Category Archives: humor

Three Books at Once

No, this isn’t some kind of multiple-book book review.  This is an ungodly silly claim that I can actually read three books at once.  Silly, but true.

Now I don’t claim to be a three-armed mutant with six eyes or anything.  And I am relatively sure I only have one brain.  But, remember, I was a school teacher who could successfully maintain a lesson thread through discussions that were supposed to be about a story by Mark Twain, but ventured off to the left into whether or not donuts were really invented by a guy who piloted a ship and stuck his pastries on the handles of the ships’ wheel, thus making the first donut holes, and then got briefly lost in the woods of a discussion about whether or not there were pirates on the Mississippi River, and who Jean Lafitte really was, and why he was not the barefoot pirate who stole Cap’n Crunch’s cereal, but finally got to the point of what the story was really trying to say.  (How’s that for mastery of the compound sentence?)  (Oh, so you could better?  Really?  You were in my class once, weren’t you.)  I am quite capable of tracking more than one plot at the same time.  And I am not slavishly devoted to finishing one book before I pick up the next.

I like reading things the way I eat a Sunday dinner… a little meatloaf is followed by a fork-full of mashed potatoes, then back to meat, and some green peas after that…  until the whole plate is clean.

Treasure Island by Robert Louis Stevenson is the meatloaf.  I have read it before, just as I have probably had more meatloaf in my Iowegian/Texican  lifetime than any other meat dish.  It’s pretty much a middle-America thing.  And Treasure Island is the second book I ever read.  So you can understand how easy a re-read would be.  I am reading it mostly while I am sitting in the high school parking lot waiting to pick up the Princess after school is out.

fbofw1Lynn Johnston’s For Better or Worse is also an old friend.  I used to read it in the newspaper practically every day.  I watched those kids grow up and have adventures almost as if they were members of my own family.  So the mashed potatoes part of the meal is easy to digest too.

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So that brings me to the green peas.  Green peas are good for you.  They are filled with niacin and folic acid and other green stuff that makes you healthier, even though when the green peas get mashed a bit and mix together with the potatoes, they look like boogers, and when you are a kid, you really can’t be sure.  Terry Pratchett and Stephen Baxter wrote this book The Long War together.  And while I love everything Terry Pratchett does, including the book he wrote with Neil Gaiman, I am having a hard time getting into this one.  Parts of it seem disjointed and hard to follow, at least at the beginning.  It takes work to choke down some of it.  Peas and potatoes and boogers, you know.

But this isn’t the first time I have ever read multiple books at the same time.  In fact, I don’t remember the last time I finished a book and the next one wasn’t at least halfway finished too.  So it can be done.  Even by sane people.

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Filed under book review, comic strips, education, goofy thoughts, humor, old books, philosophy, reading

Apparently, What Winning Looks Like

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Somebody who has an orange spray-tan on his face, a wig made out the remnants of the Scarecrow from Oz after the Wicked Witch was done with her revenge, and tiny, tiny hands once promised that if elected, he would make us sick of winning.  Heck, I was sick before the battle started.  And winning so far this week has meant merely that the Trumpcare/no-care/death-care plan failed spectacularly in the GOP controlled House.  And why did it fail, providing me with a backhanded win?  Because the Freedom Caucus couldn’t agree to a plan that wasn’t cruel enough to the old, the sick already, and the poor.  Seriously, they wanted a healthcare plan that didn’t cover mental health, prescription drugs, hospitalization, or basically everything that I might need an insurance policy to cover.  They want, ideally, to give us health insurance where we must continually pay premiums month by month and then, when we get sick, choose to die at home and get no benefits.  So winning for me means that I can continue to get the crappy insurance coverage I already have under Obamacare to keep me perpetually on the brink of bankruptcy.  And it IS a win compared to what the Evil Republican Empire wants to do to me.

