Okay, big miscalculation here. My old eyes can’t read the rabbit-talk in this cartoon. So, let me do something about it.
Nope. I can read it now. But that’s the problem. Not only is it not funny, but it’s also sorta racist. But wolves do eat rabbits. Still…
News in the RabbitTown Gazette includes the fact that my son is nearing recovery from COVID 19, and nobody in the house has caught it from him. He gets tested on Saturday so he can return to work if the test is negative.
Of course, the nation-wide news is not so great. This is 2020 after all, even in RabbitTown. The price of carrots is still within reach. But rabbit people are continuing to get sick from the pandemic which will be with us well into 2021.
And the weasel in the really bad weasel-wig that somehow got elected Prexydon’t is still favoring wolf-people, even when they kill an unarmed rabbit. And he blames the rabbits for being mad about how the wolves seemed to get away with murder. He twists the facts to suggest that exercising your right to peaceful protest is the cause of the chaos.
Yes, I am basically a rabbit too.
According to the featured editorial in the RabbitTown Gazette, you should be able to say, “Rabbit lives matter!” without having wolves answer back, “You mean ALL lives matter!”
After all, if you can’t admit out loud that “Rabbit lives matter,” then you really mean the opposite when you are saying, “ALL lives matter.”
Rabbits, whether they are black, white, brown, or red, have unique rabbit qualities, and they all have a basic worth. And I don’t mean as food for wolves.
The paper seems to have only bad news about the economy when you look at it from a rabbit perspective. Sure, the wolves are doing great right now on Wall Street, but that doesn’t help those of us who are not invested in the stalk market. We regular rabbits, and especially poor rabbits, are struggling to keep carrots on the table.
So, it is time for all good rabbits to do whatever a rabbit can. And that’s the way it was today in Rabbit News.
Once I was finally able to scan pictures again, I did some scanning of old pictures that only got the camera treatment before on my blog.
But why stop a drawing at just the pen and ink, when there is potential for so much more?
So, I took the Microsoft generic paint program and my generic photo editor to not only this pen and ink of the Jungle Princess, but a few other pictures as well.
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This is what she looks like after being attacked with color by my arthritic old hands. (There was a day when I could have handled intricate details more cleverly, but that was many, many days ago.
Anyway, I have added new dimensions to Leopard Girrrl with color.
Now I need to add more complications to the basic story of the picture.
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Here is an older pen and ink.
This is Dorin Dobbs, one of the dueling plotlines’ protagonists from the novel Catch a Falling Star.
But, of course, Dorin is a more complex character than this old black and white.
So, color needs to be added.
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I had this one actually already painted in…
But in order to use it in this project, I needed to enlarge it to make it fit into the other picture.
Making this unlikely pair work together in a story is one of the challenges of doing surrealist stories. They have to be grounded in realism, but also bring jarringly different things together. Like the Jungle Princess going on an adventure with Norwall’s Lying King.
But, putting these two together is still not enough. Let’s try some other things.
The Jungle Princess together with Tomboy Dilsey Murphy is an unusual pairing.
Or what about the blue faun from Laughing Blue?
Or even Annette Funicello?
Ridiculous, I know. But don’t they look like satin sofa paintings?
I am in quarantine because of my son’s COVID-positive status, so naturally I am hyper-sensitive to the possibility that I could get the virus and die in just a few days. This morning I woke up to a cough, headache, and sinus drainage that immediately set off alarm bells. Time to start living my last days on Earth…. again.
But I have been thinking about canceling the Pubby subscription I bought before the free ten-day trial period ends tomorrow and they charge my bank account for the whole year. So, before calling an ambulance prematurely and setting the house in a panic, I checked Pubby. One of the two reviewers I thought were both going to stiff me on a review I had earned came through and posted a review. And it was a very literate and convincing five-star review. I was basically thrilled and felt vindicated enough that the other nagging worry felt better too.
This link takes you to the reader-review page.
So, then I took my temperature yet again and got 37.1 degrees Celsius. 37 C is, of course, normal, a fact that I had to look up and then convert to Fahrenheit myself just to be sure. So, I have not had a single instance of fever since long before the quarantine began. And, I was also able to discern that these are the exact same symptoms I had at the end of June that made me go get a COVID test that proved I was negative for the virus after the doctor assured me that taking the test was only a precaution, and I didn’t really have coronavirus symptoms. I still have medication for the allergic reaction I had last time, I remembered trying to do the same clean-up yesterday that I had done the first time I had that reaction.
Since we are on a watch for severe symptoms anyway, I decided to wait until I have a fever or shortness of breath. Exactly what the doctor would tell me to do anyway with the situation whether a test came back positive or negative. I am saving money for the doctor’s phone-call consultation, and saving myself another long trip and long wait in a long, long line. Especially when I don’t feel well enough to drive, and don’t want to risk a healthy family member to drive me. So, while I am sealed in my room waiting to die, I will continue to write and read and try to get more books reviewed. This may be my last day alive. But I am happy and the world looks good even though the Republican National Fear-fest continues to threaten a Trump-family dictatorship.
