Category Archives: cartoons

Life Can Be Goofy Sometimes

Well, the lab said it was not Covid. It was not even the flu. Apparently Number Two Son just had a very bad cold. And I am pretty sure I have only got what he has. Same symptoms, but started two days later. So, I don’t even have to worry about going in for a Covid test.

This post, it turns out, is number 3,002 on this blog. The milestone post is the second one from yesterday.

I am juggling three books at once. I am writing another novella, Horatio T. Dogg, Super Sleuth which I am now using for Tuesday posts. I am editing AeroQuest 4 : The Amazing Aero Brothers, getting it ready for publication. And my main work in progress is He Rose on a Golden Wing, in which I am on rough draft chapter… er, Canto 6, though I’m not dead certain since I stopped numbering them and am simply citing classical music pieces to signal each new section of the story. The idea being that the reader should listen to that specific music while reading that section, just as I listened to it while writing the first draft.

That’s basically what all of life is… random silliness… God being Goofy… “Hyuck!”

But it is not really totally random. Rather, Goofy is off-kilter and meandering, but blessed with an overall pattern. And when he is a clock-cleaner and gets bonged on the noggin by a construction beam, he doesn’t step off the edge and fall to his death; he magically steps from suspended beam hanging from the construction crane to the next one and the next one hanging forever in mid-air.

We merely tumble endlessly through life as if it were a screwball slapstick comedy with moments of real grief and real pain and real love sandwiched in between the slices of your daily bread that you have probably prayed for… at least at some point in your life.

This illness that struck while wife and daughter were away had the side effect of preventing me from visiting the nudist park on Saturday where I had hoped to meet more nudists and do a bit of research for future nudist tales. So, I guess that was probably the reason God struck us with Apollo’s Arrow of Illness. The whims of Heaven are ever inscrutable. At least until I figure out how to responsibly “scrute.”

But however life proceeds from this particular place in time and space, it has turned out better than it might have otherwise. I am not saddened or forlorn due to this outcome.

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Cartoonity

“My name is Michael Beyer, and I am an amateur cartoonist.”

“Hi, Michael!” says the entire group of CA group-therapy participants.

(CA stands for Cartoonists Anonymous.)

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“I have to admit, I am guilty of giving in to the urge to draw cartoons. I know how it can fill lives with slapstick pain and derisive laughter, and I give in to the urge anyway.”

“So, what did you draw that you have to be ashamed of now?” asked one mad-eyed cartoonist with a pencil lodged behind each of his large ears.

“I made a very unfortunate video to post on YouTube that was supposed to be How-to-draw Cartooning. But everything went wrong. You couldn’t see my drawings in the video. It was not adequately lit. I look like a doofus (which probably can’t be cured) in the video. And instead of thinking twice or editing it, I posted it anyway.”

“Wow!” said a rather ugly cartoonist lady, “that is really bad. You have a seriously bad case of cartoonity.”

“Cartoonity?” I responded stupidly.

“The condition of needing love for your cartoons so bad that you will risk anything to make people look at them and like them,” said the wise group therapist (who looked an awful lot like Chuck Jones, though I am fairly sure Chuck Jones is now dead).

“Yes, I suppose that’s about the size of the problem,” I said. “I have been posting pages from my graphic novel, Hidden Kingdom, and I really haven’t seen more than one comment about it. Do people actually read cartoons and comics nowadays? Or is it just me that gets ignored?”

“You have to focus on how much you love drawing and doing it just for that reason, and nothing beyond that,” said the wise therapist. “Cartooning should be done for its own sake, and nothing more than that. Craving attention and approval for it can get seriously infected and become a bad case of cartoonititis. How do you think I dealt with it when I was still alive?”

At that point, my eyes popped out of my head in disbelief and my lower jaw fell all the way to the floor. Could he really be…?

And so I must end today’s blog post since it is hard to keep typing when your eyeballs are rolling around on the floor.

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Animal Town in Daylight

This is a place I explore in cartoons and daydreams.  It is a little town known as Animal Town for fairly obvious reasons.  It is populated by silly anthropomorphic animals who wear clothes and keep naked people as pets.

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Animal Town is one of the all-time silliest places to visit in the cartoon dreamland of Fantastica.

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Mandy Panda and little brother Dandy are my constant companions and guides when I tour the dangerous streets of wild Animal Town.  In my cartoons, Mandy is an immigrant from the Pandalore Islands.  She is also the cartoon version of my wife.

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Three of the Town’s most important head monkeys.