But one thing that makes me even sicker about this kind of winning is that it is simply a temporary stay of execution.  They are going to do it again.  How many times, after all, have they voted to repeal healthcare already?  I have lost count.  Republicans really, really, really don’t want us to keep any of our own money when we can give it to some soulless corporation instead.  And the budget that lurks around the corner is just as big, bad, and brutal as the whole healthcare kerfluffle.  They mean to roast and eat Big Bird like a Thanksgiving Turkey, steal food from school children, fire everybody who works for the government and even thinks about preventing corporations from pouring poisons into our water and air,  and cut funds to the State Department so that diplomacy and prevention of wars is seriously impaired.

So what, as a concerned citizen, am I gonna do about it?  Well, I’m a sick old former school teacher who likes to write humor pieces while I’m busy slowly dying.  So I’m going to make fun of the bad guys.  Seriously, the best I can do is try to ridicule them to death.

So let’s start with the Trumpinator’s penchant for hiring evil leprechauns to torment us.

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And I want to take a moment to talk about the perils of allowing turtles to do politics.

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It is true that “slow and steady wins the race” but, come on!  It also apparently allows you to steal Supreme Court nominations and have no clue what “hypocrisy” means.  He is offended when Democrats refuse to accept and love his party’s proposals, but demonstrated absolutely no ability to say the word… you know the word… the one that means the opposite of “no”… when Democrats were in charge.

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And then there’s the lovely zombie-eyed granny hater that we have allowed to eat the social security system.  His plans for Medicare, Healthcare, and Social Security are all featured now on posters in the Grim Reaper’s public relations office.

So there you have it.  That’s the best celebration of the recent win that Mickey can come up with in his stupid little head.  It’s no wonder we are tired of winning already.

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The Iron Fist

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Comic books are not real life.  They are better than real life.  They allow you to go forward in your own story with the myth of the super power to bolster your courage.  You can face your daily devils and demons secure in the knowledge that, while no one is perfect, we can all at least imagine holding firm to an ideal in spite of the trials we face…  being true to a power and a goodness beyond ourselves… being a hero.

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I have followed Iron Fist’s adventures since the 1970’s.  It is true that I haven’t been as devoted to him and his heroics as I have been to Spiderman and the Avengers.  But I love the idea of a good guy in white standing up to the bad guys in black and beating the poop out of them with a good heart and a bare fist, not resorting to guns and bombs and gratuitous killings.  Danny Rand, the Iron Fist, has always been such a character to me.  Noble because he does not intentionally kill the enemy, like Batman, Superman, Captain America and so many other favorite super heroes.

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I admit it, this love-gush of a post is only happening because I finished binge-watching the new Iron Fist series on Netflix.    I depend on Netflix now to deliver to me effortlessly what I used to endlessly hunt and scrabble for in the way of idea fuel and motivational electricity.  And even though I am a notoriously uncritical critic, I have to say, it was not as heart-thumpingly good as either Daredevil or Luke Cage.  But it brought an old friend to life in a way that I never before believed could happen.  And I love the way it fit this puzzle piece into the overall jigsaw of the Marvel superhero stories on Netflix.  It used characters like the ER nurse Claire and the villainous Madam Gao to connect plotlines in Daredevil and Luke Cage, and the evil but helpful lawyer character from Jessica Jones.  Will I watch it again?  Definitely.  Will I need to draw Iron Fist for myself?  Probably.  But this is a hard experience to either explain or recapture.  Television using comic book heroes, sometimes, at its best, makes life better than it really is.

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DoodleFace!!!

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I drew this face as a doodle while watching an episode of Iron Fist on Netflix.   I don’t think it is anybody in the show I was watching, actor or character or comic book villain, but I can’t help but think that Doodleface is a great name for a Dick Tracy villain.

