisture remains in my body. I should be a dried-out husk by now.
I wept horribly during this scene. Did you?
And the thing is, people make fun of you when you cry at movies. Especially cartoon movies like Scooby Doo on Zombie Island. (But I claim I was laughing so hard it brought tears to my eyes. That’s the truth, dear sister. So stop laughing at me.) But I would like to put forth another “Why do you think that?” notion. People who cry while watching a movie are stronger and more powerful than the people who laugh at them for crying. A self-serving thesis if ever there was one.
Movies can make you cry if you have the ability to feel empathy. We all know this. Old Yeller is the story of a dog who endears himself to a prairie farm family, saves Travis’s life at one point, and then gets infected with rabies and has to be put down. Dang! No dry eyes at the end of that one. Because everyone has encountered a dog and loyal dog-love somewhere along the line. And a ten-year-old dog is an old dog. The dogs you knew as a child helped you deal with mortality because invariably, no matter how much you loved them, dogs demonstrate what it means to die. Trixie and Scamper were both hit by cars. Queenie, Grampa’s collie, died of old age. Jiggs the Boston Terrier died of heat stroke one summer. You remember the pain of loss, and the story brings it all back.
Only psychopaths don’t feel empathy to some degree. Think about how you would feel if you were watching Old Yeller and somebody you were watching with started laughing when Travis pulls the trigger on the shotgun. Now, there’s a Stephen King sort of character.
But I think I can defend having lots of empathy as a reason for crying a river of tears during Disney’s The Hunchback of Notre Dame. You see, identifying with Quasimodo as the main character, hoping for what he hopes for, feeling like a monster and completely unloved, and fearing what he fears connect you to the story in ways that completely immerses you in the experience. This is basically a monster movie.
But the film puts you inside the head of the malformed man, and you realize that he is not the monster. Righteous Judge Frollo and the people who mistreat Quasimodo for his deformity of outward appearance are the real monsters. If you don’t cry a river of tears because of this story, then you have not learned the essential truth of Quasimodo. When we judge others harshly, we are really judging ourselves. In order to stop being monstrous, and be truly human, you must look inside the ugliness as Esmeralda does to see the heroic beauty inside others. Sometimes the ideas themselves are so powerful they make me weep. That’s when my sister and my wife look at me and shake their heads because tears are shooting out of me like a fountain, raining wetness two or three seats in every direction. But I believe I am a wiser man, a more resolved man, and ultimately a better man because I was not afraid to let a movie make me cry.
The music also helps to tell the story in ways that move my very soul to tears. Notice how the heroine walks the opposite way to the rest of the crowd. As they sing of what they desire, what they ask God to grant, she asks for nothing for herself. She shows empathy in every verse, asking only for help for others. And she alone walks to the light from the stained glass window. She alone is talking to God.
Yes, I am not embarrassed by the fact that movies make me cry. In fact, I should probably be proud that movies and stories and connections to other people, which they bring me, makes me feel it so deeply I cry. Maybe I am a sissy and a wimp. Maybe I deserved to be laughed at all those times for crying during the movie. But, hey, I’ll take the laughter. I am not above it. I am trying to be a humorist after all.
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Filed under cartoon review, commentary, compassion, Disney, humor, insight, inspiration, movie review, music, philosophy, strange and wonderful ideas about life
Tagged as empathy, movies that make me cry, Old Yeller, The Hunchback of Notre Dame, Toy Story 3