Category Archives: humor

Stardusters… Canto 66

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Canto Sixty-Six – The Arboretum Again

Senator Tedhkruhz entered the arboretum with a glum look on his smug face, but it quickly blossomed into a smug smile as he viewed the scene before him.  In fact, his smile became so smarmy and smug that his smirky grin gave off waves of puerile smugness.

“So, Makkhain, you have succeeded in our little quest to kill the planet savers, have you?”

Makkhain, cradling Sizzahl’s apparently lifeless body, looked at him with a glare of pure hatred.  The two naked Earthers, both children, glared at him also. He also noted the little Telleron sitting against a huge yellow, red, and green flower thing.

“Where’s your conquering army, Senator?” Makkhain growled.

“I don’t need them.  We shut down this base, which I believe controls all the atmosphere restorers on the planet, and we have won.  The  world ends, and we are the winners.”

“Aren’t you afraid that without your army, I will turn on you and kill you for what you’ve done to me, my family, and my world?”

“Oh, certainly not.  You are a clone.  And you’ve been thoroughly programmed to do what I ask you to do.”

“Is that so?”  Makkhain laid Sizzahl gently down and stood, knife in hand.  He carefully balanced it in his right hand for throwing.

“Go ahead.  Try to throw the knife at me.”

He cocked his mighty lizard arm to throw, and then started to whip his throwing arm forward.  But he couldn’t release.  The knife clattered harmlessly on the floor.

“You see?  You are completely in my power.  Now destroy the controls of the atmospheric instruments.”

Makkhain smiled.  “I can’t overcome your programming, it’s true.  But I no longer do your bidding.”

“Oh, but you have to.  Destroy those controls now!”

Makkhain continued to grin.  The two Earthers and the Telleron were smiling now too.

“What is this?  Why are you not doing what I command?”

“Because I can’t, fool.  I don’t know where the controls are, and Sizzahl can’t tell me because she’s unconscious and probably dying.”

Senator Tedhkruhz lost his smug smile. A look of consternation crossed his ugly lizard face.

“Are you sure you can’t kill him?” the Earther male said.

“I can’t.  But others in the room can.  And I can’t harm him, but I can dance with him.”

“Dance with me?” the Senator scoffed.

“By your command,” Makkhain said.  He moved up to Tedhkruhz and took him by both hands.  They began to whirl around each other, Makkhain leading the lizard dance and forcing the Senator to go tripping along.  The Senator grimaced as he realized how he had uttered precisely the wrong words at precisely the wrong time.

“Is Lester still hungry for Galtorrian flesh, Brekka?” Makkhain asked.

“Dance him this way,” said the Telleron girl with and angry-eyed grin.

It didn’t dawn on the lizard-man overlord until too late that Makkhain was steering the dance directly toward three big moving blossoms lined with what could easily be interpreted as teeth.  He obviously should’ve ordered Makkhain to stop dancing and let him go, but nothing came out of his throat but a hoarse, frightened croak.

The plant attacked with all three blossoms.  One grabbed Makkhain and took two bites and swallowed.  The other two grabbed Tedhkruhz, one by the head, the other by both legs.  They pulled him into two pieces before each happily munched on their half of the wishbone.

The children who remained in the arboretum, three awake and aware, one lying unconscious, were stunned into silence by the sudden end to violence.  It was then that they heard and answered the anxious voice of a former old Sunday school teacher turned young war leader.  The rest of the Telleron army was suddenly at the arboretum door.

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Filed under aliens, humor, novel, NOVEL WRITING, Paffooney, science fiction

What to Write About Today…

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I have to admit it.  I am pretty goofy.

Probably not Harpo Marx levels of goofy.

But close.

So, I have gone back and looked at what I  have been writing about during the course of my relentless three-year write-a-thon.  I am artist enough to recognize patterns.  At least, I can recognize the big and obvious ones.  Okay, I admit it, sometimes, while thinking, I am really only pretending to think.  That makes me kinda like Harpo, doesn’t it?

I reread one of what I think are my best works just now because somebody viewed it online for some reason I will never know.  The essay is Toccata and Fugue in D Minor written on March 23rd of 2017.  In that essay, I compare a super-condensed version of my life story to Johan Sebastian Bach’s masterwork, one that is represented in Disney’s masterwork Fantasia. My thesis was basically, “Living life is like a piece of classical music.”  Yep, total nonsense.

But that is not nearly as nonsensical as the nonsense I wrote in The Dancing Poultry Conspiracy Theory.  That one should make me ashamed of myself.  Not to mention the danger inherent in revealing a thing that governments of the world have worked so hard to suppress the knowledge of.  There is something seriously wrong with any government who would let wackos use the mysterious martial art of Ententanz Fu on anybody.

