
There is reason to believe I have to reroute some of the back roads on the road map of my thinking parts. I have been spending a lot of time in Elizabethan England lately due to my obsession with who I think Shakespeare really was. There are a lot of dark alleys to be plumbed on that section of the map. I really admire the Roland Emmerich film Anonymous about Edward deVere, the Earl of Oxford being the real writer behind the works of Shakespeare, but I do recognize that it is a work a fiction, and an altered-history work of fantasy fiction at that. So I find myself not yet ready to tackle that particular essay in the Shakespeare series as yet. More think time and creative-mixing time is needed. I need to stop at one of the quaint little mental inns on that particular Elizabethan back road and get some much needed rest for my Elizabethan conspiracy muscles.
Meanwhile back in the real world, Trumpzilla has been busy wrecking the world I live in with a bleak inauguration speech written by Steve Bannon that works its fire-breathing magic to blacken the hearts and perceptions of people I love and care about who also happen to be staunch conservatives. My Facebook feed is up in arms about how many people actually attended the inauguration ceremony and how unfair the media is for trying to make it seem like Trump’s celebration parade was a deserted wasteland when in reality it was… well… what’s a synonym for deserted wasteland that won’t offend conservatives who will bend or break any truth to defend Trumpzilla’s turkey-tweets?

But then, as I was going to QT for my morning caffeine-addict’s fix of Diet Coke, I heard Lionel Richie’s song “Say You, Say Me” playing on the radio. Ah, the perfect metaphor. It is a song used as the theme song from the 1986 movie White Nights about a Russian ballet star who has defected to the US during the Cold War and then was in a plane accident-incident that put him back in the Russians’ clutches. The movie stars Mikhail Baryshnikov, an actual Russian ballet star turned defector, and Gregory Hines, the American tap dancer. It is a beautiful movie that features amazing dance sequences, Russian conflict of interests because the dancer wants to be free and yet misses his homeland and culture, and a resolution involving intrigue and escape. In many ways, the plot, centered around a Russian threat and dark days in a place where the sun doesn’t set, is exactly what we are going through with Trumpzilla. But the song is about two people communicating and eventually “coming together, naturally”.
It started me thinking about the purpose of this blog. I mean, you obviously know that this blog is really about me talking to myself about myself, if you are one of those crazy few who actually read this far through a goopy blog post like this. I use this blog to think about myself, the world around me, and even sometimes, like now, to think about thinking. Yet, I have a duty to the reader to reach that point where our thinking comes together, naturally. If not, then why bother to post and publish at all?
So here’s what I think about the Shakespeare question, written in the tavern room at the inn on parchment… with a quill pen. The real Shakespeare was a writer just like me, writing for himself. And he discovered through the play-writing process that he had to share that writing for himself with the great wide world, because the Prospero’s magic of it could change the world for everybody. That is the real purpose of Shakespeare’s existence, no matter who he really was. And that is the real purpose of my existence as well, even if I turn out to be nothing more than one of the top hundred best writers that no one ever actually read.































“They” Don’t Think Like “We” Do
I was recently asked how I can live surrounded by conservatives when I am obviously liberal-minded. I hardly have to think about it to give an answer.
You have to realize that conservatives are people too. To begin with, I hope you didn’t look at the picture I started with and think, “He must think all conservatives are stupid and look like that.” The picture of Doofy Fuddbugg I used here is not about them. It is about me. This is the comedy face I wear when I am talking politics. You live a life filled with economic, physical, and emotional pain like I have, you have a tendency to wear a mask that makes you, at the very least, happy on the outside. People talk to me all the time, but not because I seek them out. In social situations, I am not a bee, I’m a flower. And because of my sense of humor, people feel comfortable seeking me out and telling me about their pain and anger and hurt to the point that they eventually reach the totally mistaken conclusion that I have wisdom to share.
I do think that corporate bank CEO’s look like this, and I am not sure they count as people.
I hear lots of detailed complaints from my conservative friends in both Iowa and Texas. I know what they fear and what makes them angry. Here are a few of the key things;
I have always understood these feelings because I began hearing them repeatedly since the 1980’s. They are like a fire-cracker with a very short fuse, these ideas conservatives live with. And certain words you say to them are like matches. They will set off, not just one, but all of the fireworks.
So, here is how I talk to conservatives.
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Tagged as communicating, conservatives and liberals, conservatives dang!, humor