I just finished a novel project last Thursday, completing the manuscript of Recipes for Gingerbread Children. But being the excessively creative goofball that I am, this was not a stand-alone project. The companion book, The Baby Werewolf, is an incomplete manuscript of a comedy horror story about a boy with hypertrichosis, sometimes known as werewolf-hair disease. Both books happen in the same period of time in 1974 and share both characters and events. The boy, Torrie Brownfield, has lost his mother. His father has brought him back to a small Iowa town where he himself was once a boy, to live in the same house where the boy’s father and uncle grew up. The uncle, hiding some dark secrets of his own, requires that Torrie be raised in hiding up in the attic. But this only lasts until a local farm boy, Todd Niland, discovers Torrie’s sad existence and becomes his friend. This is a much darker story than I have tackled before, and I am no stranger to dark humor. It is significant, though, that both Todd and Torrie are gingerbread children from the book I just finished, and even though some sad, dark things come to light in that book, they are not nearly as sad and dark as what is present in this next project. So I had to find some inspiration before trying to re-ignite the novel forge for The Baby Werewolf.
That led me to watch the video Donnie Darko for the very first time.


Oofah! What a strange, horrible, yet beautiful movie! Richard Kelly’s first film is an incredible artwork that makes your soul sing darkly. Talk about listening to dark rabbits from the future… really, I mean, no one told anyone they should talk about about dark rabbits from the future… but this film does with a twisted elegance and ironically terrible beauty. It discusses the sex lives of Smurfs, raises alarms with old women wandering aimlessly to the mailbox in the path of oncoming cars, and fires teachers from their jobs for discussing the short stories of Graham Greene. There is no way I can explain in a witless-wordless movie review. You must simply watch the movie for yourself.
Remember this musical masterpiece? “Hello, Darkness, my old friend… I’ve come to talk with you again…” Yes, I am entertaining the darkness again because I will be depending on her to help me write this book whose theme is going to be, “Everyone dies in the end, but the real life depends on how we deal with that fact.”
Yes, people who know me, I mean really know me, including the facts behind what I can’t actually say in this blog because the innocent must be protected, will probably worry that I am undertaking a writing project about monsters and depression and suicidal thoughts and child abuse. I do have scars. But I am at peace with the hard parts of the life behind me. And from great pain and profound suffering, beautiful things can be made. So don’t worry. Downloading a bunch of monster-movie darkness into my stupid old head is not going to hurt me at this point in my life. And if I can’t write it now, it will never be written.



























The Story Continues…
I find myself caught up in the story once again. Netflix put a new monster-movie series out there with eight episodes starring a Dungeons & Dragons-playing group of middle school kids, a psychically powerful girl-experiment named Eleven, an assortment of dysfunctional adults, star-crossed teen romantics to use as potential monster food, and a creepy mouth-headed monster from the “upside down” to eat them all. How could I not binge-watch such a thing?
This binge-watching addiction comes at a time when I have other things on my mind. My aging parents are in poor health and have a critical doctor’s visit coming up this week. Bank of America has decided to experiment on me to see what happens if they sue me for the total amount of my debt, plus court costs, plus additional fees for betraying them by going to Wells Fargo, plus additional additional fees just because they don’t like me and think I’m ugly. I am awaiting a call from a potential lawyer-advocate to help me even as I am writing this. I am also planning how to live without money until the total is payed off in garnished pension, seized property and bank accounts, and whatever other way they can squeeze more money out of me. Some monsters are all mouth. This of course comes after I completed a program of debt resolution and paid off all my other creditors. When I called Bank of America, they didn’t seem to know what happened to the debt, so they did not participate in that. Were they plotting evil, or just that stupid? Such questions go into the making of a monster. Perhaps a monster movie television series on Netflix was precisely what I needed.
The only episode I haven’t watched yet is the last installment. Potentially the monster gets its comeuppance. That’s what the lawyer, a consumer rights attorney, promised me in his letter. It also is what the kids in Stranger Things are promising as they prepare to enter the monster’s lair.
Why do I need to see the ending of the story so badly? Because when we reach the end of our life course, the happy ending, in real life, does not overcome death and endings. We live our time on Earth, reach the end, and then we are no more. Only the story continues. New lives and new adventures begin, only to proceed relentlessly to their ending. Even when the human race’s story comes to end and there is no more life on Earth, the story continues. You have to be caught up in that. There is no other choice. The things you dread stalk you and eventually catch you, and the happy ending is bound up in how you handle it along the way.
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Filed under angry rant, autobiography, commentary, ghost stories, horror movie, humor, monsters, review of television, science fiction
Tagged as bankers and other villains, humor, monster movies, movie review, Netflix binging, Stranger Things, televison shows