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I also fairly recently wrote a poem about writing poetry.  It was called The Secret Behind Poetry and in the course of the poem I carefully reason out that I have no idea at all what the secret behind poetry is.

I am epically good at writing bad poetry.  That is why I was chosen to host the Interstellar Bad Poetry Challenge which I did badly, getting no entries at all from Planet Earth, and being forced to settle on the submissions I posted in The Ixcanixian Bad Poetry Challenge

As I have not yet been vaporized by Ixcanixian skortch rays, then I guess I did the challenge badly enough to satisfy the intergalactic poetry lords of Ixcanix.  I offer that here as proof that I am really pretty bad at writing poetry.

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I am also pretty good at taking an idea and turning it upside down to get a good look at its bottom and to flatten its top a bit.  I did that in an essay called Pessimism as a Super Power.

I suppose it is really about losing a writing contest, but the thesis is valid.  One can save themselves a lot of grief by always expecting the worst outcome to happen.  You are never disappointed according to what you expected unless it is turned into a pleasant surprise.  I also admit that is really a Benjamin Franklin idea, but if you turn Ben upside down, he’s already a bit flat on the top of his bald head and he has an interesting pantalooned bottom.  (That is supposed to be a joke, so try not to be too disgusted with me.)

So, what will I actually write about today?  What is the pattern I am supposed to follow?  Well, it seems pretty obvious, I am basically unpredictable.  So maybe today I will just recycle some old posts and pretend I have been thinking.

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The Sorcerer’s Tower

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In the mysterious continent of Xendrick, the adventuring party came across a very old abandoned tower.  The only way into the tower was a long sloping tunnel that turned out to be trapped and filled with a deadly poison and the numerous corpses of the previous adventuring parties.  Of course, if you are a D & D adventurer, such a tunnel is not going to scare you off.  It is going to irresistibly pull you in.

After nearly dying on three different attempts to get through the tunnel, Gandy Rumspot, the halfling rogue and thief, realized that it was a poison gas in the tunnel.  So he sent Big Cogwheel, the warforged artificial man who didn’t need to actually breathe air, to use his natural immunity to poison to go down and open the tricky invisible door and gain access to the tower.

Voila!  On to further tricks and traps.  At one point, exploding skeleton warriors animated by necromantic trap spells nearly killed Cog the warforged (by rolling a twenty on an attack roll) and required a miraculous magical repair by Gandy to save him.  That left the big metal man with a permanent irrational fear of skeletons.

Along the way, they encountered and had to overcome a bound female demon who had been imprisoned in the tower to keep watch over the property.  She was the slave of the Wizard Crane, builder of the tower long ago, who had then gone abroad and died in his semi-noble quest to slay a devil.  She told the adventurers a great deal about her former master and her imprisonment, monologuing  as villains will before killing and eating the adventurers.  She overdid it, though, accidentally revealing the presence in the room of the devil jar that enslaved her, and even more stupidly, revealing how to activate the jar to physically seal her inside like a genii in a lamp.

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Finally, they found the teleport room in the top of the tower which zapped them to the dungeon under the earth where Crane’s ultimate treasure was kept.  It turned out to be a crystal ball which contained all the knowledge, memories, and experiences of Crane himself.  In fact, Crane’s entire life up to the point where he left on his fatal adventure took the form of Crane’s imprisoned self, longing to have someone to talk to again after hundreds of years of loneliness.  This proved to be a great boon to the magic users in the party, especially the half-elven wizardess Drualia.  So that adventure left the adventuring team with more than a mere heap of experience points.  It also gained them a crystal ball with an imprisoned sorcerer in it to talk too much and complain too much and teach them exotic and dangerous magic spells.

Like any three-session D & D adventure, this one was probably a lot more entertaining to play than it was to retell, but there it is, complete with the secrets that kept my players thinking about them for more than three weeks.

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Really Odd Things are in the “Wrong File”

On my computer I keep a lot of picture files for inspiration both as an artist and a writer.  One of those files is labeled simply the “Wrong File”.  Everything in that picture file is in there for the wrong reason.  Or does a wrong file need to be filled with the wrong stuff for the right reason?  I don’t know.  There is a lot wrong with this world.  The fact that I am going to post stuff from the “Wrong File” is merely proof of that.

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Liking Grumpy Cat posts on Facebook is an oxymoron of the lowest order.  It is an example of what is wrong in the “Wrong File”.

