“We’re from Ioway…Ioway!
State of all the land…
Joy on every hand…
We’re from Ioway…Ioway!
That’s where the tall corn grows!”
Yep, I was an Iowa boy. I sang that stupid song with pride, though we never once called our home State “Ioway” outside of that song. I have driven a tractor, made money for pulling buttonweeds out of soybean fields with my own two hands, watched the wind ripple the leaves in the cornfields like waves on bright green ocean water, and hid in the basement when we believed a tornado might come and destroy our house. Life in Iowa is made up of these things and many more, don’t ya know.
And of course, I learned to tell corny jokes along the way. That’s a must for a quick-wit-hick from the sticks. Pepsi and Coke and Mountain Dew are “pop”, and when you have to “run down to the store” you get in your car. You don’t have to do it by foot. And other Iowans know this. You don’t even get the raised eyebrows and funny stares that those things evoke when said aloud in Carrollton, Texas. You have to explain to Texans that “you guys” is how Iowegian speakers say “y’all”. Language is plain and simple when you speak Iowegian. You have to follow the rule of “Only speak when you’re spoken to”. Iowans are suspicious when somebody talks first, especially if you haven’t known that somebody for their entire life. That’s what an Iowan calls a “stranger” . “Frank is from Iowa Falls, and he’s only lived here for twelve years, so he’s still a stranger around here.” So large portions of Iowegian conversations are made up of grunts and nods. Two Iowegians can talk for hours saying only like ten words the entire time. “Yep. You bet.”
But that only applies when you are outside the confines of the local cafe or restaurant or beanery or eatery or other nesting places for the Iowegian gossiping hens and strutting roosters. Inside these wordy-walled exchanges for farm lore and lies there is no end to to the talking. And because the mouths are already in motion anyway, there is also no end to the eating. You are not too likely to see skinny farmers. But farms and farmers definitely affect the quality of conversations. In Iowa you have to learn how to stuff good grub in your pie hole in spite of the fact that farmers have decided to compare in detail the aromas associated with putting cow poop in the manure spreader (back in the day, of course) and mucking out a layer of toxic chicken whitewash from the chicken coop. Perfect topic to accompany that piece of lemon meringue pie (which is the perfect color to illustrate the chicken side of the argument). And, of course, if you have a family of health-care and service professionals like mine (mother was a registered nurse for forty years), you get to add to that discussions of perforated gall bladders, kidney resections, and mean old biddies that have to be helped on and off the bedpans. You must develop a strong tolerance and an even stronger stomach, or you are doomed to be skinny and underfed.
And since Iowegian is a language that is very simple, direct, and mostly about poop, they practically all voted for Trump. Like him they never use transitions more than starting sentences with “And” or “But”, so they understand him mostly, even though there is no chance in H-E-double-hockey-sticks that he understands them. It’s what allowed them to elect a mouth-breathing troglodyte like Steve King to the House of Representatives, and I can say that because they have no idea what “troglodyte” means, and will probably think it is a complement because it has so many syllables. Insults have four letters. Politics in Iowa is simple and direct too. Basically, if you are not a Republican you are wrong. Of course, somehow the State managed to go for Obama over Romney, but that was probably because, to an Iowan, neither one was right, and Mormons are wrong-er than anybody.
So there’s my brief and beautiful bouquet of Iowegian words and their explanatory weegification. I know there is a lot more to say about how Iowegians talk. But I can’t say it here because my short Iowegian attention span is already wandering. So let me wrap it up with one final weegification (yes, that is a made-up word, not a one-time typo mistake).
Catch a Falling Star 
Strawberry Fields
This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.
This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.
But don’t get me wrong, strawberries are a critical part of every healthy mental diet.
You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.
She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.
And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.
But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)
And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.
She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.
My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.
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