Oh, and I am continuing to scan artworks as my scanner has temporarily forgotten once again how much it hates me after tax time.
A way to access my artwork from this blog with a simple Google images search.
After trying to hash out a truce with hard-headed hardware, I finally got my scanner working again, despite an unruly and uncooperative keyboard that puts in the wrong command even as I am trying to type this.
Once harnessed to the wagon again, the scanner must now pull more than its own weight as I attempt to create illustrations for my book of essays.
I am working on scanning and converting things to all black and white. So, all of these Art Day illustrations are pulling towards that goal. And much of what I will show you is newly scanned, or re-scanned, or black-and-white.
Here again I will attempt to foolishly explain what a picture means and why I created it. I say “foolishly” because I know, as an artist, that once a picture is finished, it is really no longer mine to interpret. It becomes the exclusive province of the viewer to define what you see in your own terms. Your experience of the picture is your own private matter, entirely between you and your eyeballs and your own happy little brain.
That being said, here is the insight into my own internal bad weather in the brain that led to the making of this picture.
I created this picture in colored pencil back in 1981 when I was finishing my grad school degree, and waiting for my comprehensive exam in the spring led to a lot of sitting around with nothing to do nor money to do anything with. I was living in an efficiency apartment in Iowa City, a twenty-minute walk from most of my classes in the University of Iowa Campus, nestled nicely among the downtown features of one of the most progressive cities available in farm-centric Republican-conservative Iowa. It was no Berkley, California. But it was not Hayseed Hicksville either.
So, I was thinking about how my mind had been freed from the prison of Iowegian conservatism by learning in the school where Kurt Vonnegut had once been part of the acclaimed Writer’s Workshop at the University of Iowa. I had taken some courses that really opened my eyes. A philosophy course taught by a professor who had been excommunicated by the Catholic Church. A deep study of English linguistics with a fairly radioactive dose of the breakthroughs of understanding made by Noam Chomsky. I was moved to “think about thinking,” and so, I drew a picture I would call “The Wings of Imagination.”
As a pencil drawing, I had originally set the eagle-winged Pegasus in the middle of a Medieval village (having recently discovered the original blooming of the role-playing game Dungeons and Dragons that was sweeping the university.) But when I looked at the drawing of the winged horse compared to the surrounding drawing, I knew the beautiful imaginary creature had to show the ability to soar high even though its feet were on the ground. So, I erased everything but the Pegasus and turned the background into the mountain heights you now see in the finished version.
I cannot claim the picture is without flaws, however. You may have noticed that the horse part has overly massive hind legs compared to excessively spindly front legs. The mountainous region I set it in was inspired by watching Bob Ross paint mountains on PBS. I had some pictures from National Geographic as reference for the mountain tops, but the lower valley came entirely from memories of vacation-time Colorado and Montana. The clunky parts were caused by an imperfect memory and a lack of landscape skill.
So, that is why I did what I did. And I am proud of it.
But it is entirely up to you to make of it what you will. That is how the artist/viewer relationship works.
I have never been an attention-seeker. In the Elysian Fields of modern society, I have never really been the honeybee. I have always been the flower. I had a reputation in high school for being the quiet nerd who ends up surprising you immensely in speech class, at the science fair, or at the art show. I was the one they all turned to when everybody in the conversation had already had their chance to strut and pontificate and say dumb things, and they were finally ready to get the solution to the problem being discussed, or the best suggestion on where to begin to find it.
When I became the teacher of the class instead of the student, I had to make major changes. I had to go from being patient, quiet, and shy to being the fearless presenter, forceful, sharp as an imparter of knowledge, and able to be easily understood, even by the kids whom you couldn’t legally call stupid, but were less than smart, and not in a pleasant Forrest Gump sort of way.
Shyness is only ever overcome by determination and practice. The standard advice given is to picture your audience naked so that you are not intimidated by them. But if your audience is seventh graders, you have to be extra careful about that. They are metaphorically naked all the time, ready at a moment’s notice to explode out of any metaphorical clothing they have learned to wear to cover the things that they wish to keep to themselves about themselves. And while you want them to open up and talk to you, you don’t want the emotional nakedness of having them sobbing in front of the entire class, or throwing things at you in the throes of a mega-tantrum over their love-life and the resulting soap operas of betrayal and revenge. And you definitely don’t want any literal nakedness in your classroom. (Please put your sweat pants back on, Keesha. Those shorts are not within the limits of the dress code.) Calling attention to yourself and what you have to say, because you are being paid to do so, is a critical, yet tricky thing to do. You want them looking at you, and actually thinking about what you are saying (preferably without imagining you naked, which they will do at any sort of unintentional slip or accidental prompting.) The ones who ignore you are a problem that has to be remedied individually and can eat up the majority of your teaching time.