Of course, a doodle is a drawing done with only half-attention being paid.  I was not ignoring Iron Fist as I drew this.  I did not take time to plan it out with a pencil sketch.  I started drawing the right eye, thinking it w ould probably become a girl’s face.  When I tried to match the first eye with a second, it came out mismatched enough that she morphed into a villain.  Bilateral symmetry equals beauty.  Asymmetry equals comedy goofball or possibly villain.  As I framed the eyes and developed the center of the face down to the chin, the chance to make a Natasha or an Olga Badenov sort of villain dissipated to the point of masculine villainy.  That probably explains the curly hair, since the villain Bakuto in Iron Fist had curly hair.  But curiously, this drawing-while- watching-TV fellow is not Bakuto.  This guy has no beard.  And in the episode I watched, Bakuto had a beard.  And Bakuto also ended the episode with a knife sticking out of his general heart-area, not a good sign for his personal health and wellness, though in a comic book plot… well, who knows?

So, if Doodleface is a Dick Tracy villain, how did he get his name and what is his special thing?  Pruneface was pruney in the face.  Mumbles couldn’t talk so you could understand him.  Flattop had a head that was flat on the top like a table.  So Doodleface is obviously a master of disguise.  He must possess a magic pen acquired in the mysterious Orient in the 1920’s, one that clearly allows him to redraw his features at any given time so he cannot be recognized.  And hopefully, he draws well enough that coppers won’t just take one look and say, “Hey, dat guy over dere has a squiggle drawn all over his mug!  Dat must be Doodleface!!!”  (Of course it has to be three exclamation points because… well, cartoon exaggeration!!!)

And all of this is, of course, evidence that even when I am watching a fairly good show on TV (Iron Fist is not Daredevil or Luke Cage in its levels of amazing Marvel comics goodness) my mind and my drawing hand are both still busy doing their own thing as well.  Doodling is an artsy-fartsy way to kill time and fill up empty spaces.  My entire blog is basically the same in this purpose.  But I am able to use the doodle imperative to create and be creative, to learn and to grow, and possibly make up something worth keeping.

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Stardusters… Canto 39

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Canto Thirty-Nine – The Bio-Dome’s Crew Quarters

Since Brekka had nearly gotten killed by a maniac sentient flower with hidden teeth, Brekka, Menolly, and George Jetson had not been apart by more than a few feet.  In fact, George and Menolly had spent an uncomfortably long time attached at the lips.

George finally pulled away from Menolly’s mouth to breathe.

“Oh, Brekka,” gasped Menolly, “we are so glad you didn’t die.  Life would never be the same again if I didn’t have you to dance with.”

Brekka crossed her arms and frowned at Menolly.  “What exactly are you and George doing exchanging spit like that?  I thought the two of you were never going to talk to me again.”

“You remember the kissing thing from Earther television?” asked George.

“Yes…” said Brekka cautiously, “like when Gilligan kissed Mary Ann that time to convince the surfer guy that they were boyfriend and girlfriend so he would surf back to Hawaii?  And she said he had skinny lips?”

“Um… yeah… that works,” said George.  “We discovered it makes you feel really, really good to kiss somebody like that.  Want to try it?”

Brekka pursed her lips for a moment and mulled it over.  “Okay.”

Without warning, she leaned over and kissed Menolly right on the mouth.  She tried to make it last like she had seen Menolly do with George… but… it was kinda yucky.

“I don’t really see what’s so great about it.”

“I dunno,” said Menolly.  “I thought it was kinda good.  Brekka is almost as good a kisser as George.”

“But,” said George, “maybe you would consider making some Telleron tadpole eggs with me… huh, Menolly?”

“Oh, you stupid-head…” said Brekka.  “We three are nest-mates.  That means we have the same mother and father… probably.  You know what in-breeding is?”

“We were programmed with that information in the egg, Brekka,” said Menolly.

“Well, you know… it might be the thing that makes Tellerons so stupid and incompetent… in spite of all the knowledge and skills programmed into us while we are in the egg.”