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Certain puns are just so wrong in a fundamental way.  That’s right.  They are both fun and mental.  So that’s wrong.

 

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As an educator I am aware that this thing we thought was true is now an untrue fact.  That’s wrong also.  My left brain tells me so.  But my right brain tells me it feels right.

Yes, these things are wrong.  Just wrong.

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Why did I put this in here?  This is not wrong.  This is right.  So I must’ve put it in the wrong file.  So that’s all right, then.

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Putting this in a file my wife could find on my laptop… Yes, that was wrong.

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Saddle shoes have been wrong for many years now.  I still draw them on the feet of kids, especially girls, especially school-age girls, and that is especially especially wrong because it means I am just too old and out of fashion.’

Boy!  Is that wrong!

These things are all older than me, but I remember two of them.  Is that wrong?

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I’m not sure I believe this is wrong.  So is that wrong?  To believe that it is right, I mean?  I’m probably wrong.

 

 

988289_10201821431282097_1326790710_nMy wife constantly tells me I am wrong… about everything.  And I probably am.  So that is not right.  And if you think that’s my wife in the picture, you would be wrong.  She’s much larger than that in real life.

And many people find surrealism is wrong.  Surreal is when you put wrong things together on purpose to make something that almost seems right.

So that’s what odd about the “Wrong File”,  It is so wrong that it is right.

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The Waning of September

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The pool removal has finally begun.  As I write this, I can hear the machinery grinding away at the gunite.  And so, September has almost ended.  It has not been a good time.

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The world has been filled with the fetid orange-faced swamp monster in charge of our nightmare future raging against football players while an Asian nuclear baby Godzilla trades insults and threats of Armageddon with him as the sideshow.  My health has been seriously threatened by chest pains and breathing difficulties made worse by all the stress brought on by my battles with the city over the pool.  How many more years of this can the world actually withstand? How many more can I hold on to life and love and laughter?

But it is not over yet.  I can still write.  I can still laugh.  I can still make goofy WordPress posts with autumn leaves and regal fritillary butterflies to make me feel better.  And I can still put together novels that make stories worth telling.  That is enough for the moment.

Val in the Yard

 

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Stardusters… Canto 65

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Canto Sixty-Five – The Arboretum

Sizzahl and the two naked Morrells had moved to the arboretum’s central control panel to look at security programs.  Brekka and Lester, accompanied by the baby buds, were watching for anyone else who might enter.

“Can you find him on a security camera?” Alden asked.  “He has to be somewhere near.”

“I used the Telleron invisibility cloak to disappear.  My fake Uncle Makk couldn’t possibly know where I went.”

“No defenses are left?” Gracie asked.

“Well, the fake Uncle Makk did take the security robots out just like the real Uncle Makk would’ve been able to.”

“That doesn’t take any of the worries away,” said Alden.

“Sizzahl!” shouted Brekka suddenly. “look above you!”

As Sizzahl and the Morrells looked up, the armored lizard man dropped out of the ceiling supports from a hundred feet above.  He landed completely unhurt on the gravel walkway and stood up straight in front of Sizzahl.

“I told you I could track you,” Makkhain said.  Then he stabbed Sizzahl in the chest with his glittering knife close to where a human from Earth would have a heart.  The lizard girl grabbed the gushing wound and pitched forward into his arms.

“No!” shouted Alden, jumping at Makkhain from the left.

“You monster!” shouted Gracie from his right.

He simply kicked Alden into a senseless heap at his feet and knocked Gracie down with a sweep of his lizard tail.  He cradled the wounded and probably dying Sizzahl in his arms.

“What have I done?” Makkhain said aloud.

“I think you have killed me, Uncle Makk,” Sizzahl answered.  She closed her eyes and went limp in his arms.

“We are gonna kill you and eat you!” Brekka cried from the safety of Lester’s viney tendrils.  “Lester, I mean.  Lester is gonna eat you.”

“Maybe I can still save her.”  The lizard man pulled some kind of medical kit out of pants pocket.  He fished out some kind of aerosol spray and sprayed it into the gaping hole in Sizzahl’s chest.  Then he took some kind of electronic device the size and shape of the egg of an Earth chicken and pressed that against Sizzahl’s throat.  The silent lizard girl suddenly popped awake.

“Ah!  Why did you do that, Uncle Makk?  I was headed for my father and mother.  Now I am hurting terribly!”

“Stabbing you changed something in my head.  Tedhkruhz’s programming is no longer in control.  I now feel like your real uncle.  I now want to save you if I can.”

“First you kill me, and then you try to fix it?”