I trained myself to be fairly good at commanding the attention of the room.
But now that I am retired, things have changed. I can still command attention in the room, which I proved to myself by being a successful substitute teacher last year. But I no longer have a captive audience that I can speak to five days a week in a classroom. Now my audience is whoever happens to see this blog and is intrigued enough by the title and pictures to read my words.
Now that I am retired and only speaking to the world at large through writing, I am ignored more than ever before. Being ignored is, perhaps, the only thing I do anymore. It is the new definition of Mickey. Mickey means, “He who must be ignored. Not partially, but wholly… and with malice.”
I put my blog posts on Facebook and Twitter where I know for a fact that there are people who know me and would read them and like them if they knew that they were there. But the malevolent algorithms on those social media sites guarantee that none of my dozens of cousins, old school friends, and former students will see them. Only the single ladies from Kazakhstan and members of the Butchers Union of Cleveland see my posts. Why is this? I do not know. Facebook and Twitter ignore me when I ask.
My books, though liked by everybody who has actually read and responded to them, are lost in a vast ocean of self-published books, most of which are not very good and give a black eye to self-published authors in general. I recently got another call from I-Universe/Penguin Books publishers about Catch a Falling Star, the one book I still have with them. They are concerned that my book, which is on their Editor’s Choice list, is not performing as well as their marketing people think it should. But to promote it, I would have to pay four hundred dollars towards the marketing campaign, even though they are already subsidizing it by fifty percent. They tell me they believe in my book. But apparently not enough to pay for 100% of the promotion.
I have decided to invest in a review service that will cost me about twenty dollars a month. But my confidence is not high. The last time I paid somebody to review a book, they reviewed a book with the same title as mine from a different author. That service still owes me money.
But the only reason it is a problem that I am being thoroughly ignored these days is that an author needs to be read to fulfill his purpose in life. Maybe pictures of pretty girls in this post will help. But, even if they don’t, well, I had their attention once upon a time. And since my purpose as a teacher is already fulfilled, perhaps that will be enough for one lifetime.
I write novels, and so, I need covers that hopefully spark interest in potential readers. After all, what is the purpose of writing a novel and putting it in the closet where no one will ever read it.
But where do you get a good cover? Not from publishers. The only cover I ever got that was publisher-made was highly misleading about the contents of my book. And it was stock art that they had o hand and simply wanted to charge me a lot of money for.
So, I figured, I do not have comic-book-art habits for no reason. Since that first go, and the other scam publisher that took advantage of me, I have done my own cover art.
So, today, let me show you my own criminally amateur cover designs for Art Day.
Here’s the one from last night;
And these next few are the more recent stuff.
So far those are unpublished covers for works in progress.
This one, about nudists and mythological teenage boys, is already published.This is the stock cover from I-Universe Publishing. It is not worth what I paid for it. There is no girl flying a kite anywhere in the story.
This last one is not the final version I published. I got rid of the garish yellow for a grayish wood-grain. But my poor internet connection on a hot Texas summer day will not yield any more than I have already shown you.
Ah, well… At least it is already more than last Saturday.
Today, instead of dropping a pile of pictures into my Art Day post, I decided to explain a single work of art, what the idea was, and how I think it succeeded.
This picture, called “March of the Tin Soldiers” was created in 1994. It was done on a large sheet of white art paper from a super-sized art pad purchased a decade before in an Art Store in Austin, Texas. I did the initial drawing with a pencil and then colored over that with colored pencils, mostly art-grade pencils from Prismacolor. It took most of a month to complete because I was in the middle of a busy school year at the time, teaching mostly at-risk and special-programs kids.
The idea is that these toy soldiers are larger than life-size. They are marching up a hill, and now that they have reached the top, they are in various stages of making ready for battle. They will be moving into the darkness on stage left. They are leaving the bright pastel world behind and moving into potential future conflicts. The drummer boy is basically me. I am leading the way. The trumpet girl is the young Math teacher that I proposed to that year. The news is in the newspaper hat that is on her head, and she is in the act of trumpeting the upcoming charge.
The army, you may have noticed, are not real soldiers. They are imaginary and inspired by the soldiers in the Disney movie, Babes in Toyland. Thus, I am relying on the powers of my imagination to move forward into the future in this picture.
Now that I have exposed the thinking that was in my stupid head when I made this picture, I may have spoiled it for you. Ultimately, it is supposed to be up to the viewer to interpret a work of art. And I have added information to it that you couldn’t possibly have known if I hadn’t told it all to you. But art is always more complicated than the viewer can ever know. This is why my family gets impatient with me whenever we go to an art museum. I get stuck in front of paintings where I ponder all the unknowables that make it look like what it is, and may be hidden in it somewhere if only I can look hard enough and long enough to see it.