It was Mandy who introduced me to the government officials who run Animal Town.  Judge Moosewinkle is the head of the Animal Town court system.  He is a hanging judge, so I am very careful about littering and loitering when I am in town.

Constable Geoffrey Giraffe does all the arresting and police work.  He used to work in a toy store, but quit his job there when he couldn’t get them to stop writing the R backwards on all their signs.  Grammar infractions annoy him more than any other crime.

Linus the Kitten-Hearted is the mayor of Animal Town.  They wanted to crown him as king, but he always says that’s only for when he’s in the jungle.  In town he prefers to be a democratically elected leader.  Of course, if you refuse to vote for him, he might eat you.

Most of my dreams in Animal Town are about the school there.

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                                                                                                                                                         Yes, this is a yearbook picture from Animal Town Elementary School.

Miss Ancient’s Class of 5th graders is usually rather rowdy and difficult.  You may have noticed there is a bare bear in the old buzzard’s class.  The fact is, the bears in Animal Town are all naturists and refuse to wear clothes.  This disturbs poor Miss
Ancient greatly, and it is therefore a real godsend that a fig leaf just happened to be drifting down through the air at the time this picture was made.  Bobby Bare is not shy, but some things are better not put into a cartoon.

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                                                                                                                                                   Yes, this is another yearbook picture. And I am in it twice, since Mr. Reluctant Rabbit is also me.

As a visitor to Animal Town, Cissy Bare took me to Mr. Rabbit’s class as her pet for show and tell.  She is also a bare bear, and she also benefited from a passing leaf at picture time. You may notice students putting rabbit ears behind each other’s heads in pictures… something that human children do too in real life.  But when I study this picture, I can’t help but think that maybe Mr. Rabbit started it.  Now, Animal Town is located in Fantastica, a part of the Dreamlands.  So that sort of explains how I ended up in school naked.  My dreams are like that.  You are in school in the middle of lessons before you realize that haven’t got a single stitch of clothing on.

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When I am inevitably charged with public indecency for being in school naked, I can turn to Animal Town lawyer Woolbinkle Moosewinkle.  He is totally incompetent and not very bright, but unlike most of the animals, he is friendly and on my side.  Spot Firedog is a Dalmatian who knows how to use a newspaper.  He is a reporter, publisher, and all-around good dog.  He wrote an expose on me being naked in the Animal Town Elementary school.

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Big Bull Beefalo runs the local hamburger emporium, which might seem like collusion to cannabalism, but Bull is a very gentle and very large soul.  He is himself a vegetarian, but he is a gifted fry cook and chef.  I can go to his restaurant when I get out of jail, though hopefully not as food.

So, Animal Town is a very different kind of place.  It is the result of dreams and goofiness and uncontrolled spurts of cartoonist creativity.  It is a cartoon sort of place where spontaneous and random humor happens.

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Wake Up Sunday Morning!

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As weekly rituals go, one of the most important ones came every Sunday morning when I was a kid.  My parents were 50’s people.  By that I mean they were teenagers and young adults during the post war boom of the 1950’s when everything seemed hopeful and bright and alive with wonderful possibilities.  As a kid in the 1960’s the Sunday morning routine was this;

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  • Wake up grouchy from staying up too late to sneak a look at the late-night monster movie on Saturday.
  • Read the funny papers.
  • Learn life lessons from Family Circus, Dagwood Bumstead, Pogo, Lil’ Abner, and Steve Canyon.
  • Eat scrambled eggs and toast for breakfast.
  • Complain about having to go to church and Sunday school.
  • Go to Sunday School and church at the Methodist Church in Rowan, Iowa.
  • Complain about having to go to church every Sunday on the way home from church.
  • Pray over Sunday dinner and be really, actually thankful for all the positive good things in life.

Obviously the most important thing in that routine was complaining, because I listed it twice.  But when it got down to it, we were thankful for all the good things about life.  We were positive people.  We sometimes listened to Norman Vincent Peale on the radio.  We knew we ought to be positive and thankful and love goodness and be kind.

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Somewhere along the way, though, the world forgot the life lessons of Family Circus.

Somehow we managed to screw things up.

Environmental scientists like Paul Ehrlich, who wrote The Population Bomb, warned us that the world could soon be ending.  And we ignored them.

Richard Nixon taught us not to trust politicians any more.

We stopped believing in things like the wholesome goodness of scrambled eggs.

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We let corruption in our government and inequality in the economic sphere become the norm.  The greedy people who were cynical and had no empathy for the rest of us took over.  That is how we ended up with someone like Donald Trump.  Racism, fear, and complaining now rule the emotional landscape in America and most of the world.