“Yeah,” said George, “you’re probably right.  But when I kissed Menolly that first time, it made me feel so strange in my stomach.  Isn’t it possible the feelings of the stomach are more powerful than the thoughts in the head?”

“I think in that episode of Gilligan’s Island it was the heart that love came from, not the stomach,” said Menolly.

“Well, my heart seems to be in my stomach,” said George, “really low down, too.  And it’s telling me to make tadpoles with the two of you.  We almost lost Brekka to that plant thing.  I don’t want to waste any more time.”

“You know that we are still too young for egg-laying, George,” said Brekka.  “Our ovipositors are not fully formed yet.”

“Yeah… but we could practice…”

Brekka was furious.  Why were male tadpoles so… so…?  Yeah, that.

*****

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Return of the Train Man

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I was an aficionado of HO model trains as a kid.  I continued that horrendous fixation with 1/78th scale worlds long into my extended juvenile immaturity (I was an unmarried teacher of middle school students until 1995.)    Even after I was married, my wife allowed me, to a very limited degree, to continue to be a train man.

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I spent a good deal of time over the years building building plastic model kits of buildings, painting and repainting plaster model buildings, and collecting engines, rolling stock, and trackside details.  Painting little 1/78th scale people is definitely an exercise for steady hands and a zen-like, highly focused mind.

But that all reached an impasse when we moved to the Dallas area.  I had to tear down my train layout, box up my trains, and put everything on hold until I had another place to build and create my HO model-train world.  So, while it was all boxed up and transported to first, a house that we rented from my brother-in-law, and then a house that we bought, it got shifted around and stacked inappropriately, and grandma put some really heavy items on top to crush and mangle my treasures.  It also spent a night outside in the rain when my brother-in-law’s water heater had to be replaced in the garage where everything was stored.  I was not a happy camper for a while.

Now, a decade later, I am still taking the tiny items and trying to glue the pieces back together.  I have basically given up trying to get the trains to run again.  But I can use the bits and pieces of Toonerville to make pictures like these.  It makes the art-parts of my psyche and soul a little happier.

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Old number 99 had to have the front part where the headlamp is located reattached and restored.  It gave me something to do this weekend while I was down with a bad back and breathing difficulties.  It would be neat to put the train table back together and get things set up once again, but there is no space, and no unlimited funds, and less and less time.  So for now, the train man comes back to me to rebuild in photographs and in my imagination.

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Being a Teacher at Heart

Being a teacher at heart… I want to recommend that career…even though I know full well it is a super-hard crappy job of glorified baby-sitting that pays in literal peanuts and nobody in their  right minds recommends it to smart young up-and-comers as a glamorous choice… and it is only getting worse under a new anti-education administration.

Being a teacher at heart… I can’t help remembering how it all started for me.  The last thing in the world I imagined myself being when I was in high school was a teacher.  I wanted to be a cartoonist or a comic book artist.  I wanted to write best-selling science fiction novels and maybe direct a movie.  You know, the kind of thing millionaires line up to bestow on college grads with a degree in English  and a transcript filled with mostly A’s in my art classes.

But after my remedial master’s degree gave me a provisional teaching certificate, and my one and only interview for an illustrator’s job resulted in compliments on my portfolio and best wishes for my teaching career, I headed to Texas, one of only two states actually hiring teachers in 1981.  (The other was Florida, which it turns out it was a very lucky thing my family had already moved to Texas to help me make that decision.  Have you seen the education news coming out of Florida?  I now know where Satan gets his mail.)