The number three is important in this composition. You may notice that there are three tin soldiers. The three blue towers in the upper left of the picture are spatially related to the positions of the three soldiers on the hill. This is an intentional echoing. There are also three folds in the flapping flag the third soldier is carrying. The three mountains between and above the three tin soldiers are also spatially echoing the soldiers, though in the opposite direction, symbolizing possible retreat. There are only two children in the picture, but the tin soldier leader is positioned so that he can share a single leg with each child, making three and three, symbolizing support and protection, the big three, husband and wife supported by God’s blessing.
Now I have successfully revealed way too much about this picture, more than you could possibly want to know. But if you have questions, you can always ask in the comments. Though I can’t promise honest answers. That kinda depends on what you want to know.
The pandemic has been wearing on us all. It keeps us home-bound. It prevented me from making the annual trip to Iowa to visit my octogenarian parents, even though my father is now in hospice care because Parkinson’s is winning the five-year battle he has been fighting against it. My mother got me to stay in Texas by telling me that my father no longer recognizes even her, and it would do him no good to see me through a glass window if he didn’t know me anyway. I may not even get to attend his funeral because of COVID.
My daughter too has been dealt a difficult hand of hearts to try to win a card-game of life with. She missed having a regular high school graduation. This is already her second time losing a grandfather. And she has been desperately worried about me with my six incurable pre-existing conditions catching my death of coronavirus flu just because I go to the grocery store to buy food.
But I am not suggesting that my family is the Flintstones, even though Fred, Wilma, and Pebbles have been a part of my life since the 1960’s. Instead I am showing you how we have been coping with it all. My daughter has taken to doing oil-paintings in her room, and today she registered online with the local Junior College. She has also developed an addiction to Fruity Pebbles cereal. They are putting these blank frames on the backs of her cereal boxes, and I have been addicted to cutting them out and drawing Flintstones characters on them. We have developed happy little artistical quirks to carry on the work of the Church of Bob Ross where we create whatever little worlds with our art that we feel like making today. And it is entirely up to us to make our world however we want it to be, just like Bob always says.
And, of course, we choose to make friends and neighbors a part of that world too.
This is artwork from this blog in 2015, a year after I retired from teaching.
December … The LeapDecember… Annette FunicelloNovember … The SingersNovember … ShannonOctober … Tiger SwallowtailSeptember … oil painting … DefianceThe Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life. August 2015July … Endaemion and the MinotaurJune … Miltie is actually MeMay … The Ship with Pink SailsApril … Player #3April … oil painting … Poppa Comes HomeMarch … The Little Red-Haired GirlFebruary … The Boy and his BugleFebruary … Klown Kops, Pie-whackers brigadeJanuary … Harker Dawes, lovable foolJanuary … Sizzahl the Galtorrian scientist
Today in Rabbit-People News
Okay, big miscalculation here. My old eyes can’t read the rabbit-talk in this cartoon. So, let me do something about it.
Nope. I can read it now. But that’s the problem. Not only is it not funny, but it’s also sorta racist. But wolves do eat rabbits. Still…
News in the RabbitTown Gazette includes the fact that my son is nearing recovery from COVID 19, and nobody in the house has caught it from him. He gets tested on Saturday so he can return to work if the test is negative.
Of course, the nation-wide news is not so great. This is 2020 after all, even in RabbitTown. The price of carrots is still within reach. But rabbit people are continuing to get sick from the pandemic which will be with us well into 2021.
And the weasel in the really bad weasel-wig that somehow got elected Prexydon’t is still favoring wolf-people, even when they kill an unarmed rabbit. And he blames the rabbits for being mad about how the wolves seemed to get away with murder. He twists the facts to suggest that exercising your right to peaceful protest is the cause of the chaos.
According to the featured editorial in the RabbitTown Gazette, you should be able to say, “Rabbit lives matter!” without having wolves answer back, “You mean ALL lives matter!”
After all, if you can’t admit out loud that “Rabbit lives matter,” then you really mean the opposite when you are saying, “ALL lives matter.”
Rabbits, whether they are black, white, brown, or red, have unique rabbit qualities, and they all have a basic worth. And I don’t mean as food for wolves.
The paper seems to have only bad news about the economy when you look at it from a rabbit perspective. Sure, the wolves are doing great right now on Wall Street, but that doesn’t help those of us who are not invested in the stalk market. We regular rabbits, and especially poor rabbits, are struggling to keep carrots on the table.
So, it is time for all good rabbits to do whatever a rabbit can. And that’s the way it was today in Rabbit News.
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