“I know I’m not physically your real uncle, Sizzahl.  But in my head, I am still your Uncle Makk, and I still love you more than any other Galtorrian I know.  Can you forgive me?”

“Of course I can.  But if I die, you have to promise to take care of this world of ours.”

Alden pulled himself groggily up into a sitting position.  Gracie went to him and put her arms around him.

“After what you did, you expect us to believe you are on our side now?” Alden asked with a glare that could melt frozen steel beams.

“No, naked little Skoog monkey, you don’t have to believe anything about me.  You don’t have the power to change anything.  You must rely on me for that now.”

“Please, save Sizzahl,” pleaded Gracie.  “No matter what it costs us.”

“I will.  And I won’t let it cost you anything.”

“No way am I ever trusting you again,” said Alden.

“Yes, I don’t expect you to.”

Brekka, Lester, and all the baby blossoms looked on with doubtful eyes… and doubtful blossoms that had no eyes, but somehow also saw.

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Mickey Makes Manga Art

I always loved this song.  When I was a boy, it was the song I would sing when I was alone in the darkness.  It made me feel better, able to march toward home in spite of potential spooks and brain-eating zombies.  The weight of the invisible future world could not drag me down if this tune was in my head, filling it with helium and good spirit; it allowed me to fly.

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And when I listened to it playing on the radio…  I always paused and listened to at least a couple of verses no matter what I was doing… I never once thought of Johnny Nash as a black man.  I didn’t know he was black until I first saw a picture of him.  But even then I didn’t think, “Oh, he’s a black man.”  I thought, “Oh, he’s a man like me.”  But, I, of course, am not black.  I’m not really white either.  I am a kind of pale pink to mauve mottled color with dark pink psoriasis spots in random places all over me. It is the man on the inside that is like Johnny Nash, full of uplifting things, and goofy grins, and… hopefully, hope.

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But when I was young it wasn’t only singing “I Can See Clearly Now…” in my goofy farmboy voice that filled my head with air and allowed me to float away from the troubles of the world.  I also learned to draw Manga style, in the tradition of Osamu Tezuka’s Astroboy , filtered through hours of practice copying Walt Kelly’s Pogo characters and various Disney cartoons.

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I copied the over-large eyes and big-headed cutsieness that informed the Japanese idea of the world after the atom bombs fell on Hiroshima and Nagasaki.  I tried to capture innocence and wonder and adventure in drawings that took my mind off the terrible things of my childhood, being sexually assaulted, the assassinations of JFK and his brother RFK, and Martin Luther King Jr, the Viet Nam War, and Nixon with Watergate.  You can reclaim innocence and peace of mind, if you get the lines just right, and the proportions are good, and the character has just the right expression on their sweet little faces.

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Okay, maybe not always so sweet and innocent.  This is not the Dorothy I would want to mess with.  This girl is cocky, sure of herself, and more than a little impish.  A destroyer of wicked witches, that one.

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But that’s what Manga Art is all about.  You whistle away the darkness one drawing at a time.  And there’s plenty of darkness to whistle away anymore, isn’t there?  What with Tronald Dump taking on the NFL over the American Flag and National Anthem, Tronald Dump taking on Jim Kong Oon in an insult war backed up by ICBMs, and Congress busily trying to take away all our access to health care.  (I know I misspelled some names there, but I am tired of talking about that guy that Dorothy told me I should call the “orange-faced poop sack.”  No, Dorothy, I can’t call him that.  Using language like that robs my head of its helium.)  So, what do I do now about the state of the world?  Well, here is the Manga Art I drew last night.

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Catgirl and White-haired Snow White with a ping pong ball in her mouth.

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Filed under artists I admire, artwork, autobiography, cartoons, cartoony Paffooney, commentary, goofiness, goofy thoughts, humor, Paffooney, strange and wonderful ideas about life

David Mitchell is Genius!

Yes, David Mitchell is a very smart man… a very smart English man.  (That isn’t to say that his genius is any less genius than an American Genius.  Just that he is a genius who also happens to be English)

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And I, of course, don’t mean this David Mitchell either, though this David Mitchell is also a genius and also from England.  I have to tell you, though I have always loved British humor, this particular tongue of silver fascinates me enough to make me binge on hoards of old episodes of “Would I Lie to You?” from the BBC on YouTube.  He’s a quick-wit, Brit-wit, smooth-talking  bit-wit who can make you laugh even when he’s playing a thick-wit… which he is certainly not.

Anyway, that is the wrong English genius David Mitchell.