Turns out the only job available in 1981 was all the way South on Interstate 35 in Cotulla, Texas.  I was there to teach English to 8th graders.  Mostly Spanish-speaking 8th graders.  And the previous year the 7th grade English teacher had run out of the classroom screaming after the little darlings exploded firecrackers under her chair and put scorpions in her coffee cup.  I was given her classroom and the same students that forced her to re-think her career choice.  El Loco Gongie, El Loco Martin, Talan, El Mouse, El Boy, El Goofy (whose one and only talent was to turn his whole head purple at will), La Chula Melinda, and the Lozano Twins  were the nicknames I had to learn because practically everyone was named Jose Garcia… even the girls.  Talan and El Mouse were the first ones to threaten my life.  They picked up a fence post on the way to lunch (we had to walk four blocks to the elementary school to get lunch because the junior high building had no cafeteria).  Talan said something threatening in Spanish that I didn’t understand and added the name “Gringo Loco” menacingly to whatever he said, and El Mouse pantomimed using the metal fence post as a sword to cut me in two.  All this because I was trying to get them to keep up with the rest of the class on our little hike in the 100 degree heat.  (I think I knew then why Satan moved to Florida.)  Fortunately they must’ve decided that murdering me wasn’t worth the hours of detention they would have to spend, and dropped the post.  Class was definitely disrupted when handsome El Boy and La Chula decided to break up, or rather, El Boy decided he like brown-eyed Alexandra better after she got blue-eyed contact lenses that made her eyes look yellow-green.  Girl fights are harder to break up than boy fights because girls fight to the death over matters of the heart, and they really don’t care who dies once the fight is started.

Now you may think my account of my first horrible year as a teacher must be exaggerated and expanded with lies because you know I am a humorist and that I went on to teach for many more years.  But I swear, only the names have been changed.  The nicknames and the incidents all are real.  (Yes, he really could contort his face in a way that turned his entire head purple.  It was freaky and made the girls scream.)    As I reached the spring of the year that year and had to decide whether or not to sign my contract for the next year, I really was planning to get out of teaching all together.  But I was standing on the playground one day that spring glaring at the vatos locos to prevent fights from breaking out again when Ruben came up to stand beside me and talk to me.  Ruben was one of the brightest and physically smallest of all my kids that year.  But he had such a charm about him that the bullies left him alone (except for the time he got in trouble for forging El Boy’s mother’s signature on a failing report card).  He said to me, “I want you to know, you are my favorite teacher.  I learned a lot from you this year.”  I had to bite my lower lip to keep from crying right there and then.  It was the moment when I decided I had to be a teacher.  They were not going to make me run away in defeat.  I was going to work at it until I knew how to do it right.  For Ruben.  And for all the other boys and girls like Ruben who liked me as a teacher… and laughed at my jokes… even the really corny ones… and needed me.  That made all the hard stuff worth it.

Being a teacher at heart… I recognize now that there was never anything else I was going to be.  It was what God chose me to be.  And my only regret about my choice is that I had to retire and can’t do it any more for health reasons.  I still miss it.

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The Lyrical Imperative

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I am always amazed by the fact that things which are inherently silent in nature make music in your mind.  Writing is like that for me.  Drawing is like that.  And so is photography.  That is an actual musical score from Chopin in the background.  My son recognized it from a book of piano pieces I bought for him because he reads music and can turn those squiggle-bugs on the fence into the right plinkety-plunks on a keyboard.  But there is more music in that picture besides.  The nude young girl at the keyboard softly rendered in velvety colored pencil tones is also musical in nature, for more than just the fact of fingers on a silent colored pencil keyboard.  The lyrical loops of black and yellow in the wings of the tiger swallowtail butterfly also make music in my head, sprightly piano music like Chopin’s, or possibly Vivaldi’s violins.

Did you listen to the music?  I don’t mean Vivaldi’s, although if you haven’t heard it, you certainly should.  I mean the music in the words.  The music has to be there for me for the writing to be good.  That’s why I consider Ray Bradbury and Walt Whitman to be masters and Stephenie Meyer and E. L. James to be unreadable hacks.  The beat and the flow of the words need to be patterned and patient and wily.   Do you not hear it in that last sentence? The alliteration of the first two adjectives set off by the counterpoint of the stressed-unstressed beats of the third?  How can I explain this?