So, what is the answer?  What do we do?

Well, The Family Circus is still out there.  We can learn from it, laugh a little, and apply some of those life lessons.  Especially this one;

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Ghostly Reflections

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I do not believe in ghosts.

So, I am probably the last stupid goomer who should be writing this post.  But I do have a lot to say on the subject that will more than fill a 500-word essay.

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At my age and level of poor health, I think about ghosts a lot because I may soon be one.  In fact, my 2014 novel, Snow Babies has ghosts in it.  And some of the characters in it freeze to death and become snow ghosts.  But it doesn’t work like that in real-world science.  My ghosts are all basically metaphorical and really are more about people and people’s perception of life, love, and each other.

Ghosts really only live in the mind.  They are merely memories, un-expectedly recalled people, pains, and moments of pandemonium.

I have recently been watching the new Netflix series The Haunting of Hill House.  It creeps me out because it latches on to the idea that ghosts haunt us through the revisitation in our minds of old trauma, old mistakes, old regrets… We are never truly safe from ghosts, no matter how far under the covers we go in our beds, deep in the dark and haunted night. Ghosts are always right there with us because they only live inside us.

I am haunted by ghosts of my own.  Besides the ghost dog that mysteriously wanders about our house at night and is seen only out of the corners of our eyes, there is the ghost of the sexual assault I endured at the age of ten by a fifteen-year-old neighbor.  That ghost haunts me still, though my attacker has died.  I still can’t name him.  Not because I fear he can rise up out of the grave to hurt me again, but because of what revealing what he did, and how it would injure his innocent family members who are still alive and still known to my family, will cause more hurt than healing.  That is a ghost who will never go away.  And he infects my fiction to the point that he is the secret villain of the novel I am now working on. In fact, the next four novels in a row are influenced by him.

But my ghost stories are not horror stories.

I write humorous stories that use ghosts as metaphors, to represent ideas, not to scare the reader.  In a true horror story, there has to be that lurking feeling of foreboding, that sense that, no matter what you do, or what the main character you identify with does, things probably won’t turn out all right.   Stephen King is a master of that.  H.P. Lovecraft is even better.

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But as for me, I firmly believe in the power of laughter, and that love can settle all old ghosts back in their graves.  I have forgiven the man who sexually tortured me and nearly destroyed me as a child.  And I have vowed never to reveal his name to protect those he loved as well as those I love.  If he hurt anyone else, they have remained silent for a lifetime too.  And I have never been afraid of the ghost dog in our house.  He has made me jump in the night more than once, but I don’t fear him.  If he were real, he would be the ghost of a beloved pet and a former protector of the house.  And besides, he is probably all in my stupid old head thanks to nearly blind eyes when I do not have my glasses on.

I don’t believe in ghosts.

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Krazy Kat

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I told you before about a cartoonist from ancient ‘Toon Times named Fontaine Fox.  He was a master, and I acknowledge him as one of my greatest inspirations.  But he was not the original master mentor for my teenage ‘Toon Training.  That honor goes to the inestimable George Herriman.  He was the Krazy Kartoonist who died more than a decade before I was born, yet, through his Kreation, Krazy Kat, did more to warp my artistic bent into Krazy Kartooniana Mania than anybody else.  I discovered him first.  I found him through Komic books and the Kard Katalog at the local library.  I own a copy of the book I pictured first in this post.  It is the first Kartoon book I ever bought.  I couldn’t post a picture of my actual book here because I have read it so often in the past forty years that the Kover has Kome off.  It is now more of folder of loose pages than a book.

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Krazy Kat is a newspaper Komic strip that ran all around the world from 1913 to 1944.  Comics Journal would rate Krazy Kat as the greatest work of Komic art of the 20th Century.  Art critics hailed it as serious art, and it fits snugly into the surrealist movement of Salvador Dali and others.  It has been cited as a major influence on the work of other artists such as Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.

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The centerpiece of the strip is a love triangle.  Krazy Kat the Kharacter is a feline who may be female or may be male but is definitely deeply in love with Ignatz Mouse.  The Krazed rodent hopped up on seriously stinky fromage (cheese to us non-French speakers), is Konstantly throwing bricks at Krazy’s head… obviously out of serious disdain, however, Krazy sees it as a confession of love.  Offisa Pup, the police watchdog, wants to jail the malevolent mouse for battery and protect the precious Kat, whom he obviously loves with an unrequited love.  Explanations are superfluous in the weird world of Krazy Kat.  How can I explain the charm, the humor, the good-natured violence of a strip such as this?  There are echoes of it in Tom and Jerry animated cartoons, but nothing like it really exists anywhere else.  Krazy has her own unique language, a language that you naturally learn to interpret as you read the strip.  Ignatz exhibits psychotic frustrations that he takes out on the world around him in our name, that we might experience hubris at his expense.  And what’s with that mysterious sack of “Tiger Tea” that Krazy carries about and keeps a Klosely guarded “sekrit”?

