
I suppose that if I were to be insightfully honest for a moment, I would have to admit that I am a failed novelist. If you take “success” as meaning “financial success”, the fact that I only make less than five dollars a month for my writing means I am a failure at it. If you specify that success means my books find readers, then evidence would suggest that my books are mostly ignored. A majority of those who have responded favorably to my work are actually members of the nudist community on Twitter. I admit that I have cultivated that a bit with nudist characters in about a fourth of my books. But that is a result of having experienced fascinating people and situations that I felt I had to write about because I happened to meet, totally by chance, interesting nudists in real life.

I have lost a lot of writing-community followers on Twitter because of my interactions with Twitter nudists. My work gets dismissed on occasion because your standard teacher-turned-writer on Twitter, usually female and usually fundamentalist Christian, doesn’t want to be contaminated by sinful nudist associations. Ah, such a life. But I don’t wish to destroy anyone’s faith in a God who will apparently burn them for an eternity in Hell if they are tempted to frolic with no clothes on. I would rather be blocked by them on Twitter than have them give up on whatever paradise they are pursuing.

But I am basically on the Brad Bird side of the argument about whether or not you can choose to be a hero even if others will see you as a monster. My fiction does not cause demonic possession and probably does not cause spontaneous bouts of joyful nudism either. Even my werewolf story, which was too much for one potential reviewer, does not have actual werewolves in it. Although it does describe some things that really happened to me as a child in a fictionalized, sort-of-truthful way.
So, by those criteria, I judge myself to be a failed writer.

I write because I have something to say to the world and stories to tell. And I mean to have my say, even if the world is too stone-deaf and stupefied to listen.
I have things to say about living and learning.
I have things to say about finding love, and losing love, and finding it again.
I have things to say about how I think the world works, and why I’m pretty sure I’m completely wrong about all of that. And what I intend to do about it.
To that end, I have started writing a book full of essays like the stuff and garbage and lovely wisdom I write in this goofy little blog. And I shall call it Laughing Blue. Because, you know, nobody is going to read it anyway, and I can call it whatever the heck I want to call it.





Yes, I am trying to answer that old question that old girlfriends used to ask me back when they were young and I was young and too stupid to answer honestly. You know, the question always asked right before they tell you, “Why don’t we just be friends and leave it at that.”























Other Folks’ Artwork
There are many, many things I appreciate about other people’s artwork. It is not all a matter of envy or a desire to copy what they’ve done, stealing their techniques and insights for myself, though there is some of that. Look at the patterns Hergé uses to portray fish and undersea plants. I have shamelessly copied both. But it is more than just pen-and-ink burglary.
I like to be dazzled. I look for things other artists have done that pluck out sweet-sad melodies on the heartstrings of my of my artistically saturated soul. I look for things like the color blue in the art of Maxfield Parrish.
I love the mesmerizing surrealism of Salvador Dali.
I am fascinated by William-Adolphe Bouguereau’s ability to create photo-realistic and creamy-perfect nudes.
Basil Wolverton’s comic grotesqueries leave me stunned but laughing.
The dramatic lighting effects employed by Greg Hildebrandt slay me with beauty. (Though not literally. I am not bleeding and dying from looking at this picture, merely metaphorically cut to the heart.)
I even study closely movie-poster portraits like Bogart and Bergman in this Casablanca classic poster.
I could show you so many more art pieces that I dearly love to look at. But I will end with a very special artist.
This is the work of my daughter, Mina “the Princess” Beyer. Remember that name. She’s better than I am.
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Filed under artwork, commentary, inspiration, oil painting, old art, pen and ink, strange and wonderful ideas about life, Uncategorized
Tagged as Saturday Art Day