Iambic pentameter is the true genius of Shakespeare’s plays.  What the heck is iambic pentameter, you ask?  Well, I realize you have probably never needed to teach poetry to seventh graders, a truly impossible but infinitely rewarding task.  So let me tell you.  Units of stress called iambs consist of an unstressed syllable followed by a stressed syllable.  So naturally, if iambs are put into pentameter, then there must be five of them in a line of iambic pentameter poetry.  It is a simple, rhythmic way to say something profound and interesting.  The classic example is the first line of Shakespeare’s Sonnet 18;

Shall I compare thee to a summer’s day?

Translating that into X’s and O’s where X=stressed and O=unstressed;

O X O X O X O X O X

It’s simple, five oxes, all in a line.  Except that last one about oxes is actually O X O X X O O O O X, a less simple pattern, yet still organized on the beat.  Two iambs, a dactyl and an anapest.  Okay, now I am talking like a poetry geek, and I have to stop it before I hurt someone.

The whole point is, words should be musical, even when they are not the words to a song.  And now I must close on the verge of starting a ten-thousand word thesis.  I shall shut up now.  Here endeth the lesson.

 

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Cartoonists Trying to Save the World

Back in the 1870’s (you remember it as well as I do, don’t you?) a cartoonist named Thomas Nast basically invented the political cartoon.  Back then, a bloated New York politician and his gang of criminals were busy getting wealthy through corrupt business and government relationships.  Nast used his gift for scribbly-art satire to lampoon the buffoons and make the public laugh at the evil he exposed.  Of course, they knew about the corruption of Boss Tweed before they laughed at the cartoons, but the focus on the problem created by Nast’s magnifying glass focusing the rays of sunlight on the problem is often credited with helping to burn up the scandal.

Cartoonists had power back then.  Power over public opinion.  The power to help fairly uncomplicated (and sometimes stupid) folk to recognize the absurdity of the situation and the need for changing it.

So why haven’t cartoonists fried the Make-America-Great-Again orangutan running the country now with his brand of corpulent corruption already?  Believe me, they are trying.

They have already highlighted the way the Bozo Administration manipulates the focus of the mainstream media.  Every time media coverage begins to converge on one scandal, he creates another big, smelly media poop of a controversy to redirect their focus.

And while he is doing his big shoe dance on the tables in the spotlight, congress is doing his rich friends’ evil will in the back rooms.

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The end result of this malevolent dog-and-pony show is patently obvious.

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Unfortunately, in the 1870’s, the stupid people that Thomas Nast was enlightening had not yet achieved the profound levels of shoot-yourself-in-the-foot stupidity that Trump supporters have now mastered.  Poor and middle-class Republicans, Texans, and other dim folk continue to take the Great Pumpkinhead at his word and believe every utterance of his mouth to be sacred gospel truth.  I have had conservative friends arguing themselves into pretzel-knots to defend his policies and dastardly deeds.

But if cartoonists can’t succeed in shining sunlight on the bloodsucking vampiric old moneybags and kill him soon, his reign will become immortal and we are all gonna die.

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Seriously.  We stand at the end of a long chain of greedy b*st*rds raping and pillaging the environment for profit and not caring about the impact of their actions.  We are dooming the planet to environmental collapse because the orange-faced name-stamper cares more about short-term profits for himself and his friends than he does about whether or no his own grandchildren will have water to drink, air to breath, and a place to live cool enough that metal doesn’t melt in the sunshine.

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So, I hate to be a double-trouble downer about the whole thing, but the truth is if we are depending on cartoonists and humorists to save the world, we are in trouble.  It is not working the way it did in Nast’s day.  Cartoonists are doing their lampooning and doing it well.  But more is needed.  And if we don’t get that something more soon, then (to incorrectly paraphrase and misquote T.S. Eliot), “This is the way the world ends… Not with a whimper but a bang!”