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I honestly hope you will give Krazy Kat a thorough “look-see”.  Because if you like Kartoons at all… and it doesn’t have to be the Krazy Kooky love of a seriously overdosed addict like me… you will fall desperately in love with this one.   It is a world of its own, a superbly superfluous abstract anachronism.  It is a surrealist’s dream of fun with puns and tons of buns… or something like that.  Simply put… read it and don’t like it… I dare you!

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Penguin Proverbs

Penguins

You know how creepy penguins in cartoons can be, right?  The Penguins of Madagascar are like a Mission-Impossible Team gone horribly wrong and transformed into penguins.  The penguin in Wallace and Gromit’s The Wrong Trousers disguised himself as a chicken to perform acts of pure evil.  Cartoonists all know that penguins are inherently creepy and evil.

I recently learned a hard lesson about penguins.  You know the joke, “What’s black and white and red all over?  A penguin with a sunburn.”  I told that joke one too many times.  Who knew the Dallas metroplex had so many loose penguins lurking around?  They are literally everywhere.  One of them overheard me.  And apparently they have vowed a sacred penguin vow that no penguin joke goes unpunished.

As I walked the dog this morning, I spotted creepy penguin eyes, about three pairs, looking at me from behind the bank of the creek bed in the park.  When I went to retrieve the empty recycle bins from the driveway, there they were again, looking at me over the top of the neighbor’s privacy fence.

“Penguins see the world in black and white,” said one of the Penguins.

“Except for purple ones,” added the purple one.

“Penguins can talk?” I tried unsuccessfully to ask.

“Penguins only talk in proverbs,” said one of the penguins.

“But the purple one gives the counterpoint,” said the purple one.

“The wisdom of penguins is always cold and harsh,” said one of the penguins.

“Except on days like this when it’s hot,” said the purple one.

“You should always listen to penguins,” said one of the penguins.

“Of course, people will think you are crazy if you do,” said the purple one.

“People who talk to penguins are headed for a nervous breakdown,” said one of the penguins.

“Unless you are a cartoonist.  Then it is probably normal behavior,” said the purple one.

“Is this all real?” I tried unsuccessfully to ask.

“Everyone knows that penguins are real,” said one of the penguins.

“But there are no purple penguins in nature,” said the purple one.

So, I sat down to write this post about penguins and their proverbs with a very disturbing thought in my little cartoonist’s head…  Why am I really writing about penguins today?  I really have nothing profound to say about penguin proverbs.  Especially profound penguin proverbs with a counterpoint by a purple penguin.  Maybe it is all merely a load of goofy silliness and a waste of my time.

“Writing about penguins is never a waste of time,” said one of the penguins.

“And if you believe that, I have some choice real estate in the Okefenokee Swamp I need to talk to you about,” added the purple one.

 

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Wally Wood

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A self-portrait by Wallace Wood.

I am a bit of a cartoonist for a reason.  I started drawing cartoons at the age of five.  I read everything in the Sunday funny pages, not just for the jokes.  I poured over the drawings and copied some.  I drew Dagwood Bumstead and Blondie.  I drew Lil’ Abner and Charlie Brown and Pogo.  Cartoonists were heroes to me.

But my parents wanted to protect me from the evils of comic books.  Superheroes were off limits most of the time.  Things that are associated with evil were out of the question.  So Daredevil was beyond reach.  And Mad Magazine was full of socialist ideas and led kids down the dark path of satire.  So the truth is, I didn’t discover Wally Wood until I was in college.  His corrupting influence didn’t take hold of me until I was older and full of hormones.  Ah, youth and the propensity for sin!  Wally taught me that cartoons could be real.

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Wally Wood was one of the original artists working for EC comics who formed Mad Magazine with it’s spoofs and irreverent humor.  Wood worked together with the Great Will Eisner on the Spirit.  He went on to work for Marvel on the comic book Daredevil where he innovated the red suit and double-D logo, as well as doing the primary story-telling that brought that comic book from the bottom of the Marvel stack to almost the very top.  His work on Daredevil resonates even until today where there is now a big controversy that the popular show on Netflix does not list Wood among the creators of Daredevil in their credits.  I must remember to complain about that later.