I mean the other English genius David Mitchell.  The one who wrote Cloud Atlas.  Also the one who wrote The Bone Clocks.  And, of course, the one whose book Black Swan Green which I just finished reading early this morning.

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Yes, I mean this David Mitchell.  The absolute genius writer who creates exactly the kind of books that I long to read.

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Now, this post should probably be more of a traditional book report than it is.  This book I just read is swimmingly, swannishly excellent in a David-Mitchell-is-GENIUS! sort of way.  It is about an English boy from Malvern, England undergoing the trials and tribulations of his thirteenth year of life.  The boy is a stutterer and secretly a poet.  The girl he pines for is the girlfriend of his greatest enemy, the boy who relentlessly bullies and taunts him.  One even suspects that this portrait of a Margaret Thatcher-era boyhood written in exquisitely horrible detail might be based on the author’s own boyhood somehow, so vivid is its detailing.

But this is already too cacked-up to be a proper book report just because of the two David-Mitchell-English-genius thing.  If you really want that sort of book review, read it elsewhere, or read the danged book yourself.  This report is more of a vow of fealty.  I must now turn my hoarding disorder sufferer’s exacting zeal on the matter of reading everything this living author writes.  I did the same thing to both Michael Crichton and Terry Pratchett because they are geniuses too.  But they are both now no longer living and writing new books, at least, not unless there is new meaning to the term ghost writing that I don’t know anything about.  So now it is David Mitchell’s turn to be the object of my intense fan-boy love of good writing.

Here are some David Mitchell books that I now must stalk and make my own;

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And hopefully, there are many more yet to come.

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The Secret Behind Poetry (a Poem about Poems)

Poetry is life

Like life, it is sometimes fat and over-gorged

Like life, it is sometimes lean and starving

Like life, it sometimes rhymes

But that is only simile

Simile is not reality

Reality is metaphor

Metaphor is life

Like life, it has to mean something

Like life, it has rhythm, pace, and resonance

Like life, it sometimes rhymes

But this one doesn’t rhyme

And it may not really mean something

And it certainly isn’t reality

So, poet, you don’t know life!

And life is poetry

So you really don’t know poetry

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Liars Run the Animal Farm

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Napoleon the PIG.

Napoleon the Pig makes himself ruler of the Animal Farm in Orwell’s 1945 book by lying about Snowball, his rival Pig, and blaming the destructive acts of the former human Farmer Jones on poor Snowball.  He is driven away from the farm by the farm dogs whom Napoleon has taught to think since they were puppies. This, even though Snowball was actually the hero of the animal rebellion that drove the humans away.  Collusion?  Perhaps.  But definitely a lie.  And the PIG Napoleon, once in power begins to keep all improvements to living conditions for the PIGs.  Other animals, he says, are happier with a simpler, hard-working life.  The PIGs begin to dress like men and walk upright and wear long red ties.

Keith Olbermann in the video is very much like Benjamin the Donkey, who is cynical and skeptical about Napoleon’s methods.  He also reads as well as any Pig.  When Boxer the workhorse is wounded defending the farm against neighboring farmers who attack and destroy the windmill, he shrugs off the the wound and works at rebuilding the windmill until he collapses.  Then Napoleon declares Boxer will only get better if he’s taken to the vet’s animal hospital.  But he calls the Knacker (the man who renders dead horses into glue) to take Boxer away.  Benjamin calls him out.  He points out that it says “Knacker” on the van that takes Boxer away, not “veterinarian”.   He points out that Russian Facebook trolls used targeted troll-posts to help get Napoleon his position of power.  But Napoleon gets away with his lies.  Boxer apparently dies in the so-called animal hospital.

Now, I am not sure which tiny animal on the farm Robert Reich is like, but he is pointing out in this video that once the PIGS got themselves into power on the animal farm, they lie in order to get their agenda operating, enriching all PIGs (or is that GOPs?) and their political donors.  They are doing it all by LYING.  Pigs lie.  We should have learned that lesson by now.  They don’t care who dies and gets rendered into glue.

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In 1945 Orwell intended Napoleon to be a satire of Joseph Stalin in communist Russia.  But I truly believe, as we are living on the Animal Farm now as the hard-working farm animals, that he has a bad wig on his head with whippy straw-yellow hair, and a distinctly orange face, with the same little piggy eyes he always had.  And he is in power because he tells lies.  And what’s worse, he gets away with the lies.  As long as the PIGs are in power, controlling both houses of congress and the Supreme Court, he will not lose his lying grip on the farm.  We are all doomed to continue being hard-working animals who eventually get rendered into glue.

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