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Stardusters… Canto 38

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Canto Thirty-Eight – The Bio Dome Cloning Facility

Alden tenderly rubbed Gracie’s naked back and shoulders.  He loved his wife desperately and wanted to make love to her again… but she inhabited a child’s body and that just felt wrong.  Of Course, he was living in a child’s body as well, his physical age reduced to childhood by the de-evolution machine that Commander Biznap maintained in his space ship (along with at least a hundred other machines on Telleron space ships or aboard Xiar’s mother ship).  They were both physically children again, though their minds were filled with a combined seventy-eight years of life experience, something no actual children had.  Gracie purred like a kitten and grinned at Alden with her ten-year-old’s face.  What a strange life they now had together.

“Will you allow me to take skin and tissue samples for DNA?” asked Sizzahl, also naked, but not so noticeably because she was covered in skin that looked like a soft version of alligator-skin.

“You can only take them from me?” asked Alden.

“I can’t use Gracie’s DNA.  She is now a simuloid, made of artificial flesh.  Her DNA bears highly technical artificial helixes that don’t smoothly mesh will real DNA.  Besides, you both claim to want offspring of your own… and this is the only way you will ever do that.”

“What?” said Gracie.  “We can’t grow up and make babies of our own?  The natural way, I mean?”  Gracie looked shocked and shaken.

“I thought you knew.  The child-sized simuloid you used to stay alive was only ever programmed to be child-sized.  Its tissue regenerates like a child’s. So now that the termination program is removed from your artificial system, you are effectively immortal… but will always be child-sized.”

It was Alden’s turn to be shaken.  “We will never grow up?”

“Well, you can, if you choose.  But you can also keep using the Telleron machine to stay the same size as your wife.  That probably will make you immortal too.”

Sizzahl’s yellow lizard-eyes with the snake-like pupils were dead serious.  No way was Sizzahl joking… not that Alden had ever even seen her laugh.

“But what if we don’t want to be children forever?” asked Alden.

“As long as you don’t get killed on this horrible planet,” said Sizzahl, “you will have to choose to die and terminate yourselves.  You will not die of old age.  At least, Gracie won’t, and you don’t have to age either if you don’t want to.  The Tellerons’ technology allows that.”

It was a lot to take in all at once.  Children forever?  Alden couldn’t get his mind around such a thing.  Did he want to live forever if he had to do it in a child-sized body?

“Tell me more about these babies you plan to make,” said Gracie.

“I was going to use the cloning vats that I have used for animals to make two sets of five, one set male and the other one female.  I will accelerate their growth to a teachable age, because I will need them to work for me as soon as they possibly can.”

“And Alden and I could be their parents?” asked Gracie.

“Well… genetically they would be surrogate children, owing their genetic heritage half to me and half to Alden.  They would be Galtorrian/human fusions.  But you would certainly be welcome to think of them as your own.  Alden is technically their father.”

Gracie draped her arm around Alden’s naked shoulders.  “I want to be their mother, Alden.  We will have ten kids.  That’s as many as anyone on my side of the family ever had.”

“Do we really want to bring babies into a horrible world like this?”  Alden was horrified at the thought.

“Yes, we certainly do.  You have to admit, repopulating this dying world is a noble reason to have so many kids.  And you know how much we would both love them.”

“But we are doomed to stay child-sized, Gracie.  We would be midget parents.  And, Sizzahl?  Would they look like lizard-people or humans?”

“I don’t really know, of course, but I like to think they would look more like humans… maybe with scales or a tail.”

Alden shook his head sadly.  He could not do this.

“Will you let me scrape the skin on your arm, Alden?” asked Sizzahl, “and swab the inside of your mouth with a special cloth?”

“Of course he will!” said beautiful, child-like Gracie with adult certainty.

Alden nodded agreement and held out his bare arm.  Women always decided these things anyway… didn’t they?

*****

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