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But the thing that drew me to Wood more than anything was the realistic style that he brought to the unreal realm of cartoons.  The man could draw!  He did marvelous detail work and was a leader in the development of dynamic composition in an artistic industry that tolerated and even often encouraged really poor-quality drawing.  He took the comic book from the age of the glorified stick figure to an age of cinematic scope and know-how.  Here it is revealed in his classic break-down of innovative comic-book panels;

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But it is also important to realize that the more power you put into art, the more it can blow up and hurt people.  Wood had a dark side that went a bit darker as he went along.  He had an issue with the kind of false front comics had to throw up in front after the anti-comics crusade of psychologist Fredric Wertham’s book Seduction of Innocents.  He is probably the artist behind the cartoon poster The Disneyland Memorial Orgy.  He started his own cartoon studio that produced increasingly erotic and pornographic comics like Sally Forth, Cannon, and Gangbang.  He became increasingly ill, lost the sight in one eye, suffered severe headaches, and eventually committed suicide in 1981.  With great power comes great responsibility, and we are not all superheroes in the end.  But I will always admire and emulate the work of this great artist… and selfishly wish he could’ve lived to create more of the wonderful art he gave us.

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Friday Funnies… um, Yeah?

I have been trying for a while to develop a weekly blog routine to make thinking up something new and creative for a daily post easier… even simple. Tuesday is novel-work where I share a freshly made chapter of a work in progress.

Saturday is art day where I am supposed to share artwork I have done in a new and interesting way.

Sunday is devotional day… which is weird for an atheist who believes in God. I have a tendency to share things I am devoted to, which is far more than just religion. I have included on this blog day such things I keep sacred as Disney movies, Dr. Seuss, and being a nudist.

And Friday is supposed to be the day to be funny. Cartoons and jokes and satire and things to make you laugh.

The thing is, though I am a cartoonist, I am not that kind of cartoonist. I don’t do gag cartoons. I am more of an ironic twister of tales and tails and puns. My cartoon shared at the start here is not funny at all. Sometimes my humor novels get downright maudlin and sad. I doubt I have ever yet busted someone’s gut with laughter. I would not want to be guilty of murder by cartoon. What do you legally call that? Gag-a-cide? I put in the hyphens to make sure you didn’t think I was talking about killing Lady Gaga.

I have pretty much mastered the art of drawing cartoons. I can do eyes like Walt Kelly (the creator of Pogo) and Harvey Comics‘ noses (like the one in the Hot Stuff Devil picture) and women with huge jugs… of moonshine like Al Capp (the creator of Lil’ Abner… and you knew I meant jugs of Kickapoo Joy Juice, right? Surely you did think…)

Ah, but telling funny jokes is not what I do. Still, I believe I can lay claim to being a humorist based on this blog. I make people smirk a lot when I talk, which I take as visual confirmation that I am funny. Unless people are smirking at me for other reasons? Do I have another daddy longlegs spider dancing on my head because at least two of his long legs are tangled in my hair? Really? For the third time already?

But, regardless, I have reason to believe this post and others like it on Friday qualify for the notion of Friday Funnies. I can make myself smirk, guffaw, and sometimes giggle without looking in a mirror to see the spider. But you are welcome to dispute my funniness in the comments if you prefer it to admitting that I can sometimes make you laugh. If you do, then you will be supporting the arguments of the book reviewer who reviewed my book Mickey’s Rememberries and said, “He could be a great writer if only he were more serious/” I took that as a compliment. Irony, don’t ya know.

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Why Cartoons, Mickey?

In today’s Art Day post I will tackle the answer to the one question that you probably most don’t need to have an answer to.

Looney Tunes, Merry Melodies, The Woody Woodpecker Show, a Mickey Mouse Cartoon…. why does this old American art form have such a hold over Mickey’s artist’s eye, his pen and ink and drawing hand, and Mickey’s cartoony heart?

Because a simple black line on white paper can become so many different and interesting things. And they can be funny, or they can be in color, or they can make you laugh and cry at the same time.

Cartoons make it possible to turn unicorns into magical jackasses for no other reason than it tickles your funnybone.

You know the funnybone, right? It’s the part of the skeleton that looks the most ridiculously unworkable when you are not wearing your skin.

Yes, no horse actually looks like that. Only in cartoons.

What is too ridiculous to be real, like a superhero whose super power is overwhelming body odor, is the only reality in the realm of the cartoon.

And I really can’t help it. I can no more help being a cartoonist than I can help being an old, retired white guy with gray hair that used to be a school teacher who told really bad jokes and drew cartoons on the chalkboard.

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