
I admit it. I am prosaic. I think in sentences. I speak in paragraphs. I write in 5-paragraph essays. I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post. I write prose. Simple. Direct. Declarative. But those last three are sentence fragments. Does that fit the model of prose? How about asking a question in the middle of a paragraph full of statements? Is that all simple enough to be truly prosaic?

Prose is focused on the everyday tasks of writing. It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.
I don’t mean to be pulling your reader’s mind in two directions at once, however. I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas. I should be more clear, more direct, and more to the point.
So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.
Ah, irony again! It ends up being anything but simple. You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas. One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning. You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect. Prose is a powerful and infinitely variable tool for creating meaning in words. Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.
Simply stated; I am a writer of prose. I am too dumb about what makes something poetry to really write anything but prose. But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago. I find it useful to examine in writing how I go about writing and what I can do with it. I try to push the boundaries in directions they haven’t been pushed before. And hopefully, I learn something from every new essay I write. What I learned here is that I am prosaic. And that is not always a bad thing.




























Crab Apple Pie
I was spending time with a certain cynical youth who likes to insult me and argue about every one of my faults as a human being, telling me that such treatment is meant to improve me to meet a standard that only he thinks I need to live up to when it occurred to me; Crab Apple has two meanings.
Crab apples (which ominously come up on Wikipedia as genus Malus) are generally mistrusted as eating apples. Alternatively known as “wild apples”, they are often bitter to the taste. Hence, the association with the chronic complainer, the dyspeptic dude, and the hen-pecky female. Crab apples are the fruits of unpleasant people-trees.
So, how does one deal with crab apples? I always tend to fall back on the homily, “When you are given any kind of fruit, make it into pie.” And yes, the links under the pictures will actually yield recipes. I know it is a metaphorical over-simplification. But, if I do not enjoy being critiqued for the hair in my ears and the werewolf hair sprouting under my eyes, or the way I say, “I’m sorry!” too much, I am going to use those fruits to make a pie of surreal comedy in a WordPress post.
I saw a guy on the highway speeding around me at well-over the speed limit, turning around to give me a look at his middle finger, probably trying to predict how many IQ points he will have left when he crashes into whatever is ahead of him that he can’t see because he’s grinning and glaring at me behind him. There’s an apple for this pie.
The impatient clerk in the tax office gives me the “Are you really that stupid” glare and attendant sigh as she suggests that I step to the side and correct the mistakes in my paperwork so she can mistreat the next person in the incredibly long line that she wants me to return to the back of. There’s another apple.
In today’s world, it really doesn’t take long to have enough apples for your pie. In fact, I am looking at a huge pie now with loads and loads of crab apples in it.
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